| 时间 | 英文 | 中文 |
|---|---|---|
| [00:00] | Everything was actually going fine until we hit the nuns. | |
| [00:02] | – You assaulted a nun? – No, no. | |
| [00:05] | The suspect I was chasing… | |
| [00:07] | made a beeline for a group of nuns. | |
| [00:10] | A gathering… is it a flock of nuns? | |
| [00:12] | I know it’s not a murder of nuns. | |
| [00:14] | – Ow! – Sorry. | |
| [00:16] | Tell me the truth. Do I look like a porcupine? | |
| [00:17] | You don’t not look like a porcupine. | |
| [00:19] | Officer Nolan, focus. | |
| [00:21] | We split up. I came back with a suspect, | |
| [00:23] | and you came back with a new hairdo and empty cuffs. | |
| [00:26] | Yes. As I was saying… ow… the nuns slowed me down, | |
| [00:30] | allowing the suspect to get away, jumping over a fence. | |
| [00:33] | How many times have I told you not to hop a fence | |
| [00:35] | without knowing what’s on the other side? | |
| [00:36] | – Enough that I shouldn’t have done it? – Mm-hmm. | |
| [00:38] | But he was getting away, | |
| [00:39] | so I just… I just… I went over. | |
| [00:41] | And landed headfirst on a cactus. | |
| [00:42] | No, no. | |
| [00:45] | First, I had to get away from the dog. | |
| [00:48] | The cactus was over the second fence. | |
| [00:50] | This is really the lowest point | |
| [00:52] | in my rookie experience, isn’t it? | |
| [00:54] | – [KNOCK ON DOOR] – Hey. | |
| [00:55] | I’m looking for Officer John Nolan? | |
| [00:56] | That’s me. | |
| [00:57] | You’ve been served. | |
| [00:58] | Thanks. Wait. What? | |
| [01:00] | ♪ Whoa, oh, oh, oh-oh, ♪ ♪ oh, oh, oh, oh ♪ | |
| [01:02] | No. I’d say this is the lowest point. | |
| [01:05] | – [CAMERA SHUTTER CLICKS] – ♪ I’m gonna win for you ♪ | |
| [01:07] | ♪ like I know you want me to do ♪ | |
| [01:12] | Hey. Heard you’re officially a cop now. | |
| [01:13] | Got hit with your first lawsuit. | |
| [01:15] | Oh, it’s ridiculous. | |
| [01:16] | This guy says I dislocated his shoulder | |
| [01:18] | pushing past him in a pursuit. | |
| [01:20] | I-I don’t think I even touched him. | |
| [01:22] | And now he wants fifty thousand to settle. | |
| [01:23] | Don’t take it personally. Being sued’s part of the job. | |
| [01:25] | It’s why we’re required to have liability insurance. | |
| [01:27] | Union assign a lawyer yet? | |
| [01:29] | Yeah. Some guy named Simon Parks. | |
| [01:31] | You’re lucky. Guy’s a legend. | |
| [01:32] | Saved my ass a couple times. | |
| [01:34] | He’s a cranky old S.O.B., but he gets the job done. | |
| [01:36] | You’ve got nothing to worry about. | |
| [01:38] | [INDISTINCT CONVERSATIONS] | |
| [01:40] | – What’s going on? – IA arrested Jenkins. | |
| [01:44] | The Robbery Homicide detective? | |
| [01:45] | Yeah. | |
| [01:46] | Why? | |
| [01:47] | SGT. GREY: All right. Grab a seat. | |
| [01:50] | [SIGHS] | |
| [01:53] | See, look, it’s never a good day | |
| [01:55] | when one of your own gets arrested. | |
| [01:57] | I’m sure you have questions. | |
| [01:58] | Commander West from IA is here to answer. | |
| [02:01] | – Commander? – Thank you, Sergeant. | |
| [02:03] | After an extensive investigation, | |
| [02:06] | we found clear evidence that, ten years ago, | |
| [02:08] | Detective Jenkins lied on the witness stand. | |
| [02:11] | Because of his lies, an innocent woman | |
| [02:13] | was convicted of murder in the first. | |
| [02:15] | She’s been in jail this whole time? | |
| [02:17] | Yes. Samantha Bennett. She was released two days ago. | |
| [02:20] | In addition to charging Jenkins with perjury, | |
| [02:23] | we’ve placed him on the Brady List. | |
| [02:25] | Uh, what is the Brady List? | |
| [02:27] | Uh, it’s a record of law enforcement officers | |
| [02:29] | who’ve withheld exculpatory evidence… | |
| [02:31] | It’s a list of dirty cops. | |
| [02:32] | WEST: IA has reviewed all of Jenkins’ past convictions. | |
| [02:36] | Of them, three others were deemed suspect enough | |
| [02:39] | to warrant the release of those felons. | |
| [02:41] | But you’re not sure those three are innocent. | |
| [02:43] | No, but their convictions were overturned. | |
| [02:45] | When this gets out, every lawyer in town | |
| [02:46] | is gonna want to get a Jenkins conviction overturned. | |
| [02:48] | That’s tomorrow’s problem. | |
| [02:50] | Today, protocol dictates | |
| [02:52] | that we make voluntary contact with these released felons. | |
| [02:55] | So, Lopez and West, you will talk to Samantha Bennett. | |
| [02:59] | Bradford, Chen, you got Max Kegel, | |
| [03:02] | who was doing 25 to life for drug trafficking. | |
| [03:05] | And, Bishop and Nolan, take Terry Wright, | |
| [03:08] | who was in for armed robbery and attempted murder. | |
| [03:11] | If you observe anything actionable, | |
| [03:13] | send it up to Major Crimes. | |
| [03:15] | And what if we don’t see anything actionable? | |
| [03:17] | Leave it alone. | |
| [03:18] | Observe, report. That’s it. | |
| [03:20] | All right. Be safe out there. | |
| [03:24] | [CELLPHONE CHIMES] | |
| [03:25] | Oh. My lawyer’s here. | |
| [03:28] | Hmm. You’re lucky to be getting Simon Parks. | |
| [03:30] | He’s been doing this for 40 years. | |
| [03:32] | Can’t beat that kind of experience. | |
| [03:33] | – Officer Nolan? – Yes? | |
| [03:35] | I thought we should meet before this afternoon’s arbitration. | |
| [03:38] | Go over the game plan, answer any questions you might have. | |
| [03:41] | Great. Uh, who are you? | |
| [03:42] | Y-Your lawyer. Simon Parks Junior. | |
| [03:46] | Oh, I-I thought… | |
| [03:48] | You thought I was my father. | |
| [03:49] | [CHUCKLES] | |
| [03:50] | Believe me, I know I have some big shoes to fill, | |
| [03:52] | but I’m excited to get started on my first case with you. | |
| [03:57] | The oldest Boot paired with the youngest lawyer. | |
| [04:01] | Sounds like a match made in heaven. | |
| [04:02] | Right? Now, as far as your role in today’s mediation goes, | |
| [04:05] | less is more. | |
| [04:07] | They will try to get under your skin, | |
| [04:08] | so let me do the talking. | |
| [04:09] | And 2:00 is 2:00, so don’t be late. | |
| [04:12] | – Right. – Um, | |
| [04:13] | let me know if you have any questions, okay? | |
| [04:18] | Did he say “first case”? | |
| [04:21] | Mm-hmm. [CHUCKLES] | |
| [04:22] | So, you and your mother finally make up, | |
