时间 | 英文 | 中文 |
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[00:05] | ♪ The beat is on, I’m on a roll ♪ | |
[00:07] | ♪ I put on my shoes ♪ [ Doorbell rings ] | |
[00:09] | [ Electricity sparks, doorbell rings ] | |
[00:10] | ♪ Stand and watch as I tear it up ♪ Just a minute. | |
[00:12] | ♪ ‘Cause I’m comin’ for you ♪ Henry: Dad! | |
[00:14] | ♪ And I got something, all the loving ♪ Henry! | |
[00:17] | ♪ Everything you need ♪ Dad. | |
[00:19] | Hey, what are you doing here? [ Chuckles ] | |
[00:21] | Abigail had a buttload of flyer miles, | |
[00:23] | so we, uh, flew out to surprise you. [ Chuckles ] | |
[00:24] | Oh, my God. | |
[00:25] | Abigail, it’s so nice to finally meet you. | |
[00:27] | It’s great to meet you, too. | |
[00:29] | [ Chuckles ] | |
[00:31] | The videos didn’t do it justice. | |
[00:32] | This place is a wreck. | |
[00:34] | I think it’s awesome. | |
[00:36] | It’s like a faded beauty queen | |
[00:37] | that you’re bringing back to life. | |
[00:38] | Oh, wow. You are quickly becoming my favorite. | |
[00:40] | Mine, too. | |
[00:42] | Uh, we have some good news. | |
[00:44] | Exciting. Lay it on me. | |
[00:45] | I’m pregnant. | |
[00:47] | [ Music stops ] | |
[00:49] | Kidding. I’m — I’m kidding. | |
[00:50] | [ Chuckles ] We’re engaged. | |
[00:52] | [ Chuckles ] | |
[00:54] | Sorry about the pregnant thing. | |
[00:56] | I-I thought it would soften the blow. | |
[00:57] | Abigail, uh, that is, um, is beautiful. | |
[00:59] | That is a beautiful ri– | |
[01:00] | I hope you didn’t, uh, spend your tuition money. | |
[01:03] | I used the money that I was saving to go to Europe, | |
[01:05] | because Abigail’s the journey | |
[01:07] | I want to spend the rest of my life on. | |
[01:09] | Aww. | Aww. |
[01:11] | That’s so — That is — | |
[01:12] | That’s so… | |
[01:14] | Does your mom know? | |
[01:15] | She thought it would be best if I told you in person. | |
[01:17] | Uh, yeah. | |
[01:18] | She also recommended that we quickly follow the news | |
[01:20] | with some electrolytes. Nolan: [ Chuckles ] | |
[01:21] | That is…hilarious and entirely unnecessary. | |
[01:25] | Have you set a date? | |
[01:26] | Not yet, but we’re, uh, we’re talking about June. | |
[01:29] | Isn’t it exciting? | |
[01:31] | [ Gulping ] | |
[01:33] | It’s so exciting. | |
[01:34] | [ Electricity sparks ] Crap! | |
[01:36] | [ Fire extinguisher sprays ] | |
[01:41] | ♪ Whoa, oh, oh, oh, oh, oh, whoa, oh, oh ♪ | |
[01:45] | ♪ I’m gonna win for you like I know you want me to do ♪ | |
[01:50] | I feel like Goldilocks, | |
[01:51] | except instead of “too hot” or “too cold,” | |
[01:53] | every guy I date is either, you know, “too frat-bro,” | |
[01:57] | or “too stick me with the check | |
[01:59] | because you are never going to finish that screenplay | |
[02:01] | working on your abs.” | |
[02:03] | Let’s face it, I am never going to find someone. | |
[02:05] | Jackson: Yeah, not if you keep looking | |
[02:06] | in hipster clubs and hot yoga studios. | |
[02:08] | Ah. What you need is a grown man. | |
[02:10] | I would just settle for a decent pickup line. | |
[02:12] | Oh, thank God. | |
[02:13] | Okay. Wow. We gotta go. | |
[02:15] | Thank you. | |
[02:17] | Mom. | |
[02:19] | What are you doing here? | |
[02:20] | [ Sighs ] | |
[02:21] | Your father and I are getting divorced. | |
[02:23] | ♪♪ | |
[02:25] | Hi, Mrs. Chen. I’m so sorry. | |
[02:27] | Oh, Jackson, sweetheart, thank you. | |
[02:29] | What happened? | |
[02:30] | I don’t want to talk about it. | |
[02:33] | Okay, is this like the time | |
[02:34] | that you didn’t talk to Dad for a week | |
[02:35] | because he forgot your birthday? | |
[02:37] | I said I don’t want to talk about it. | |
[02:40] | Oh. I’m sure my back will be fine. | |
[02:43] | I assume you have extra bedding. | |
[02:45] | Oh. Mom, you’re not sleeping on the couch. | |
[02:47] | I’ll get you a hotel. | |
[02:49] | Jackson: Nonsense. | |
[02:50] | No, I’ll take the couch. | |
[02:52] | Mrs. Chen, you can take my room. | |
[02:53] | Such a sweet boy. | |
[02:56] | Would you mind putting this in my room? | |
[02:57] | I have to get ready for work. | |
[02:58] | [ Chuckles ] | |
[02:59] | Is that really what you’re wearing? | |
[03:01] | [ Gunshots ] | |
[03:03] | ♪♪ | |
[03:10] | Nice groupings. | |
[03:11] | Thanks. | |
[03:14] | So, I need yesterday’s after-action reports. | |
[03:16] | I will have them for you at the end of shift. | |
[03:18] | You mean when today’s are due? | |
[03:19] | I know you’re used to being out on the edge, all alone, | |
[03:22] | but paperwork’s part of the gig here. | |
[03:24] | Copy that. I will get caught up quick. | |
[03:26] | Officer Nolan’s not the only one | |
[03:28] | being evaluated, Detective. | |
[03:29] | I know you got the golden ticket, | |
[03:31] | but you got to do the work. | |
[03:31] | Understand? | |
[03:33] | Yes, sir. | |
[03:36] | ♪♪ | |
[03:39] | [ Gunshots ] | |
[03:40] | Henry got engaged. | |
[03:42] | Yeah, he just turned 20. | |
[03:43] | I know. It’s too young. | |
[03:44] | Didn’t you get married around then? | |
[03:45] | That’s not the point. [ Sighs ] | |
[03:47] | So, I just talked to my dad. | |
[03:49] | Apparently, he only brought home a bagel for himself. | |
[03:52] | He did not bring one for my mom. | |
[03:53] | That’s why she left? | |
[03:54] | Bagel that broke the camel’s back. | |
[03:56] | Maybe it’s for the best. | |
[03:57] | Oh, God, no. | |
[03:58] | Separately, they will make my life twice as miserable. | |
[04:01] | I have to get them back together. | |
[04:02] | Just… Morning. | |
[04:05] | She is definitely warming up to me. | |
[04:08] | So, Officer West, | |
[04:10] | can you tell us what a “friendly” is? Jackson: Yes, sir. | |
[04:12] | A “friendly” is another term for a Confidential Informant. Correct. | |
[04:15] | And Confidential Informants | |
[04:16] | can be an incredibly useful tool. | |
[04:18] | They’re definitely tools. [ Laughter ] | |
[04:20] | Are you saying you don’t use them, Officer Bradford? No, sir. | |
