| 时间 | 英文 | 中文 |
|---|---|---|
| [00:01] | [ Prof’s “Church” plays ] | |
| [00:06] | ♪ Got so much back ♪ | |
| [00:07] | ♪ That you could call me J-Lo ♪ Ow! | |
| [00:08] | ♪ Call me J-Lo ♪ | |
| [00:10] | ♪ Building so fast that I ran out of LEGOs ♪ | |
| [00:11] | ♪ Out of LEGOs ♪ [ Telephone ringing ] | |
| [00:13] | [ Pencil clatters ] ♪ Just bought a runway ♪ | |
| [00:14] | ♪ For my new tornado ♪ | |
| [00:15] | ♪ New tornado ♪ | |
| [00:16] | ♪ The game is mine, I can’t let go my Eggo ♪ | |
| [00:18] | ♪ I told my mama ♪ | |
| [00:20] | Hello? | |
| [00:21] | Harper: Officer Nolan, this is Detective Nyla Harper. | |
| [00:23] | I’m your new training officer. | |
| [00:25] | My — Great! | |
| [00:26] | Um, I’m sorry, did you say “detective”? | |
| [00:29] | Yeah. Isn’t that a little unusual for — | |
| [00:31] | I thought we should get a drink, | |
| [00:32] | size each other up a bit before shift tomorrow. | |
| [00:34] | Meet me at Third Strike. 20 minutes. | |
| [00:37] | Third Strike. Okay, got it. | |
| [00:38] | I’m gonna — I’m gonna need like 30. | |
| [00:39] | 20, or I’m gone. | |
| [00:41] | [ Click ] Oh, uh, okay. | |
| [00:43] | Um… | |
| [00:44] | ♪ It’s perfect ♪ | |
| [00:45] | ♪ Hallelujah ♪ | |
| [00:47] | ♪ Say it again ♪ | |
| [00:48] | ♪ Hallelujah ♪ | |
| [00:50] | [ Mirror breaks ] | |
| [00:52] | ♪ I’m cavin’ in ♪ | |
| [00:53] | ♪ Come back one more time ♪ | |
| [00:57] | ♪ I live with a troubled mind ♪ Uh, excuse me. | |
| [00:59] | I’m meeting someone here, a Nyla Harper. | |
| [01:02] | Um… | |
| [01:04] | I’ll grab a draft when you got a minute. | |
| [01:07] | ♪ Come back one more time ♪ | |
| [01:10] | ♪ Much too proud to question why ♪ | |
| [01:15] | [ Sighs ] | |
| [01:16] | ♪ After all these years ♪ | |
| [01:18] | ♪ I’m cavin’ in ♪ | |
| [01:19] | Let me guess. First date? | |
| [01:22] | Worried she’s not gonna show? | |
| [01:23] | Oh, no, no. I wouldn’t bring a first date here. | |
| [01:25] | No offense. | |
| [01:26] | Oh, none taken. | |
| [01:27] | I am meeting someone, though. | |
| [01:29] | My, um — My TO. | |
| [01:30] | My training officer. | |
| [01:31] | I’m a rookie. LAPD. | |
| [01:32] | You’re a rookie? Yeah. | |
| [01:34] | Mid-life career change. | |
| [01:36] | Oh. Good for you. Thanks. | |
| [01:38] | You wouldn’t happen to see her, did you, | |
| [01:40] | someone probably just checking her watch, | |
| [01:42] | looking annoyed? Maybe. | |
| [01:43] | I-I don’t really pay attention | |
| [01:44] | to people sitting at the bar. | |
| [01:47] | So, why the change? | |
| [01:48] | Hmm. | |
| [01:50] | Uh, you know, uh, | |
| [01:52] | sometimes life just gives you a nudge. | |
| [01:54] | For me, it was a divorce, | |
| [01:55] | my son moving off to college, | |
| [01:56] | and an ill-timed trip to the bank. | |
| [01:57] | Makes sense. | |
| [01:59] | Wife left you, kid left you. | |
| [02:00] | Nothing like a gun in hand | |
| [02:02] | to make you feel powerful again. | |
| [02:04] | No, that’s not why at all. | |
| [02:07] | Are there maybe some other customers | |
| [02:09] | that could use your help? | |
| [02:10] | ♪♪ | |
| [02:13] | You’re her. You’re my TO. | |
| [02:14] | [ Slams hand on table ] | |
| [02:16] | Took you long enough. | |
| [02:17] | Wow. Okay. | |
| [02:18] | Why the game? | |
| [02:19] | Wanted to see if you could play. | |
| [02:20] | So, if it wasn’t about your gun, | |
| [02:22] | why do you want the badge? | |
| [02:23] | Well, because when people are having their worst day, | |
| [02:26] | I want to be there, try to help make it right. | |
| [02:28] | Oh, God, you’re one of those. | |
| [02:29] | One of what? A guardian. | |
| [02:30] | There are two kinds of cops, Officer Nolan — | |
| [02:32] | there are Warriors and Guardians. | |
| [02:35] | One’s a hunter, the other’s a nurturer. | |
| [02:38] | One is only alive when they’re in the fight. | |
| [02:40] | The other is happy to clock out after 12. | |
| [02:43] | One is worth my time. | |
| [02:44] | The other is not. | |
| [02:46] | ♪ Come back one more time ♪ | |
| [02:48] | ♪ In this cold, empty home ♪ | |
| [02:51] | ♪ Come back one more time ♪ | |
| [02:52] | That went well. | |
| [02:57] | ♪♪ | |
| [02:58] | I don’t understand. | |
| [03:00] | So, she’s a detective, | |
| [03:02] | but she’s coming back to patrol? | |
| [03:03] | Is that allowed? | |
| [03:04] | Well, it’s not unheard of. | |
| [03:05] | Actually, I’ve never heard of it. | |
| [03:06] | Lucky me. | |
| [03:08] | Well, I’ve been through a lot of TO mind games, | |
| [03:09] | and it’s really not that bad. | |
| [03:11] | All you need to remember is | |
| [03:12] | be absolutely perfect at all times. Thanks. | |
| [03:15] | Look, seriously, you are a great cop. | |
| [03:17] | You just need to keep being a great cop, | |
| [03:19] | and she’ll see that. | |
| [03:21] | Oh, Rachel. | |
| [03:23] | Uh, I’ll see you guys in there. | |
| [03:24] | Hey! Hi! | |
| [03:25] | Happy birthday! | |
| [03:26] | Thank you! | |
| [03:27] | It’s — It’s your birthday? Yeah! | |
| [03:28] | And I am spending it doing what I love — | |
| [03:30] | picking up juvenile contact reports. | |
| [03:32] | I got your gift. | |
| [03:34] | How do you always find the perfect thing? | |
| [03:36] | Mm, just six months of scouring | |
| [03:38] | every used book store in Los Angeles. | |
| [03:40] | I tracked down a copy of “Aeronautics Through the Ages.” | |
| [03:41] | Sounds like a page turner. | |
| [03:43] | Well, my grandfather did the illustrations. | |
| [03:45] | He was obsessed with planes. | |
| [03:46] | When I was a kid, | |
| [03:48] | we spent every weekend at local airfields. | |
| [03:50] | Well, until security crackdowns. | |
| [03:52] | Anyway, um, I should get to work. | |
| [03:54] | We still on for Friday? | |
| [03:57] | Yeah. | |
| [03:58] | I’ll pick you up at 8:00. | |
| [03:59] | Happy birthday. | |
| [04:01] | Thanks. | |
| [04:02] | ♪♪ | |
| [04:07] | Whatever you’re about to say, don’t. | |
| [04:09] | Sgt. Grey: We have a new Training Officer joining us this morning, | |
| [04:12] | Detective Nyla Harper. | |