| [04:25] | and now you’re giving me the cold shoulder? | |
| [04:27] | No. I, um… things have just been really crazy. | |
| [04:30] | Oh, too crazy to respond to texts? Return phone calls? | |
| [04:33] | Yeah. I’m sorry. I’ve just been focused | |
| [04:35] | on the job and the exam. | |
| [04:37] | What I know is that you’re not ready to have a man-to-man | |
| [04:39] | about what’s going on with you, | |
| [04:41] | but I expect you to be by end of day. | |
| [04:43] | So come find me when you’re ready. | |
| [04:47] | [BUZZER, DOOR OPENS] | |
| [04:49] | What was that about? | |
| [04:50] | Nothing. | |
| [04:53] | Hey, um, do you remember, uh, that felon Oscar | |
| [04:58] | from the prison bus crash? | |
| [04:59] | Stole a car, tried to run us over? That Oscar? | |
| [05:01] | Yeah. Um, when I was booking him, | |
| [05:04] | he told me some stories about my dad. | |
| [05:06] | What kind of stories? | |
| [05:07] | That he was my dad’s CI back in the day. | |
| [05:10] | Said that my dad used to give him intel | |
| [05:12] | in exchange for turning a blind eye. | |
| [05:13] | Lots of cops do that. | |
| [05:15] | Yeah, he also said that my dad | |
| [05:16] | planted a gun on him. | |
| [05:17] | Got him sent away for life. | |
| [05:18] | Let me guess. Oscar insisted he was innocent. | |
| [05:21] | No. He said he was guilty, but no one could prove it. | |
| [05:25] | – So my dad crossed the line. – I don’t believe it. | |
| [05:27] | Your dad is the straightest arrow I’ve ever met… | |
| [05:29] | besides you. | |
| [05:31] | [VEHICLE DOOR OPENS] | |
| [05:34] | NOLAN: No, no. I understand. Okay. Thank you. Bye. | |
| [05:38] | Well, the union says I can’t switch lawyers. | |
| [05:41] | They said, and I quote, “You get what you get,” | |
| [05:43] | which is exactly what I said to my son | |
| [05:45] | when he wouldn’t eat his peas. | |
| [05:46] | He’s a lawyer, Officer Nolan, not a fish. | |
| [05:48] | You can’t just throw him back | |
| [05:49] | because you think he’s too small. | |
| [05:51] | ♪ ♪ | |
| [05:53] | Thought I might be seeing police at some point. | |
| [05:55] | Oh, we’re just checking in on you | |
| [05:56] | after your unexpected recent release. | |
| [05:58] | What, five years into a 20-year sentence | |
| [06:01] | for attempted murder and armed robbery? | |
| [06:03] | It’s a miracle. The man upstairs looking out for me. | |
| [06:06] | – Huh. – Mind telling us what you’ve | |
| [06:07] | been doing since you got back into town? | |
| [06:09] | Of course. Moved back in with my old lady here, | |
| [06:12] | been eating way too much fast food. | |
| [06:15] | Soon as I get the old van up and running, | |
| [06:17] | I’m gonna start looking for work. | |
| [06:18] | Right. | |
| [06:20] | You look familiar. Are you… | |
| [06:23] | Don’t I know you from somewhere? | |
| [06:24] | With your rap sheet, I’m sure we’ve crossed paths. | |
| [06:27] | I used to run with this kid named Dylan. | |
| [06:29] | I think you know him. | |
| [06:30] | Doesn’t ring a bell. | |
| [06:32] | You must have me mixed up with somebody else. | |
| [06:35] | Okay. | |
| [06:36] | Do yourself a favor, Mr. Wright. | |
| [06:38] | You’ve been given a rare second chance. | |
| [06:39] | Take advantage of it. Stay out of trouble. | |
| [06:43] | Yes, ma’am. | |
| [06:44] | ♪ ♪ | |
| [06:47] | So what do you think? | |
| [06:48] | That he’s gonna be trouble. | |
| [06:51] | LUCY: – Why all the extra shifts? | |
| [06:52] | Why not? I’ve got hours to fill when I’m not studying. | |
| [06:55] | Yeah, but don’t you need time off to recharge? | |
| [06:57] | What do you do to unwind? | |
| [06:59] | Work out. And don’t tell me, “If it has ‘work'” | |
| [07:01] | in the title, it can’t be relaxing.” | |
| [07:03] | It’s true. You need a hobby, | |
| [07:04] | something you do for fun. | |
| [07:06] | No, I don’t. | |
| [07:08] | Mr. Kegel, I hear you’ve had a bit of bad luck | |
| [07:10] | since you got out of prison. | |
| [07:11] | Tell me about it. | |
| [07:12] | Eight years of prison food without as much as the runs, | |
| [07:15] | and one bad bowl of clams lands me in the hospital. | |
| [07:18] | Mr. Kegel, I’m sure that your recent release | |
| [07:20] | has brought up some strong emotions. | |
| [07:22] | Only good ones. | |
| [07:24] | Hell, I thought I’d never get to consummate this marriage. | |
| [07:27] | [CHUCKLES] | |
| [07:28] | Alicia and I were, uh, pen pals. | |
| [07:30] | She wrote to me in prison for a year before we got hitched. | |
| [07:34] | Huh. I’ve always wondered about women marrying guys in prison. | |
| [07:37] | – What’s the appeal? – Oh, well, | |
| [07:39] | I read about his case, and I saw his photo, | |
| [07:42] | and… I just fell in love. | |
| [07:45] | Look. Now that I’m out, I plan on keeping my nose clean | |
| [07:48] | and my wife between the sheets. | |
| [07:50] | – Oh. [CHUCKLES] – [CHUCKLES] | |
| [07:52] | Officers, uh, may I speak with you, please? | |
| [07:53] | TIM: Sure thing. | |
| [07:56] | [INDISTINCT CONVERSATIONS IN DISTANCE] | |
| [07:58] | I just got Mr. Kegel’s test results, | |
| [08:00] | and, unfortunately, it’s not food poisoning. | |
| [08:02] | – What is it? – Poison poisoning. | |
| [08:04] | Hydramethylnon, to be specific. | |
| [08:06] | It’s a chemical used in roach traps. | |
| [08:08] | Mrs. Kegel, can you come out here, please? | |
| [08:11] | No. | |
| [08:13] | ♪ ♪ | |
| [08:18] | What’s going on? | |
| [08:19] | Who made the clams? | |
| [08:20] | My honey bunny. Why? | |
| [08:22] | ‘Cause they were poisoned. | |
| [08:23] | Guess your wife wasn’t psyched you came home. | |
| [08:25] | What? Is that true? | |
| [08:28] | You were never supposed to get out of jail. | |
| [08:31] | That was the whole allure. | |
| [08:33] | Besides, it got my mother off my back about me being single. | |
| [08:36] | And then you came home, and you were all… | |
| [08:39] | clammy and handsy, and I just snapped. | |
| [08:43] | Ma’am, I’m gonna need you to stand up. | |
| [08:45] | Turn around. Hands behind your back. | |
| [08:48] | [HANDCUFFS CLICKING] | |
| [08:49] | Sorry. | |
| [08:51] | ♪ ♪ | |
| [08:53] | [VEHICLE DOORS CLOSE] | |
| [08:54] | Samantha Bennett really took it in the teeth. | |
| [08:56] | Ten years for a crime she didn’t commit. | |
| [08:58] | Barely a traffic ticket before she went inside. | |
