| 时间 | 英文 | 中文 |
|---|---|---|
| [00:02] | ♪ Okay, everybody, let’s go ♪ | |
| [00:03] | Nolan: Alright. Last one. | |
| [00:05] | Henry: As much as I like watching you load the truck, | |
| [00:07] | I’ve got some studying I got to do. | |
| [00:09] | And by studying, you mean…? | |
| [00:11] | Mm, watching “Lady and the Tramp” with Abigail. | |
| [00:13] | Oh! We do the, uh, whole spaghetti thing along with it. | |
| [00:16] | Cute. So, what are you doing for your birthday tomorrow? | |
| [00:18] | I’m tiling the bathroom. | |
| [00:20] | Mm. That sounds sad. | |
| [00:21] | No, it doesn’t. | |
| [00:22] | Besides, when you’re the oldest rookie, | |
| [00:24] | you really don’t want anyone knowing | |
| [00:25] | you’re the older oldest rookie. | |
| [00:27] | I mean, you just broke up with Jessica, | |
| [00:29] | and nobody knows that it’s your birthday tomorrow? | |
| [00:31] | Yes, and that’s the way I like it, | |
| [00:32] | so do not tell Jackson and Lucy. | |
| [00:34] | Promise me. You’re a grown man. | |
| [00:36] | You want to spend your birthday grouting, | |
| [00:37] | that’s, uh, your prerogative. | |
| [00:39] | [ Cellphone beeps ] Yes, it is. | |
| [00:40] | Oh. That’s the boss. I got to go. | |
| [00:41] | Alright. Love you. Love you, too. Bye. | |
| [00:43] | [ Cellphone beeps ] | |
| [00:44] | Yes, sir. How can I help you? | |
| [00:46] | ♪♪ | |
| [00:49] | [ Elevator bell dings ] | |
| [00:53] | ♪ All eyes right here ♪ | |
| [00:55] | Thanks for coming in on your day off. No problem. | |
| [00:57] | I’m excited to get started on my special assignment. | |
| [00:59] | It’s not a special assignment. It’s a mandatory callback. | |
| [01:01] | Oh. I may have renamed that in my head. | |
| [01:04] | What happened here? | |
| [01:05] | It’s a homicide — and a brutal one. | |
| [01:07] | At least two assailants, and the victim was a lawyer. | |
| [01:09] | So lots of suspects. | |
| [01:10] | One for now — building’s security guard. | |
| [01:13] | He’s in the wind. | |
| [01:15] | Maynard Goetz. Want me to put out an APB? | |
| [01:17] | It’s already done. Just sit here and guard. | |
| [01:19] | Any detectives come back, make them sign in. | |
| [01:23] | Keep one boot in the tape. | |
| [01:25] | Dispatch will call you as soon as detectives say | |
| [01:27] | you can release the scene. | |
| [01:28] | And when will that be? | |
| [01:29] | Hour, two. | |
| [01:32] | [ Exhales sharply ] | |
| [01:33] | ♪♪ | |
| [01:37] | [ Cellphone chimes, vibrates ] | |
| [01:42] | ♪ Whoa, oh, oh, oh, oh, oh, whoa, oh, oh ♪ | |
| [01:45] | ♪ I’m gonna win for you like I know you want me to do ♪ | |
| [01:53] | ♪♪ | |
| [01:56] | Coffee? | |
| [01:58] | I haven’t had a chance to make it. | |
| [02:00] | So, no coffee? | |
| [02:02] | Not yet. Sorry. | |
| [02:04] | [ Groans ] | |
| [02:06] | You know, Nolan kept me up all night | |
| [02:08] | from this crime scene he was babysitting. | |
| [02:09] | Look at this. Look. | |
| [02:11] | [ Chuckles ] Yeah, he was texting me, too. | |
| [02:14] | [ Chuckles ] We’ll get stuck on one soon enough. | |
| [02:16] | Class A’s? | |
| [02:18] | Yeah. Tim and I get our commendation today. | |
| [02:20] | Oh, right, for helping that family last week. | |
| [02:23] | Mm-hmm. | |
| [02:24] | You know, it’s — it’s crazy. | |
| [02:25] | Like, a few weeks ago, I thought I was gonna get | |
| [02:27] | bounced from the program, | |
| [02:28] | and now I’m getting an award from the Deputy Chief. | |
| [02:31] | It’s pretty cool how quickly things can change. | |
| [02:34] | I’m really happy for you, man. | |
| [02:35] | Aww. Thanks. | |
| [02:37] | Plus, Tim is gonna be in a really good mood today. | |
| [02:40] | I know. I’m really happy for me, too. | |
| [02:42] | [ Laughs ] | |
| [02:44] | Sorry. | |
| [02:46] | Let me get this straight. | |
| [02:48] | You’re coming to me for an annual evaluation | |
| [02:50] | that’s not due until December? | |
| [02:52] | I just wanted to get a jump on it. | |
| [02:53] | Reason? It’s personal. | |
| [02:55] | I figured I’d spare you the details. | |