[04:23] | Just saying that they’re lying liars who lie | |
[04:24] | and they need to be dominated, | |
[04:26] | never allowed to think they’re in control. | |
[04:27] | Officer Lopez, you agree? Lopez: No, sir. | |
[04:29] | C.I.s are most useful | |
[04:30] | when they think they’re part of the team. | |
[04:32] | You’re both wrong. | |
[04:34] | Sgt. Grey: Please, school us, Detective. | |
[04:35] | C.I.s are just people trying to get by. | |
[04:37] | Some are psychopaths who play ball | |
[04:38] | because it’s the best available option, | |
[04:41] | some are people in over their heads | |
[04:43] | who cling to you desperately as a way out of trouble. | |
[04:45] | Treating them all the same is a mistake. | |
[04:48] | Well, it’s time to put these theories to the test. | |
[04:52] | Nolan, Chen, part of the second phase of your training | |
[04:54] | is developing your first C.I. | |
[04:56] | See, you’ve known this day was coming, | |
[04:57] | so I’m confident that you have a plan of action in place. | |
[05:00] | But be forewarned — | |
[05:02] | you will be evaluated on | |
[05:03] | the arrests generated by your C.I., | |
[05:05] | as well as their long-term viability. | |
[05:07] | So, choose wisely. | |
[05:09] | Alright, that’s it. | |
[05:10] | Be safe. | |
[05:14] | Sir, you have to let West participate. | |
[05:16] | Do I? You’ve read my daily evals. | |
[05:18] | His work is as strong as it’s ever been, | |
[05:20] | and this is an opportunity to prove | |
[05:22] | that he’s ready to move on. | |
[05:23] | It’s a big swing, Officer West. | |
[05:25] | Screw it up, | |
[05:27] | it’s likely to be the last nail. | |
[05:29] | You sure you want to take that chance? | |
[05:30] | Yes, sir. | |
[05:32] | Alright. You’re in. | |
[05:34] | Good? | |
[05:36] | Thank you, sir. | |
[05:38] | You are the greatest T.O. in the history of T.O.s. | |
[05:40] | Here you go. You got a choice to make — | |
[05:42] | be conservative or be bold. | |
[05:45] | Tim’s gonna make sure | |
[05:46] | Lucy bags a work horse for her first C.I. | |
[05:48] | Nothing flashy. | |
[05:49] | And Harper? | |
[05:50] | My guess is she’ll let Nolan drive it — | |
[05:52] | sink or swim on his own. | |
[05:53] | You think we should go big. | |
[05:55] | It’s the riskiest move, | |
[05:56] | but the one that will get you into short sleeves quicker. | |
[05:58] | But a big fish takes time, | |
[06:01] | and if you fail to recruit him, | |
[06:02] | you run the real risk of hitting the week’s end | |
[06:03] | without someone. [ Sighs ] | |
[06:05] | And Grey’ll bounce me for sure. | |
[06:07] | [ Exhales sharply ] | |
[06:10] | Screw it. | |
[06:11] | Let’s go for it. That’s the spirit. | |
[06:13] | You got a candidate? Yeah. | |
[06:14] | A guy the Feds use, | |
[06:16] | but you should hit an ATM on the way over. | |
[06:18] | This guy’s not cheap. | |
[06:20] | Nolan: Hey, Nick. Heading home? | |
[06:22] | My bed awaits. | |
[06:23] | I just had an armed robbery suspect | |
[06:25] | in the box all night. | |
[06:26] | I’m fried. How’re you? | |
[06:27] | I just found out my son got engaged. | |
[06:29] | Whoa. | |
[06:31] | I-Isn’t he, like, 12? | |
[06:32] | 20. Right. | |
[06:33] | You like the girl? Abigail. | |
[06:35] | She seems very sweet. | |
[06:37] | Just met her for the first time this morning. | |
[06:38] | Also 20. | |
[06:40] | [ Chuckles ] | |
[06:41] | You run her through the system? | |
[06:42] | A background check? | |
[06:43] | No, it’s against the rules, | |
[06:44] | and it’s just…wrong. | |
[06:46] | If it were me, I’d want to know. | |
[06:48] | See you tomorrow. | |
[06:49] | Well, technically tonight. | |
[06:51] | -Right. -Here you go. | |
[06:53] | Oh. | |
[07:00] | Tim: What are we doing here, Boot? [ Car door closes ] | |
[07:02] | As you’re aware, pawn shops are required by law | |
[07:04] | to notify law enforcement if they believe someone | |
[07:07] | is trying to pawn off stolen property. | |
[07:08] | I pulled city records. | |
[07:10] | This shop has never called us. | |
[07:12] | Either the owner is a saint, or — | |
[07:13] | Or he’s dealing with a lot of stolen goods. Exactly. | |
[07:16] | Making them the perfect candidate for my first C.I. | |
[07:18] | Don’t get too cocky, Officer Chen. [ Cellphone vibrates ] | |
[07:20] | Recruiting a reliable C.I. is hard work. | |
[07:22] | Yes, sir. [ Cellphone clicks ] | |
[07:23] | Sorry, my parents are… | |
[07:25] | Uh, never mind. | |
[07:29] | [ Soft guitar music plays ] | |
[07:31] | Morning. Good morning. What can I do for you? | |
[07:33] | We’re doing interviews | |
[07:35] | for the detectives in Robbery-Homicide. | |
[07:37] | Has anyone tried to pass off stolen items recently? No, absolutely not. | |
[07:39] | How do you know they’re not stolen before you buy them? | |
[07:41] | ‘Cause I’m a very good judge of people. | |
[07:43] | What’s your impression of me? | |
[07:45] | That you’re a very distrustful woman. | |
[07:49] | [ Clears throat ] [ Cellphone clicks ] | |
[07:53] | Detective Harrison, it’s Officer Chen. | |
[07:55] | Yeah, we’re gonna need you to send Code Enforcement | |
[07:57] | down to High-Life — | |
[07:58] | That’s not necessary. Hold on, Craig. | |
[08:00] | If you’re above board, there shouldn’t be a problem, right? | |
[08:02] | ♪♪ | |
[08:04] | [ Sighs ] Okay. | |
[08:06] | There may be a few things | |
[08:08] | that are from questionable sources. | |
[08:09] | Nice job. | |
[08:11] | Great, let’s see it, | |
[08:13] | and don’t give me any of that low-end misdemeanor crap. | |
[08:15] | [ Sighs ] | |
[08:18] | [ Clears throat ] | |
[08:20] | Woman brought this in yesterday, | |
[08:22] | and it’s not the first designer bag | |
[08:23] | she’s brought me. | |
[08:25] | Mm. Retails for what? | |
[08:25] | Five grand? Six. | |
[08:29] | What are you looking for? | |
[08:31] | These high-end bags have serial numbers sewn in. | |
[08:33] | They’re registered to the original buyer. | |
[08:35] | Yeah. | |
[08:37] | Bingo. [ Chuckles ] | |