| [09:00] | And her file says she has a kid. | |
| [09:02] | Child was only a year old when her mom went to prison. | |
| [09:04] | Yeah. There’s no way she comes out the same person. | |
| [09:06] | Prison hardens you. | |
| [09:08] | – Where the hell are they?! – Somebody help! | |
| [09:10] | – Where’s my family? – Don’t hurt me. | |
| [09:11] | – Where are they? – Drop the bat! | |
| [09:13] | No. It’s not fair! | |
| [09:15] | Arrest her. She’s crazy! | |
| [09:16] | Look, Samantha, please. Put down the bat. | |
| [09:20] | This isn’t gonna help you. | |
| [09:22] | Is that what you want? You want to help me? | |
| [09:24] | Like you helped me the ten years in jail? | |
| [09:27] | Like you helped to convince my husband | |
| [09:29] | that I was a murderer? | |
| [09:31] | You know what it feels like to have the person that you love | |
| [09:34] | turn against you, | |
| [09:35] | believe you’re capable of the worst thing imaginable? | |
| [09:38] | Ten years, he never once brought my baby to visit me, | |
| [09:41] | said she was better off without me. | |
| [09:43] | I know you’re upset. | |
| [09:44] | I can only imagine what you’ve been through. | |
| [09:47] | But this man doesn’t know where your family is. | |
| [09:49] | – Do you? – Of course not! | |
| [09:51] | They moved out years ago. | |
| [09:53] | I just… I just want to see my baby. | |
| [09:56] | I didn’t know where else to go. | |
| [09:57] | Samantha, you need to put the bat down. | |
| [10:01] | [BREATHES HEAVILY, SIGHS] | |
| [10:04] | [BAT CLATTERS] | |
| [10:06] | Please don’t send me back there. | Please don’t send me back there. |
| [10:09] | – Look, I’m sorry. – Please. | |
| [10:11] | ♪ ♪ | |
| [10:19] | First arbitration. You nervous? | |
| [10:21] | A little bit. What are you gonna do? | |
| [10:23] | Be a cop. | |
| [10:25] | Um… can I ask you something? | |
| [10:28] | Okay. | |
| [10:29] | – Who’s Dylan? – What? | |
| [10:31] | The guy that Terry thought you both knew. | |
| [10:33] | I got a vibe that you weren’t | |
| [10:34] | being completely straight with him. | |
| [10:36] | You got the vibe? | |
| [10:37] | What kind of vibe are you getting right now? | |
| [10:41] | That I’ve overstepped. | |
| [10:42] | I don’t know any Dylan. End of story. | |
| [10:46] | Good talk. | |
| [10:48] | [ENGINE STARTS] | |
| [10:49] | ♪ ♪ | |
| [10:54] | Turn to… | |
| [10:56] | Okay. [CAMERA SHUTTER CLICKS] | |
| [10:58] | Come on. | |
| [11:00] | [VOICE BREAKING] I’m never gonna find them. | |
| [11:01] | Look, I’m… I’m sure someone knows where they are. | |
| [11:04] | She probably hates me anyway. | |
| [11:05] | – Your daughter? – [SIGHS] | |
| [11:07] | I missed her whole life. | |
| [11:09] | The best I can hope is that Tom told her I was dead. | |
| [11:12] | Otherwise, I’m just mom the murderer. | |
| [11:15] | Yeah, but you’re innocent, okay? | |
| [11:17] | And that will be all over the news | |
| [11:18] | now that Jenkins was arrested. | |
| [11:20] | So is the fact that I’m back in jail. | |
| [11:22] | – [DOOR OPENS] – No, | |
| [11:24] | Tom is right. | |
| [11:26] | She’s better off without me. | |
| [11:28] | I’m no good to anybody now. | |
| [11:32] | Don’t say that. | |
| [11:34] | ♪ ♪ | |
| [11:39] | [POLICE RADIO CHATTER] | |
| [11:43] | This isn’t right. | |
| [11:44] | No, but our hands are tied. | |
| [11:46] | We have to be able to do something to help her. | |
| [11:49] | This isn’t just about her, is it? | |
| [11:51] | – Yeah. – [BUZZER, DOOR OPENS] | |
| [11:54] | All right, and maybe my dad, too. | |
| [11:57] | A dirty cop ruined her life. | |
| [12:00] | Look, let me think on Samantha, | |
| [12:03] | see if I can figure something out. | |
| [12:05] | But you need to get your head straight about your dad. | |
| [12:07] | Either go talk to him or let it go. | |
| [12:09] | What you can’t do is let the doubt eat away at you. | |
| [12:15] | – Hey. | – Hey. |
| [12:17] | How’s it going with Jenkins? | |
| [12:19] | Usual song and dance. | |
| [12:20] | He’s crying conspiracy, coercion, | |
| [12:22] | trying to muddy the waters. | |
| [12:24] | I’ve been meaning to ask you, how’s my boy doing? | |
| [12:27] | Well, you know. Standing tall some days, | |
| [12:29] | falling on his face others, like all rookies before him. | |
| [12:32] | – [CHUCKLES] – Like us back in the day. | |
| [12:33] | Yeah, but he’s been acting a little strange | |
| [12:35] | the last few weeks. Standoffish. | |
| [12:37] | Something I should know? | |
| [12:39] | You’d have to ask him. | |
| [12:40] | Tell me about his T.O. | |
| [12:41] | – Officer Lopez? – Yeah. | |
| [12:44] | – She’s a good cop. – On paper, sure, | |
| [12:45] | but I’m asking about her instincts, | |
| [12:47] | her leadership skills, her ability to teach my son | |
| [12:50] | things he can’t learn from his rook book. | |
| [12:51] | Percy, I’m not quite sure how to reply to that. | |
| [12:54] | See, this is specifically why I asked you to assign | |
| [12:57] | Officer Bradford to my son, not Lopez. | |
| [13:00] | He’s a known entity, a cop’s cop. | |
| [13:02] | With her, I’m wondering, | |
| [13:04] | does she truly have what Jackson needs? | |
| [13:06] | Are you asking as head of Internal Affairs | |
| [13:08] | or a nervous father overstepping his bounds? | |
| [13:11] | Listen. I know you outrank me, | |
| [13:14] | but I’m gonna tell you exactly what I said | |
| [13:16] | when Jackson was assigned here… no special favors. | |
| [13:18] | Wa… Wade. I’m not asking for special favors… | |
| [13:20] | That includes keeping tabs on him. | |
| [13:24] | Is that understood, Commander? | |
| [13:27] | It is, Sergeant. | |
| [13:29] | ♪ ♪ | |
| [13:32] | Excuse me. | |
| [13:33] | ♪ ♪ | |
| [13:41] | I was just about to call you. | |
| [13:42] | Let me guess. You can’t make dinner? | |
| [13:44] | Sorry. One of my clients was put away | |
| [13:46] | by that Brady Cop… Jenkins. | |
| [13:47] | I’ve got to go back through the case, | |
| [13:49] | see if anything shakes loose. | |
| [13:50] | Today must be like Christmas morning for defense attorneys. | |
| [13:52] | Yeah, except instead of presents, | |
| [13:54] | we have boxes of discovery to open. | |
| [13:56] | – Um… – Oh. | |
| [13:58] | – Listen. Hey. – Yeah. Hi. | |
| [13:59] | – I, uh… I have to go see – Mm-hmm? | |
| [14:00] | a client on Saturday, but I’ll be back Sunday. | |