| [02:57] | Detective, I hear you. | |
| [02:59] | I really do. | |
| [03:01] | But it’s called a yearly review for a reason — | |
| [03:03] | because that’s when the Paperwork Gods expect it. | |
| [03:06] | So, if you want me to file this thing ahead of schedule, | |
| [03:09] | I need to know why. | |
| [03:12] | Okay. Okay. | |
| [03:14] | It’s…for the judge. | |
| [03:17] | I have a hearing next week for custody of Lila, | |
| [03:19] | and a strong evaluation would go a long way. | |
| [03:24] | Look, you came here untouchable. | |
| [03:26] | Let me level with you. | |
| [03:27] | While I’d fast-track reviews for most of my officers… | |
| [03:31] | I’m not ready to do that for you. | |
| [03:35] | Okay. | |
| [03:38] | Wait. | |
| [03:43] | I know you’re trying hard with your daughter. | |
| [03:46] | At the same time, I can’t ignore | |
| [03:48] | that you’re still a wildcard on patrol. | |
| [03:51] | So, if you want this eval, | |
| [03:52] | you got to show me something different. | |
| [03:53] | What do you mean? | |
| [03:55] | Meaning… | |
| [03:56] | we ride together. | |
| [03:58] | You and me. And I evaluate you firsthand. | |
| [04:01] | But know this — I’m writing this evaluation | |
| [04:03] | no matter what happens out there. | |
| [04:04] | So, if you fall down today, the world will know. | |
| [04:09] | It is a big deal. “Light of the City” award? | |
| [04:12] | I thought you’d be happier. | |
| [04:13] | I planned my emotional day around it. | |
| [04:15] | I don’t do this for the medals and plaques, Boot. | |
| [04:17] | Yes, only lesser cops enjoy recognition. | |
| [04:18] | Exactly. | |
| [04:20] | Well, if it doesn’t matter, turn it down. | |
| [04:22] | It doesn’t matter to me, but it does matter to the higher-ups. | |
| [04:25] | Look, a good score on the sergeant’s exam, | |
| [04:27] | this award could help me rise through the list of candidates. | |
| [04:29] | Fair enough. | |
| [04:32] | Jackson’s dedicated an entire shelf to his award? | |
| [04:34] | He’s building a cabinet from scratch. | |
| [04:36] | He knows how to do that? | |
| [04:37] | Nolan’s helping him. | |
| [04:38] | [ Video game beeping ] | |
| [04:43] | [ Beeping stops ] | |
| [04:45] | [ Cellphone beeps twice ] | |
| [04:47] | Oh. | |
| [04:51] | [ Cellphone chiming, vibrating ] | |
| [04:55] | [ Cellphone beeps ] | |
| [04:56] | Grace. | |
| [04:57] | What’s up? | |
| [04:58] | You know, the usual. | |
| [05:01] | Snatching life from the jaws of death? | |
| [05:03] | Close. I just pulled four Legos out of a kid’s nose. | |
| [05:06] | Four? Amateur. | |
| [05:08] | No commitment to the craft. | |
| [05:10] | I mean, not like when we were kids. Right. | |
| [05:11] | I never went to the hospital for anything less than seven. | |
| [05:13] | Man on P.A.: Dr. Sawyer to ER. | |
| [05:14] | Shoot. You know what? I got to go. | |
| [05:16] | Dr. Sawyer to ER. I-I just — | |
| [05:17] | I wanted to wish you a happy birthday. | |
| [05:19] | Oh. Thank you. | |
| [05:20] | Ga– Uh, wait. | |
| [05:24] | You remembered my birthday? | |
| [05:26] | I got a Facebook alert. | |
| [05:28] | My birthday’s not on Facebook. | |
| [05:31] | Huh. | |
| [05:33] | That’s weird. [ Inhales deeply ] | |
| [05:35] | Anyway, uh, lives, important things. I-I got to go. | |
| [05:37] | Grace. | |
| [05:39] | Yeah? | |
| [05:42] | Thanks for calling. | |
| [05:45] | You’re welcome. | |
| [05:47] | Right. | |
| [05:49] | [ Cellphone beeps ] | |
| [05:50] | Oh, damn it. | |
| [05:53] | [ Elevator bell dings, elevator doors open, close ] | |
| [05:58] | Sorry. This is a crime scene. | |
| [06:00] | Better be. Uh, bioremediation. | |
| [06:02] | Beg your pardon? Crime scene cleaner. | |
| [06:04] | Right. | |
| [06:06] | You the log officer? | |
| [06:07] | Yeah. Officer Nolan. | |
| [06:09] | Um…crime scene’s been processed, | |
| [06:11] | but they haven’t cleared it just yet. | |
| [06:13] | I can have someone call you when they’re ready. | |
| [06:15] | I’ll wait. | |
| [06:16] | 90% of the job’s planning anyway. | |
| [06:19] | You — | |