| [04:14] | Nyla? | |
| [04:15] | ♪♪ | |
| [04:16] | [ Laughs ] | |
| [04:18] | ♪♪ | |
| [04:23] | [ Knocks on window ] | |
| [04:24] | ♪♪ | |
| [04:27] | What’s up? You’re late for roll call. | |
| [04:29] | Oh, that’s still a thing? Take a seat. | |
| [04:31] | As I was saying, Detective Harper just completed | |
| [04:34] | four years of undercover work. | |
| [04:36] | She has volunteered to bring | |
| [04:37] | her wealth of experience to the FTO program. | |
| [04:41] | Officer Nolan, I’m sure you’ll learn a lot. | |
| [04:44] | Looking forward to it, sir. | |
| [04:45] | If you need anything, ask Lopez and Bradford. | |
| [04:48] | They’ll bring you up to speed. | |
| [04:49] | Yes, sir. | |
| [04:50] | Alright, that’s it. Be safe out there. | |
| [04:55] | Hey. Angela Lopez. | |
| [04:57] | Hi. He’s Bradford. | |
| [04:59] | Surprised to see a detective volunteer as a TO. | |
| [05:01] | Most would see it as a step backward. | |
| [05:03] | While clearly, you’ve never moved forward. | |
| [05:04] | I get the appeal, though — surround yourself with kids | |
| [05:06] | who don’t know enough to see through your bull. | |
| [05:08] | Look, solid policing is anything but bull. | |
| [05:10] | Whereas cops like you spend so much time over the edge | |
| [05:12] | you don’t even know where the line is. | |
| [05:14] | Don’t get your panties in a bunch, handsome. | |
| [05:16] | I’m not saying you’re not tough. | |
| [05:17] | I’m just saying you’re not me. | |
| [05:20] | ♪♪ | |
| [05:24] | I love her so much. | |
| [05:27] | Thank you. You’re welcome. | |
| [05:29] | What’s all this? Our gear. | |
| [05:32] | [ Bag unzips ] | |
| [05:35] | Ticket book? You’re not gonna need that. | |
| [05:36] | Or that. Or this. | |
| [05:40] | Okay, well, Sergeant Grey likes to see two citations a week. | |
| [05:42] | Grey’s not your TO. | |
| [05:43] | Give me an AR-15 | |
| [05:45] | with PVS-14 night vision and a laser sight. | |
| [05:47] | You’re AR certified? | |
| [05:48] | Card’s on file. | |
| [05:49] | Coming up. | |
| [05:51] | You really think we’re gonna need an AR-15? | |
| [05:52] | Sure hope so. | |
| [05:54] | L-Look, um, about last night. | |
| [05:57] | I-I really don’t understand the ruse. | |
| [05:59] | If you wanted to know why I wanted to be a cop, | |
| [06:01] | you could have just asked me, and I would have told you. | |
| [06:03] | I wanted to see who you were | |
| [06:04] | when you weren’t kissing your new TO’s ass. | |
| [06:06] | And I found out you can’t be trusted. | |
| [06:08] | Because I want to help people? | |
| [06:10] | Because you started spilling secrets | |
| [06:11] | to a complete stranger. | |
| [06:12] | What if that waitress had a brother in the Rolling 60s | |
| [06:15] | who would just love to smoke an off-duty cop? | |
| [06:17] | [ Gun cocks ] | |
| [06:18] | I didn’t think of that. Clearly. | |
| [06:19] | Okay, look, I’m sorry. That won’t happen again. | |
| [06:21] | You obviously have a wealth of experience. | |
| [06:23] | And I’m looking forward to learning everything you have to teach. | |
| [06:26] | Oh, I won’t be teaching you. | |
| [06:27] | You’re my training officer. | |
| [06:28] | Which earns me a 5% pay bump. | |
| [06:30] | Whether you learn or not. | |
| [06:32] | [ Thud ] | |
| [06:34] | [ Sighs ] | |
| [06:35] | ♪♪ | |
| [06:39] | I know you’re probably worrying about | |
| [06:41] | what to get Rachel. | |
| [06:43] | Don’t. | |
| [06:44] | You are riding with the world’s best gift-giver. | |
| [06:46] | So let’s start brainstorming. | |
| [06:48] | What are you thinking about getting her? | |
| [06:49] | Nothing. | |
| [06:51] | It’s her birthday. | |
| [06:53] | We’ve been dating for two weeks. | |
| [06:54] | If I get her something, it’d be weird. | |
| [06:56] | So, you just wished her happy birthday, | |
| [06:57] | and now you’re done? | |
| [06:59] | Yep. | |
| [07:01] | [ Smacks lips ] Okay. | |
| [07:03] | ♪♪ | |
| [07:08] | Maybe I should get her something small. | |
| [07:09] | ♪♪ | |
| [07:16] | Broken taillight. | |
| [07:18] | Which he clearly can’t afford to fix. | |
| [07:25] | Ah, look, she barely stopped. | |
| [07:27] | She could have caused an accident. | |
| [07:28] | But she didn’t. | |
| [07:29] | Is this why you became a cop, Five Percent? | |
| [07:31] | To harass hard-working people just trying to get by? | |
| [07:34] | Doesn’t sound very guardian-like to me. | |
| [07:36] | No, ma’am, but Sergeant Grey likes to see 2, 2, and 2 — | |
| [07:39] | two citations, two misdemeanors, and two felony arrests a week. | |
| [07:42] | Yeah, we won’t be doing that. | |
| [07:43] | And if he fires us? | |
| [07:44] | I can’t get fired. | |
| [07:45] | I have a golden ticket. | |
| [07:46] | Like in “Willy Wonka”? | |
| [07:49] | Like in the LAPD. | |
| [07:51] | It’s a reward for policing above and beyond. | |
| [07:54] | I had my choice — any station, any detail. | |
| [07:56] | And you picked this? Mm-hmm. | |
| [07:58] | Well, you must have taken down some heavy hitters. | |
| [08:00] | It’s what warriors do, Officer Nolan. | |
| [08:02] | Which is why we don’t get out of this car | |
| [08:04] | for anything less than a felony. | |
| [08:06] | And when we do step out, we step out hard and fast. | |
| [08:10] | Strike before they can. | |
| [08:11] | And if you slow me down, you are done. | |
| [08:15] | [ Teens laughing ] | |
| [08:16] | [ Paintball guns popping ] | |
| [08:18] | Woman: Aah! | |
| [08:19] | [ Siren approaches ] | |
| [08:20] | Evan: Are you kidding me?! | |
| [08:22] | [ Siren chirps ] | |
| [08:25] | Woman: Please stop. [ Laughs ] | |
| [08:27] | Drop the guns now! Show us your hands! | |
| [08:29] | Okay, okay. | |
| [08:31] | You got ’em? Jackson: Yeah. | |
| [08:32] | Let’s go. | |
| [08:36] | Police. Is someone in there? | |
| [08:45] | I-I don’t want trouble. | |
| [08:46] | Are you okay? I’ll move. | |
| [08:48] | I just need my cart. | |
| [08:50] | We’re not clearing you out. We’re here to help. | |
| [08:52] | We’ll take you to a hospital. You’ve been hurt. | |
| [08:53] | I’m fine. | |
| [08:55] | I’m fine. Just lea– | |