| [14:02] | I’m on duty Sunday. | |
| [14:04] | ♪ ♪ | |
| [14:06] | Right. Well, uh, nice to see you. | |
| [14:09] | Yeah. | |
| [14:13] | – How are you doing? – Mm. | |
| [14:14] | Good? Yep. | |
| [14:18] | [SIGHS] | |
| [14:20] | So, I heard you tried to get me replaced. | |
| [14:23] | Okay. Yes, I did. But you said this was your very first case. | |
| [14:26] | You have to understand that would make me a little nervous. | |
| [14:28] | They handed you a gun on your first day, didn’t they? | |
| [14:30] | Yes. And that made me a little nervous, too. | |
| [14:32] | Look, I grew up in a courtroom. | |
| [14:35] | I learned every trick my dad knows. | |
| [14:37] | Passed the Bar first time out with a near-perfect score. | |
| [14:39] | So trust me when I say, I got this. | |
| [14:41] | I need you focused on you, | |
| [14:43] | staying calm, attentive, quiet. | |
| [14:45] | – Can you do that? – Absolutely. | |
| [14:47] | – Great. – Yeah. | |
| [14:49] | But just so you know, I got a couple of years | |
| [14:50] | of Pre-Law under my belt. | |
| [14:51] | I’ve gone to small claims court a number of times | |
| [14:53] | to get paid for jobs, so if you need anything… | |
| [14:55] | I appreciate that, but lawyering is my job. | |
| [14:58] | Oh, absolutely. 100 percent. | |
| [15:00] | But I’ve got your back if you need it. | |
| [15:02] | – I won’t. – Right. | |
| [15:04] | – But if you do… – I won’t. | |
| [15:06] | [DOOR OPENS, CLOSES] | |
| [15:11] | You’re late. | |
| [15:12] | Apologies, Your Honor. | |
| [15:14] | Sorry. My fault. I was on patrol. | |
| [15:16] | And I was getting my prostate squared away. | |
| [15:19] | Still got here on time. | |
| [15:20] | Yes, sir. Sorry again. | |
| [15:23] | Really? A neck brace? This happened a month ago. | |
| [15:26] | Officer Nolan, please don’t interact with the plaintiff. | |
| [15:28] | It’s called emotional whiplash. [INHALES SHARPLY] | |
| [15:30] | My doctor says it’s from having to relive the incident | |
| [15:33] | over and over again the past few days. | |
| [15:35] | That’s not a real thing. | |
| [15:37] | We need to get a medical expert in here to swear under oath… | |
| [15:39] | What did I say about letting me do my job? | |
| [15:41] | Hey, counsel… can we get this circus started? | |
| [15:43] | Yes, sir. Sorry. | |
| [15:45] | Simon Parks for the defendant. | |
| [15:46] | Jephson Green for the plaintiff, Your Honor. | |
| [15:48] | It seems you did a little | |
| [15:49] | reckless running on the job, Officer Nolan. | |
| [15:52] | Your Honor, I was in pursuit of a wanted felon… | |
| [15:54] | Did that sound like a question? | |
| [15:57] | You think this is gonna be easy, don’t ya? | |
| [16:00] | Just waltz in here, | |
| [16:02] | charm the pants off of me with your uniform | |
| [16:04] | and your dimples. | |
| [16:06] | – No, sir. – I have the power… | |
| [16:09] | to give this man your pension. | |
| [16:11] | SIMON: Uh, Your Honor, if I may, | |
| [16:13] | we have Officer Nolan’s body cam footage, | |
| [16:15] | if you’ll allow us to play it. | |
| [16:16] | – Sure. Sounds fun. – Great. | |
| [16:18] | [TV SWITCHES ON] | |
| [16:20] | ♪ ♪ | |
| [16:23] | Oof. | |
| [16:24] | NOLAN: There. | |
| [16:26] | Can we just say case closed? Seriously… | |
| [16:28] | Should we switch seats? | |
| [16:30] | – Do you want to do my job? – Would you let me handle this, please? | |
| [16:33] | All right. | |
| [16:34] | This is the fourth time that Mr. Lynch | |
| [16:36] | has brought suit against a police officer. | |
| [16:37] | Prior history, Your Honor, is just that… history. | |
| [16:41] | It has no bearing on the fact that Officer Nolan | |
| [16:43] | assaulted my client, causing him lasting physical injury. | |
| [16:47] | And only Your Honor has the power to make this right. | |
| [16:51] | Well said. | |
| [16:53] | [TRAFFIC PASSING] | |
| [16:58] | [CAR ALARM BLARING IN DISTANCE] | |
| [17:01] | [RAP MUSIC PLAYS IN DISTANCE] | |
| [17:03] | ♪ ♪ | |
| [17:09] | Forget it. | |
| [17:11] | Dylan, wait. We need to talk. | |
| [17:14] | Oh, do we, now? After all these years, | |
| [17:15] | that’s how you want to play this. | |
| [17:17] | Please? | |
| [17:23] | [EXHALES SHARPLY, SNIFFS] | |
| [17:26] | ♪ ♪ | |
| [17:31] | Look, one of your former running buddies | |
| [17:33] | just got out of Folsom. Terry Wright. | |
| [17:36] | Have you heard from him? | |
| [17:37] | [SCOFFS] | |
| [17:39] | Seriously, Talia? | |
| [17:40] | You came all the way down here to ask me about some guy | |
| [17:42] | from the neighborhood I knew 15 years ago. | |
| [17:44] | Cut the crap. You and Terry got a lot tighter after I left. | |
| [17:47] | You think I didn’t know that? | |
| [17:48] | Oh, I see. | |
| [17:50] | So you too good to stay in touch, | |
| [17:52] | but you can keep tabs on me, stay all up in my business. | |
| [17:55] | I am trying to look out for you. | |
| [17:57] | You’re suspected of pulling at least five jobs with Terry. | |
| [17:59] | You’re lucky you only got caught once. | |
| [18:01] | You got a lot of nerve calling me “lucky.” | |
| [18:03] | Hey, I never asked to be taken to another family. | |
| [18:05] | Yeah, but you sure as hell | |
| [18:07] | couldn’t wait to get up out of there. | |
| [18:08] | And can you blame me? | |
| [18:09] | That home was a nightmare. | |
| [18:13] | I would’ve taken you with me if I could have. | |
| [18:15] | Yeah, well, it’s cool. | |
| [18:17] | Yeah, I took care of myself. | |
| [18:20] | Got clean, got straight. | |
| [18:22] | Been working a warehouse job for about a year now. | |
| [18:25] | So I got no need for you, | |
| [18:26] | and I ain’t got no need for Terry. | |
| [18:28] | I got to go to work. | |
| [18:32] | Dylan, I… | |
| [18:34] | I ju… I… I’m sorry. | |
| [18:37] | ♪ ♪ | |
| [18:39] | I’m sorry I haven’t been around. | |
| [18:41] | ♪ ♪ | |
| [18:44] | I had to step away when I joined the police. | |
| [18:46] | Yeah, you were embarrassed. I get it. | |
| [18:48] | No! | |
| [18:50] | Because a family connection to a criminal | |
| [18:52] | would have kept me off the force. | |
| [18:54] | And if they find out now that I lied | |
| [18:56] | and I left you off of my personal history, | |
| [18:58] | I could lose my job. | |
| [19:01] | Well, no worries. I don’t know you anyway. | |
| [19:03] | ♪ ♪ | |
| [19:06] | [GATE RATTLES] | |