| [06:20] | Thanks. | |
| [06:23] | I would’ve thought 90% of the job would be scrubbing. | |
| [06:25] | [ Chuckles ] No. | |
| [06:27] | No. | |
| [06:28] | You go in with the wrong chemicals, | |
| [06:30] | you can make things a hundred times worse. | |
| [06:31] | The mix of body fluids and the — the fabrics, | |
| [06:34] | even the ambient humidity, it all makes a huge difference. | |
| [06:36] | Oh. | |
| [06:37] | Every job requires | |
| [06:39] | a slightly different set of tools. | |
| [06:41] | Very impressive. | |
| [06:43] | And how does one get into bioremediation? | |
| [06:46] | [ Sighs ] | |
| [06:49] | Always liked setting things right, I guess. | |
| [06:51] | I walk into a tragedy. | |
| [06:53] | When I walk out, everything is as it should be. | |
| [06:58] | I-I know people think it’s a weird job for weirdos. | |
| [07:00] | No, no, no. I get it. | |
| [07:04] | Your name again was…? Ellroy. | |
| [07:05] | Ellroy. Nice to meet you. | |
| [07:07] | Nice to meet you, too, Officer Nolan. | |
| [07:12] | Hmm. | |
| [07:17] | You hungry? | |
| [07:18] | Starving. | |
| [07:20] | Half a sandwich? | |
| [07:22] | [ Sighs ] | |
| [07:25] | [ Coughs ] | |
| [07:34] | Harper: Whew. | |
| [07:35] | Well, it’s a little early to become my first DUI, | |
| [07:38] | but it’s Hollywood. | |
| [07:40] | Everyone’s trying to be someone. | |
| [07:41] | Sgt. Grey: It’s not a DUI yet. | |
| [07:42] | Nope. But it will be in three, two… | |
| [07:45] | one. | |
| [07:46] | [ Siren wails ] | |
| [07:49] | Control, 7-Adam-15. | |
| [07:51] | Show us on a possible DUI, 6th and Beverly. | |
| [07:55] | Morning, Miss. | |
| [07:57] | Can I speak to you over on the sidewalk, please? | |
| [07:59] | What? Why? | |
| [08:01] | Uh, you just don’t look like you should be driving. | |
| [08:03] | Have you, uh, been drinking a little bit? | |
| [08:05] | Got me there, but I-I wasn’t gonna drive. | |
| [08:09] | Oh, so you were just getting into your car because…? | |
| [08:12] | Just grabbing my purse. | |
| [08:14] | Mm-hmm. Your purse that’s on your shoulder? | |
| [08:16] | Ah! [ Laughs ] | |
| [08:18] | It is! Yeah. | |
| [08:19] | Uh, uh, I’m just gonna run a few tests | |
| [08:21] | to make sure you are actually okay to drive. | |
| [08:23] | I’m kind of sick of tests, to be honest with you. | |
| [08:25] | I know. This will only take a second. | |
| [08:28] | So, hold your head still. | |
| [08:29] | Follow my finger with just your eyes. | |
| [08:34] | Horizontal nystagmus. | |
| [08:37] | Okay. Hey, hey! [ Moans ] | |
| [08:43] | My dad’s coming down for the ceremony. | |
| [08:44] | It’s not a ceremony. It’s a photo op with the Deputy Chief. | |
| [08:46] | Okay, still, it’s a big deal to me. | |
| [08:48] | I’m proud of this. You should be. | |
| [08:49] | [ Music plays on stereo ] | |
| [08:51] | You know you were texting while driving, sir? | |
| [08:53] | Oh, I just looked down at my map for a second | |
| [08:55] | while I was stopped at a red light. | |
| [08:57] | “Yo, running late. | |
| [08:58] | Smiley face, smiley face, boat.” | |
| [09:02] | Yeah, okay, the boat was a typo. | |
| [09:03] | Yeah, it’s so hard to focus on texting while you’re driving. | |
| [09:07] | License and registration, please. | |
| [09:08] | ♪♪ | |
| [09:13] | Hey, what’s, uh, what’s going on with your dashboard, there? | |
| [09:14] | Nothing. | |
| [09:16] | Came that way. | |
| [09:17] | I doubt it. | |
| [09:19] | ♪ I know that someday you’ll be a friend to me ♪ | |
| [09:20] | Looks like Trevor’s on searchable probation for 11-300. | |
| [09:23] | Narcotics. | |
| [09:24] | ♪ Boom, yeah, we’ll fight together ♪ | |
| [09:26] | Sir, step out of the vehicle. | |
| [09:28] | Today. | |
| [09:30] | ♪ We’re wakin up now, we mobilizin’ ♪ | |
| [09:32] | Step to the back of the vehicle. | |
| [09:33] | ♪ Here come a better solution now, we risin’ ♪ | |
| [09:35] | Arms on the trunk lid. | |
| [09:37] | Spread your legs. | |
| [09:39] | ♪ Straight out the compound, we startin’ the countdown ♪ | |
| [09:41] | ♪ Okay, ha, finger on the trigger, and we roll ♪ | |
