| 时间 | 英文 | 中文 |
|---|---|---|
| [00:01] | Announcer: Eric Weddle with a tackle… Thattaboy, Weddle! | |
| [00:03] | …just shy of the first down marker. | |
| [00:04] | Thattaboy, baby! Come on! | |
| [00:05] | Rams defense needs a stop here One more! One more stop. | |
| [00:07] | to have any hopes of a win. That’s all we need. One more stop. | |
| [00:09] | ♪ Go, go, go, go, go ♪ | |
| [00:11] | Newscaster: We’re coming on air live | |
| [00:12] | with a car chase in Los Angeles County. | |
| [00:14] | Oh, come on! | |
| [00:15] | The driver has been eluding police | |
| [00:17] | for the better part of a half-hour. | |
| [00:20] | ♪ All flash, they ain’t ready for the Nikon ♪ [ Sirens approaching, helicopter blades whirring ] | |
| [00:22] | ♪ I’ma spazz every time they turn my mic on ♪ | |
| [00:24] | ♪ It’s a new day, you’re on the grind now ♪ | |
| [00:25] | ♪ I’m thinking “Who dey?” ♪ | |
| [00:27] | Dispatch, Officer Tim Bradford, badge 34831. | |
| [00:30] | Log me in for overtime in pursuit of a high-speed suspect. | |
| [00:34] | ♪ Do we keep it moving, I’ma slide ♪ | |
| [00:36] | ♪ If you ain’t about it, you ain’t sly ♪ | |
| [00:37] | [ Engine starts ] | |
| [00:38] | ♪ I can tell just looking in your eyes ♪ | |
| [00:40] | ♪ You ain’t really ready when it’s jumpin’ ♪ | |
| [00:42] | ♪ Calculating all the functions ♪ | |
| [00:44] | [ Sirens wailing ] | |
| [00:46] | [ Tires screech ] | |
| [00:47] | LAPD! | |
| [00:50] | [ Wailing stops ] Put your hands outside the window! | |
| [00:52] | Open the door from the outside, and step out of the car! | |
| [00:56] | You sidestep over to your left, | |
| [00:57] | face down on the ground, arms out to the side. | |
| [01:00] | You got him? | |
| [01:01] | Woman: All good. | |
| [01:04] | ♪ Whoa, oh, oh, oh, oh, oh, whoa, oh, oh ♪ | |
| [01:08] | ♪ I’m gonna win for you… ♪ | |
| [01:09] | Announcer: The ball is tipped, intercepted by Weddle — | |
| [01:11] | Tim: Yes! Run, Weddle! Run! He’s at the 20, the 10… | |
| [01:13] | [ Shouting indistinctly ] Touchdown! Eric Weddle! | |
| [01:19] | ♪♪ | |
| [01:24] | [ Whisk clacking ] | |
| [01:28] | Um, I’m late. | |
| [01:30] | Roger that. Breakfast is almost ready. | |
| [01:31] | No, no, no. I’m — I’m late. | |
| [01:35] | Okay. Alright, I’ll just get you a — a coffee to go. | |
| [01:37] | I’ve got a travel mug right here, | |
| [01:39] | and you’re — | |
| [01:43] | You’re late, as in…? | |
| [01:44] | Yeah. Oh, boy. | |
| [01:45] | Or girl. | |
| [01:46] | How late? Three days. | |
| [01:48] | Okay. That doesn’t necessarily mean you’re pregnant. | |
| [01:50] | There are two things in this world | |
| [01:50] | that always run on time — | |
| [01:52] | Swiss watches and my cycle. | |
| [01:54] | Right. | |
| [01:56] | Okay, um — | |
| [01:57] | Wha– Uh… | |
| [01:58] | [ Cup thuds ] | |
| [02:00] | First, we should be absolutely sure. | |
| [02:02] | Yes, okay. Um…I’ve got a staff meeting | |
| [02:04] | first thing this morning, | |
| [02:06] | but I’ll pick up a test on the way in, | |
| [02:08] | and I’ll call you as soon as I know. | |
| [02:10] | Okay, and — | |
| [02:11] | and no matter what happens, | |
| [02:14] | we’ll make the best of this. | |
| [02:15] | Okay. | |
| [02:17] | ♪♪ | |
| [02:22] | [ Door opens ] | |
| [02:24] | Nolan: I mean, talk about terrible timing. | |
| [02:26] | [ Door closes ] Though, Henry was born | |
| [02:28] | at a less-than-ideal time, | |
| [02:29] | and he’s the best thing that’s ever happened to me. | |
| [02:31] | Not that I’m saying I hope she’s pregnant. | |
| [02:33] | I — Not that I’m saying I hope she’s not pregnant. | |
| [02:37] | [ Music playing indistinctly through earbuds ] | |
| [02:38] | What am I saying? | |
| [02:40] | Just wish she would call. | |
| [02:41] | How hard is it to pee on a stick? | |
| [02:43] | Oh, I’m sorry. Are — Are you talking to me? | |
| [02:45] | What’s going on? | |
| [02:46] | Roll call. | |
| [02:48] | [ Cellphone beeps ] | |
| [02:49] | Is everything alright? | |
| [02:50] | Hundred percent. | |
| [02:54] | [ Indistinct conversations ] | |
| [02:57] | ♪♪ | |
| [03:03] | Tim: [ Grunts ] | |
| [03:04] | Nice of you to finally deign to sit with us. | |
| [03:06] | Enh, the front row’s too close to the boss. | |
| [03:09] | Lopez still out? | |
| [03:11] | Yeah. Taking care of Wesley. | |
| [03:12] | She’s got him back on his feet. | |
| [03:13] | Good. | |
| [03:14] | Sgt. Grey: Okay, listen up. | |
| [03:16] | Why is community policing important? | |
| [03:19] | Officer Chen? | |
| [03:20] | Uh, because it builds trust | |
| [03:22] | between the police and the public, | |
| [03:24] | leading to a reduction in crime. | |
| [03:25] | Exactly. | |
| [03:26] | And today, we’re gonna do a little trust-building. | |
| [03:28] | Officer Nolan, so, you know Dr. Sawyer at Shaw Memorial? | |
| [03:32] | Uh, we went to the same college, sir. | |
| [03:33] | Eh, before I got my now-ex pregnant with my son and — | |
| [03:35] | It was a yes or no question, Nolan. | |
| [03:37] | [ Laughter ] Sorry, sir. Yes, I know her. | |
| [03:39] | Good. She requested an officer to assist with a seminar. | |
| [03:42] | You’re going. What kind of seminar? | |
| [03:43] | Don’t know, don’t care. | |
| [03:44] | Whatever it is, it’s open to the public, | |
| [03:46] | which means you have a chance to show the community | |
| [03:49] | that the LAPD does more than just lock up people. | |
| [03:52] | We do? | |
| [03:53] | [ Laughter ] That’s not funny. | |
| [03:54] | And you don’t want to piss me off, Bradford, | |
| [03:57] | considering what I have lined up for you. What’s that? | |
| [03:59] | Watts Rams need additional coaches | |
| [04:01] | for their fall clinic, | |
| [04:02] | and you’re gonna need company. | |
| [04:04] | [ Officers shouting indistinctly ] | |
| [04:06] | Officer West. | |
| [04:09] | Your dad is always bragging | |
| [04:10] | how you’re a high-school football star. | |
| [04:12] | Is he lying? | |
| [04:13] | No, sir. | |
| [04:14] | All-State safety, four years running. | |
| [04:16] | I could actually pull up my highlight reel | |
| [04:19] | if you want to check it out. | |
| [04:20] | It’s on my YouTube channel. | |
| [04:20] | That won’t be necessary. | |