| [08:57] | Leave me alone. Okay, um, no problem. | |
| [08:59] | I just need some information for the report. | |
| [09:02] | No, I got– [Sniffs] I have to go. | |
| [09:05] | At least tell me your name. | |
| [09:07] | [ Sighs ] | |
| [09:09] | Alice. | |
| [09:10] | [ Car door closes ] | |
| [09:12] | Sheldon. Alice Sheldon. | |
| [09:14] | Thank you, Alice. | |
| [09:17] | I’ll make sure those boys never hurt you again. | |
| [09:18] | If you need anything… | |
| [09:19] | ♪♪ | |
| [09:28] | We were just protecting our neighborhood. | |
| [09:30] | My — My dad said they’re tanking the property values. | |
| [09:33] | She’s a human being. | |
| [09:34] | I’m not so sure about you two. | |
| [09:36] | ♪♪ | |
| [09:59] | Maserati. No plates. | |
| [10:02] | Let me guess. | |
| [10:04] | Not worth getting out of the shop for. | |
| [10:09] | No, this one, we stop. | |
| [10:13] | A rag around the steering column | |
| [10:15] | to hide the broken ignition. | |
| [10:16] | That car is stolen. | |
| [10:17] | [ Siren chirps ] | |
| [10:18] | Driver in the Maserati, pull over. | |
| [10:20] | [ Siren chirps ] | |
| [10:27] | Driver. Step out of the car. | |
| [10:31] | You’re hot for a cop. | |
| [10:32] | I know. Everybody out. Now. | |
| [10:37] | Hands where I can see them. | |
| [10:40] | Nolan. VIN. | |
| [10:42] | Control, 7-Adam-15. | |
| [10:43] | Need you to run a VIN for me. | |
| [10:44] | Number’s 7-1-8. | |
| [10:46] | Hey, stay where you are. | |
| [10:47] | Stay where you are! | |
| [10:49] | ♪♪ | |
| [10:52] | You’re under arrest. | |
| [10:53] | [ Handcuffs click ] | |
| [10:54] | Hey, stop! | |
| [10:56] | [ Car horn blares, tires screeching ] | |
| [10:58] | ♪♪ | |
| [11:02] | [ Horn blares, tires screech ] | |
| [11:03] | ♪♪ | |
| [11:06] | [ Horn blares ] | |
| [11:07] | [ Tires squeal ] | |
| [11:08] | ♪♪ | |
| [11:12] | Get up. | |
| [11:13] | ♪♪ | |
| [11:19] | 7-Adam-15. In foot pursuit of suspect. | |
| [11:21] | 7th and Figueroa. | |
| [11:22] | Hispanic male, 5’7″, gray shirt, gray jeans. | |
| [11:25] | Requesting backup and airship. | |
| [11:27] | [ Thud ] Kriff: Aah! | |
| [11:29] | Aaaah! [ Breathing heavily ] | |
| [11:31] | 7-Adam-15. Start an RA to 7th and Figueroa. | |
| [11:34] | Suspect down. Broken leg. Conscious and breathing. | |
| [11:36] | Just stay still. Help is on the way. | |
| [11:37] | She pushed me. That bitch pushed me. | |
| [11:39] | [ Groaning ] | |
| [11:42] | ♪♪ | |
| [11:51] | Come on. | |
| [11:53] | Okay, ready. | |
| [11:54] | Nolan: So, what happened? Gravity. | |
| [11:56] | He says you pushed him. | |
| [11:58] | I know I said I wasn’t gonna teach you anything, Five Percent, | |
| [12:00] | but, um [Clicks tongue] here’s a lesson. | |
| [12:02] | Criminals lie. | |
| [12:04] | [ Siren chirps ] | |
| [12:05] | Jackson: She’s right. | |
| [12:06] | Criminals lie. | |
| [12:08] | You really think she could’ve pushed him? | |
| [12:10] | I don’t know. With Talia, I never would’ve… | |
| [12:12] | I never would have considered it, | |
| [12:14] | but Harper has this real “ends justifies the means” vibe. | |
| [12:17] | Still. Throwing somebody off a roof | |
| [12:19] | in broad daylight is hardcore. | |
| [12:20] | But she has a golden ticket. | |
| [12:22] | Maybe she thinks that’ll protect her. | |
| [12:23] | Wait, a golden ticket is rarified air. | |
| [12:25] | My dad caught a serial killer | |
| [12:27] | and a bank crew in the same shift | |
| [12:28] | and never got a golden ticket. Okay. | |
| [12:29] | If you were me, would you go to Grey? | |
| [12:33] | Look, Harper might have a ticket, but you don’t. | |
| [12:35] | You have the responsibility to inform the watch commander | |
| [12:38] | of any potential issues on the job. | |
| [12:40] | And an allegation of police brutality | |
| [12:42] | would definitely be one. | |
| [12:47] | Excuse me. May I have a word? | |
| [12:50] | Oh, right on time. | |
| [12:51] | I’ll come back later. No. Stay. | |
| [12:53] | This concerns you, too. | |
| [12:55] | See, Detective Harper asked me to review | |
| [12:56] | her body-cam footage. | |
| [13:00] | Harper: Hey! Stop! | |
| [13:03] | Stop! Hey! | |
| [13:05] | [ Sighs ] | |
| [13:06] | Kriff: Aaaaah! I told you to stop! | |
| [13:08] | Looks conclusive to me. | |
| [13:09] | [ Device beeps ] Yes, sir. | |
| [13:11] | So I’ll forward it to Internal Affairs with a memo. | |
| [13:13] | Hopefully it’ll head off any civil lawsuits | |
| [13:15] | that might be coming your way. | |
| [13:16] | Thank you, sir. You’re welcome. | |
| [13:19] | And thank you for the trust. | |
| [13:21] | ♪♪ | |
| [13:25] | I’m sorry, sir. | |
| [13:26] | No, you did the right thing coming to me. | |
| [13:28] | I-I-It’s not that I don’t trust her. | |
| [13:30] | No, you shouldn’t trust her. | |
| [13:31] | So, word is Detective Harper spent the last four years | |
| [13:34] | doing “controlled deliveries” in the LAPD-DEA task force. | |
| [13:38] | I’m not familiar with the term. | |
| [13:40] | An undercover agent poses as a drug smuggler. | |
| [13:42] | Goes into Mexico, negotiates with the cartel. | |
| [13:45] | Guarantees delivery of dope into the U.S. | |
| [13:48] | with their own lives. | |
| [13:49] | And then they actually smuggle the dope over the border, | |
| [13:52] | planting micro trackers in it. | |
| [13:54] | See, and then once it’s distributed, | |
| [13:55] | SWAT moves in, | |
| [13:57] | arrests everyone that touched it. | |
| [13:58] | And then she goes back to Mexico | |
| [14:00] | and starts the whole thing over again. | |
| [14:01] | But only now, | |
| [14:02] | the cartel is looking for someone to blame, | |
| [14:04] | with blow torches, power tools, you know. | |
| [14:06] | Explains the attitude. | |
| [14:08] | She spent the last four years | |
| [14:10] | neck-deep in paranoia and adrenaline, | |
| [14:13] | lying every time she opened her mouth, | |
| [14:15] | striking out at any sign of aggression. | |
| [14:17] | Now, don’t get me wrong — | |
| [14:19] | I have the utmost respect for her service, | |
| [14:21] | but transitioning back into a uniform? | |