| [09:45] | ♪ Burnin’ all the bridges as we go ♪ | |
| [09:46] | ♪ Nobody lookin’ back no more ♪ | |
| [09:47] | There’s a packaged powder in here. | |
| [09:49] | ♪ No livin’ in the past no more ♪ | |
| [09:51] | ♪ No more ♪ | |
| [09:53] | It’s wedged up in there, though. | |
| [09:55] | At least a kilo. | |
| [09:57] | Surprise, surprise. Sir, give me your hands. | |
| [09:59] | [ Grunts ] Can’t get it out. | |
| [10:01] | [ Handcuffs click ] Relax. They’ll tear it apart, find out whatever it is. | |
| [10:04] | [ Air conditioner puffs ] | |
| [10:07] | Uh… | |
| [10:08] | You okay? | |
| [10:10] | ♪ Hey ay ay, if we just a dog in the fight ♪ | |
| [10:12] | You got a little something on your shirt. | |
| [10:15] | Thanks. | |
| [10:16] | [ Groans ] | |
| [10:18] | [ Sneezes, sniffles ] | |
| [10:19] | ♪ Hey, now we gon’ take it higher ♪ | |
| [10:21] | ♪ Hey ay ay, we all just a dog in the fight ♪ | |
| [10:23] | Lucy: Did you invite Rachel? | |
| [10:24] | To the “Light of the City” thing? | |
| [10:26] | No. I told you, it’s not a big deal. | |
| [10:27] | You invited her and she’s busy? | |
| [10:29] | Out of town. | |
| [10:30] | Oh. Well, I’ll send her pictures. | |
| [10:32] | Oh, hey, 3:00. | |
| [10:34] | Skateboarder’s about to grab that woman’s bag. | |
| [10:36] | Swing and a miss. | |
| [10:37] | [ Chuckles ] | |
| [10:38] | Tim! | |
| [10:40] | [ Tires screech, crash ] | |
| [10:41] | ♪♪ | |
| [10:49] | [ Police radio chatter ] | |
| [10:52] | Whoa, you’re bleeding. | |
| [10:53] | [ Breathing heavily ] | |
| [10:55] | I’ll be fine. | |
| [10:56] | You okay? | |
| [10:57] | Yeah. | |
| [10:59] | [ Sighs ] Get the flares out. | |
| [11:00] | Seal off the whole street. | |
| [11:06] | Ma’am, are you hurt? | |
| [11:07] | No. I’m fine. | |
| [11:10] | [ Radio beeps ] | |
| [11:11] | Control, 7-Adam-19. | |
| [11:12] | Show me at a traffic collision at Melrose and Gardner. | |
| [11:15] | Be advised, it’s a city vehicle. | |
| [11:19] | Coming up with a plan of action? Deciding what to clean first? | |
| [11:20] | No. I’m grading the forensic team’s work. | |
| [11:23] | Looks like Tip Johnson’s guys. | |
| [11:25] | I give them a B-plus. | |
| [11:27] | How can you tell that? | |
| [11:29] | They swab for DNA and then lift prints, | |
| [11:32] | which is the correct way to do it. | |
| [11:33] | Gil River’s team always prints first. | |
| [11:35] | And they work outside in. | |
| [11:36] | That is incredible. | |
| [11:38] | You know the habits of all the FSU teams? | |
| [11:40] | Most of them. | |
| [11:41] | Oh, look at this. Yeah. | |
| [11:44] | Yeah, uh, fingerprint powder here | |
| [11:46] | means someone was trying to hold the door shut | |
| [11:48] | while someone was trying to push their way in. | |
| [11:50] | So, this is where it started. | |
| [11:52] | And obviously, they got in. | |
| [11:54] | See the blood drops? | |
| [11:56] | If the blood drops are circular, | |
| [11:57] | that means the victim was standing still. | |
| [12:00] | Wait, you can… tell if the person | |
| [12:03] | was moving or not based on the shape of the drops? | |
| [12:05] | Exactly. | |
| [12:06] | The faster they move, the more elongated the drops. | |
| [12:08] | So, the narrow part of the drop will indicate | |
| [12:10] | the direction the person ran. | |
| [12:11] | You are a natural! | |
| [12:13] | So, um, it started here. | |
| [12:14] | He’s bleeding, | |
| [12:16] | he’s running, he’s…bleeding. | |
| [12:18] | A stu– stutter step. | |
| [12:19] | “Am I gonna get away?” | |
| [12:21] | They caught him. | |
| [12:22] | He went down, and they beat him something terrible. | |
| [12:25] | Looks like they dragged him. | |
| [12:27] | He probably grabbed ahold of the bookshelf | |
| [12:29] | and pulled it down. | |
| [12:34] | And then… | |
| [12:36] | Wow. | |
| [12:39] | That’s a $20,000 bottle of tequila. | |
| [12:41] | That’s worth more than all the low-rent furniture | |
| [12:42] | in this place. | |
| [12:44] | Maybe it was a gift. | |
| [12:46] | You know, when I worked in construction, | |