| [04:22] | Change into your PTs, head out with Bradford. | |
| [04:24] | Harper and Chen, | |
| [04:26] | you will serve as liaisons | |
| [04:28] | to the Mid-Wilshire Community Council. | |
| [04:30] | They’re coming in for a sit-down. | |
| [04:31] | What is this? The 1950s? | |
| [04:33] | The boys go to football practice | |
| [04:34] | while us girls attend a PTA meeting? | |
| [04:37] | Fair point. | |
| [04:39] | Guess there’s really only one way to settle this — | |
| [04:43] | Challenge coins. | |
| [04:45] | [ Cheers and applause ] | |
| [04:49] | [ Coins clatter ] | |
| [04:51] | Chief gave me mine personally. | |
| [04:53] | That was nice. | |
| [04:54] | Mine was given to me by the governor. | |
| [04:56] | What is a challenge coin? | |
| [04:58] | How do you not know that? | |
| [04:59] | It’s a medallion bearing an organization’s insignia, | |
| [05:02] | given only to those deemed worthy. | |
| [05:04] | They’re used to show respect or, uh, settle minor disputes. | |
| [05:08] | Okay. Closest to the edge wins. | |
| [05:11] | ♪♪ | |
| [05:19] | [ Applause ] | |
| [05:20] | ♪♪ | |
| [05:26] | [ Cheers and applause ] | |
| [05:28] | Oh! | |
| [05:34] | Alright. Harper, football’s all yours. | |
| [05:37] | Nah, Bradford can have it. | |
| [05:39] | You gotta be kidding me. Nope. | |
| [05:40] | Only football I watch is English. | |
| [05:42] | [ Sighs ] | |
| [05:43] | Whatever. | |
| [05:45] | Community Council will be here in 20. | |
| [05:46] | Ma’am, would you like me to prepare anything | |
| [05:49] | for the meeting? Uh, coffee. Black, Officer… | |
| [05:51] | Uh, Chen. It’s right there. | |
| [05:53] | No, the only name I know is Nolan’s, | |
| [05:54] | and you are not him. | |
| [05:55] | So today, you are Not Nolan. | |
| [06:00] | I’m Not Nolan. | |
| [06:02] | It’s often how I think of you. Oh. Funny. | |
| [06:04] | Do you have any advice on how to get on her good side? | |
| [06:06] | I actually don’t know that she has one, | |
| [06:07] | so good luck. | |
| [06:12] | ♪ Shaking down on me like ice in a glass ♪ | |
| [06:15] | ♪ Looking so dangerous, like snake in the grass ♪ | |
| [06:17] | ♪ Make me know to check my pocket for a dip in the stash ♪ | |
| [06:19] | ♪ Flying up real high like we first class ♪ | |
| [06:22] | ♪ Oh, oh, oh, whoa-oh ♪ | |
| [06:25] | Hey, nice move. | |
| [06:26] | ♪ Shake me like an earthquake ♪ | |
| [06:27] | Ooh! Great hands. | |
| [06:29] | That is AJ. Most pure talent on the team. | |
| [06:32] | Kid’s gonna get recruited hard. | |
| [06:34] | Oh, we don’t care about that. | |
| [06:35] | When AJ joined us, his grades were in the trash. | |
| [06:37] | Now he’s on the honor roll, wants to go to college. | |
| [06:39] | That’s what we care about. | |
| [06:41] | ♪ Shake me like an earthquake ♪ | |
| [06:44] | Hey, you, uh — you like that move? | |
| [06:46] | It’s alright against a 12-year-old. | |
| [06:47] | You’re gonna have to up your footwork | |
| [06:48] | when you get to real competition, though. | |
| [06:50] | Nah, I run footwork drills every morning. I’ll be ready. | |
| [06:52] | And at night? Catching drills. | |
| [06:54] | Harder to see the ball, increases hand-eye coordination. | |
| [06:57] | Any other questions? | |
| [06:58] | No, not at this time. | |
| [06:59] | Kiara: AJ. | |
| [07:01] | What is she doing here? | |
| [07:03] | I’ll be right back. | |
| [07:05] | Wilkie: His mom. | |
| [07:07] | Just got released a few months ago. | |
| [07:08] | Transition’s been rough on both of them. | |
| [07:10] | What was she in for? | |
| [07:11] | Armed robbery. Pretty serious crew. | |
| [07:13] | [ Cheering ] | |
| [07:16] | -It’s Eric Weddle, man. -Weddle, Weddle! | |
| [07:19] | [ Indistinct conversations ] | |
| [07:23] | Hey. Can we play? | |
| [07:25] | Weddle. | |
| [07:27] | Tim Bradford, is that you? | |
| [07:28] | You know him? | |
| [07:30] | Man. We played against each other in high school. | |
| [07:33] | I sacked Bradford so hard in the championship game, | |
| [07:35] | he decided Fallujah was better than turning pro. | |
| [07:38] | [ Chuckles ] Robert: Yeah, smart man. | |
| [07:39] | The NFL’s only getting harder and faster. | |
| [07:41] | Yo, you’re Robert Woods. I have your USC jersey at home. | |
| [07:43] | Whoo! [ Chuckles ] Me too. | |
| [07:45] | Hey, man, great to have you back in L.A., bro. | |
| [07:47] | Good to be back. | |
| [07:48] | Alright. Great. | |
| [07:49] | Alright. Thanks, guys. | |
| [07:53] | Yo. You just bro-hugged Eric Weddle. | |
| [07:55] | Don’t make it weird. | |
| [07:57] | You know, it’s not about what you want. | |
| [07:58] | I got to do what I think is best. | |
| [08:00] | Oh, now it’s about you? I don’t want to go! | |
| [08:01] | Everything okay? | |
| [08:03] | AJ’s dropping football. | |
| [08:05] | Got a lot going on right now. | |
| [08:08] | Come on. | |
| [08:13] | …tops, and then we go do real police work. | |
| [08:16] | Oh, I see why you chose this. Lowest impact on our day. | |
| [08:20] | Yep. Community meetings are quick and easy. | |
| [08:22] | Just don’t promise them anything. | |
| [08:25] | Whatever the complaint, just nod and say, | |
| [08:27] | “We are aware of the problem, | |
| [08:29] | and we have a task force working on it.” | |
| [08:30] | Ooh, a task force? | |
| [08:32] | Yeah, these busybody types | |
| [08:33] | love it when cops say “task force.” | |
| [08:35] | Okay. Well, I’ll just follow your lead. | |
| [08:37] | Oh, I’m not talking. You are. | |
| [08:39] | Wh– What? I don’t do community meetings. | |
| [08:44] | Go on. | |
| [08:45] | Yeah. [ Clears throat ] Okay. | |
| [08:48] | [ Indistinct conversations ] | |
| [08:51] | Hi. Uh, I’m Officer Lucy Chen, | |
| [08:53] | and the Mid-Wilshire Police Station | |
| [08:55] | is proud to partner with you today — | |
| [08:56] | There is no partnering with us | |
| [08:58] | until first you partner with the Earth. Man: Oh, come on. | |
| [08:59] | What’s LAPD doing about the city’s | |
| [09:01] | lack of drought-tolerant plants? | |
| [09:02] | Oh. Yes. | |
| [09:04] | We are aware of this problem, | |
| [09:06] | and we have a task force working on it. | |
| [09:08] | Oh. Sweet. | |
| [09:10] | Officer, can you do something about my neighbor? | |