| [14:23] | That’s gonna be a bitch. | |
| [14:25] | ♪♪ | |
| [14:28] | So, you made her my TO? | |
| [14:30] | I didn’t have much say in that matter. | |
| [14:32] | She would eat a 25-year-old recruit alive. | |
| [14:35] | At least you stand a chance. | |
| [14:37] | Thank you, | |
| [14:38] | but I-I think I would stand a much better chance | |
| [14:40] | if I knew why she wanted to be here in the first place. | |
| [14:42] | When you find out, let me know. | |
| [14:45] | ♪♪ | |
| [14:49] | Jackson: What are you doing? | |
| [14:50] | Raiding the lost and found. | |
| [14:52] | Why? For Alice. | |
| [14:55] | The transient those kids were paintballing. | |
| [14:58] | I ran her name. | |
| [15:00] | 10 years ago, she was on the tenure track at UCLA, | |
| [15:02] | teaching chemistry. | |
| [15:04] | Had a house, a couple dogs, | |
| [15:05] | then everything fell apart. | |
| [15:07] | That’s awful. | |
| [15:09] | But, I mean, we interact with homeless every day. | |
| [15:12] | You don’t bring them care packages. | |
| [15:13] | Those kids took away her dignity, | |
| [15:15] | tortured her for fun. | |
| [15:16] | She deserves a little compassion. | |
| [15:19] | Look, I, uh, have a couple sweatshirts in my car. | |
| [15:22] | We can grab them on the way out. | |
| [15:24] | Sounds good. | |
| [15:26] | [ Elevator bell dings ] | |
| [15:28] | Look, it’s a bad idea. | |
| [15:30] | No, it’s not. | |
| [15:31] | Do you even know if Rachel likes baseball? | |
| [15:33] | Who doesn’t like baseball? | |
| [15:34] | It’s America’s pastime. In the ’30s. | |
| [15:36] | Rachel is not into sports. | |
| [15:37] | Try to think of something that’s for her. | |
| [15:39] | Bella: Smile! | |
| [15:41] | Thank God. | |
| [15:42] | Uh, we got a call about an assault? | |
| [15:44] | They just barged in and started taking pictures. | |
| [15:45] | My son is very sick. | |
| [15:48] | Good! Yay! …what you’re doing. | |
| [15:49] | Oh, that’s awesome! Ready? | |
| [15:50] | Hey, what’s going on in here? Just a second. | |
| [15:52] | Step out in the hallway right now. | |
| [15:53] | Both of you. | |
| [15:55] | [ Indistinct announcement over P.A. ] | |
| [15:57] | What’s the problem, Officer? | |
| [15:58] | They broke into my son’s room and started posing. | |
| [16:01] | “Broke in” is an exaggeration. | |
| [16:02] | You told the nurse you were his sister. | |
| [16:04] | I didn’t say I was his sister. | |
| [16:05] | I said I was a sister. | |
| [16:06] | We’re just trying to help. | |
| [16:08] | Bella saw a Facebook post | |
| [16:09] | about little Cody and his fight against cancer. | |
| [16:11] | She has a half a million followers on social media. | |
| [16:13] | I was just trying to draw attention to his plight. | |
| [16:16] | Doesn’t that count for something? | |
| [16:16] | Not without permission. | |
| [16:18] | You’re under arrest for trespassing | |
| [16:19] | and photographing a minor without a parent’s consent. | |
| [16:22] | [ Sighs ] I told you this was a bad idea. | |
| [16:24] | You need more empathy posts. Your follows are stagnant. | |
| [16:26] | The consultant told us to find a sick kid — He’s not a consultant. | |
| [16:28] | He’s your cousin, and he still lives with his mom! | |
| [16:31] | He’s got his finger on the pulse. Tim: Okay, enough. | |
| [16:32] | Alright, I am really sorry that this happened. | |
| [16:34] | We will come back and get your statement. | |
| [16:35] | Honey, get back in bed. | |
| [16:39] | [ Whispering indistinctly ] | |
| [16:43] | [ Camera shutter clicking ] | |
| [16:44] | ♪♪ | |
| [16:47] | Can’t we get in there? Just one picture. | |
| [16:49] | No! | No! No! |
| [16:50] | [ Clicking continues ] | |
| [16:52] | [ Indistinct conversations ] | |
| [16:55] | Looks like she moved on. | |
| [16:57] | Lopez: She left some stuff behind. | |
| [16:59] | Jackson: Hey, you know where the woman who was attacked went? | |
| [17:01] | Have you seen her? | |
| [17:03] | Whose stuff is this here? | |
| [17:09] | What’s that? | |
| [17:11] | I don’t know, but Alice was trying to protect it. | |
| [17:13] | Could it be her daughter? | |
| [17:14] | No, she didn’t have kids. | |
| [17:17] | Control, I need you to run a name. | |
| [17:19] | Katrin Arnoux. | |
| [17:21] | Dispatch: I show a Katrin Arnoux | |
| [17:22] | as the victim of a hit-and-run in 2009. | |
| [17:24] | Homicide? | |
| [17:26] | Negative. Victim was left paralyzed. | |
| [17:28] | Any suspects? | |
| [17:29] | Negative. | |
| [17:31] | Would you like contact information | |
| [17:32] | on the investigating detective? | |
| [17:33] | Yeah. Send it to the box. | |
| [17:35] | Wait, you don’t think that… | |
| [17:37] | 10 years ago, | |
| [17:39] | this girl was paralyzed by a hit-and-run driver. | |
| [17:41] | And right after, | |
| [17:42] | Alice fell apart, ended up here. | |
| [17:44] | Sure sounds like guilt to me. | |
| [17:46] | We gotta find her. | |
| [17:47] | She’s a fugitive. | |
| [17:53] | [ Radio chatter ] | |
| [17:56] | Look, I only went to Grey | |
| [17:57] | because you refused to deal with me. | |
| [17:58] | You could have shown me your body-cam footage on scene. | |
| [18:00] | I don’t answer to you, Five Percent. | |
| [18:02] | No, you don’t. | |
| [18:03] | But if you are committed | |
| [18:04] | to making this an antagonistic relationship, | |
| [18:07] | don’t expect me to roll over and take it. | |
| [18:17] | Alice: Where — | |
| [18:18] | Where is it?! | |
| [18:19] | [ Car door opens, closes ] | |
| [18:23] | Looking for this? | |
| [18:25] | [ Gasps ] That’s mine! Give it! | |
| [18:27] | Who is she? | |
| [18:30] | She’s, um… | |
| [18:33] | It’s no one. I j– | |
| [18:36] | It’s not anyone. | |
| [18:38] | It just — I like it. | |
| [18:40] | Her name is Katrin Arnoux. | |
| [18:42] | N-N-No. | |
| [18:45] | No. No. | |
| [18:49] | But I think you know that. | |
| [18:51] | What happened 10 years ago, Alice? | |
| [18:55] | Nothing. Nothing. | |
| [18:57] | [ Chuckles ] | |
| [18:59] | Nothing. I have to go. [ Chuckles ] | |
| [19:01] | I think something did. | |