| [19:12] | Your Honor, I’d like to submit some crucial evidence | |
| [19:15] | we’ve recently received. | |
| [19:16] | Another video of the assault. | |
| [19:17] | Your Honor, any evidence should have been | |
| [19:19] | provided during discovery. | |
| [19:20] | Whoa! Things just got real. | |
| [19:22] | This video just came to my attention, | |
| [19:24] | and after viewing it, you’ll understand why | |
| [19:26] | we’ve upped our financial demand to $50,000. | |
| [19:28] | You can go ahead and up it to $100 million. I don’t care. | |
| [19:30] | I’m not paying it because I didn’t do anything wrong. | |
| [19:32] | No, no. Of course you didn’t. No cop ever does anything wrong. | |
| [19:35] | Will the plaintiff please refrain from | |
| [19:36] | addressing my client directly? | |
| [19:37] | Enough. I love a dramatic turn. | |
| [19:39] | Let’s watch. | |
| [19:41] | Now, this is all about perspective, | |
| [19:43] | and from this perspective, you can clearly see | |
| [19:46] | Officer Nolan knock my client to the ground. | |
| [19:49] | Okay. Wait. It’s… uh, clearly from this angle, | |
| [19:52] | it looks egregious, but… | |
| [19:54] | Egregious? I’d say it looks like you deserve a flag | |
| [19:56] | for roughing the pedestrian. | |
| [19:58] | Your Honor, can we take a brief recess? | |
| [20:00] | Make it quick. | |
| [20:04] | This is crazy. I didn’t do anything wrong. | |
| [20:06] | It doesn’t matter. We’ve got an unpredictable judge, | |
| [20:08] | and that video just made our case more difficult, | |
| [20:10] | so I really need you to sit back and let me do my job. | |
| [20:13] | – Got it? – Got it. | |
| [20:15] | Come on. | |
| [20:17] | [BUZZER] | |
| [20:19] | Go ahead. Have a seat on the bench. | |
| [20:22] | Don’t I get a lawyer? | |
| [20:24] | Did you want a lawyer? | |
| [20:25] | Yeah. But you took all my money. | |
| [20:28] | Yeah, it was stolen money. | |
| [20:30] | You know, it doesn’t matter, | |
| [20:31] | because your lawyer would be pro bono. | |
| [20:34] | Free. | |
| [20:36] | [BUZZER, DOOR OPENS] | |
| [20:39] | I’ve got just the guy for you. | |
| [20:41] | – Mr. Camel. – It’s just “Camel.” | |
| [20:43] | You know, like Beyoncé or Post Malone. | |
| [20:47] | All right. Let’s start somewhere simple. | |
| [20:49] | Why is there marker on your face? | |
| [20:51] | So Petey wouldn’t know it was me. | |
| [20:53] | That’s Peter DiAmato, | |
| [20:54] | the cashier at the convenience store you robbed. | |
| [20:56] | Robbery? Wait a minute. | |
| [20:58] | My client was wielding a squirt gun… | |
| [21:00] | hardly qualifies as a “threat of force.” | |
| [21:02] | It looked real. | |
| [21:03] | ♪ ♪ | |
| [21:06] | It… It had Hawaiian Punch in it, | |
| [21:10] | which he drank repeatedly during the alleged incident. | |
| [21:13] | And the theft of $20 from the register? | |
| [21:14] | Petey owed me that money. | |
| [21:16] | Sounds like a harmless prank, | |
| [21:18] | misunderstanding between friends. | |
| [21:20] | – Prank, huh? – Well, | |
| [21:21] | comedy is subjective. | |
| [21:26] | Who keeps rubbing my foot? | |
| [21:29] | All right. Say I let him walk. | |
| [21:32] | What do I get? | |
| [21:34] | ♪ ♪ | |
| [21:42] | I’ve got 15 minutes. | |
| [21:43] | Don’t worry. I’m good under pressure. | |
| [21:45] | Oh, good. [CHUCKLES] | |
| [21:52] | Bishop? | |
| [21:55] | Why are you digging into known associates of Terry Wright? | |
| [21:57] | When we stopped by for the field interview, | |
| [21:59] | I got a strong sense that he’s up to something. | |
| [22:01] | See, look. This station’s under a microscope. | |
| [22:04] | The last thing I need is one of my officers | |
| [22:05] | getting slapped with a harassment complaint. | |
| [22:07] | If you have something real, great. | |
| [22:09] | Send it to Metro. | |
| [22:10] | Otherwise, get back on the street. | |
| [22:12] | Yes, sir. | |
| [22:14] | ♪ ♪ | |
| [22:16] | DISPATCH: 7-Adam-15, assault in progress. | |
| [22:18] | Rustic Ranch Paintball. | |
| [22:20] | [PAINTBALL GUNS FIRING] | |
| [22:22] | Hey, Officer, over here. Over here. | |
| [22:24] | He’s totally lost his mind. | |
| [22:25] | – Who? – Jimmy. | |
| [22:27] | He lives for paintball, | |
| [22:28] | but he takes it way too seriously. | |
| [22:29] | Carl snuck up behind him and scored, | |
| [22:32] | and then Jimmy freaked out and started attacking… | |
| [22:33] | Okay. Slow down. Who’s Jimmy? Who’s Carl? | |
| [22:35] | That’s Carl. | |
| [22:38] | Whoa. Um… did you call an ambulance? | |
| [22:40] | We called them, they’re on the way. | |
| [22:42] | Okay. Keep pressure on it. | |
| [22:43] | Whatever you do, don’t pull it out. | |
| [22:44] | Where’s this other guy, Jimmy? | |
| [22:46] | Well, he’s out there playing somewhere. | |
| [22:48] | – How can we ID him? – Uh, he’s about 6′ tall, | |
| [22:50] | he’s got a camo jacket, and a skeleton face guard. | |
| [22:52] | All right. You stay here and wait for the ambulance. | |
| [22:56] | It’s scary what happens when a man focuses on one thing only. | |
| [22:59] | It’s a cautionary tale, really. | |
| [23:01] | Shut it, Boot. | |
| [23:03] | – [SIREN WAILING IN DISTANCE] – Yes, sir. | |
| [23:05] | All the new video does is show us why magic tricks work. | |
| [23:08] | The magician doesn’t really saw the woman in half, | |
| [23:11] | and Officer Nolan didn’t really knock Mr. Lynch to the ground. | |
| [23:14] | So the only reasonable outcome here | |
| [23:15] | is to dismiss this case with prejudice, | |
| [23:17] | citing Salsbury, Ritter, and Bennett v. Long Beach. | |
| [23:19] | Well put, young man. | |
| [23:21] | [STAMMERS] This… This isn’t right. | |
| [23:23] | My pain is real. | |
| [23:25] | Time after time, police have gotten away | |
| [23:27] | with their crimes against me. | |
| [23:29] | My dog was run over in a high-speed chase, | |
| [23:31] | and my door was kicked in | |
| [23:33] | by cops serving a warrant on the wrong address. | |
| [23:34] | And not one officer has had the decency to just say, | |
| [23:38] | “I’m sorry.” | |
| [23:40] | Is this why you’re suing me? | |
| [23:41] | Because no one’s ever apologized to you? | |
| [23:43] | – Officer Nolan… – Let me be the first. | |
| [23:44] | – I’m sorry that you got hurt. – Off… | |
| [23:47] | [SIGHS] | |
| [23:49] | Well, Your Honor, in light of the defendant’s | |