| [12:48] | I never drove a nice truck to go bid on a job. | |
| [12:50] | Made the client think you were charging too much. | |
| [12:52] | Maybe he’s just trying to hide his money. | |
| [12:56] | Tequila will get grass stains out of white jeans. | |
| [13:00] | Oh. | |
| [13:04] | That’s not good. | |
| [13:06] | Sorry, the gruesome murder scene just got not good? | |
| [13:09] | There’s blood on the windows, | |
| [13:10] | but there’s not much on the desktop. | |
| [13:12] | So, there was something on the desktop. | |
| [13:14] | Uh-huh. | |
| [13:16] | The victim was on the desktop. | |
| [13:18] | You know what makes holes like that? | |
| [13:24] | Those are nail holes. | |
| [13:27] | They nailed him to the desk. | |
| [13:29] | And they tortured him. | |
| [13:31] | There’s only two reasons to torture someone. | |
| [13:33] | You hate their guts. | |
| [13:35] | Or you want them to tell you something. | |
| [13:36] | Or it’s a sex thing. | |
| [13:37] | So, three things. | |
| [13:39] | I’m super uncomfortable. | |
| [13:42] | [ Police radio chatter, camera shutter clicking ] We’re handling it, Sarge. | |
| [13:45] | That’s a lot of cops for a fender bender. | |
| [13:47] | Officer-involved accidents are very serious. | |
| [13:51] | Someone’s getting a day at the beach. | |
| [13:55] | Day at the beach? | |
| [13:57] | Suspension without pay. | |
| [13:58] | One of the many possible discipline options. | |
| [14:00] | I could be demoted, kicked out of field training. | |
| [14:02] | No point in taking the sergeant’s exam. | |
| [14:06] | Things just keep getting better. | |
| [14:08] | ♪ ‘Round and ’round ♪ | |
| [14:10] | ♪ The wheels on the bus go ’round and ’round ♪ | |
| [14:13] | Sgt. Grey: You two okay? | |
| [14:14] | Yeah. Fine. | |
| [14:16] | Shop’s not. | |
| [14:18] | Sgt. Grey: What happened? | |
| [14:19] | I lost focus. | |
| [14:21] | The car just suddenly stopped. | |
| [14:23] | And the other driver? | |
| [14:24] | Lucy: Uh, taken to the hospital. | |
| [14:26] | Might have whiplash. Possible concussion. | |
| [14:28] | It’s probably best you sit out the ceremony today. | |
| [14:33] | Of course. | |
| [14:34] | Can’t have the Deputy Chief handing a plaque | |
| [14:35] | to an officer facing demotion. | |
| [14:37] | I’ll need a collision memo on this by end of shift. | |
| [14:43] | Given the liability implications, | |
| [14:45] | you should go to the hospital, in order to head off | |
| [14:47] | any questions about your fitness to drive. | |
| [14:49] | Have them do a full work-up | |
| [14:50] | and prove that you weren’t impaired. | |
| [14:52] | Yeah, I’ll do that. | |
| [14:54] | Thanks. | |
| [14:58] | I’m so sorry, Tim. | |
| [14:59] | [ Car door closes ] | |
| [15:00] | Follow our shop back to the garage. | |
| [15:02] | Transfer our gear to a new one, pick me up at the hospital. | |
| [15:04] | Okay. | |
| [15:10] | Arrest report done. | |
| [15:11] | Eager to get back out there? | |
| [15:12] | Oh, I do have to add the CHP 180. | |
| [15:15] | 180. That is so weird. | |
| [15:18] | [ Chuckles ] It’s like a full turn. | |
| [15:19] | He did a 180. Wow. | |
| [15:20] | I wonder if that was a coincidence or something that — Jackson? | |
| [15:22] | Yeah? What are you talking about? | |
| [15:25] | Paperwork. Like, uh, formats. | |
| [15:27] | The data, you know? [ Chuckles ] | |
| [15:29] | Have you ever really sat and thought about | |
| [15:30] | how much data we actually collect? | |
| [15:32] | Like, terabytes and terabytes of data our whole lives. | |
| [15:35] | Actually, we carry more data on our phone | |
| [15:37] | than they ever processed on Apollo 11. | |
| [15:38] | Fact. | |
| [15:39] | Why don’t you come with me? | |
| [15:40] | Where? | |
| [15:41] | Come on. Why are you so rough? | |
| [15:44] | Come on. Occupied. | |
| [15:45] | It’s like an airplane bathroom. Let’s go in here. | |
| [15:47] | ♪♪ | |
| [15:54] | Hey, what are you doing? Look to the left. | |
| [15:55] | Okay, look, you don’t understand. | |
| [15:57] | That kind of computing power and all our data, | |