| [09:14] | He’s constantly feeding the squirrels. | |
| [09:17] | Uh…yes. | |
| [09:19] | We have a task force working on that. | |
| [09:23] | A squirrel task force? | |
| [09:25] | Yes, ma’am. This is serious. | |
| [09:26] | Squirrels attract coyotes, and I have small dogs. | |
| [09:29] | And any time I try to talk to my neighbor, | |
| [09:31] | he’s just hateful. | |
| [09:33] | I’m scared for the safety of my babies. | |
| [09:35] | Yeah. Uh, listen, why don’t you give me his address, | |
| [09:39] | and I’ll make sure that the task force is following up. | |
| [09:42] | Is there a task force for abandoned cars? | |
| [09:45] | There’s one in front of my apartment. | |
| [09:47] | I’ll give you my address. | |
| [09:49] | [ Indistinct conversations ] | |
| [09:51] | Hey, Jess, it’s me. | |
| [09:52] | I-I thought I would have heard from you by now. | |
| [09:54] | Are you — Are you still in your meeting? | |
| [09:55] | Are you having trouble peeing? Because the trick is to — | |
| [09:57] | You know, I got to go. Call me when you know. | |
| [09:59] | Hey, John. Hey. | |
| [10:00] | Appreciate you doing this. | |
| [10:01] | My pleasure. What are we doing? | |
| [10:02] | They didn’t tell you? No. | |
| [10:04] | Oh, we’re hosting our monthly free seminar. | |
| [10:05] | Great. For who? | |
| [10:06] | Pregnant mothers. | |
| [10:08] | ♪♪ | |
| [10:13] | What’s wrong? Uh, nothing. | |
| [10:14] | I couldn’t be more excited. | |
| [10:16] | Stacy: How’s Wesley? | |
| [10:17] | Driving me crazy. | |
| [10:19] | He was stabbed. | |
| [10:20] | Well, yeah, but it’s not like any major organs were damaged. | |
| [10:22] | [ Chuckles ] God, I miss cop humor. | |
| [10:26] | Corporate world is so buttoned up. | |
| [10:27] | Everyone’s always running scared of H.R. | |
| [10:29] | Is Stabby here? | |
| [10:31] | No. His mom took him to physical therapy. | |
| [10:33] | I was planning a spa day until you said | |
| [10:35] | I can make two grand for 8 hours’ time. | |
| [10:36] | Yep, and trust me, | |
| [10:38] | you’re gonna love working private security. | |
| [10:40] | I’ve done some moonlighting, but nothing fancy like this. | |
| [10:42] | Who am I guarding? | |
| [10:43] | Mingus Kemp. | |
| [10:45] | He’s a high-end jewelry broker from Vegas. | |
| [10:46] | Comes to L.A. every month to buy diamonds. | |
| [10:48] | You’ll keep him safe while our driver runs you around town. | |
| [10:50] | Anything else I need to know about the protectee? | |
| [10:52] | He thinks he’s a player. | |
| [10:53] | Inherited the business from his dad. | |
| [10:55] | He’ll hit on you a little, but he’s mostly harmless. | |
| [10:58] | Okay. Uh, I still get paid if he gets killed, right? | |
| [11:00] | Yeah. | |
| [11:02] | I wouldn’t let him know that, though. | |
| [11:03] | ♪♪ | |
| [11:11] | Hello, Ms. Clemons. | |
| [11:13] | I’m Officer Bradford. This is Officer West. | |
| [11:15] | We met at the, uh — I-I remember. What do you want? | |
| [11:17] | Just want to make sure everything’s alright. | |
| [11:18] | Pulled AJ off the team so fast, | |
| [11:19] | wanted to make sure there wasn’t a problem. | |
| [11:20] | No problem. Thanks for stopping by. | |
| [11:23] | Everything okay, buddy? | |
| [11:23] | He’s fine. | |
| [11:25] | How about you? You seem to be moving out in a hurry. | |
| [11:27] | Something going on? | |
| [11:28] | [ Sighs ] Um, it’s none of your damn business. | |
| [11:30] | Actually, it is, Ms. Clemons. | |
| [11:32] | You’re still on parole for armed robbery. | |
| [11:33] | Your P.O. know you’re moving? | |
| [11:34] | So, what? You gonna violate me? | |
| [11:35] | No, nobody wants that. We’re just here to help. | |
| [11:37] | [ Vehicle approaching, tires squealing ] | |
| [11:39] | ♪♪ | |
| [11:44] | Get down! | Get down! |
| [11:45] | [ Tires screech ] | |
| [11:48] | [ Indistinct shouting, tires squealing ] | |
| [11:50] | Control, 7-Adam-19. | |
| [11:52] | We have a 246 with a firebomb at our location. | |
| [11:55] | Two masked suspects fleeing south on Gramercy | |
| [11:57] | in a black Impala. | |
| [12:04] | [ Radio chatter ] | |
| [12:05] | Jackson: So, you have no idea who they were? | |
| [12:06] | Not a clue. Come on, Ms. Clemons. | |
| [12:08] | I mean, two masked suspects and a Molotov cocktail — | |
| [12:11] | that wasn’t some random act of violence. | |
| [12:13] | You were targeted. | |
| [12:14] | Tell me why. | |
| [12:16] | Am I under arrest? | |
| [12:17] | Of course not. Then can I go? | |
| [12:22] | Not yet. | |
| [12:23] | Look, I just need a list of the personal property | |
| [12:24] | that was damaged during the fire. | |
| [12:25] | Hey, man. Hit me. | |
| [12:32] | I wasn’t gonna say it earlier, | |
| [12:33] | but, uh…you got some serious talent. | |
| [12:36] | If you’re running drills every morning on your own, | |
| [12:38] | you clearly love the sport. | |
| [12:39] | Yes, sir. | |
| [12:41] | I, uh…take this ball with me everywhere I go. | |
| [12:44] | Sounds like me. | |
| [12:47] | You know, in some ways, this game saved me. | |
| [12:49] | How? | |
| [12:53] | You know, growing up in my house | |
| [12:55] | was…a bit chaotic. | |
| [12:58] | Yeah, I, um… | |
| [13:00] | I know a little something about that. | |
| [13:01] | My old man had a hair trigger. | |
| [13:03] | Never knew what would set him off. | |
| [13:05] | And football was the only place I had any control. | |
| [13:10] | Yeah, I, um…I know a little something about that, too. | |
| [13:14] | Football taught me discipline, teamwork. | |
| [13:17] | It wasn’t just a game. | |
| [13:19] | Yeah? | |
| [13:21] | And, uh, what game are we playing right now, huh? | |
| [13:24] | We connect over sports | |
| [13:25] | and then I talk about my mom behind her back? | |
| [13:30] | I’d never ask you to do that. | |
| [13:33] | But, look, if you ever need anything… | |
| [13:36] | just let me know, alright? | |
| [13:38] | ♪♪ | |
| [13:43] | Mingus: You’re too pretty to be a cop. | |
| [13:44] | Sir, I think we should keep this professional. | |
| [13:46] | Of course. Of course. How about a selfie? | |
| [13:48] | Sorry, that would compromise security. | |
| [13:50] | Right. Right. Yeah. | |
| [13:52] | No, um…you know, I knew that. | |
| [13:54] | That was — That was — That was a test. | |