[08:39] | [ Siren chirps ] | |
[08:43] | Hey, there. | |
[08:44] | Bianca, right? | |
[08:47] | Do I know you? | |
[08:48] | No, I have this acquaintance in narcotics. | |
[08:50] | He, uh — | |
[08:51] | Well, actually, I installed a new kitchen island for him. | |
[08:53] | Anyway, I was telling him | |
[08:54] | I need a low-level drug mule that I can flip into a C.I., | |
[08:57] | and he mentioned you. | |
[08:58] | ♪♪ | |
[09:00] | Bianca! | |
[09:03] | Why are you running? We know where you live. | |
[09:05] | She’s got drugs in her bag. Really? | |
[09:07] | Uh-huh. Bianca, is that right? | |
[09:09] | Bianca: [ Grunts ] | |
[09:10] | [ Car door opens ] | |
[09:12] | Nolan: Easy. | |
[09:14] | [ Car doors close ] Okay. Easy. I got you. | |
[09:15] | Come on. Come on. [ Grunts ] | |
[09:17] | Come on. [ Whimpers ] | |
[09:18] | Relax, okay? | |
[09:19] | [ Breathes heavily ] | |
[09:23] | [ Zipper unzips ] | |
[09:26] | Heroin? Yep. | |
[09:27] | Enough to put Bianca in prison | |
[09:28] | for the rest of her child-bearing years. | |
[09:30] | Do you want to go to prison, Bianca? | |
[09:32] | [ Sniffles ] No. | |
[09:34] | Then you’re gonna have to flip on your boss, | |
[09:37] | and depending on how that goes, | |
[09:38] | you’re gonna become an informant — my informant — | |
[09:41] | pointing us to more drug dealers and suppliers. | |
[09:44] | [ Breathes shakily ] | |
[09:45] | I can’t do that. They’ll kill me. | |
[09:47] | And we’ll protect you. | |
[09:49] | He can’t promise you that. | |
[09:51] | You need to be clear with a C.I. | |
[09:52] | You’ll do your best to treat them right, | |
[09:54] | look out for them, but you’re not God, | |
[09:56] | and you’re not with them 24/7. | |
[09:57] | Understood. | |
[09:59] | And thank you. | |
[10:02] | So, those are your choices, Bianca. | |
[10:03] | You can go to jail or you can help us. | |
[10:05] | What’s it gonna be? | |
[10:13] | [ Breathes shakily ] | |
[10:14] | You’re gonna get me killed. | |
[10:16] | Nolan: Hey, if anything happens, | |
[10:17] | we’ll be just across the courtyard. | |
[10:19] | Your boss usually punctual? | |
[10:21] | For a drug dealer. | |
[10:23] | Look, don’t be a hero. | |
[10:25] | Just give him the bag, | |
[10:26] | you take your fee, you walk away, | |
[10:28] | just like you’ve done hundreds of times. | |
[10:29] | All done. | |
[10:31] | Talk in a normal voice. | |
[10:35] | Tell the man at the funeral home | |
[10:37] | that I want to be turned into a tree. | |
[10:40] | Make sure they don’t put me in a box. | |
[10:42] | I get claustrophobic. | |
[10:44] | Bianca, I promise… | |
[10:49] | …if anything goes wrong, we will be there. | |
[10:51] | ♪♪ | |
[10:54] | [ Breathes shakily ] | |
[10:55] | Can I go to the bathroom with this stuff? | |
[10:56] | [ Sniffles ] Sure. | |
[11:03] | And don’t listen. | |
[11:04] | [ Door closes ] | |
[11:06] | ♪♪ | |
[11:12] | [ Breathing heavily ] | |
[11:15] | Hey, girl. | |
[11:16] | [ Knock on door ] | |
[11:18] | I thought — | |
[11:19] | Yeah, don’t do that. | |
[11:21] | [ Clears throat ] | |
[11:23] | He’ll be here in a minute. | |
[11:24] | Let’s get set. | |
[11:27] | [ Grunts ] | |
[11:28] | Damn it. | |
[11:30] | Jackson: So, I was thinking we could start small, | |
[11:32] | see what type of intel you have. | |
[11:33] | [ Chuckles ] Hold your roll, Officer. | |
[11:36] | The only reason I’m talking to you | |
[11:37] | is because you paid my greens’ fee. | |
[11:39] | Truth is, I work exclusively with the Feds. | |
[11:41] | They pay way better than the LAPD. | |
[11:43] | 100 grand last year | |
[11:45] | for intel on nine high-profile felonies. | |
[11:47] | Now, you gonna match that? | |
[11:49] | While the LAPD can’t beat that kind of number, | |
[11:51] | your FBI handler isn’t gonna give you | |
[11:53] | the kind of personal attention that I will. | |
[11:55] | [ Chuckles ] | |
[11:56] | He offering massages? | |
[11:58] | There’s got to be something or someone | |
[12:00] | that’s bothering you. | |
[12:02] | My ex-wife is screwing this Pakistani guy. | |
[12:06] | Owns a used car dealership on Van Nuys — | |
[12:09] | definitely moving stolen cars. | |
[12:11] | And why do you care? | |
[12:12] | My ex torched all my Armani suits on the way out. | |
[12:14] | So, you take something she cares about | |
[12:16] | away from her… | |
[12:18] | I’ll play ball. | |
[12:23] | ♪♪ | |
[12:25] | Nolan: He’s here. | |
[12:27] | ♪♪ | |
[12:33] | ♪♪ | |
[12:38] | He went into the room. | |
[12:44] | Harper: She’s going in. | |
[12:46] | ♪♪ | |
[12:55] | ♪♪ | |
[13:05] | What’s going on? | |
[13:08] | It’s fine. | |
[13:09] | Let it play out. | |
[13:11] | ♪♪ | |
[13:18] | ♪♪ | |
[13:25] | ♪♪ | |
[13:32] | See? | |
[13:34] | All good. | |
[13:35] | ♪♪ | |
[13:37] | [ Knock on door ] | |
[13:41] | Arms up. | |
[13:44] | Hey, I don’t get to keep that? Sorry. | |
[13:46] | Alright, well, let’s go get this guy. | |
[13:48] | ♪♪ | |
[13:49] | Okay, just sit here, relax. | |
[13:52] | The hard part’s done. Great job. | |
[13:54] | ♪♪ | |
[14:00] | ♪♪ | |
[14:06] | [ Car alarm chirps ] | |
[14:08] | ♪♪ | |
[14:11] | Harper: Freeze. | |
[14:12] | Police! Hands up. | |
[14:16] | Drop the bag. | |
[14:17] | Interlace your fingers behind your head. | |
[14:18] | Don’t move. | |
[14:21] | [ Zipper unzips ] | |
[14:27] | [ Zipper unzips ] | |
[14:28] | Decent bust, rookie. | |
[14:33] | Bianca? | |
[14:38] | ♪♪ | |
[14:40] | Hey. | |
[14:43] | [ Gasps ] | |
[14:44] | Bianca? | |
[14:46] | ♪♪ | |
[14:48] | Harper, I need Narcan in the room right now. | |
[14:56] | ♪♪ | |
[14:58] | Nolan: Bianca. Hey. | |
[15:00] | Stay with me, alright? | |
[15:01] | ♪♪ | |
[15:05] | Where’d she get the drugs? | |
[15:06] | Must have had a leftover from the deal. | |
[15:07] | [ Narcan dose sprays ] | |
[15:09] | Easy, easy, easy. I got you. I got you. Control, 7-Adam-15 — | |
[15:12] | We need an ambulance at the Dollar Motel on Olympic. | |
[15:15] | Female, 25, head injury and overdose. | |
[15:18] | ♪ If the squad ain’t with me, then it ain’t right ♪ | |