| [19:03] | Something that destroyed your life. | |
| [19:04] | N-N-No. | |
| [19:06] | N-No, no, no. | |
| [19:08] | It was late. Maybe you were tired. | |
| [19:10] | You never saw her. | |
| [19:13] | You tried to convince yourself it was an animal, | |
| [19:15] | but then you saw the news. | |
| [19:17] | And you tried to move on, but it haunted you. | |
| [19:21] | Poisoned every part of your life until you ended up here. | |
| [19:24] | [ Breathes shakily ] | |
| [19:26] | I don’t know what you’re talking about. | |
| [19:28] | You do. | |
| [19:31] | And I think some part of you is relieved it’s finally out. | |
| [19:34] | ♪♪ | |
| [19:37] | I never meant to hurt anybody. | |
| [19:43] | I’m sorry, but you’re under arrest. | |
| [19:45] | [ Whimpers ] | |
| [19:46] | [ Handcuffs rattle ] | |
| [19:48] | [ Muttering ] | |
| [19:49] | Okay. Okay. [ Handcuffs click ] | |
| [19:52] | ♪♪ | |
| [19:59] | ♪♪ | |
| [20:03] | Son of a bitch. | |
| [20:04] | What? | |
| [20:05] | ♪♪ | |
| [20:14] | [ Bell rings ] | |
| [20:16] | Who is he? Corkscrew. | |
| [20:18] | I knew him in Arizona. | |
| [20:19] | If he’s in LA, something’s up. | |
| [20:21] | You met him when you were undercover? | |
| [20:25] | What are you do– What are you…? | |
| [20:26] | What are you doing? | |
| [20:28] | ♪♪ | |
| [20:32] | [ Zipper unzips ] | |
| [20:33] | Um… | |
| [20:35] | ♪♪ | |
| [20:38] | You know, you’re not supposed to | |
| [20:39] | take off your uniform on shift. | |
| [20:41] | You gonna run and tell Grey? | |
| [20:42] | Just forget Grey. | |
| [20:44] | Just tell me what’s going on. | |
| [20:46] | I’m your only backup out here. | |
| [20:48] | Corkscrew knew me as a tweaker named Crystal. | |
| [20:50] | If I play it right, he’ll tell me why he’s in town. | |
| [20:56] | Only come in if I need you. | |
| [20:59] | How will I know? | |
| [21:01] | [ Car door closes ] | |
| [21:02] | You’ll know. | |
| [21:03] | ♪♪ | |
| [21:09] | [ Seatbelt clicks ] | |
| [21:14] | [ Doorbell chimes ] | |
| [21:37] | Crystal? | |
| [21:39] | These are my clothes. | |
| [21:41] | Hey, hey, hey. It’s me. | |
| [21:44] | Dude. Corkscrew. | |
| [21:46] | ♪♪ | |
| [21:47] | Dude, what are you doing here?! | |
| [21:50] | ♪♪ | |
| [21:58] | Can we get hi-res copies of these? | |
| [21:59] | No. | |
| [22:01] | How about I take Rachel to the shooting range? | |
| [22:03] | Again, that is something you would like. | |
| [22:04] | You got to get something for her. | |
| [22:06] | I see couples at the shooting range all the time. | |
| [22:08] | All the time? | |
| [22:09] | Okay, some of the time. | |
| [22:10] | I think it’s a great idea. | |
| [22:11] | You could do a whole Insta story. | |
| [22:12] | We can help. | |
| [22:14] | An un-boxing video for the gun. | |
| [22:16] | You posing in the outfits. | |
| [22:18] | There are no outfits. | |
| [22:19] | [ Cellphone rings ] | |
| [22:22] | It’s Nolan. | |
| [22:23] | So, answer it. | |
| [22:25] | Why, ’cause you want intel on the new TO? | |
| [22:27] | Or don’t answer it. Suit yourself. | |
| [22:30] | Hey, you’re on speaker. What’s up? | |
| [22:32] | Hypothetically, is it worse | |
| [22:34] | to disobey a direct order from your TO | |
| [22:37] | or to stand by and watch while they’re killed? | |
| [22:39] | Depends on the TO. | |
| [22:41] | Look, disobeying a direct order is a serious offense. | |
| [22:44] | So really think about it before you do it. | |
| [22:45] | What’s going on? | |
| [22:47] | I’ll let you know when I figure it out. | |
| [22:49] | [ Cellphone beeps ] | |
| [22:52] | Harper: Okay, so, look. | |
| [22:53] | I-I need cash. | |
| [22:55] | [ Chuckling ] You know, times is hard. | |
| [22:56] | A guy like you’s in town. | |
| [22:57] | Something big must be going on. | |
| [22:59] | I want in. [ Scoffs ] | |
| [23:00] | Forget it. | |
| [23:02] | No, hey, look! I’m a great lookout. | |
| [23:03] | I-It’d be like old times! | |
| [23:04] | Hey, the last time you were supposed to help out, | |
| [23:05] | you flaked! | |
| [23:07] | I almost got pinched. | |
| [23:08] | A buddy of mine’s doing five years. | |
| [23:10] | O-Okay, but that — b-but that’s not my fault, though. | |
| [23:13] | Are you saying it’s mine? | |
| [23:15] | You junkie bitch! | |
| [23:16] | ♪♪ | |
| [23:19] | [ Glass shatters ] | |
| [23:20] | ♪♪ | |
| [23:25] | Nolan: Hands where I can see them! | |
| [23:27] | Uh, uh, this crazy bitch attacked me. | |
| [23:28] | Turn around. Put your hands on the wall. | |
| [23:30] | Spread your feet. | |
| [23:31] | Ma’am, I need you to do the same thing. | |
| [23:32] | [ Grunts ] | |
| [23:33] | ♪♪ | |
| [23:35] | Let him go. Arrest me. | |
| [23:39] | Ma’am, you’re under arrest. | |
| [23:43] | Come on. Give me your hand. | |
| [23:44] | [ Handcuffs click ] | |
| [23:50] | I’m telling you, she started it. | |
| [23:52] | Oh, you can tell just by looking at her, | |
| [23:53] | that lady is trouble. | |
| [23:54] | How long have you known her? | |
| [23:55] | I never seen her before. | |
| [23:56] | Why? What did she say? Nothing. | |
| [23:58] | Just a routine question. | |
| [24:00] | I just need your ID and your mobile number, | |
| [24:02] | and I can get out of your hair. | |
| [24:04] | Yeah, it’s, uh — It’s 480 — | |
| [24:05] | Sorry, I need to get it off your actual phone. | |
| [24:07] | Procedure. | |
| [24:08] | Okay. | |
| [24:10] | Perfect. | |
| [24:11] | Thank you. | |
| [24:16] | Thanks. | |
| [24:20] | Alright, we’re far enough away. | |
| [24:21] | Pull over and let me out. | |
| [24:22] | Not until you answer a couple of questions. | |
| [24:23] | What did Corkscrew say? | |
| [24:24] | Pull over! | |
| [24:25] | What’s he doing in LA? | |
| [24:26] | I am your TO. Pull over now! | |
| [24:29] | Yeah, you know what? | |
| [24:30] | You really don’t act like it. | |
| [24:32] | You know, I’d tell you what he said, | |
| [24:33] | but you’d probably just blab it to some random waitress. | |
| [24:36] | Okay, how am I the untrustworthy one here? | |
| [24:38] | Everything you have said to me so far | |
| [24:40] | is either a lie or an evasion. | |