| [13:55] | Hey, you want to see something? | |
| [13:58] | [ “As Far As You Want To” plays ] | |
| [14:02] | ♪ No telling with all the chemistry that is formin’ ♪ | |
| [14:04] | ♪ All I want is you… ♪ | |
| [14:05] | By the end of today, this will be filled | |
| [14:07] | with $2 million in diamonds, Angela. | |
| [14:10] | ♪ We can go anywhere, just say, and we’re in ♪ | |
| [14:12] | You ever seen, uh, $2 million before? | |
| [14:14] | Saw 10 times that in a drug raid in a cartel stash house. | |
| [14:18] | Had a bunch of brains scattered across it, though. | |
| [14:20] | ♪ We’ll go as far, go as far as you want to go ♪ | |
| [14:22] | Cool. Yeah. | |
| [14:24] | ♪ You and I, anywhere ♪ | |
| [14:28] | Control, 7-Adam-15, show us Premise Check, Code 6. | |
| [14:31] | Dispatcher: Copy that. | |
| [14:35] | Okay, so, according to Mr. Elson, | |
| [14:40] | there are vagrants squatting in the storm drain. | |
| [14:42] | Great job. | |
| [14:44] | We are about to go fishing in the armpit of Los Angeles, | |
| [14:47] | full of the complete hepatitis alphabet, | |
| [14:50] | not to mention rats. | |
| [14:52] | You first. Okay, it’s disgusting, | |
| [14:55] | but isn’t the whole point of community policing to — | |
| [14:57] | No, Not Nolan. | |
| [14:58] | The whole point of any kind of policing | |
| [14:59] | is to do what I tell you. | |
| [15:02] | Trust me, you don’t want to be good at community policing. | |
| [15:04] | Why? | |
| [15:06] | Once the higher-ups see it, | |
| [15:07] | then running community meetings | |
| [15:09] | will be all they will ever let you do. | |
| [15:13] | [ Flashlight clicks ] Okay. | |
| [15:16] | ♪♪ | |
| [15:21] | [ Rodents squeaking ] | |
| [15:23] | [ Water running in distance ] | |
| [15:30] | LAPD. Anyone in here? | |
| [15:34] | ♪♪ | |
| [15:39] | [ Squeaking continues ] | |
| [15:40] | ♪♪ | |
| [15:46] | ♪♪ | |
| [15:52] | ♪♪ | |
| [15:59] | [ Sniffs ] | |
| [16:03] | What were they smoking? | |
| [16:06] | Uh, it smells like burned donuts from a plastic oven. | |
| [16:09] | That’s definitely meth. | |
| [16:11] | [ Sniffs ] And the pipe’s still warm. | |
| [16:13] | Keep your eyes open. | |
| [16:15] | Mm-hmm. [ Flashlight clicks ] | |
| [16:16] | ♪♪ | |
| [16:21] | Clear. | |
| [16:22] | ♪♪ | |
| [16:27] | Clear. | |
| [16:29] | Aaah! | |
| [16:31] | [ Groans ] | |
| [16:33] | ♪♪ | |
| [16:36] | [ Grunts ] | |
| [16:37] | Are you okay? | |
| [16:39] | [ Handcuffs click ] | |
| [16:39] | Behind you! | |
| [16:41] | [ Grunts ] | |
| [16:42] | [ Groans ] | |
| [16:47] | [ Shouts ] | |
| [16:51] | [ Groans ] | |
| [16:53] | ♪♪ | |
| [16:56] | [ Thud ] | |
| [16:57] | [ Exhales deeply ] | |
| [16:58] | Hook him up. Yeah. | |
| [17:00] | [ Breathing heavily ] | |
| [17:04] | Thank you. | |
| [17:05] | He got me good. | |
| [17:07] | Forget what I said earlier. | |
| [17:09] | Community meetings are clearly all you’re good for. | |
| [17:18] | Trust me, | |
| [17:19] | there’s gonna be many times your child’s first year | |
| [17:21] | where you’re gonna want to rush to the Internet | |
| [17:22] | to check out their symptoms. | |
| [17:23] | Resist that urge. | |
| [17:25] | [ Laughter ] | |
| [17:28] | Yes? | |
| [17:29] | Um…if the dad was doing drugs | |
| [17:31] | when we made my baby… | |
| [17:34] | There’s no evidence that a father’s addiction | |
| [17:35] | affects the baby. | |
| [17:37] | Okay. [ Sighs ] Thank you. | |
| [17:39] | You’re welcome. | |
| [17:41] | Okay. Now it’s time to introduce Officer Nolan. | |
| [17:45] | John? [ Cellphone beeps ] | |
| [17:46] | Yes. | |
| [17:47] | Officer Nolan is gonna show you | |
| [17:49] | how to properly install an infant’s car seat. | |
| [17:51] | Yes, I will. Yeah. | |
| [17:52] | You can’t — You can’t do that? | |
| [17:53] | No. I mean, pregnant mothers feel more comfortable | |
| [17:55] | when it comes from a police officer. | |
| [17:57] | Really? I mean, don’t get me started. | |
| [17:58] | Nine years to become a doctor | |
| [17:59] | and they trust a handsome cop more? | |
| [18:00] | Well, to be fair, a handsome cop in a super-cool uniform. | |
| [18:03] | Hi, guys. | |
| [18:05] | I’m, uh, Officer Nolan, | |
| [18:07] | and, um, uh, car seats are the safest way | |
| [18:11] | to transport your soon-to-be bundles of joy, | |
| [18:13] | and…it’s the law. | |
| [18:15] | [ Laughter ] So, uh… | |
| [18:17] | installation is super-simple. | |
| [18:19] | We’re gonna start with the base. | |
| [18:21] | Guys, they make this stuff just idiot-proof. | |
| [18:23] | [ Clears throat ] | |
| [18:24] | [ Whispering ] It’s backwards. | |
| [18:25] | And it’s…it’s — it’s — this is forwards, | |
| [18:27] | which is, of course — is wrong, | |
| [18:28] | ’cause you want it backwards. | |
| [18:29] | The baby has to face the — | |
| [18:30] | Again, guys, idiot-proof. | |
| [18:32] | So, simply take these security straps | |
| [18:36] | and use the — | |
| [18:37] | [ Cellphone rings ] | |
| [18:38] | [ Normal voice ] I think the word that you’re looking for | |
| [18:39] | is “latch.” | |
| [18:40] | “Latch.” Yes. I’m so sorry. | |
| [18:42] | I have to take this call. | |
| [18:43] | It can’t wait? | |
| [18:44] | It… | |
| [18:45] | It really can’t. | |
| [18:46] | I’m — I’m — One — [ Cellphone clicks ] | |
| [18:48] | Yes? Hey. [ Whispering ] How’s it going? | |
| [18:50] | Grace: Um… No, no, I’m whispering | |
| [18:51] | because I-I’m right in the middle of a thing. | |
| [18:53] | Right. No, no, you can just tell me. | |
| [18:55] | Get up. You can’t be here. | |
| [18:57] | Get — Get up. No, you can’t be here. | |
| [18:58] | Get up. The judge said. | |
| [19:00] | She’s my kid, too. Hey, let her go. No, get — | |
| [19:01] | Back off! This is between us! | |
| [19:02] | [ Phone screen shatters ] | |
| [19:04] | [ Crowd screams ] | |
| [19:06] | [ Grunts ] | |
| [19:07] | [ Groans ] | |
| [19:09] | Hold it. Get over. Give me your hands. | |
| [19:11] | Are you okay? Yeah. Thank you. | |
| [19:12] | [ Handcuffs click ] | |
| [19:14] | [ Exhales sharply ] | |
| [19:15] | You’re gonna need stitches. | |
| [19:17] | ♪♪ | |
| [19:21] | [ Water running in distance ] | |
| [19:23] | Thanks. | |
| [19:29] | Something on your mind? | |