| [15:59] | we are just a few years away | |
| [16:00] | from being able to predict crime. | |
| [16:03] | Look to the left. | |
| [16:04] | Okay. Now. | |
| [16:06] | Now right. | |
| [16:09] | It’s like a couple flying saucers in there. | |
| [16:10] | What? | |
| [16:15] | Oh, my gosh. | |
| [16:18] | I’m high. | |
| [16:21] | On drugs. | |
| [16:22] | I did drugs. Not on purpose. | |
| [16:24] | No, no, I-I don’t do drugs. I’ve never done drugs before. | |
| [16:27] | Shocker. | |
| [16:29] | [ Radio beeps ] Sgt. Grey: 7-Adam-07, go to Channel 2. | |
| [16:30] | Oh, God. Grey knows. He knows. | |
| [16:32] | No, he doesn’t, but he will if you don’t play it cool. | |
| [16:36] | What is it, Sarge? | |
| [16:37] | You got Officer West with you? | |
| [16:39] | Yes, sir. I’m here. | |
| [16:41] | [ Whispering ] Sorry. | |
| [16:42] | You’ll be receiving the special commendation alone. | |
| [16:44] | Uh, from the Deputy Chief. Right. | |
| [16:46] | Why? What happened with Tim? | |
| [16:47] | [ Snoring ] He’s been involved in an incident. | |
| [16:49] | He won’t be attending. | |
| [16:51] | Copy that. | |
| [16:52] | [ Radio beeps ] [ Whispering ] I’m dead. | |
| [16:54] | It’s over. I — | |
| [16:56] | Is this what it feels like to be dead? | |
| [16:57] | It’s not — It’s not bad. | |
| [16:59] | Look. Don’t panic. We’ll get through this. | |
| [17:01] | Look, my dad will be there, with the Deputy Chief. | |
| [17:04] | Give me your weapon. | |
| [17:06] | What? Why? | |
| [17:07] | Because you can’t have a gun if you’re high. | |
| [17:09] | ♪♪ | |
| [17:15] | We’re going to the hospital, get your blood tested. | |
| [17:17] | Keep your eyes forward as we leave the station, | |
| [17:19] | and don’t talk to anyone. | |
| [17:22] | You can talk to me. | |
| [17:24] | Copy that. | |
| [17:25] | Come on. | |
| [17:33] | So, that was a nice gesture, [ Belches ] | |
| [17:35] | giving Tim advice after the accident. | |
| [17:38] | “Team player” is a big part of the evaluation. | |
| [17:42] | It is. | |
| [17:43] | But I have a feeling you would’ve did the same thing | |
| [17:45] | whether I was watching or not. | |
| [17:48] | [ Cellphone ringing ] | |
| [17:50] | Excuse me. That’s my daughter. | |
| [17:52] | [ Cellphone beeps ] | |
| [17:54] | Hey, honey. | |
| [17:56] | Whoa, whoa, whoa. Slow down. Slow down. | |
| [17:57] | What? You got — You got in where? | |
| [18:01] | Oh. No, no, of course I’m excited. | |
| [18:02] | It’s a great school. | |
| [18:04] | Yeah, call your mom, and I will talk to you later. | |
| [18:07] | Hey, congratulations. | |
| [18:09] | Yeah. | |
| [18:11] | [ Cellphone beeps ] | |
| [18:12] | [ Pats cellphone ] | |
| [18:15] | She got into Cornell. | |
| [18:17] | And you don’t want her to go. | |
| [18:19] | We settled on UCSB. | |
| [18:21] | Ah, that’s close by. | |
| [18:23] | I went to Cornell. | |
| [18:25] | Or was it Colgate? | |
| [18:27] | [ Tires screech ] | |
| [18:29] | Whee! [ Squeals ] | |
| [18:32] | [ Tires screech ] | |
| [18:33] | 7-Adam-15. We have a 415. | |
| [18:36] | Shirtless man with a bat. | |
| [18:38] | Drop the bat. | |
| [18:40] | I can’t. I need to protect myself. | |
| [18:42] | From who? | |
| [18:43] | Zombies! | |
| [18:45] | It’s starting! They’re everywhere! | |
| [18:46] | Drop the bat, or we will shoot you. | |
| [18:48] | I’m not gonna let them bite me! | |
| [18:50] | Hey. I get it. | |
| [18:52] | Infection moves fast. | |
| [18:53] | But we can protect you. | |
| [18:56] | Okay? Our car is armor-plated. | |
| [18:58] | They won’t be able to get in. | |
| [19:00] | Hey, it’s a hell of a lot safer than being on the street. | |
| [19:04] | But first, you have to put down the bat. | |
| [19:06] | ♪♪ | |
| [19:12] | Put your hands behind your back. | |
| [19:14] | Palms together. | |
| [19:15] | Spread your feet. | |
| [19:20] | Nice work. | |
| [19:21] | Nolan: And what’s that one do? | |
| [19:22] | Uh, the three B’s — | |
| [19:23] | blood, bile, and barf. | |
| [19:26] | Nice. | |
| [19:27] | And this one? | |