[15:20] | ♪♪ | |
[15:23] | ♪ Yeah ♪ | |
[15:24] | ♪ Ay-ay-ay-whoa ♪ | |
[15:26] | ♪♪ | |
[15:28] | ♪ Yeah, ay ♪ | |
[15:29] | Mrs? | |
[15:31] | Uh, these officers want to speak with you. | |
[15:33] | Cool. | |
[15:35] | ♪♪ | |
[15:37] | Daisy: What’s up? | |
[15:38] | We’re here about some stolen property. | |
[15:40] | Do you recognize this bag? | |
[15:41] | ♪♪ | |
[15:44] | Yeah, I’ve got one just like it. | |
[15:45] | We believe this one is yours. It was at a pawn shop. | |
[15:48] | We matched the serial number to your credit card purchase. | |
[15:49] | Hilda! | |
[15:51] | Hilda: Yes, Mrs? | |
[15:52] | You’re fired. | |
[15:54] | What? Please, don’t make a scene. | |
[15:55] | It’ll just upset me. | |
[15:56] | Uh, whoa, whoa, whoa. Hey, hey. | |
[15:57] | What’s going on? What did you do? | |
[16:00] | Hilda’s been robbing us. | |
[16:01] | I have not. | |
[16:03] | Who are you? | |
[16:04] | This is my daughter, Olivia. | |
[16:06] | Step-daughter. You were 9 when I was born. | |
[16:08] | Olivia, do you know anything about a stolen handbag? | |
[16:10] | The description the pawn shop owner gave us | |
[16:12] | fits you more than your housekeeper. | |
[16:16] | Yeah. | |
[16:17] | Yeah, I took it. | |
[16:20] | But she has so many, she didn’t even notice. | |
[16:22] | [ Sighs ] You are such a brat. | |
[16:24] | You’re such a parasite. | |
[16:25] | Don’t talk to your mother that way. | |
[16:26] | You are not my mother! | |
[16:27] | Okay, calm down. | |
[16:29] | Calm down. Both of you, okay? | |
[16:30] | I want her arrested. | |
[16:32] | It’s the only way she’ll learn. | |
[16:33] | Are you sure that’s what her father would want? | |
[16:36] | Her father wants whatever I tell him. | |
[16:38] | [ Sniffles ] | |
[16:40] | ♪ Then it ain’t right ♪ | |
[16:41] | ♪ Ay, ay, ay, ay ♪ | |
[16:43] | ♪♪ | |
[16:53] | [ Door closes ] | |
[16:55] | Six stolen cars. | |
[16:56] | Grey’s gonna be impressed, | |
[16:58] | but we still need to get Hickey officially signed up. | |
[16:59] | On it. | |
[17:01] | Hickey: Yo. | |
[17:02] | Mr. Hickey, it’s Officer West. | |
[17:04] | Your intel was spot-on. | |
[17:06] | We’ve impounded six stolen vehicles | |
[17:07] | and arrested Mr. Fawad Chandio. | |
[17:09] | That’s awesome. | |
[17:10] | Nicky’s gonna cry for a week. | |
[17:12] | So, it means you’re on board? | |
[17:13] | I’m a man of my word. Great. | |
[17:15] | We’ll just need you to come into the station | |
[17:17] | and fill out some paperwork. Yeah, you got it. | |
[17:21] | She’ll be okay. | |
[17:22] | We’re gonna keep her overnight | |
[17:23] | and monitor her for a concussion. | |
[17:25] | Thanks. | |
[17:26] | You know, I still don’t understand | |
[17:28] | how she overdosed while in custody. | |
[17:29] | I left her alone while we made the bust. | |
[17:32] | I just — I feel terrible. | |
[17:33] | You two used to date. | |
[17:35] | What? No — What? | |
[17:36] | No. Ye– Well, yes, but — | |
[17:37] | I’m not judging. You’re very pretty. | |
[17:39] | Thank you. | |
[17:41] | Well, I’m not uncomfortable at all, | |
[17:43] | and I think we should probably go, right? | |
[17:46] | Nice meeting you. You, too. | |
[17:49] | So, are you counting Bianca as your first C.I.? | |
[17:51] | Shouldn’t I? | |
[17:53] | Got a solid arrest off her intel. | |
[17:54] | Yeah, but Grey’s also evaluating long-term prospects | |
[17:57] | and she doesn’t have any. | |
[17:57] | Right. | |
[17:59] | Ever bother you using people like that? | |
[18:01] | Nope. The drugs she’s moving kill people every day. | |
[18:04] | She’s not a saint. [ Elevator bell dings ] | |
[18:05] | She’s a criminal. Right. | |
[18:07] | You didn’t answer my question. | |
[18:10] | You checking that box and moving on? | |
[18:12] | No. I need to find a real C.I. | |
[18:14] | Good answer. | |
[18:21] | So, where’s your mom? | |
[18:23] | Uh… | |
[18:25] | She died last year. | |
[18:26] | Cervical cancer. | |
[18:28] | Oh. I’m sorry. | |
[18:31] | Thanks. | |
[18:34] | So, I left school to be with my dad, | |
[18:37] | only to find out | |
[18:38] | that he’d been hooking up with that trophy skank | |
[18:40] | while my mom was in hospice. | |
[18:42] | Yeah, well, you shouldn’t go home tonight, | |
[18:46] | once you process out. | |
[18:47] | I don’t have a choice. | |
[18:50] | Daisy convinced my dad | |
[18:51] | to hold on to the money my mom left me | |
[18:53] | until after I graduate from college. | |
[18:55] | Can he do that? | |
[18:57] | I don’t know. | |
[18:59] | I can’t really afford a lawyer to find out. | |
[19:01] | Look, you are in a bad situation, | |
[19:05] | but stealing, it’s… | |
[19:08] | it’s not gonna make it better. | |
[19:10] | What will? | |
[19:13] | Am I crazy, or was that way too easy? | |
[19:16] | It was a little easy. | |
[19:17] | On the other hand, | |
[19:18] | you showed Hickey that you can get things done. | |
[19:19] | Lopez, West, my office. | |
[19:23] | Agent Bird: I’m gonna call you back. | |
[19:25] | So, this is Special Agent Wyck Bird from the FBI. | |
[19:28] | He says you’re trying to poach his informant. | |
[19:31] | Wait, sir, I-I can explain. | |
[19:33] | Agent Bird: Save your breath. | |
[19:34] | Hickey’s mine. | |
[19:35] | Guy’s a clearing house of high-value intel. | |
[19:38] | Bureau doesn’t need the LAPD messing with our meal ticket. | |
[19:40] | I didn’t know informants came with exclusive rights. | |
[19:42] | Now you do. | |
[19:45] | He called you to get us to back off. | |
[19:48] | And he used us to do him a solid. | |
[19:50] | Now he’s kicking us to the curb. | |
[19:52] | He said you were hassling him. | |
[19:52] | Stop hassling him. | |
[19:54] | Or else. | |
[19:55] | Sergeant. | |
[19:57] | Special Agent. | |
[20:01] | Sir — Save it. | |
[20:02] | I told you what would happen if you swung and missed. | |
[20:05] | You’re dismissed. | |
[20:07] | ♪♪ | |
[20:14] | So, you got a game plan for running down a new C.I.? Not yet. | |
[20:17] | Any suggestions? Oh, that’s right. | |