| [19:31] | No, ma’am. | |
| [19:32] | Yeah, that’s what I thought. | |
| [19:34] | You’re wrong about me. | |
| [19:36] | Uh, no, I’m not. | |
| [19:38] | I can do so much more than just community meetings. | |
| [19:40] | You’re right. You’re probably really good at paperwork. | |
| [19:43] | But you can’t fight. | |
| [19:44] | I can fight. | |
| [19:46] | I’ve gone toe-to-toe with plenty of suspects and won. | |
| [19:49] | Not that one. | |
| [19:50] | He’s huge! | |
| [19:51] | And yet, I took him and his buddy. | |
| [19:56] | [ Chuckles ] | |
| [19:58] | You want to hit me right now, don’t you? | |
| [20:00] | Yeah, I see it in your eyes. | |
| [20:04] | Someone a little more your size. | |
| [20:07] | Well, come on. | |
| [20:09] | What? | |
| [20:10] | Hit me, Not Nolan. | |
| [20:12] | That is an order. | |
| [20:16] | Hey — Do it for real! | |
| [20:19] | Come for me like that tweaker came for you! | |
| [20:22] | Now! | |
| [20:24] | Aah! | |
| [20:28] | Stay down, and get used to that position. | |
| [20:31] | Because in case you didn’t know, | |
| [20:33] | you are not a 6’2″, 180-pound man. | |
| [20:36] | Now, Tim might be a good T.O., | |
| [20:38] | but he can’t teach you how to fight like a girl. | |
| [20:40] | We get a higher show of force, especially from men. | |
| [20:43] | So, guess what, sweetheart? | |
| [20:45] | You are always going to be tested, | |
| [20:47] | and when you are alone against a desperate suspect, | |
| [20:51] | and you are between them and freedom, | |
| [20:52] | your thoughts can never be, “Oh, my, he’s bigger than me.” | |
| [20:57] | ♪♪ | |
| [21:03] | ♪♪ | |
| [21:08] | Look here, Not Nolan, | |
| [21:10] | if you’re going to survive these streets as a 5’6″ woman — | |
| [21:14] | and one of color, no less — | |
| [21:17] | you better learn what these boys don’t know to teach. | |
| [21:20] | [ Exhales sharply ] | |
| [21:22] | ♪♪ | |
| [21:26] | [ Indistinct announcement over P.A. system ] | |
| [21:29] | You ever think about having another kid? | |
| [21:31] | I did, for the first three of four years | |
| [21:33] | after Oliver was born. | |
| [21:34] | Then what happened? | |
| [21:36] | Then I spent too much time in emergency rooms. | |
| [21:39] | I don’t have to tell you — | |
| [21:40] | there’s — there’s so much tragedy out there. | |
| [21:43] | I just — I can’t bring another life into it. | |
| [21:47] | Jess. | |
| [21:49] | Hey. | Hey. |
| [21:51] | I-I-I couldn’t get in touch with you, | |
| [21:52] | so I called Grey, and he said you were he– | |
| [21:53] | Oh, my God. What happened? | |
| [21:55] | Just a knife fight. No big deal. Are you okay? | |
| [21:57] | I’m gonna leave you two alone. | |
| [21:58] | It’s nice seeing you again. Yes, yes, you, as well. | |
| [22:00] | Thank you. | |
| [22:02] | Uh… | |
| [22:04] | I’m sorry it took so long. | |
| [22:05] | I just, uh… | |
| [22:08] | I needed to have some time to process. | |
| [22:11] | No, okay. No, I get it, I see. | |
| [22:13] | Um… | |
| [22:14] | so, you’re pregnant. | |
| [22:17] | No, I’m not. | |
| [22:20] | Okay. | |
| [22:22] | O-Okay, yeah, that’s great, too — | |
| [22:23] | But I want to be. | |
| [22:32] | I’m sorry, you’re gonna have to help me out here | |
| [22:33] | a little bit, Jessica. | |
| [22:34] | I’m — I’m a little confused. | |
| [22:35] | Yes, well, I was, too, at first. | |
| [22:37] | And when I took the pregnancy test | |
| [22:38] | and it came back negative, I was just… | |
| [22:40] | I was so disappointed. | |
| [22:42] | And I-I-I couldn’t shake it. | |
| [22:44] | No, I — Okay. Um… | |
| [22:47] | It’s just a little surprising. | |
| [22:48] | I know. I was — I was surprised, too. | |
| [22:51] | Look, I — I never wanted to be a mom before. | |
| [22:55] | But being with you… | |
| [22:58] | it — it changed me. | |
| [23:02] | You see the good in people. | |
| [23:06] | You do the right thing, even when it costs you. | |
| [23:11] | I miss that part of myself. | |
| [23:14] | [ Exhales sharply ] | |
| [23:17] | Are — Are you…against having another kid? | |
| [23:21] | No. No. No, I ju– Um… | |
| [23:26] | You’re just throwing a lot at me right now. | |
| [23:28] | I know, I know. | |
| [23:29] | And I’m not quite sure what to say. | |
| [23:30] | Okay, then don’t say anything. | |
| [23:32] | Okay? At least not yet. Right. | |
| [23:34] | I’ve had the whole morning to think about this, | |
| [23:36] | and now it’s your turn. | |
| [23:39] | We’ll talk later. | |
| [23:40] | Right. Good idea. | |
| [23:42] | Okay. | Okay. |
| [23:53] | [ Car door opens ] | |
| [23:55] | I am ahead of schedule. | |
| [23:56] | I’m never ahead of schedule. | |
| [23:58] | You’re good. | |
| [23:59] | Yes, I am. | |
| [24:01] | You know, with my businesses growing like crazy, | |
| [24:03] | I actually think I need to hire a security chief here in L.A. | |
| [24:05] | I already have a job, Mingus. | |
| [24:06] | But does it pay you a quarter mill a year? | |
| [24:09] | Not at the present, no. | |
| [24:10] | I haven’t even gotten to the perks yet. | |
| [24:12] | Lev: Hey. Hey, hey. | |
| [24:16] | [ Groans ] | |
| [24:17] | Police! Move and you’re dead. | |
| [24:18] | What the hell are you doing? | |
| [24:21] | This is my cousin, Lev. | |
| [24:23] | I asked him to meet us here. | |
| [24:24] | You okay? Yeah. | |
| [24:26] | Let’s go. Yeah. What is her problem? | |
| [24:28] | Only two more nuisance complaints. | |
| [24:30] | We can knock them out once we get back on the street. | |
| [24:33] | You were right. | |
| [24:34] | I should’ve followed your playbook | |
| [24:35] | at the community meeting. | |
| [24:36] | That was my bad. | |
| [24:38] | So, uh, you got a challenge coin from the governor. | |
| [24:41] | What’s he like? You know what, Not Nolan, | |
| [24:42] | I don’t really do chit-chat. | |
| [24:45] | Uh, okay. Uh, look. | |
| [24:46] | Um… | |
| [24:49] | I want to learn how to do the job the way you do it. | |
| [24:53] | Be like you. | |
| [24:54] | No, [scoffs] you don’t. | |
| [24:56] | Are you kidding? | |
| [24:58] | Y-You’re a decorated detective | |
| [24:59] | with a storied undercover career, | |
| [25:01] | not to mention the governor | |
| [25:03] | personally gave you one of his challenge coins. | |