| [23:51] | – admission of guilt… – What? | |
| [23:53] | …the plaintiff ups our financial demand to $100,000. | |
| [23:56] | – Wait. – Your Honor, | |
| [23:57] | we need a 15-minute recess. | |
| [23:58] | Yeah, you do. | |
| [24:00] | ♪ ♪ | |
| [24:07] | Man, this would be a whole lot easier | |
| [24:09] | if everyone wasn’t wearing camo. | |
| [24:10] | This job isn’t about easy, Boot. | |
| [24:12] | Have you ever done this? Played paintball? | |
| [24:14] | – [PAINTBALL GUNS FIRING] – No. It’s amateur hour. | |
| [24:15] | I’d straight up murder these guys. | |
| [24:17] | – Okay. – MAN: That’s him, that’s him! | |
| [24:20] | Exhibit A. | |
| [24:22] | She thinks approaching from the rear | |
| [24:23] | gives her a tactical advantage. | |
| [24:24] | But in reality, had she taken the superior position | |
| [24:27] | of the high ground to the north… | |
| [24:29] | – [PAINTBALL GUNS FIRING] – Oh! | |
| [24:31] | …that wouldn’t have happened. | |
| [24:32] | – Oh. – [SIGHS] | |
| [24:34] | But we know Jimmy’s not your average player. | |
| [24:35] | This game is his life. So where would he go? | |
| [24:38] | Hmm. Somewhere with a protected view of the course? | |
| [24:42] | Huh. High ground. | |
| [24:44] | ♪ ♪ | |
| [24:48] | [PAINTBALL GUN FIRES] | |
| [24:49] | LAPD! | |
| [24:51] | Anyone else fires, they’re going to jail. | |
| [24:53] | – Okay. Sorry. – Guys, guns down. | |
| [24:55] | ♪ ♪ | |
| [24:57] | Guy in the skeleton mask? | |
| [24:58] | Behind you! | |
| [25:00] | Jimmy! | |
| [25:01] | ♪ ♪ | |
| [25:03] | [GRUNTS] | |
| [25:04] | ♪ ♪ | |
| [25:08] | [KNOCK ON DOOR] | |
| [25:09] | – Commander. – [SIGHS] | |
| [25:13] | About before. | |
| [25:15] | I was out of line. | |
| [25:17] | It’s hard having a cop for a son, | |
| [25:18] | especially when you know what this job can do to him. | |
| [25:22] | All good. Water under the bridge. | |
| [25:25] | – Good. – [CHUCKLES] | |
| [25:27] | Have a good day. | |
| [25:31] | Something else? | |
| [25:34] | ♪ ♪ | |
| [25:41] | You didn’t hear this from me, okay? | |
| [25:44] | Make sure they can bounce a quarter off your bunk. | |
| [25:46] | – You hear me? – What do you mean by that? | |
| [25:49] | Detective Jenkins, this Brady List business… | |
| [25:53] | it isn’t going away anytime soon. | |
| [25:55] | The police commission is stepping in. | |
| [25:57] | We’re talking review boards and independent audits. | |
| [26:00] | It could get ugly, Wade, so double-check your officers. | |
| [26:04] | Leave nothing to chance. | |
| [26:07] | Make sure nothing can blow back on you. | |
| [26:11] | Thanks for the heads-up. | |
| [26:13] | ♪ ♪ | |
| [26:16] | [BIRDS CHIRPING] | |
| [26:23] | Come on, Dylan. Prove me wrong. | |
| [26:26] | [CELLPHONE RINGS] | |
| [26:30] | – You done? – No. Just wanted to let you know | |
| [26:32] | there’s no rush getting back here. | |
| [26:34] | Thanks for the update. | |
| [26:35] | – What are you up to? – Getting my nails done. | |
| [26:37] | – That’s a joke, right? – Look, | |
| [26:38] | did you actually want something | |
| [26:39] | or you just called to say hi? | |
| [26:41] | I think I’m gonna lose. | |
| [26:42] | It doesn’t mean you did anything wrong. | |
| [26:44] | [GATE OPENS] | |
| [26:47] | Crap. Nolan, I got to go. | |
| [26:50] | – What’s going on? You okay? – Everything’s fine. | |
| [26:52] | Good luck with your arbitration. | |
| [26:54] | ♪ ♪ | |
| [26:56] | [ENGINE STARTS] | |
| [26:58] | ♪ ♪ | |
| [27:02] | PERCY: These two stay. | |
| [27:05] | This one goes. | |
| [27:07] | JACKSON: You, uh, got a minute? | |
| [27:09] | Sure. | |
| [27:10] | You ready to tell me what’s going on? | |
| [27:15] | [SIGHS] Come on. | |
| [27:18] | You can talk to me. Always. | |
| [27:22] | Lopez and I, um… | |
| [27:25] | we arrested a man named Oscar Hutchinson. | |
| [27:28] | He told me stories about you and him. | |
| [27:31] | And, um… | |
| [27:34] | And what? | |
| [27:37] | He said you were dirty. | |
| [27:40] | And you believe the word of a convicted felon, | |
| [27:42] | a murderer, over your own father? | |
| [27:44] | No. No. I, um… I just… | |
| [27:48] | I-I pulled the file. | |
| [27:49] | You did what? | |
| [27:51] | Boy, have you lost your damn mind?! | |
| [27:53] | I’m not a boy. I’m a police officer… | |
| [27:55] | Well, not for long, | |
| [27:56] | if you don’t get your head straight. | |
| [27:57] | Remember, you’re not just accusing your father here, | |
| [28:00] | you’re accusing a superior. | |
| [28:03] | Yes, sir. | |
| [28:04] | Oscar Hutchinson is a habitual liar | |
| [28:07] | with a history of substance abuse, | |
| [28:09] | not to mention a personal grudge against me. | |
| [28:11] | You think there’s a court in this country | |
| [28:13] | that would find his testimony credible? | |
| [28:15] | Look, I don’t give a damn if it would stand up in court. | |
| [28:18] | I want to know if it’s true. | |
| [28:20] | Of course not! | |
| [28:22] | And today of all days, you throw this in my face?! | |
| [28:28] | Get out of my sight. | |
| [28:30] | ♪ ♪ | |
| [28:38] | [SIRENS WAILING] | |
| [28:40] | [TRAIN WHISTLE BLOWING IN DISTANCE] | |
| [28:45] | [POLICE RADIO CHIRPS] | |
| [28:46] | Control, 7-Adam-15. | |
| [28:48] | I need a premise history on 11215 South 73rd Street. | |
| [28:52] | DISPATCH: Copy. Stand by. | |
| [28:55] | Okay. Lots of 11-3 at that address. | |
| [28:57] | I’m getting a hazard code, as well. | |
| [29:00] | ♪ ♪ | |
| [29:04] | 7-Adam-15, show me on a felony ped stop | |
| [29:07] | in the alley beside the South 73rd address. | |
| [29:09] | I think they’re about to rob a stash house. | |
| [29:13] | [GUNS COCKING] | |
| [29:14] | Two at gunpoint. Send backup. | |
| [29:16] | ♪ ♪ | |
| [29:21] | Police! | |
| [29:25] | Drop the weapons! | |
| [29:29] | Three steps forward. | |
| [29:32] | On your knees. | |
| [29:35] | I told you not to run with this fool. | |
| [29:38] | ♪ ♪ | |
| [29:42] | I knew you looked familiar. | |
| [29:44] | Talia Bishop, the prodigal sister. | |
| [29:47] | And you led her right here. | |
| [29:49] | Thought I taught you better. | |
| [29:51] | You should have taken that second chance, Terry. | |
| [29:53] | Now you’re going back to prison. | |
| [29:54] | I don’t think so. | |
| [29:56] | [GUN COCKS] | |
| [29:57] | ♪ ♪ | |
| [30:04] | Holster your weapon. | |