| [19:28] | Oh, that’s a proprietary blend from Japan. | |
| [19:31] | It’s the only thing that will get brains out of a jute rug. | |
| [19:33] | I had to sneak it out through Guam | |
| [19:35] | ’cause it’s pretty much straight-up cancer. | |
| [19:39] | Any guess as to when they’re gonna release the scene? | |
| [19:42] | No. It’s getting kind of ridiculous. | |
| [19:44] | I mean, you got a job to do. I got a birthday to salvage. | |
| [19:47] | It’s your birthday? | |
| [19:48] | Yeah. | |
| [19:49] | Control, this is 7-L-9 at the Grand Avenue homicide. | |
| [19:52] | Any word when they’re gonna clear this crime scene? | |
| [19:54] | Nell: Sorry. Homicide’s all backed up. | |
| [19:56] | Oh, I…I — | |
| [19:57] | Can I…? | |
| [19:59] | Nell, it’s Ellroy. | |
| [20:01] | Hi, Ellroy! | |
| [20:03] | Glad you’re on this one. Sounds like a real doozy. | |
| [20:05] | Oh, yeah! | |
| [20:07] | This guy evacuated out of every orifice. | |
| [20:11] | Uh, so, are you still planning that trip to Borneo — | |
| [20:13] | Hey, h-hold on. | |
| [20:16] | Nell, I’m looking at some blood outside the warranted area, | |
| [20:19] | leading to another part of the building. | |
| [20:22] | Do you want me to alert homicide detectives? | |
| [20:24] | Yeah. And forensics, too. | |
| [20:29] | And let Sgt. Grey know | |
| [20:30] | the security guard they were thinking was in on it? | |
| [20:33] | They can cancel the APB. | |
| [20:35] | We found him. | |
| [20:41] | What this place really needs — | |
| [20:42] | it needs…some calming music, you know? | |
| [20:43] | Like, uh, monks chanting or, uh, those whale songs. | |
| [20:48] | [ Chuckles ] That would be nice. | |
| [20:49] | Um, he got some powder on his face — | |
| [20:52] | Mm-hmm. white powder, and — | |
| [20:53] | You need to find out what drug he was exposed to. | |
| [20:55] | The guy we stopped had priors for PCP. | |
| [20:59] | PCP is fat-soluble. | |
| [21:00] | I mean, that stays in your system for a lifetime. | |
| [21:03] | Exactly. And if you can hallucinate at any time, you can’t carry a gun. | |
| [21:05] | It’s an automatic retirement. He’ll be off the force. | |
| [21:07] | I’ll rush the tests. | |
| [21:09] | Wait, you don’t have to report this, right? | |
| [21:11] | I’m precluded by HIPAA laws | |
| [21:13] | from discussing this with anyone. Good. | |
| [21:15] | If the test comes back positive, I’ll fill out an exposure form. | |
| [21:17] | But if it’s nothing serious, I want to keep it quiet. | |
| [21:20] | Imagine being able to stop crime before it happens. | |
| [21:24] | Mind-blowing concept that I’ve actually sat with | |
| [21:25] | for a few days. | |
| [21:26] | I pitched it — Hey! | |
| [21:28] | What are you doing here? Nothing. | |
| [21:30] | I’m not following. What were you saying? | |
| [21:31] | Nothing. Just some sci-fi movie he won’t stop talking about. | |
| [21:33] | Go wait by the elevator. | |
| [21:36] | Are you okay? What happened? | |
| [21:38] | I rear-ended a citizen. | |
| [21:40] | Bad? | |
| [21:41] | She’s in the ER. | |
| [21:42] | I don’t know how it happened. [ Elevator bell dings ] | |
| [21:44] | [ Inhales deeply ] Just — | |
| [21:45] | I got to go. | |
| [21:46] | ♪♪ | |
| [21:54] | Everything looks normal. | |
| [21:56] | Great. | |
| [21:57] | People get in accidents. | |
| [21:58] | Even cops. | |
| [22:00] | What do they call it when a doctor has an accident? | |
| [22:02] | Malpractice. | |
| [22:04] | Well, we’re both held to a higher standard — | |
| [22:05] | for good reason. | |
| [22:07] | How is she? | |
| [22:09] | [ Sighs ] | |
| [22:11] | The CT scan came back negative for internal bleeding. | |
| [22:14] | We’ll keep her overnight to make sure she’s okay. | |
| [22:16] | She asked for you when they first brought her in. | |
| [22:18] | She doesn’t blame you. | |
| [22:21] | Go talk to her. | |
| [22:23] | Thanks. | |
| [22:27] | [ Sighs ] | |
| [22:31] | How are you doing? | |
| [22:32] | I’m okay. | |
| [22:33] | No. No, you’re not. | |
| [22:35] | Do you know how much this is all gonna cost? | |