| [25:04] | I mean, that’s huge. | |
| [25:06] | What’s huge is the cost of having a career like mine. | |
| [25:09] | What do you mean? | |
| [25:10] | Hopefully you never find out. | |
| [25:11] | Because none of the commendations | |
| [25:13] | or the promotions or even the challenge coins | |
| [25:15] | will ever make up for what I’ve lost. | |
| [25:18] | So don’t be me. | |
| [25:19] | I don’t even want to be me. | |
| [25:27] | Grey: Are you sure you’re okay to keep working? | |
| [25:31] | Officer Nolan. | |
| [25:33] | What? Um…yes, sir. What did you say? | |
| [25:36] | Your arm — you want to take the rest of the day? | |
| [25:37] | Oh, no. I’m — I’m — No, I’m fine. | |
| [25:39] | Thank you, I’m good. | |
| [25:41] | Alright. | |
| [25:42] | Um, sir… | |
| [25:44] | how long had you been a cop when your daughter was born? | |
| [25:47] | Two years. What was that like, | |
| [25:49] | having a baby at home and being on patrol? | |
| [25:51] | [ Sighs ] | |
| [25:53] | Long days at work, late nights at home. | |
| [25:56] | Trying to master two jobs at the same time. | |
| [25:58] | It was hell. | |
| [25:59] | Only good sleep I got was in the back of my shop during lunch. | |
| [26:02] | [ Chuckles ] Yeah. | |
| [26:06] | Yeah, but she was worth it. | |
| [26:07] | Yeah, kids always are. | |
| [26:09] | Why are you asking? | |
| [26:11] | No reason, sir. Mm-hmm. How’s Jessica? | |
| [26:14] | She’s great, sir. | |
| [26:16] | Give her my best. I will. | |
| [26:17] | Hey. Hey. | |
| [26:21] | I need your help. What’s wrong? | |
| [26:22] | I’m — I’m looking for Officer Bradford. | |
| [26:23] | He’s out on patrol, son. What’s going on? | |
| [26:25] | It’s my mom. She’s missing. | |
| [26:29] | My mom went to borrow her cousin’s car | |
| [26:31] | so we could get out of town, | |
| [26:32] | but she never came back. | |
| [26:33] | -When was this? -Right after you all left. | |
| [26:34] | Wait, that was hours ago. | |
| [26:35] | Have you spoken with your cousin? | |
| [26:36] | Yeah. He said my mom never showed. | |
| [26:39] | I-I tried calling, texting. | |
| [26:40] | I’m telling you guys, something happened. | |
| [26:42] | We believe you, but now it’s time for you | |
| [26:43] | to be straight with us. | |
| [26:44] | Okay. Does this have anything to do with the people | |
| [26:45] | who firebombed her car? | |
| [26:48] | AJ, I know you’re scared. I get it. | |
| [26:50] | But you’re not betraying your mom’s trust | |
| [26:51] | by telling us what’s going on. | |
| [26:53] | Let us help her. | |
| [26:57] | A few weeks back, one of my mom’s ex-boyfriends | |
| [26:59] | started hounding her about being a getaway driver | |
| [27:01] | in some heist he was putting together. | |
| [27:03] | She agree to do it? Hell no. | |
| [27:04] | My mom isn’t about that life anymore. | |
| [27:07] | She swore never to risk going back to prison | |
| [27:09] | and not being there for me. | |
| [27:10] | Okay, so she said no. What’d the ex-boyfriend say? | |
| [27:12] | He said he was gonna kill me if she didn’t do it. | |
| [27:13] | That’s why she pulled you off the team, | |
| [27:15] | why she wanted to get you out of the city — | |
| [27:16] | to protect you. | |
| [27:18] | What’s the ex-boyfriend’s name? | |
| [27:19] | Ian Shaunesy. So if he grabbed her, | |
| [27:21] | it was to force her into pulling the robbery. | |
| [27:23] | Which means it’s happening soon. | |
| [27:24] | AJ, do you know what the target is? | |
| [27:25] | No, all I know is that it’s happening downtown. | |
| [27:27] | Alright. You guys get down there. | |
| [27:29] | I’ll get detectives on this. | |
| [27:30] | Put a BOLO out on the mom and the ex-boyfriend. | |
| [27:33] | It’s gonna be okay. Alright? | |
| [27:38] | Outside of actually spotting AJ’s mother or her ex-boyfriend, | |
| [27:42] | what exactly are we looking for? | |
| [27:43] | Robbery targets. | |
| [27:44] | There are a dozen banks and payday lenders | |
| [27:46] | between here and Flower. | |
| [27:48] | So, how do we whittle it down? | |
| [27:50] | Look for anything odd or out of the ordinary. | |
| [27:52] | Well, this is downtown L.A. That describes everything. | |
| [27:57] | ♪♪ | |
| [28:03] | ♪♪ | |
| [28:10] | [ Cellphone unlocks ] | |
| [28:12] | Jackson: What’s up? What’s going on? | |
| [28:13] | Why are you patrolling downtown? | |
| [28:15] | How do you know where we are? | |
| [28:16] | I just saw you drive by. | |
| [28:19] | We, uh, got intel on a possible heist in the area. | |
| [28:22] | What’s the target? | |
| [28:23] | Unknown. | |
| [28:26] | I’m on 5th and Hill. You just passed me. | |
| [28:28] | Working a security detail on what could be a potential target. | |
| [28:30] | Gotta be honest with you, | |
| [28:32] | I wouldn’t hate having an escort. Woman: [ Laughs ] | |
| [28:34] | Excuse me. We need to leave now. | |
| [28:35] | I am in the middle of a conversation. | |
| [28:36] | No, you’re at the end of it. | |
| [28:38] | Say goodbye to the pretty lady. | |
| [28:39] | Hey, what — Come on. | |
| [28:40] | Are you out of your mind? | |
| [28:41] | [ Engine revs ] | |
| [28:44] | [ Tires screech ] Go, go, go, go, go! | |
| [28:47] | Police! | |
| [28:49] | [ Gunfire ] | |
| [28:58] | [ Gunshots ] | |
| [29:00] | ♪♪ | |
| [29:05] | Give up the damn case. | |
| [29:07] | What? You’re insured. | |
| [29:08] | Give up the damn case, or they’ll kill us. | |
| [29:10] | No, your job is to protect my merchandise. | |
| [29:12] | My job is to keep you alive, | |
| [29:13] | and I’m nine bullets from failing. | |
| [29:14] | Give up the case! | |
| [29:16] | Ian: Wait! Hold fire! | |
| [29:20] | Let’s go, let’s go. | |
| [29:21] | Cover me. | |
| [29:26] | [ Lock clicks ] | |
| [29:27] | [ Siren approaching ] Open the door. | |
| [29:29] | Open the door! Right now. | |
| [29:31] | Open it. | |
| [29:31] | Let’s go! | |
| [29:33] | [ Tires screech ] | |
| [29:35] | [ Siren wails ] | |
| [29:39] | Drop the guns! | |
| [29:41] | Do it now! | |
| [29:42] | Drop your guns right now! | |
| [29:44] | Let’s go, back up. Back away from the car. | |
| [29:45] | Get down on your knees. | |
| [29:47] | Down on your knees! Spread your arms. | |
| [29:50] | You okay? | |
| [29:51] | I am now. | |