| [30:06] | ♪ ♪ | |
| [30:09] | Take off the belt. Get it from her. | |
| [30:12] | ♪ ♪ | |
| [30:15] | [EXHALES SHARPLY] | |
| [30:17] | ♪ ♪ | |
| [30:19] | You shouldn’t have followed me here. | |
| [30:21] | I should have just let you rob a stash house and get killed? | |
| [30:25] | [SIGHS] | |
| [30:27] | [SIREN WAILING IN DISTANCE] | |
| [30:30] | Yo. What do you want to do with her? | |
| [30:32] | She probably already called for backup. | |
| [30:34] | We better rob this place fast. | |
| [30:37] | Stick her in the van. Make sure she’s secure. | |
| [30:39] | Let’s go. | |
| [30:41] | ♪ ♪ | |
| [30:45] | Dylan, you don’t have to do this. Don’t do this. | |
| [30:48] | Don’t do this. Dylan, it’s not too late! | |
| [30:50] | – Dylan! – [VAN DOORS SLAM] | |
| [30:51] | ♪ ♪ | |
| [30:58] | [THUD IN DISTANCE] | |
| [30:59] | [YELLING, DOG BARKING IN DISTANCE] | |
| [31:01] | [GUNSHOTS IN DISTANCE] | |
| [31:05] | [GRUNTING] | |
| [31:08] | [GLASS SHATTERS] | |
| [31:09] | [GUNFIRE, MAN GROANING] | |
| [31:13] | [BULLET RICOCHETS] | |
| [31:15] | ♪ ♪ | |
| [31:17] | TERRY: Go, go, go, go, go! | |
| [31:19] | [GUNSHOTS] | |
| [31:23] | Where’s Maurice? | |
| [31:25] | Dead. Hold on. | |
| [31:27] | [ENGINE STARTS] | |
| [31:28] | [GROANS] | |
| [31:30] | He needs to go to a hospital. | |
| [31:31] | Yeah, that’s not happening. | |
| [31:33] | [GROANS] Yeah, I’m… I’m hit pretty bad, man. | |
| [31:35] | He could bleed out. If you care about him, | |
| [31:36] | take him to the hospital. You can just dump him out. | |
| [31:38] | We’re not going to any damn hospital. Shut the hell up. | |
| [31:42] | [BREATHING HEAVILY] | |
| [31:45] | However I rule, it’s clear to me | |
| [31:48] | that Officer Nolan has a lot to learn about the job of policing. | |
| [31:51] | [CELLPHONE RINGS] | |
| [31:55] | I have to take this. | |
| [31:56] | – Like hell you do. You… – [CELLPHONE BEEPS] | |
| [31:58] | – Yes, sir? – Bishop’s missing. | |
| [31:59] | She called for backup. When units arrived, | |
| [32:01] | they found her car outside a stash house, | |
| [32:03] | bodies inside. | |
| [32:05] | – Officer, hang up that phone! – Have you heard from her? | |
| [32:07] | – No. – Get back here. | |
| [32:08] | Yes, sir. On my way. | |
| [32:10] | Officer Nolan, we’re not done here. | |
| [32:12] | I am. Do whatever you need to do. | |
| [32:14] | Make it $1,000, $100,000, $100 million. I don’t care. | |
| [32:16] | My T.O.’s in trouble. | |
| [32:18] | ♪ ♪ | |
| [32:21] | Dylan, grab that sweatshirt. | |
| [32:23] | [GRUNTING] | |
| [32:24] | Tie it around your arm… above the wound. | |
| [32:27] | You got to stop the bleeding. | |
| [32:29] | [GROANS] | |
| [32:30] | – What’s the plan? – TERRY: I’m working on it. | |
| [32:34] | Man, Maurice is dead. | |
| [32:35] | We’re riding around this van with a kidnapped cop. | |
| [32:37] | What kind of plan fixes this? | |
| [32:39] | One that includes killing me. | |
| [32:40] | Shut up! | |
| [32:42] | He’s not gonna hurt you. | |
| [32:44] | Where do you think we’re driving to? | |
| [32:45] | Quiet place where he can execute a cop. | |
| [32:48] | Isn’t that right, Terry?! | |
| [32:49] | We’re not killing her. | |
| [32:50] | Just relax, Dylan. I know what to do. | |
| [32:54] | Everything’s gonna be fine. | |
| [32:56] | [BREATHING HEAVILY] | |
| [32:59] | [ENGINE STOPS] | |
| [33:00] | Uncuff her from the van. | |
| [33:05] | ♪ ♪ | |
| [33:11] | [GRUNTING, BREATHING HEAVILY] | |
| [33:12] | [GRUNTS] | |
| [33:14] | [SIGHS] | |
| [33:16] | ♪ ♪ | |
| [33:22] | Look, whatever happens next, Dylan, I am sorry. | |
| [33:27] | Even though I couldn’t keep you in my life, | |
| [33:30] | I still kept my eye on you. | |
| [33:33] | I saw you turn your life around. | |
| [33:36] | I know I let you down. | |
| [33:39] | But this… this is… this isn’t you. | |
| [33:42] | You are so much better than this thug. | |
| [33:44] | Don’t listen to her. | |
| [33:46] | Who taught you how to be a man, | |
| [33:48] | how to hustle, how to survive on these streets? | |
| [33:51] | I’m the closest thing to family you’ve ever had. | |
| [33:55] | She doesn’t deserve tears. | |
| [33:58] | Turn around. You shouldn’t have to see this. | |
| [34:01] | No. Come on. Let’s… Let’s just leave her. | |
| [34:04] | Let’s just get the hell out of here. | |
| [34:05] | We can’t do that. Just turn around. | |
| [34:10] | ♪ ♪ | |
| [34:16] | [VOICE BREAKING] Dylan, I love you. | |
| [34:21] | I’m sorry! | |
| [34:26] | Get on your knees. | |
| [34:27] | Man, I’m not getting on my knees. | |
| [34:29] | You gonna shoot me, | |
| [34:30] | you gonna look me in my face when you do it. | |
| [34:32] | ♪ ♪ | |
| [34:34] | [GUNSHOT] | |
| [34:36] | ♪ ♪ | |
| [34:38] | [BODY THUDS] | |
| [34:40] | [GASPS] | |
| [34:43] | Dylan, Dylan, look at me. | |
| [34:44] | Breathe. Breathe. It’s okay. | |
| [34:47] | Come uncuff me. | |
| [34:48] | Come on. Uncuff me. | |
| [34:50] | [BREATHING HEAVILY] | |
| [34:53] | What did I do? | |
| [34:57] | You saved me. | |
| [34:59] | ♪ ♪ | |
| [35:03] | [SNIFFLES] | |
| [35:04] | ♪ ♪ | |
| [35:10] | [BREATHING HEAVILY] | |
| [35:11] | [HANDCUFFS RATTLE] | |
| [35:14] | What are you doing? | |
| [35:15] | I’m sorry, but I gotta take you in. | |
| [35:17] | I just saved your life. Save mine. | |
| [35:19] | That’s what I’m trying to do! | |
| [35:20] | Look, I’ll go to Mexico. | |
| [35:22] | I’ll be gone by the morning. | |
| [35:23] | I swear, you’ll never hear from me again! | |
| [35:25] | You know I can’t. | |
| [35:26] | I can… I can keep your secret. | |
| [35:29] | Yeah, w-with Terry dead, no one else knows. | |
| [35:33] | – It’s perfect… – That doesn’t matter anymore. | |
| [35:35] | ♪ ♪ | |
| [35:40] | [HANDCUFFS CLICKING] | |
| [35:41] | [EXHALES SHARPLY] | |
| [35:43] | ♪ ♪ | |
| [35:52] | – [POLICE RADIO CHIRPS] – [BREATHING HEAVILY] | |
| [35:53] | Control, this is Officer Bishop. | |
| [35:55] | I’m in Baldwin Hills oil field. | |
| [35:57] | I have one in custody, one deceased. | |
| [36:01] | Please send additional units, an RA, and a supervisor. | |
| [36:05] | ♪ ♪ | |
| [36:15] | Hey. | |
| [36:17] | I’ve been looking for you. | |
| [36:20] | – You okay? – I… yeah. | |
| [36:22] | Why didn’t you tell me you were into something? | |
| [36:23] | I would have been there for you. | |
| [36:24] | You had your own life to deal with. | |