[20:18] | You’re not here to teach me. Ms. Harper? | |
[20:20] | Hi. | |
[20:22] | Uh…um, what are you doing here? | |
[20:24] | You didn’t sign your petition. | |
[20:25] | Right. I’m sorry. | |
[20:27] | I, um… Excuse me. Hi. John Nolan. | |
[20:29] | Hi. Good to meet you. My name’s — | |
[20:30] | None of his business. | |
[20:32] | Um…I’m gonna take 10, you figure out a next step. | |
[20:35] | Come on. | |
[20:41] | This is bleak. | |
[20:42] | There’s nowhere else we can meet? | |
[20:43] | It’s private. | |
[20:45] | I don’t want anyone here knowing my business. | |
[20:48] | Okay. | |
[20:54] | We got lucky with the judge. | |
[20:55] | He believes whenever possible, | |
[20:57] | it’s important for the mother to be part of the child’s life. | |
[21:01] | Okay. | |
[21:02] | That’s — That’s great. | |
[21:04] | ♪♪ | |
[21:09] | ♪♪ | |
[21:15] | How’s it going here? | |
[21:17] | Uh, it’s fine. | |
[21:19] | [ Sniffles ] | |
[21:23] | It’s a lot harder than I thought it would be. | |
[21:26] | What is? | |
[21:28] | Being normal. | |
[21:30] | [ Chuckles softly ] | |
[21:31] | You’re doing great. | |
[21:33] | The better hours, the new apartment — | |
[21:35] | the judge will be impressed. | |
[21:38] | I hope so. | |
[21:41] | ‘Cause if I don’t see my daughter soon, | |
[21:43] | I am gonna lose my mind. | |
[21:45] | ♪♪ | |
[21:49] | Hey. | |
[21:51] | Hey, back at it already? | |
[21:53] | Yeah, couldn’t sleep. | |
[21:54] | Just laid there, staring at the ceiling. | |
[21:56] | Figured screw it — I’ll clock in early. | |
[21:58] | Can I ask you something? Yeah, sure. | |
[21:59] | I need to recruit a C.I. | |
[22:01] | My first one — she O.D.’d on me. | |
[22:04] | Oh. | |
[22:05] | You know what? You need a forger. | |
[22:07] | They’re at the hub of all criminal activity. | |
[22:08] | Tell Logan in Commercial Crimes | |
[22:10] | I asked him to throw some names your way. | |
[22:12] | You are a life-saver. Thank you. | |
[22:15] | Hey, John? Yeah? | |
[22:18] | I ran a background check on Henry’s girlfriend. | |
[22:21] | Don’t worry, I tied it to an open investigation. | |
[22:23] | No one will ever know. | |
[22:24] | I-I didn’t ask — I know. | |
[22:26] | I know. | |
[22:28] | But if I were you, | |
[22:29] | I’d want to take a look at what’s inside. | |
[22:36] | What’s that? | |
[22:37] | Nothing. | |
[22:39] | What was your thing about? | |
[22:40] | Nothing. Great. Lunch? | |
[22:42] | Great. | |
[22:45] | Nolan: So, what do I do? | |
[22:46] | Open it. | |
[22:47] | It’s about Henry’s safety. | |
[22:49] | You should see what it says. | |
[22:54] | Henry: [ Laughing ] Dad. Hey! | |
[22:56] | Oh, my God. | |
[22:57] | You guys are all about the surprises this week. | |
[22:59] | Hi, I’m Abigail — Henry’s fiancée. | |
[23:01] | Yeah, I know. | |
[23:02] | I just really love saying that, so… | |
[23:04] | Congratulations. Jackson: Yeah, that’s awesome. | |
[23:06] | What do you want to eat? | |
[23:07] | I’ll come with you. Okay. Good. | |
[23:09] | We’ll be back. Right. | |
[23:12] | Man: May I take your order? | |
[23:14] | They look so happy. | |
[23:15] | I want that. | |
[23:16] | Baby steps. Right. | |
[23:18] | Well, first, I have to get my mother out of our apartment. | |
[23:20] | Yes. They really do seem happy. | |
[23:22] | ♪♪ | |
[23:24] | Would I be sabotaging that | |
[23:26] | by reading what’s in this envelope, | |
[23:27] | or is that the illusion | |
[23:29] | and Abigail’s just a time bomb waiting to go off? | |
[23:33] | So, what’s the next step on the C.I. front? | |
[23:35] | Forger. | |
[23:37] | Who’d you get that from? No one. | |
[23:40] | Detective Armstrong. | |
[23:42] | Cheating on me with another detective? | |
[23:43] | I had no idea we were exclusive. | |
[23:47] | Okay, we got too much, but everything looked so good. | |
[23:48] | Perfect timing. | |
[23:50] | Uh, uh, Henry, Abigail, | |
[23:52] | this is Nyla Harper, my training officer. | |
[23:54] | Nyla Harper, Henry is my son. | |
[23:55] | And I know what you’re thinking — | |
[23:56] | far too young to have a 20-year-old. | |
[23:57] | Nope. Nice to meet you both. | |
[24:00] | Let’s get to work. Right. | |
[24:01] | Um, that’s all you. See you guys at home. | |
[24:05] | So, you got a place to start, | |
[24:06] | or are we Googling “forger”? | |
[24:07] | Ooh, I got a list. Mm. | |
[24:09] | ♪♪ | |
[24:11] | Nolan: What did you think of Abigail? | |
[24:12] | She seemed nice. Why? | |
[24:14] | No reason. | |
[24:16] | They just got engaged. | |
[24:17] | Oh, good for them. | |
[24:18] | Yeah. | |
[24:20] | No? Yeah. | |
[24:21] | No, I’m… | |
[24:22] | Yeah. Oh. | |
[24:23] | It’s great. No, eh, eh… | |
[24:28] | Fallow: Drunk driving — Knock, knock. | |
[24:29] | Officers. | |
[24:32] | Can I help you? | |
[24:33] | Beat it. | |
[24:39] | This is your place? | |
[24:40] | Yes, sir. | |
[24:42] | You do head shots? We sure do. | |
[24:45] | What about fake IDs? | |
[24:47] | No, sir. | |
[24:48] | [ Drawer opens ] | |
[24:55] | Lying to a police officer — that’s a crime, isn’t it? | |
[24:58] | Not as big a one as forgery | |
[24:59] | and counterfeiting government documents. | |
[25:02] | Just trying to make a living. | |
[25:05] | These cellphone cameras have killed my business. | |
[25:08] | Am I going to jail? | |
[25:10] | Well, that depends. | |
[25:12] | Maybe I can help you if you help me. | |
[25:15] | I don’t know what that means. | |
[25:17] | Do you want me to bribe you? | |
[25:20] | How much — No. No. No. | |
[25:21] | That’s not — Okay. How do I… | |
[25:25] | I need someone with their ear to the street — | |
[25:28] | You’re gonna be his snitch. My snitch. | |
[25:29] | We’re gonna take all this stolen property as evidence. | |
[25:32] | We’re gonna book it and tie it to an unknown suspect. | |
[25:34] | If you screw us, | |
[25:36] | we will suddenly know who the suspect is, | |
[25:38] | get a warrant, and come arrest you. | |
[25:40] | We are looking for leads on serious felons here, okay? | |