| [29:53] | Step out of the car, get your hands where I can see them. | |
| [29:57] | Let’s go. | |
| [29:59] | They kidnapped me. Forced me into this. | |
| [30:02] | I know. AJ told us everything. | |
| [30:04] | But I got to place you under arrest | |
| [30:05] | until we work something out with the D.A. | |
| [30:06] | Put your hands up there. | |
| [30:08] | [ Siren wails ] | |
| [30:10] | Is it safe? | |
| [30:11] | All clear. | |
| [30:13] | [ Tires screech ] | |
| [30:16] | Hey, hey, hey. No, no. That’s evidence now. | |
| [30:18] | You’ll have to come collect it from the station | |
| [30:19] | after we process it. | |
| [30:21] | Can you do something? | |
| [30:22] | Nope. | |
| [30:24] | Lucy: And this marks the last stop | |
| [30:26] | on our community policing tour. | |
| [30:28] | Bradford and West are facing off against heist crews, | |
| [30:30] | and we are here to…? | |
| [30:31] | To talk to a neighbor about feeding squirrels. | |
| [30:36] | Sorry. | |
| [30:37] | [ Seatbelt latch clicks ] | |
| [30:39] | Make it up to me by getting a start on that paperwork. | |
| [30:44] | [ Car door closes ] | |
| [30:51] | What? | |
| [30:53] | Sir, your neighbors are complaining | |
| [30:55] | that you are feeding squirrels. | |
| [30:57] | So what? Los Angeles Municipal Code 53.06.5, | |
| [31:02] | which says it is illegal to feed wild animals. | |
| [31:04] | Punishable by a fine of up to $1,000, | |
| [31:07] | and/or six months’ imprisonment. | |
| [31:10] | They’re squirrels. | |
| [31:12] | Doesn’t matter. | |
| [31:15] | What happened to your hand? | |
| [31:17] | It was a lawn mower. Are we done? | |
| [31:19] | Yes, sir. Have a good one. | |
| [31:21] | [ Door slams ] | |
| [31:23] | [ Car door opens ] | |
| [31:24] | Hey, uh, so, should I mark that down | |
| [31:27] | as being given a verbal warning? | |
| [31:28] | No, run a background check. | |
| [31:31] | [ Engine starts ] | |
| [31:33] | ♪♪ | |
| [31:36] | [ Keyboard clacking ] | |
| [31:37] | You want to give me a hint at what we’re doing here? | |
| [31:39] | The guy was missing two fingers. | |
| [31:40] | Damage like that was caused by an explosive device. | |
| [31:42] | Maybe he was in the military. | |
| [31:44] | He said it was a lawn mower. | |
| [31:45] | [ Computer beeps ] | |
| [31:47] | Ernie Bosk. | |
| [31:48] | Records check are negative | |
| [31:50] | on any military or law-enforcement service. | |
| [31:53] | You studied bombings in the Academy? Mm. | |
| [31:55] | Did they cover the UCLA bombings in 2009? | |
| [31:57] | Yeah, of course. They recovered an unexploded pipe bomb. | |
| [32:00] | With a red hair inside of it. | |
| [32:02] | You think that’s him. | |
| [32:04] | Well, we’ll need a DNA sample to be sure, but — | |
| [32:06] | Whoa, what are you doing? Getting a warrant. | |
| [32:08] | We don’t need one if we can get a sample from his trash cans. | |
| [32:11] | And I can search that without a warrant. | |
| [32:13] | Okay. | |
| [32:17] | What happens if you get caught? | |
| [32:19] | You know, if you’re right, this guy makes bombs. | |
| [32:20] | You really want him throwing one your way? | |
| [32:22] | Not really. | |
| [32:24] | Well, then you’re gonna need someone to distract him. | |
| [32:29] | [ Knock on door ] | |
| [32:33] | Hi. How are you? What do you want? | |
| [32:36] | Uh, to talk to you about the importance | |
| [32:37] | of drought-resistant vegetation. | |
| [32:39] | I know it’s a boring topic, | |
| [32:40] | but if you just give me three minutes, | |
| [32:41] | I guarantee that I will make it worth your while. | |
| [32:44] | Uh, each year, we waste millions of gallons of water | |
| [32:48] | on plants and flowers that are non-conducive | |
| [32:51] | to Southern California’s climate — | |
| [32:52] | I’m gonna stop you right there. | |
| [32:54] | I don’t care. | |
| [32:55] | Uh, uh, sir, please — Um, could — | |
| [32:57] | could I have a glass of water? | |
| [32:59] | I — I’ve been out all morning. | |
| [33:01] | Maybe you should be more drought-resistant. | |
| [33:03] | [ Chuckles ] Yes, sir. | |
| [33:06] | The water? | |
| [33:10] | Fine. | |
| [33:11] | ♪♪ | |
| [33:19] | [ Bottles rattling ] | |
| [33:23] | Sir? The water? | |
| [33:26] | You a cop, too? | |
| [33:27] | Uh, yeah. | |
| [33:29] | That’s my partner outside conducting a lawful search, | |
| [33:31] | so you just need to relax. | |
| [33:32] | Harper, he’s running! | |
| [33:33] | Hey. Harper: 7-Adam-15, | |
| [33:34] | start me up another unit. | |
| [33:35] | 5611. Code 3. | |
| [33:37] | Turn around. [ Beeping ] | |
| [33:38] | Hands where I can see them. | |
| [33:40] | [ Whirring, clicking ] | |
| [33:42] | What the hell was that? | |
| [33:43] | Burglar alarm system. | |
| [33:45] | I built it myself. | |
| [33:47] | It’s my own private DMZ. | |
| [33:50] | There are pressure plates all throughout the floor. | |
| [33:52] | They’re rigged to IEDs. | |
| [33:54] | You take one wrong step, | |
| [33:57] | they’ll be cleaning you off the ceiling with a squeegee. | |
| [33:59] | Harper: Chen! No. | |
| [34:01] | Harper, don’t come inside the house. | |
| [34:03] | It’s booby-trapped. | |
| [34:08] | No, stay! Don’t come in. It’s rigged. | |
| [34:10] | Where’s Bosk? | |
| [34:11] | In the back room. | |
| [34:13] | He’s arming a bomb, a big-ass bomb. | |
| [34:15] | You got to get clear of the house, | |
| [34:16] | radio the bomb squad, | |
| [34:18] | and clear the neighborhood. | |
| [34:19] | ♪♪ | |
| [34:25] | [ Switches click ] | |
| [34:27] | Mr. Bosk, you don’t need to do this. | |
| [34:30] | Bosk: Why not? | |
| [34:31] | I’m caught. | |
| [34:33] | May as well go out with a bang. | |
| [34:36] | How long ago did you rig the house? | |
| [34:39] | Months? Years? | |
| [34:41] | Almost a decade. | |
| [34:42] | I’ve been waiting that long | |
| [34:44] | for cops to show up on my doorstep. | |
| [34:46] | A decade. | |
| [34:49] | Avoiding pressure plates. | |
| [34:51] | ♪♪ | |
| [34:54] | [ Flashlight clicks ] | |
| [34:55] | ♪♪ | |
| [35:01] | [ Floor creaks ] | |
| [35:02] | ♪♪ | |
| [35:04] | [ Switches clicking ] [ Inhales sharply ] | |
| [35:07] | ♪♪ | |
| [35:10] | [ Floorboard creaks ] | |
| [35:12] | [ Breathing heavily ] | |