| [24:42] | Not lying when I say I hate you. | |
| [24:43] | You know, I don’t even think you can help it anymore. | |
| [24:45] | I don’t think lying is second nature to you. | |
| [24:47] | I think it’s first. It’s who you are. | |
| [24:50] | Pull over right now, Five Percent, | |
| [24:52] | or I will have your badge. | |
| [24:55] | Nolan: Pretty sure I’m getting fired. | |
| [24:57] | Lucy: You’re pretty sure? | |
| [24:58] | Dude, you are 100% getting fired. | |
| [25:02] | But you got to let her out. | |
| [25:03] | I can’t stand down now. | |
| [25:04] | I’ve gone too far. | |
| [25:05] | You can’t keep her in there forever. | |
| [25:07] | What’s your plan? | |
| [25:08] | Dessert. | |
| [25:09] | [ Handcuffs clatter ] | |
| [25:11] | How did you do that? | |
| [25:13] | The shop only opens from the outside. | |
| [25:14] | Harper: Enjoy your cupcake | |
| [25:16] | ’cause it’s the last thing you’ll eat as a cop. | |
| [25:19] | I got Corkscrew’s mobile number. | |
| [25:21] | We can track his contacts and his movements. | |
| [25:23] | Still fired? | |
| [25:27] | Not today. | |
| [25:29] | Definitely tomorrow. | |
| [25:31] | ♪♪ | |
| [25:36] | Control, I need to monitor a cellphone. | |
| [25:38] | Lopez: What is she wearing? | |
| [25:39] | More importantly, what’s she doing in our house? | |
| [25:42] | Detectives don’t go back to patrol. | |
| [25:43] | It’s got to be a demotion. | |
| [25:45] | Jackson heard she has a golden ticket. | |
| [25:47] | She had her pick of assignments, and she chose this? | |
| [25:50] | Nah. Something wonky’s going on. | |
| [25:51] | ♪♪ | |
| [25:57] | Katrin: That’s really her? | |
| [25:58] | We think so. | |
| [26:01] | She looks so… so pathetic. | |
| [26:05] | As far as we can tell, | |
| [26:06] | her life fell apart after she hit you. | |
| [26:07] | It’s almost impossible for a transient | |
| [26:08] | to hang on to anything. | |
| [26:10] | Belongings are stolen, confiscated by the city. | |
| [26:13] | But she held on to your picture for 10 years | |
| [26:15] | in conditions worse than prison. | |
| [26:18] | She never let herself forget. | |
| [26:21] | Even for a moment. | |
| [26:23] | What are you saying? | |
| [26:25] | She’s suffered enough? | |
| [26:28] | Back in the day, if she was arrested, | |
| [26:30] | she would have gotten three years in prison. | |
| [26:31] | Maybe five. | |
| [26:33] | Instead, she’s been punishing herself | |
| [26:34] | for the last decade. | |
| [26:36] | She ran but didn’t escape. | |
| [26:38] | I’ll never run again, Officer Lopez. | |
| [26:42] | Yes, ma’am. I apologize. | |
| [26:46] | I wasn’t trying to excuse what she did to you. | |
| [26:48] | Only — | |
| [26:49] | Only what? | |
| [26:52] | She destroyed a part of me. | |
| [26:56] | And you have the nerve to plead her case? | |
| [26:57] | ♪♪ | |
| [27:05] | She was out of line. | |
| [27:06] | No, she’s right. | |
| [27:07] | I overstepped. | |
| [27:09] | This is Ross Tegan, AKA Corkscrew. | |
| [27:12] | He operates as a straw buyer out of Arizona, | |
| [27:14] | transporting unlicensed weapons into California | |
| [27:17] | where they end up on our streets. | |
| [27:19] | Thanks to Detective Harper, | |
| [27:21] | we now know the location of his next sale. | |
| [27:23] | Detective? | |
| [27:24] | He may not look like much, | |
| [27:25] | but Corkscrew is putting guns in the hands | |
| [27:26] | of the most dangerous gangs in the city. | |
| [27:28] | Cut off his pipeline, our streets get safer, | |
| [27:30] | and our jobs get easier. | |
| [27:31] | Grey: So we’ll observe the exchange | |
| [27:33] | from a van across the street. | |
| [27:34] | As soon as the buy takes place, | |
| [27:36] | SWAT will move in to make the arrest. | |
| [27:37] | What about me? | |
| [27:39] | So, you and Nolan will secure the perimeter | |
| [27:41] | with Bradford and Chen. | |
| [27:42] | Make sure we don’t get any nasty surprises. | |
| [27:44] | So, it’s my bust, | |
| [27:46] | but you want me to wait outside? | |
| [27:47] | That’s exactly what I want, Detective Harper. | |
| [27:50] | Is that gonna be a problem? | |
| [27:54] | No, sir. | |
| [27:55] | Good. | |
| [27:57] | Gear up. | |
| [28:02] | Hang back, Nolan. | |
| [28:07] | You need to watch your back. | |
| [28:08] | Oh, I’ll be miles from the action. | |
| [28:10] | I mean with Harper. | |
| [28:11] | Now, Grey’s put you in a bad position. | |
| [28:13] | She’s a land mine waiting to go off. | |
| [28:15] | So if you find yourself in a jam, text Officer Chen. | |
| [28:17] | We’ll be there. | |
| [28:19] | Thank you. | |
| [28:21] | Don’t go all emotional on me. | |
| [28:22] | Training rookies is a sacred duty, | |
| [28:23] | and it bothers me when cops don’t treat it that way. | |
| [28:30] | Just be safe. Let’s go, Chen. | |
| [28:38] | ♪♪ | |
| [28:48] | [ Van door slides open ] | |
| [28:50] | Shaky: Nice. | |
| [28:52] | No serial numbers? | |
| [28:54] | Corkscrew: Yeah. | |
| [28:55] | And they’re $250 apiece? | |
| [28:57] | That’s the deal. | |
| [28:59] | Can you get 100 more? | |
| [29:02] | Sure. | |
| [29:04] | I got ’em close by, as long as you got the cash. | |
| [29:06] | I’ll text my guy. | |
| [29:08] | S.W.A.T. leader: They’re upping the buy. Hold position. | |
| [29:09] | Who’s the buyer? | |
| [29:11] | Most likely, it’s one of two local arms dealers — | |
| [29:12] | Osito or Brooker. | |
| [29:14] | Osito. The Teddy Bear? | |
| [29:15] | It’s his nickname. | |
| [29:16] | I assume it’s meant to be ironic. | |
| [29:18] | Between those two guys, | |
| [29:19] | they provide 60% of the guns from here to Fresno. | |
| [29:22] | Sounds like firsthand knowledge. | |
| [29:23] | You work undercover on that before the task force? | |
| [29:26] | You’ve been doing your homework. | |
| [29:27] | Need to know who I’m riding with. Hmm. | |
| [29:29] | [ Clicks tongue ] | |
| [29:30] | And…? | |
| [29:32] | Don’t you think you know me now? | |
| [29:34] | Oh, I don’t think even you know you. | |
| [29:36] | ♪♪ | |
| [29:37] | [ Clicks tongue ] Whatever. That’s a bunch of crap. | |