[25:43] | Not teenagers trying to buy alcohol. | |
[25:45] | You making papers for anyone like that right now? | |
[25:50] | I did get a head’s up | |
[25:51] | about a big job that might come my way. | |
[25:53] | Fake identities, driver’s licenses, | |
[25:55] | passports, the works. | |
[25:56] | As soon as you get details, you call me. | |
[25:58] | Do you understand? | |
[26:00] | Yeah. | |
[26:01] | Congrats. | |
[26:03] | You have a real C.I. | |
[26:06] | ♪♪ | |
[26:08] | I’m on my way home now, Mom. | |
[26:10] | Yes, I got the shopping list you texted. | |
[26:13] | There’s no milk because I’m lactose intolerant, remember? [ Cellphone beeps ] | |
[26:16] | Mom, I gotta go. | |
[26:18] | Opal, what’s up? | |
[26:21] | ♪♪ | |
[26:23] | Thank you. [ Cellphone beeps ] | |
[26:25] | Tim. | |
[26:26] | Yo? | |
[26:28] | Olivia showed up at Opal’s pawn shop | |
[26:30] | with more of her step-mom’s stuff, | |
[26:31] | but she didn’t want money this time. | |
[26:32] | She wanted a gun. | |
[26:44] | Tim: Police! | |
[26:46] | [ Gunshots ] | |
[26:49] | Lucy: 7-Adam-19 — shots fired at our location. | |
[26:51] | Send back-up. | |
[26:52] | ♪♪ | |
[26:57] | Olivia: I hate you! | |
[26:58] | Drop the gun! [ Gunshots ] | |
[27:00] | You turned my dad against me! | |
[27:01] | Lucy: Olivia, drop the gun! | |
[27:02] | She ruined everything! | |
[27:03] | Tim: Now! | |
[27:08] | Stand up. Keep your hands up. | |
[27:10] | Do not move. | |
[27:13] | You’ve made this so much worse. | |
[27:16] | Come on. | |
[27:19] | You are gonna pay for those bags. | |
[27:21] | Lucy: Ma’am, stay right there. | |
[27:22] | Hilda: What’s going on? | |
[27:24] | What the hell are you doing here? | |
[27:25] | I came to get the rest of my things. | |
[27:27] | Wh– Are you okay? | |
[27:31] | [ Sighs ] | |
[27:32] | Officers, would you like to see | |
[27:34] | where Mrs. hides all her drugs? | |
[27:37] | Yes. | |
[27:38] | Yes, we would. | |
[27:41] | ♪♪ | |
[27:46] | ♪ They say Rocky sold his soul ♪ | |
[27:51] | ♪ Tomorrow swerves into yesterday ♪ | |
[27:54] | I’m home! | |
[27:55] | ♪ Well, he dove headfirst into the deep ♪ | |
[27:58] | Henry: About time. | |
[28:00] | It’s way past your curfew. | |
[28:01] | Nolan: Oh, very funny. | |
[28:03] | You have a lot of tattoos. | |
[28:06] | Oh, yeah. You like ’em? | |
[28:07] | Each one signifies a meaningful moment of my life. | |
[28:11] | I’m trying to talk Henry into getting one. | |
[28:13] | I have no idea what I would get. | |
[28:14] | Yeah, well, that’s a decision | |
[28:15] | that will last you a lifetime. | |
[28:17] | Yeah. Oh, I see what you did there, | |
[28:18] | Is anyone hungry? | |
[28:23] | I can tell you’re freaked out. | |
[28:25] | Don’t be, okay? | |
[28:27] | Okay. | |
[28:28] | Okay. | |
[28:32] | ♪ Well, the neon lights are on the red ♪ | |
[28:35] | [ Cellphone clicks, beeps ] | |
[28:36] | [ Cellphone rings ] | |
[28:37] | [ Cellphone buzzes ] | |
[28:40] | [ Cellphone beeps ] | |
[28:42] | Hello? | |
[28:44] | Nolan: Hey, it’s John. | |
[28:45] | I really hope I’m not, um… | |
[28:46] | stepping over the line here, | |
[28:48] | but I really have no one to talk to about…anything | |
[28:51] | parenting oriented. | |
[28:52] | Never mind. You know what? | |
[28:54] | I’ll take care of this. Just forget I called. | |
[28:55] | John, how can I help? | |
[28:56] | [ Whispering ] I’m having a parenting emergency. | |
[28:59] | Good thing I specialize in emergency medicine. | |
[29:01] | [ Normal voice ] Are you still at the hospital? | |
[29:03] | Yeah, for a couple more hours. | |
[29:04] | Could I come buy you a cup of coffee, | |
[29:06] | ask you some questions? | |
[29:07] | Of course. | |
[29:08] | Thank you. | |
[29:09] | [ Cellphone beeps ] | |
[29:11] | I’m just gonna head right back out for a little while. | |
[29:13] | Okay. Oh, could you pick up some pie? | |
[29:15] | Yeah, she loves pie. I love pie. | |
[29:17] | Sure. | |
[29:22] | I feel like a monster. | |
[29:23] | You’re not a monster. | |
[29:25] | I mean, you’re a father. | |
[29:27] | So, I should just open this up right now and read it? | |
[29:29] | Absolutely not. | |
[29:30] | But it’s my job to protect him. | |
[29:32] | It is your job to respect him, | |
[29:33] | and running secret background check | |
[29:35] | on the girl he’s in love with | |
[29:36] | is not doing that. | |
[29:38] | Okay, but I didn’t run this. | |
[29:39] | Doesn’t matter. No, no. | |
[29:41] | Of course not. [ Chuckles ] | |
[29:42] | And yet, I still can’t bring myself to throw it away. | |
[29:47] | What if you read it? | |
[29:49] | And then that way, you could just tell me | |
[29:50] | if she’s a serial killer or a mime. | |
[29:51] | [ Chuckles ] | |
[29:53] | No, but I will throw it out for you. | |
[29:54] | But — | |
[29:56] | It’s the right thing. | |
[29:59] | Hey, if you want to know something about Abigail, | |
[30:01] | you should just ask her. | |
[30:03] | ♪♪ | |
[30:06] | [ Sighs ] | |
[30:07] | You’re right. | |
[30:09] | Thank you. | |
[30:10] | You’re welcome. | |
[30:15] | I messed up. | |
[30:18] | I tried to regain all the ground I lost, | |
[30:20] | but it might have just cost me my job. | |
[30:24] | You know, Lucy would tell me about you at the academy, | |
[30:28] | how far ahead you were from all your classmates. | |
[30:31] | Seems so long ago. | |
[30:33] | What happened to that Jackson? | |
[30:36] | What happened to that young man I met at graduation? | |
[30:39] | So full of confidence. | |
[30:41] | A lifetime of expectations crashed headlong into reality. | |
[30:46] | Well, “Sometimes you win, sometimes you learn.” | |
[30:50] | Freud? | |
[30:51] | Cat poster Lucy used to have in her room. | |
[30:54] | You need to get back to the time | |
[30:56] | when you knew who you were, | |
[30:58] | not who you were trying to be. | |
[31:02] | Oh, my gosh. | |
[31:04] | You’re absolutely right. | |
[31:06] | I can’t start counting up wins and losses | |
[31:08] | when the season’s just begun. | |
[31:09] | Morning. | |