| [36:25] | Yeah, well, I hate to break it to you, | |
| [36:27] | but you’re a pretty big part of that these days. | |
| [36:28] | [SCOFFS] Lucky you. | |
| [36:29] | Yes. I am lucky. | |
| [36:33] | Look, I don’t know what’s going on with you, | |
| [36:37] | and I don’t know who this Dylan guy you arrested is. | |
| [36:40] | All I know is there’s got to be a reason | |
| [36:42] | you’re playing it close to the vest. | |
| [36:44] | And I respect that. | |
| [36:47] | But take it from a guy who bottled things up | |
| [36:49] | for too many years. | |
| [36:52] | It helps to talk about it. | |
| [36:56] | You’re right. | |
| [36:58] | I do need to talk. | |
| [37:00] | [SIGHS] But not to you. | |
| [37:02] | ♪ ♪ | |
| [37:08] | [KNOCK ON DOOR] | |
| [37:10] | Come in. | |
| [37:15] | Sir, I have something to tell you. | |
| [37:16] | What is it? | |
| [37:19] | Dylan Scott is my brother. | |
| [37:23] | Come again? | |
| [37:25] | We spent a year together in the same foster home, | |
| [37:28] | a year that felt like a lifetime. | |
| [37:32] | I wouldn’t have made it one day without him. | |
| [37:35] | Bishop. Where are you going with this? | |
| [37:40] | I left him off of my P.H.Q. when I applied to the academy | |
| [37:43] | because of his criminal record. | |
| [37:44] | I pretended like he didn’t exist, | |
| [37:46] | and that was a mistake. | |
| [37:48] | It doesn’t matter we only spent a year together. | |
| [37:52] | He’s family. | |
| [37:54] | [SIGHS] | |
| [37:56] | If this was any other day, | |
| [37:59] | I might have the energy to chew you out | |
| [38:03] | or figure out how to help. | |
| [38:05] | But today… today, my hands are tied. | |
| [38:09] | So I have to file a memorandum with the Chief, | |
| [38:12] | informing him that one of my best officers | |
| [38:14] | perjured herself on an official document, | |
| [38:18] | likely torpedoing her career. | |
| [38:22] | You’re dismissed. | |
| [38:24] | ♪ ♪ | |
| [38:32] | We need to talk. | |
| [38:33] | I’m off-duty, Commander. Maybe another time. | |
| [38:36] | Jackson, please. | |
| [38:43] | So I’ve been doing a lot of apologizing today. | |
| [38:46] | I’m not used to that. | |
| [38:47] | I’m not really good at it either. | |
| [38:49] | Was that your way of saying sorry? | |
| [38:51] | [SIGHS] No, no. | |
| [38:54] | This is. | |
| [38:55] | I’m sorry. | |
| [38:58] | Why? | |
| [39:00] | You swore that you weren’t dirty. | |
| [39:02] | And I wasn’t. | |
| [39:04] | Look, you have to understand, | |
| [39:07] | when I was coming up in the force, | |
| [39:08] | it was a different time. | |
| [39:10] | Two weeks to match fingerprints, if you were lucky. | |
| [39:12] | And forget about DNA evidence. | |
| [39:15] | We cut corners sometimes because we had to. | |
| [39:19] | My whole life, you drilled me to follow every single rule | |
| [39:23] | to the letter. | |
| [39:24] | And now it’s, “Oh, yeah”, | |
| [39:25] | we cut corners ’cause we had to.” | |
| [39:28] | Who the hell do you think you are? | |
| [39:31] | Your father. | |
| [39:34] | Not the one that I thought you were. | |
| [39:35] | Look, I don’t know what Oscar told you | |
| [39:37] | or what you think I might have done, | |
| [39:39] | but I swear to you, I wasn’t dirty. | |
| [39:42] | I knew plenty who were, but that wasn’t me. | |
| [39:44] | I never falsified evidence. Never took money. | |
| [39:47] | Never flaked a guy to make a collar. | |
| [39:51] | You have to believe me. | |
| [39:55] | No, Dad. I don’t. | |
| [39:58] | ♪ ♪ | |
| [40:01] | Jackson, please. | |
| [40:05] | All I ever wanted was for you to be better than I was. | |
| [40:09] | ♪ ♪ | |
| [40:14] | [SIGHS] | |
| [40:16] | Hey. | |
| [40:17] | Are you okay? | |
| [40:18] | Not really. | |
| [40:20] | I’m sorry, but maybe this will cheer you up. | |
| [40:22] | Come on. | |
| [40:24] | I spoke to the building super about Samantha, | |
| [40:25] | told him everything she’d gone through. | |
| [40:27] | So he agreed to withdraw his complaint. | |
| [40:29] | – She’s free to go. – That’s great. | |
| [40:31] | There’s more. | |
| [40:34] | Mrs. Bennett? | |
| [40:35] | Can we get a minute? | |
| [40:37] | – Yeah. – Thanks. | |
| [40:38] | I found your husband. | |
| [40:40] | I explained to him what happened, | |
| [40:42] | that you were innocent. | |
| [40:43] | It was a lot to process. | |
| [40:45] | Before you get your hopes up, | |
| [40:47] | he doesn’t want you to know where he | |
| [40:48] | or your daughter are just yet. | |
| [40:50] | But I gave him this number, | |
| [40:53] | and I think he’ll call… | |
| [40:54] | once he wraps his head around the truth. | |
| [40:57] | Thank you. Thank you. | |
| [41:00] | You’re welcome. | |
| [41:01] | ♪ But I put them in the shadows at last ♪ | |
| [41:06] | – ♪ Oh, I’ve looked up and down ♪ – So… | |
| [41:09] | – What did they end up at? – ♪ and crossed the sea ♪ | |
| [41:10] | – $100,000? – Nope. | |
| [41:12] | Back down to $50,000? | |
| [41:13] | No. The judge tossed it. | |
| [41:15] | What? How?! | |
| [41:17] | Oh, when you ran out of there, | |
| [41:18] | only concerned with your T.O.’s safety, | |
| [41:20] | I was able to use it as an example | |
| [41:21] | of your selfless dedication to the job. | |
| [41:23] | The judge was impressed. | |
| [41:25] | [LAUGHING] Wow! | |
| [41:27] | Nicely done. | |
| [41:28] | Hey, thanks. I told you I know what I’m doing. | |
| [41:31] | Yeah, you did. | |
| [41:33] | And I, for one, should know better, | |
| [41:34] | than to judge someone on | |
| [41:36] | their age or their experience. | |
| [41:37] | So I’m sorry. | |
| [41:39] | And… thank you very much. | |
| [41:41] | ♪ …searching ♪ | |
| [41:43] | Hey, you know this lawsuit wasn’t really about you, right? | |
| [41:47] | It was about the uniform. | |
| [41:49] | Get used to it. | |
| [41:50] | Hey, I’m a lawyer. | |
| [41:52] | Everybody hates us, right? | |
| [41:53] | [LAUGHS] No. No. | |
| [41:56] | ♪ Ah, ah, ah ♪ | |
| [41:59] | You ready, Boot? Remember. No mercy. | |
| [42:02] | Got it. | |
| [42:05] | You’re having fun, aren’t you? | |
| [42:07] | – No. – [CHUCKLES] | |
| [42:08] | On me. | |
| [42:11] | Go! | |
| [42:13] | ♪ I’m ready, I’m ready, ♪ | |
| [42:15] | ♪ I’m ready now ♪ | |
| [42:17] | ♪ I’m ready, I’m ready, ♪ ♪ I’m ready now ♪ | |
| [42:18] | – Incoming! – [PAINTBALL GUNS FIRING] |