| [29:39] | Ever considered therapy? | |
| [29:41] | What makes you think I’m not already in therapy? | |
| [29:45] | You ever thought about more therapy? | |
| [29:47] | You hate every gift idea I pitch. | |
| [29:49] | Because they’re all things you want. | |
| [29:51] | It’s not just guy stuff. | |
| [29:52] | Isabel loved going to the shooting range. | |
| [29:54] | Isabel was a cop. | |
| [29:55] | You’re basically the same person. | |
| [29:56] | Rachel has different interests. | |
| [29:59] | So, what you’re saying is | |
| [30:00] | I should stop coming up with my own ideas | |
| [30:02] | and just listen to you? | |
| [30:02] | Basically. | |
| [30:04] | Corkscrew: Look, man, is the money coming or not? | |
| [30:05] | Shaky: He’ll be here. | |
| [30:07] | This is taking too long. | |
| [30:08] | If Osito wants more, set up another buy. | |
| [30:11] | S.W.A.T. leader: Alright, deal is done. Moving in. | |
| [30:13] | Perimeter units, lock down all traffic. | |
| [30:14] | What? No. No. | |
| [30:16] | [ Radio microphone clicks ] | |
| [30:17] | Hold that order. Stay in position. | |
| [30:19] | Who the hell is this?! Harper. | |
| [30:20] | Osito is a must-catch. | |
| [30:22] | If we roll up on these guys now, we will spook him, | |
| [30:23] | He’s not coming, and we can’t risk losing these two. | |
| [30:26] | Yeah, but — Sgt. Grey: Detective Harper, this is not your call. | |
| [30:28] | Respect the chain of command and your fellow officers, | |
| [30:31] | or I will fire you, golden ticket or not. | |
| [30:33] | S.W.A.T. leader: Team one, move in. | |
| [30:35] | [ Radio microphone thuds ] | |
| [30:36] | ♪♪ | |
| [30:37] | Whoa, whoa, whoa, whoa. We’re on perimeter. | |
| [30:39] | I am not gonna let these guys blow my operation. | |
| [30:41] | It is blown! | |
| [30:42] | The only thing you’re gonna accomplish charging in there | |
| [30:44] | is having Grey fire you. | |
| [30:46] | And while I would love to be rid of you, | |
| [30:50] | I am positive you are here for a reason. | |
| [30:52] | That golden ticket could have gotten you any detail anywhere. | |
| [30:54] | You picked this. | |
| [30:56] | So I have to believe that reason is important — | |
| [30:59] | too important to blow it because of a bruised ego. | |
| [31:02] | [ Siren chirps, tires screech ] | |
| [31:04] | [ Sighs ] | |
| [31:05] | Man #1: Hands up! Don’t move! Don’t move! | |
| [31:09] | Do not move! | |
| [31:10] | Man #2: Put your hands behind your back. | |
| [31:11] | Hold on. Keep still, keep still, keep still. | |
| [31:13] | Look, if you’re expecting a thank you — | |
| [31:15] | Oh, I know better than that. | |
| [31:20] | Man #1: Hands on the car! | |
| [31:22] | Man #2: Keep your hands up. | |
| [31:26] | This one’s clean. | |
| [31:31] | Did you see that? | |
| [31:32] | What? | |
| [31:34] | That blue Mustang just made a U-turn. | |
| [31:36] | That driver looked scared. | |
| [31:37] | That could be Osito bringing the money. | |
| [31:40] | Or it could be some random guy | |
| [31:41] | that realized he left his phone at the store. | |
| [31:43] | No, the look on that driver’s face, | |
| [31:45] | when he saw the cops — that’s our guy. | |
| [31:46] | What did he look like? Hispanic, mid-30s, | |
| [31:48] | full face, brown hair, scar over his left eye. | |
| [31:50] | That’s Osito. | |
| [31:52] | Don’t call it in. | |
| [31:53] | SWAT already has their bust. | |
| [31:54] | This guy is mine. | |
| [31:56] | [ Seatbelt clicks ] | |
| [31:57] | ♪♪ | |
| [32:00] | [ Tires squeal ] | |
| [32:05] | [ Cellphone alert chimes ] | |
| [32:07] | They’re on Osito, but Harper’s enforcing radio silence. | |
| [32:09] | Tell me he invited you to track his phone. Yep. | |
| [32:11] | 7-Adam-19. We’re Code 4 on the scene. | |
| [32:13] | Breaking down the perimeter. | |
| [32:15] | [ Car engine starts ] | |
| [32:18] | Where is he headed? He can’t live here. | |
| [32:21] | With any luck, he’s leading us to his home base. | |
| [32:23] | I’d feel a lot better with backup. | |
| [32:25] | Nah, that’s too conspicuous. | |
| [32:26] | Long as he doesn’t know we’re following him, | |
| [32:28] | there’s no telling where he might lead us. | |
| [32:30] | You are aware we’re in a black and white? | |
| [32:33] | I know. | |
| [32:34] | [ Tires squeal ] | |
| [32:37] | ♪♪ | |
| [32:42] | ♪♪ | |
| [32:48] | [ Tires screech ] | |
| [32:50] | ♪♪ | |
| [32:56] | [ Engine revs ] | |
| [32:59] | [ Sighs ] So, what now? | |
| [33:01] | ♪♪ | |
| [33:05] | [ Car door opens, closes ] | |
| [33:07] | [ Grunts ] It’s perfect. | |
| [33:10] | There’s only one way in… or out. | |
| [33:18] | [ Guns cock ] | |
| [33:22] | 7-Adam-15. | |
| [33:23] | We got a 417 at Diamond Lock Storage. | |
| [33:26] | 19901 Jefferson Boulevard. | |
| [33:28] | Requesting backup and airship. Code 2 High. | |
| [33:29] | Feel better? | |
| [33:30] | No. | |
| [33:32] | [ Gun cocks ] | |
| [33:33] | Let’s go. | |
| [33:34] | ♪♪ | |
| [33:41] | ♪♪ | |
| [33:48] | [ Metal door rattling ] | |
| [33:50] | ♪♪ | |
| [33:55] | [ Buttons clicking ] | |
| [34:03] | Don’t move. | |
| [34:05] | Lay down flat on your stomach. | |
| [34:07] | Hands out to your sides, palms up. | |
| [34:09] | ♪♪ | |
| [34:12] | [ Handcuffs clicking ] | |
| [34:14] | ♪♪ | |
| [34:20] | [ Gun clatters ] | |
| [34:24] | Ready? | |
| [34:25] | ♪♪ | |
| [34:34] | ♪♪ | |
| [34:44] | LAPD! | |
| [34:45] | [ Gunfire ] | |
| [34:50] | [ Gun clicks ] | |
| [34:51] | Malfunction! | |
| [34:52] | Nolan: Get covered. | |
| [34:53] | ♪♪ | |
| [35:00] | [ Groans ] | |
| [35:01] | ♪♪ | |
| [35:06] | [ Siren wailing ] | |
| [35:09] | [ Tires screech ] | |
| [35:10] | [ Gunshots ] | |
| [35:16] | Covering! Covering! Moving in. | |
| [35:18] | ♪♪ | |
| [35:21] | Get up! Get up! [ Grunts ] | |
| [35:27] | Man: Hey, let’s go! Let’s go! | |
| [35:29] | Are you okay? The vest caught it. | |
| [35:30] | Looks like you’ve got a little warrior in you, after all. | |
| [35:33] | And you’ve got a little guardian. | |
| [35:34] | Hey, watch your mouth. | |
| [35:35] | [ Helicopter blades whirring, sirens wailing ] | |
| [35:38] | ♪♪ | |