[31:11] | Where did the coffee cups go? | |
[31:13] | Oh, I moved them next to the coffee maker. | |
[31:16] | I liked them by the dishwasher. | |
[31:18] | That’s ridiculous. | |
[31:20] | It is more convenient. | |
[31:21] | ♪♪ | |
[31:22] | Did — Did… | |
[31:25] | Did you rearrange the furniture? | |
[31:27] | Yes. | |
[31:28] | There’s a better flow in the room this way. | |
[31:31] | That’s… | |
[31:33] | That’s great. | |
[31:37] | You know what? Screw the FBI. | |
[31:39] | I’m gonna flip Hickey, take him away from the Feds, | |
[31:41] | and show Grey that he’s wrong about me. | |
[31:43] | That’s a really bad idea… | |
[31:45] | but I love it. | |
[31:46] | Yes. How you gonna pull it off? | |
[31:48] | Okay, I-I stopped by the men’s detention center | |
[31:50] | on the way in, spoke to Chandio, | |
[31:51] | and it turns out | |
[31:52] | he’s not sleeping with Hickey’s ex-wife. | |
[31:54] | He’s never even met her. | |
[31:55] | So, Hickey had another reason | |
[31:56] | to torpedo the stolen car ring. Exactly. | |
[31:58] | So, we find out what that is, | |
[31:59] | and we can use it to leverage Hickey. | |
[32:01] | Fallow: They made contact last night. | |
[32:03] | Ordered, um, five full sets of fake documents. | |
[32:07] | All young women? | |
[32:08] | Yeah. | |
[32:10] | Human trafficking? | |
[32:12] | Yeah. | |
[32:13] | Who’s the buyer? | |
[32:14] | Cartel. | |
[32:16] | Not sure which one. | |
[32:17] | ♪♪ | |
[32:19] | But they’ll kill me | |
[32:20] | if they find out I’m talking to you. | |
[32:23] | Where’s the exchange taking place? | |
[32:24] | Uh, Whiteman Airfield. | |
[32:27] | In two hours. | |
[32:33] | [ Airplane engine running ] | |
[32:40] | Nolan: You sure he said noon? | |
[32:42] | Yeah, I wrote it down. | |
[32:45] | 7-Adam-15 — all units stand by off-site. | |
[32:48] | Target is running late. | |
[32:50] | Hold position until further notice. | |
[32:51] | You think he’s gonna show? | |
[32:53] | If there’s one thing you can count on, | |
[32:54] | it’s that criminals are always late. | |
[32:56] | [ Airplane approaching ] | |
[33:00] | What? | |
[33:02] | Nothing. | |
[33:04] | What? | |
[33:06] | Trent Silver. | |
[33:08] | Name of the lawyer you were talking to | |
[33:09] | at the precinct yesterday. | |
[33:10] | I checked the sign-in sheet at the front desk. | |
[33:13] | Why would you do that? | |
[33:15] | I’m a cop. | |
[33:16] | Curiosity’s part of the job description. | |
[33:18] | So, he does family law? | |
[33:19] | He’s none of your business. | |
[33:20] | My personal life is none of your business. | |
[33:23] | Why you’re back in uniform? | |
[33:24] | None of your business. Are we clear? | |
[33:27] | For now. | |
[33:29] | [ Airplane engine running ] | |
[33:35] | [ Coughs ] | |
[33:37] | Son of a… | |
[33:39] | Didn’t someone from the FBI call and talk to you guys? | |
[33:42] | I’m already taken. Lopez: Yeah, about that. | |
[33:44] | After we swept up those stolen cars | |
[33:46] | and shut down that dealership… | |
[33:47] | And learned that you were lying | |
[33:49] | about the owner sleeping with your ex… | |
[33:50] | It got us thinking. | |
[33:51] | So we did some digging, | |
[33:53] | and it seems that you paid a visit to a few businesses | |
[33:55] | in that neighborhood yesterday evening. | |
[33:57] | Tried to use our show of force | |
[33:58] | as a means to extort some hardworking men and women. | |
[34:00] | We’ve got you on extortion. | |
[34:03] | We own you. | |
[34:05] | So, call the FBI and let them know | |
[34:07] | that you are booked for the foreseeable future. | |
[34:09] | Okay. | |
[34:10] | Alright, sure. | |
[34:12] | But I need to know how much you’re gonna pay for tips. | |
[34:14] | That’s a fair question. Totally. | |
[34:16] | The answer is… | |
[34:17] | Zero. | Zero. |
[34:18] | ♪♪ | |
[34:22] | [ Cellphone rings ] | |
[34:25] | [ Cellphone beeps ] | |
[34:28] | Hello? | |
[34:29] | I read it. Read what? | |
[34:31] | Wait… the background check? | |
[34:33] | No. You threw that away. I saw you. | |
[34:35] | I couldn’t help myself. | |
[34:36] | I mean, I dug it out of the trash after you left. | |
[34:38] | No. Why? | |
[34:39] | You’re supposed to be the angel on my shoulder. | |
[34:41] | But I started thinking. | |
[34:43] | I mean, if this was my son, what would I do? | |
[34:46] | And then the next thing I knew, | |
[34:47] | I was tearing it open and reading what was inside. | |
[34:50] | I-Is it bad? What does it say? | |
[34:52] | Two years ago, Abigail was charged with arson | |
[34:55] | and use of a caustic substance | |
[34:57] | against a former boyfriend. | |
[34:59] | I’m sorry. | |
[35:02] | ♪♪ | |
[35:05] | Nolan. Heads up. | |
[35:07] | I have to go. [ Cellphone clicks ] | |
[35:09] | ♪♪ | |
[35:11] | 7-Adam-15 — target has arrived. | |
[35:13] | Single black SUV. Wait for our signal. | |
[35:15] | Nice and easy. | |
[35:16] | Just go give them the documents. | |
[35:18] | ♪♪ | |
[35:25] | ♪♪ | |
[35:32] | Police! Hands where I can see them! | |
[35:33] | Get out of the car! Do it now! | |
[35:37] | Elena: No, please. You’re making a mistake. | |
[35:38] | Are you being held against your will? | |
[35:40] | Not by him. He’s helping us escape. | |
[35:44] | Wait. Escape from who? | |
[35:46] | El Leon. | |
[35:47] | Head of the Aquino Cartel? | |
[35:48] | He’s my husband, | |
[35:50] | and these woman “belong” to his men, | |
[35:52] | but we’re finished putting up with the abuse. | |
[35:54] | You have to let us go. [ Cellphone buzzing ] | |
[35:55] | Elena: Ugh. | |
[35:57] | Who is that? It’s my husband. | |
[35:58] | He keeps calling, telling me to go back. | |
[35:59] | You brought your phone? | |
[36:00] | Guaranteed he’s tracking that. | |
[36:02] | We gotta get out of here. | |
[36:04] | [ Tires squeal ] | |
[36:05] | ♪♪ | |
[36:11] | Get behind us. | |
[36:12] | 7-Adam-15, converge on me. Code 3. | |
[36:13] | ♪♪ | |
[36:18] | [ Tires squeal ] | |
[36:19] | ♪♪ | |
[36:20] | [ Guns cock ] | |
[36:24] | Anybody raises the gun above their waist | |