| [35:15] | ♪♪ | |
| [35:24] | ♪♪ | |
| [35:31] | [ Floorboard creaks ] | |
| [35:33] | ♪♪ | |
| [35:36] | [ Breathing heavily ] | |
| [35:39] | ♪♪ | |
| [35:44] | ♪♪ | |
| [35:48] | [ Gun cocks ] | |
| [35:50] | Lucy: Let go of the wire slowly. | |
| [35:51] | Turn around. Hands behind your back. | |
| [35:53] | Do it now! | |
| [35:55] | Don’t you want me to disarm the bombs before you cuff me? | |
| [35:57] | Nope. | |
| [35:59] | My guess is you’d enter a code | |
| [36:01] | that would set it all off. [ Handcuffs click ] | |
| [36:02] | So we’re going out the window. | |
| [36:04] | [ Glass shatters, thud ] | |
| [36:08] | [ Dog barking, sirens wail in distance ] | |
| [36:13] | Hey. | |
| [36:14] | Lucy: Uh, house is still booby-trapped, | |
| [36:16] | but he didn’t finish rigging the fertilizer bomb, so… | |
| [36:17] | Nice work. You got him? | |
| [36:19] | Uh-huh. Yeah. Alright. | |
| [36:21] | You gonna puke? | |
| [36:22] | No. No. No. | |
| [36:24] | Maybe. | |
| [36:26] | [ Vomits ] | |
| [36:28] | [ Sirens wailing, tires screeching ] | |
| [36:32] | Lopez: How you doing? | |
| [36:33] | Well, my hands stopped shaking about 15 minutes ago. | |
| [36:36] | That’s a good sign, right? | |
| [36:38] | Yep. | |
| [36:40] | Oh, hey, um, I just wanted to say…thanks. | |
| [36:44] | You’re welcome. | |
| [36:46] | Sorry if I was such a…you know. | |
| [36:48] | Douche? Yeah. | |
| [36:50] | Uh, but listen, please come be my head of security. | |
| [36:53] | I’ll give you a 100K bonus. | |
| [36:54] | No. It’s not about the money. | |
| [36:56] | All today did was remind me how much I love being a cop. | |
| [36:59] | ♪ I occupy my space ♪ | |
| [37:00] | All these officers, | |
| [37:02] | including the two that saved our bacon — | |
| [37:04] | they’re my family. | |
| [37:06] | And I guess I’m not ready to say bye. | |
| [37:08] | ♪ I get into it, I get into it ♪ | |
| [37:11] | ♪ I can’t get it out of my head ♪ | |
| [37:12] | However, I will take a “save your life bonus” | |
| [37:14] | if you’re still feeling generous. | |
| [37:15] | ♪ I feel like myself again ♪ | |
| [37:17] | ♪ I feel like everyone’s a friend ♪ | |
| [37:20] | ♪ We all need one of them days ♪ | |
| [37:22] | ♪ One of them days every now and then ♪ | |
| [37:25] | Hey. | |
| [37:26] | Nice working with you today. | |
| [37:28] | Yeah, you, too. | |
| [37:29] | Look, I was wrong to discourage you today. | |
| [37:34] | Go as far as you want in this job. | |
| [37:36] | You say you want to be a cop like me, screw that. | |
| [37:39] | Be better than me. | |
| [37:41] | You got what it takes, Not Nolan. | |
| [37:43] | I heard you call me Chen back at the house. | |
| [37:44] | I know you know my name. | |
| [37:45] | [ Chuckles ] | |
| [37:47] | Um…would it be alright | |
| [37:49] | if I asked you for advice from time to time? | |
| [37:52] | Sure. | |
| [37:54] | Just not too often. | |
| [37:56] | I don’t want to mess up the whole lone wolf persona | |
| [37:58] | I got going on. | |
| [38:05] | [ Chuckles ] [ Door closes ] | |
| [38:07] | It’s, um, presumptuous, I know, | |
| [38:09] | but I was hoping we’d have cause to celebrate. | |
| [38:13] | [ Sighs ] | |
| [38:15] | ♪♪ | |
| [38:19] | But we don’t, do we? | |
| [38:22] | I’m sorry. | |
| [38:25] | And that’s it? There’s — | |
| [38:26] | There’s no room for discussion? | |
| [38:28] | Jessica, um… | |
| [38:31] | I love being a father — | |
| [38:33] | And I would love to be a mom. | |
| [38:36] | And I want that for you. I do. | |
| [38:40] | But for me, | |
| [38:42] | I’m not ready to be a father again. | |
| [38:44] | Not just yet. | |
| [38:47] | Okay. | |
| [38:49] | What does that mean? | |
| [38:52] | You’re already through | |
| [38:54] | the steepest part of your career, | |
| [38:55] | but me, I’m… | |
| [38:58] | I’m still just finding my footing. | |
| [39:02] | And I gave up my first path 20 years ago. | |
| [39:07] | And I can’t do that again. | |
| [39:11] | But if you can just be patient with me, | |
| [39:14] | we can come back to this | |
| [39:16] | in a year, two years tops — | |
| [39:17] | [ Chuckles ] Years? No. | |
| [39:20] | Yeah, Nolan, um… | |
| [39:23] | it doesn’t exactly work like that for women. | |
| [39:26] | I mean, I can’t — I can’t just sit around | |
| [39:29] | and wait for the hopes | |
| [39:32] | that maybe someday you’ll be ready. | |
| [39:37] | I would resent you. | |
| [39:40] | And I would hate you. | |
| [39:45] | I don’t ever want that. | |
| [39:49] | So, what does that mean? | |
| [39:52] | I’m — I’m gonna go home. | |
| [39:56] | And I’ll come back tomorrow | |
| [40:01] | for my stuff when you’re not here. | |
| [40:04] | [ Sobs ] | |
| [40:06] | Jess — | |
| [40:08] | ♪♪ | |
| [40:14] | ♪♪ | |
| [40:20] | [ Door closes ] | |
| [40:21] | ♪♪ | |
| [40:26] | ♪ Du-na-na-na, ah-na-na-na-na, ah, da ♪ | |
| [40:29] | There you go. | |
| [40:30] | Thanks. | |
| [40:31] | You ready? | |
| [40:33] | Hike! | |
| [40:35] | ♪ Lately it’s been a little wild ♪ | |
| [40:37] | Attaboy! Nice! | |
| [40:38] | There you go! | |
| [40:39] | You know, AJ, back in high school, | |
| [40:41] | I was ranked one of the top quarterbacks in the state. | |
| [40:42] | Weddle: I could believe that. | |
| [40:44] | The interceptions you threw me were always perfect spirals. | |
| [40:47] | So let’s see if you still got the skills. | |
| [40:49] | You and AJ versus me and the rook. | |
| [40:52] | Let’s go. Let’s do this. | |
| [40:54] | Show ’em what you got, baby. | |
| [40:55] | I always do, Mama. | |
| [40:57] | Hey, uh, don’t get your ankles broke, old man. | |
| [40:59] | Kid, I am 26. Don’t play me. | |
| [41:01] | Ooh, and you about to get dusted by a 14-year-old. | |
| [41:03] | How sad is that? [ Chuckles ] | |
| [41:05] | LAPD has great medical coverage, right? | |
| [41:07] | Yeah, yeah, very funny. | |
| [41:08] | Real funny when you’re gonna be on the ground smashed. | |
| [41:10] | Five-Mississippi. | |
| [41:11] | Whoa! Old lady, huh? | |
| [41:13] | Okay. Make it three. | |
| [41:15] | ♪ I could be, I’d be, I will be ♪ | |
| [41:18] | Hike! One, two, three. | |
| [41:19] | You didn’t say “Mississippi”! | |
| [41:21] | ♪ All the time ♪ | |
| [41:27] | ♪♪ | |
| [41:36] | ♪♪ | |
| [41:45] | ♪♪ |