| [35:41] | Osito! | |
| [35:43] | It’s over! | |
| [35:44] | Put your weapons down | |
| [35:46] | and come out with your hands high. | |
| [35:47] | ♪♪ | |
| [35:56] | Hands on the car! | |
| [35:59] | Turn around! Get down on your knees! | |
| [36:00] | Hands behind your head! | |
| [36:01] | ♪♪ | |
| [36:02] | Got him. | |
| [36:04] | ♪♪ | |
| [36:09] | Now, doesn’t that make it all worthwhile? | |
| [36:12] | No. | |
| [36:14] | But it helps. | |
| [36:20] | Sgt. Grey: Protect and serve. | |
| [36:22] | You can’t throw a dead cat around you without… | |
| [36:23] | Lucy: What do you think? | |
| [36:25] | That I’m glad he’s not yelling at me like that? | |
| [36:27] | [ Door opens ] | |
| [36:35] | Say it. | |
| [36:37] | I’m sorry that my recklessness put you in jeopardy. | |
| [36:40] | My job is to train you, | |
| [36:42] | not to chase after my own windmills. | |
| [36:44] | And? | |
| [36:47] | If you would like to file a formal complaint, | |
| [36:50] | I will not hold it against you in any way. | |
| [36:54] | No, I’m good. | |
| [37:00] | But when you’re ready, | |
| [37:02] | I’d like you to tell me why you’re here. | |
| [37:03] | I wouldn’t hold your breath. | |
| [37:05] | And for the record, | |
| [37:08] | technically, Five Percent should be your nickname. | |
| [37:10] | Is that it? | |
| [37:11] | Yes. No. | |
| [37:15] | Have a nice evening. | |
| [37:23] | [ Chuckles ] | |
| [37:25] | You always have to push it. | |
| [37:27] | [ Jenny Kern’s “Build a Bridge” plays ] | |
| [37:28] | ♪♪ | |
| [37:33] | Lopez: Ms. Arnoux. | |
| [37:35] | Thank you for coming in. | |
| [37:37] | I didn’t like the way we left it. | |
| [37:39] | I shouldn’t have unloaded on you like that. | |
| [37:41] | I was completely in the wrong. | |
| [37:43] | I made your situation about me, my own issues. | |
| [37:47] | It was insensitive, and I’m sorry. | |
| [37:49] | If there’s anything I can do | |
| [37:51] | to help you through this process, I’m here. | |
| [37:53] | Your own issues? | |
| [37:57] | I got into a fight with a boyfriend in high school. | |
| [38:00] | We were at a party. | |
| [38:02] | I left. | |
| [38:05] | He got drunk and flipped his car. | |
| [38:08] | [ Chuckles ] | |
| [38:09] | It was a closed casket. | |
| [38:13] | After that, I went into a dark place, | |
| [38:16] | and I guess Alice’s guilt just triggered something in me. | |
| [38:21] | Really, if you need anything, here’s my card. | |
| [38:27] | Wait. | |
| [38:29] | [ Sighs ] | |
| [38:33] | When it happened, | |
| [38:37] | I thought she had taken everything from me. | |
| [38:41] | But the truth is my life is amazing. | |
| [38:45] | I have a husband who I met at physical therapy | |
| [38:49] | and two kids who are my whole world. | |
| [38:55] | I’ve gained so much more than I’ve lost. | |
| [38:58] | Can I tell them that — the DA? | |
| [39:00] | Will it help? | |
| [39:02] | Yeah. | |
| [39:04] | A statement from you could mean the difference | |
| [39:05] | between hard time and treatment. | |
| [39:08] | That’s very generous of you. | |
| [39:10] | No. | |
| [39:11] | It costs me nothing. | |
| [39:13] | ♪ Your heart is pure ♪ | |
| [39:18] | ♪ Of this ♪ | |
| [39:20] | Hey. Hey! | |
| [39:22] | ♪ I am sure ♪ It’s your birthday. | |
| [39:24] | Yes, it is. | |
| [39:26] | But I’m heading to dinner with my family. | |
| [39:29] | That’s okay. | |
| [39:30] | I just came by to give you this. | |
| [39:32] | [ Laughs ] | |
| [39:33] | You wrap that yourself? | |
| [39:34] | [ Laughs ] Is it that obvious? | |
| [39:36] | [ Laughs ] No, it’s not. | |
| [39:38] | [ Laughs ] | |
| [39:39] | Should I open it now? | |
| [39:41] | Sure. | |
| [39:42] | ♪ Let’s build a bridge ♪ | |
| [39:43] | ♪ And meet somewhere in the middle ♪ | |
| [39:48] | It’s a, um — | |
| [39:49] | Chuck Yeager’s Bell X-1. | |
| [39:51] | First plane to break the sound barrier. | |
| [39:53] | Yeah. | |
| [39:54] | I just thought maybe | |
| [39:55] | we could put it together Friday night | |
| [39:57] | instead of going out. | |
| [39:58] | I’d love that. | |
| [40:00] | Good. | |
| [40:02] | Happy birthday. | |
| [40:03] | [ Chuckles ] Thanks. | |
| [40:05] | And thanks for the present. | |
| [40:07] | Yeah. | |
| [40:11] | ♪ We made promises ♪ | |
| [40:14] | ♪ We said we’d keep ♪ | |
| [40:16] | Okay. | |
| [40:18] | Have fun with your parents. Thanks. | |
| [40:20] | ♪ Let’s build a bridge and meet somewhere in the middle ♪ | |
| [40:27] | ♪ We’ll put it together little by little ♪ | |
| [40:31] | [ Children playing ] | |
| [40:33] | ♪ Things will get better ♪ | |
| [40:35] | ♪ And our love ♪ | |
| [40:39] | ♪ Our love will last for ♪ | |
| [40:42] | Donovan: Have a good day at school. | |
| [40:43] | Bye! | |
| [40:44] | ♪ In the middle ♪ | |
| [40:50] | ♪ Put it together little by little ♪ | |
| [40:51] | What are you doing here? | |
| [40:52] | You can’t see her without supervision. | |
| [40:54] | I know. I know. | |
| [40:56] | Look, my lawyer’s filing a petition. | |
| [40:58] | You’re late on child support and you can afford a lawyer? | |
| [41:00] | [ Sighs ] | |
| [41:03] | Here’s half. | |
| [41:05] | I-I was gonna mail it to you this morning, but… | |
| [41:09] | I’m getting a pay bump at work. | |
| [41:11] | So I should be able to get it squared in a few weeks. | |
| [41:12] | Whatever. | |
| [41:14] | I’m also petitioning for joint custody. | |
| [41:16] | ♪ Let’s build a bridge and meet somewhere ♪ | |
| [41:16] | 50-50. | |
| [41:18] | ♪ In the middle ♪ | |
| [41:19] | And who will look after her | |
| [41:20] | when you disappear for months at a time? | |
| [41:21] | That’s over. | |
| [41:23] | I’m back working patrol. | |
| [41:26] | Regular hours. Right here in the neighborhood. | |
| [41:28] | ♪ Things will get better ♪ | |
| [41:30] | Are you okay? | |
| [41:33] | ♪ And our love ♪ | |
| [41:34] | I’m getting there. | |
| [41:35] | ♪ Our love will last forever ♪ | |
| [41:38] | And then I’m getting her back. | |
| [41:39] | [ Engine starts ] | |
| [41:41] | ♪♪ | |
| [41:49] | [ Sighs ] | |
| [41:56] | ♪♪ | |
| [42:06] | ♪♪ | |
| [42:15] | ♪♪ |