[36:27] | gets a hollow point in the eye. | |
[36:30] | There’s no need for that. | |
[36:32] | We’re simply here to give the ladies a ride home. | |
[36:34] | You the husband? Nah. | |
[36:36] | I’m his attack dog. | |
[36:38] | Elena, why do you do this? | |
[36:39] | You know there’s no place to go. | |
[36:41] | Get in the car. All of you. | |
[36:43] | We won’t. | |
[36:44] | Oh, yes, you will. | |
[36:45] | No, they won’t. | |
[36:46] | Huh. There’s eight of us… | |
[36:51] | …and two of you. | |
[36:52] | Actually, there’s a whole lot more than two. | |
[36:55] | So, here’s the new plan — | |
[36:56] | [ Sirens approaching ] You, your boys | |
[36:58] | are gonna get back in your cars | |
[36:59] | and you’re gonna drive away, empty-handed. | |
[37:01] | [ Sirens grow louder ] | |
[37:04] | I’d say you got about 20 seconds before the cavalry arrives. | |
[37:07] | This isn’t over, Elena. | |
[37:08] | We’ll get to you soon enough. | |
[37:09] | [ Whistles ] | |
[37:11] | ♪♪ | |
[37:14] | [ Engines rev ] | |
[37:16] | ♪♪ | |
[37:22] | ♪♪ | |
[37:29] | Well, that was exciting. | |
[37:30] | I guess not for you. | |
[37:31] | That’s probably a regular Tuesday for you. | |
[37:33] | Oh, no. | |
[37:34] | The pucker factor was definitely at 11. | |
[37:42] | West. | |
[37:44] | Nolan, Chen, don’t wander off. | |
[37:47] | Special Agent Bird just called me — | |
[37:48] | Jackson: Look, Sergeant, | |
[37:49] | it was my decision to pursue Hickey | |
[37:51] | and try and steal him away from the Feds. | |
[37:52] | Seems like you succeeded from the way Bird was yelling. | |
[37:54] | Yes, sir. | |
[37:56] | Officer Lopez, is this how you train your rookies? | |
[37:59] | To ignore the orders of federal agents? | |
[38:02] | Pretty much, sir. | |
[38:05] | Any day we can remind our federal brethren | |
[38:09] | that we are their equals… | |
[38:10] | is a day worth living. | |
[38:15] | It appears you three | |
[38:16] | successfully recruited your first C.I.s, | |
[38:18] | and I’m impressed. | |
[38:22] | See you tomorrow. | |
[38:24] | Oh, Officer West? | |
[38:27] | Short sleeves, please. | |
[38:28] | Yes, sir. | |
[38:30] | ♪♪ | |
[38:31] | ♪ Oh, when I got you by my side ♪ | |
[38:36] | ♪ Everything’s alright ♪ | |
[38:39] | Hey, why’s your bag by the door? | |
[38:41] | Your father is on his way to pick me up. | |
[38:43] | He apologized. | |
[38:45] | He just needed to miss me. | |
[38:47] | [ Cellphone chimes ] Oh. | |
[38:48] | He’s downstairs. | |
[38:50] | Alright, sweetheart, it’s been a lovely visit. | |
[38:53] | Come by the office. | |
[38:54] | We can talk about why you’re not dating anyone. | |
[38:56] | Thank you, Jackson. | |
[38:58] | Jackson: Bye, Mrs. Chen. | |
[39:01] | No wonder I can’t find a healthy relationship. | |
[39:04] | My dysfunctional parents are why I am 28 and still single. | |
[39:08] | Are you sure that’s why? | |
[39:10] | What’s that supposed to mean? | |
[39:12] | Look, I’m just saying | |
[39:13] | that your only real relationship was with Nolan. | |
[39:16] | ♪♪ | |
[39:18] | Yep. I’ve known the whole time. Wait — | |
[39:19] | Wait, wait, wait, wait. What? You think I’m stupid? | |
[39:20] | No. Listen — You fell for a divorced guy | |
[39:23] | coming out of a 20-year marriage, okay? | |
[39:25] | I-It was safe. | |
[39:26] | Never meant to last. | |
[39:29] | Come on. Let’s go celebrate. | |
[39:31] | Tomorrow, my forearms will be liberated. | |
[39:32] | It is pretty glorious. | |
[39:34] | Yeah, actually, how did you get your parents to make up? | |
[39:36] | Oh. I got Wesley to call each of them | |
[39:38] | pretending to be a divorce lawyer, | |
[39:40] | telling them the costs of a divorce, | |
[39:42] | and that snapped them out of it pretty quick. | |
[39:44] | Well played. Thank you. | |
[39:45] | Let’s go. | |
[39:46] | Wait. Will you please, please help me | |
[39:49] | get the furniture back to where it was. | |
[39:51] | But it’s better this way. I know. | |
[39:53] | But will you help me get it back to the way it was? | |
[39:56] | Yes. [ Chuckles ] | |
[39:59] | Oh. | |
[40:00] | Thank you. | |
[40:01] | Abigail: Yeah. Henry: Thanks. | |
[40:05] | Guys, there’s something I need to say. | |
[40:06] | I know about the arson. | |
[40:09] | You ran a background check? | |
[40:11] | You knew she had a record? | |
[40:12] | Yeah, she told me on our third date. | |
[40:15] | I…can’t believe you did that. | |
[40:16] | It’s okay. He — He did it to protect you. | |
[40:18] | No, I don’t need protecting, especially from you. | |
[40:24] | Do you want to know what happened? | |
[40:25] | If you want to tell me. | |
[40:30] | An ex-boyfriend posted some videos on the Internet… | |
[40:35] | after we broke up. | |
[40:39] | Personal videos of us… together. | |
[40:46] | He did it to get revenge, | |
[40:48] | and it worked. | |
[40:52] | He took something from me I’ll never get back. | |
[40:56] | ♪♪ | |
[40:59] | I’m so sorry. | |
[41:02] | So, I went to his house… | |
[41:04] | and I torched his car. | |
[41:08] | ♪♪ | |
[41:11] | And I got arrested and he didn’t. | |
[41:13] | ♪♪ | |
[41:18] | Happy now? | |
[41:19] | ♪♪ | |
[41:22] | Not in the least. | |
[41:24] | ♪♪ | |
[41:27] | Abigail… | |
[41:35] | …I’m sorry my fear overcame my judgement. | |
[41:38] | I, uh… | |
[41:40] | I can’t take that back, | |
[41:41] | but I can promise you | |
[41:44] | it won’t happen again. | |
[41:45] | ♪♪ | |
[41:48] | That’s good enough for me. | |
[41:52] | ♪♪ | |
[41:52] | [ Sighs ] | |
[41:54] | ♪♪ | |
[41:55] | Yeah. | |
[41:58] | ♪♪ | |
[42:01] | Okay. | |
[42:03] | It’s great that that’s behind us now, | |
[42:06] | because I really am pregnant. | |
[42:10] | I’m kidding. Again. | |
[42:11] | Oh, my — Joke. | |
[42:12] | Geez. | |
[42:14] | Okay, we’re gonna have to work on the jokes, though. | |
[42:15] | ‘Cause I already have a high-stress job, | |
[42:17] | and, uh…I think you’re gonna give me a heart attack. | |
[42:20] | Understood. | |
[42:29] | ♪♪ | |
[42:37] | ♪♪ | |
[42:45] | ♪♪ |