| [22:37] | The hospital bills will be covered by the city. | |
| [22:38] | So will the repairs to your vehicle. | |
| [22:40] | You just think that makes everything alright? | |
| [22:41] | Mike, stop. | |
| [22:43] | No, i-it’s okay. He has a right to be angry. | |
| [22:44] | And I have a right to sue. | |
| [22:46] | We’re not gonna sue. | |
| [22:48] | You — He didn’t mean to hit me, did you? | |
| [22:49] | No, ma’am. | |
| [22:53] | I hope you feel better soon. | |
| [22:57] | You got business here, little lady? | |
| [22:59] | My T.O. and I were the ones involved in this accident. | |
| [23:01] | Oh, right. The beach boy. | |
| [23:04] | He’s screwed. | |
| [23:05] | Have you…looked at the other car yet? | |
| [23:08] | Not yet. | |
| [23:10] | There’s something I can’t get out of my head. | |
| [23:12] | I-I don’t remember seeing brake lights. | |
| [23:14] | Uh-huh. | |
| [23:17] | Can you take a look? | |
| [23:18] | Yeah, when I have time. | |
| [23:20] | You’ve got time now. | |
| [23:22] | This is important. | |
| [23:23] | Officer Bradford is a 12-year veteran. | |
| [23:25] | He’s been wounded five times in the line of duty. | |
| [23:27] | He deserves your respect, | |
| [23:29] | not whatever macho crap this…is… | |
| [23:32] | sir. | |
| [23:35] | Okay. | |
| [23:36] | Let’s take a look. | |
| [23:46] | Oh. Taillights weren’t on. | |
| [23:48] | How can you tell? | |
| [23:49] | The brake lights didn’t work | |
| [23:50] | because someone pulled out the contacts. | |
| [23:52] | Could that have happened during the accident? | |
| [23:53] | No. | |
| [23:54] | These were pulled on purpose. | |
| [23:56] | Why would they do that? | |
| [23:58] | [ Grunts ] Insurance scams. | |
| [24:00] | See it all the time. | |
| [24:01] | Get someone to rear-end you and collect the settlement. | |
| [24:04] | Maybe your T.O. isn’t screwed after all. | |
| [24:06] | What’s that? The powder? | |
| [24:10] | Ah. Looks like your victim’s into all kinds of scams. | |
| [24:13] | What do you mean? | |
| [24:14] | Powder’s, uh, red phosphorous. | |
| [24:16] | You know, the stuff on the tip of matches? | |
| [24:17] | Why would they have that? | |
| [24:19] | Well, if they’re not cooking meth, | |
| [24:20] | arsonists use it to set fires. | |
| [24:23] | Harder to trace than gasoline, | |
| [24:25] | and you can make a fuse with it. | |
| [24:26] | ♪♪ | |
| [24:32] | Hey. | Hey. |
| [24:34] | You switch out the shops? | |
| [24:36] | Uh, yeah, but there’s something else. | |
| [24:37] | The car was rigged. | |
| [24:38] | What? | |
| [24:40] | The brake lights weren’t connected. | |
| [24:41] | This accident wasn’t your fault. | |
| [24:42] | No wonder I reacted so slowly. | |
| [24:44] | The leads were purposefully disconnected? | |
| [24:45] | Yeah. And there’s more. | |
| [24:47] | Sarah had arson materials in the back of her car. | |
| [24:49] | Clearly, she’s a bit of a renaissance scam artist. | |
| [24:52] | Let’s go talk to her. | |
| [24:53] | You rigged the car. | |
| [24:54] | What? No. I didn’t. | |
| [24:56] | Dash cam says different. | |
| [24:57] | So does a physical inspection of your vehicle. | |
| [24:59] | You searched my car? I didn’t give you permission. | |
| [25:01] | We don’t need permission | |
| [25:03] | once it’s been involved in an accident. | |
| [25:04] | I don’t think you were trying to get rear-ended by a police car. | |
| [25:06] | Bad luck, honestly. | |
| [25:08] | I don’t know what you’re talking about. | |
| [25:10] | Sarah, this is serious. | |
| [25:12] | Your vehicle’s full of evidence, all admissible against you. | |
| [25:14] | It’s not mine. Then whose is it? | |
| [25:16] | Your boyfriend? The guy who was threatening to sue me earlier? | |
| [25:17] | No. What’s his name? | |
| [25:19] | I’m not gonna tell you that. | |
| [25:22] | Emergency contact — Mike Garvey. | |
| [25:24] | And a phone number. | |
| [25:25] | Just what we need for a background check. | |
| [25:28] | So you don’t go anywhere while we’re running it. | |
| [25:34] | [ Sighs ] | |
| [25:35] | Stay here until I come back. | |
| [25:37] | If I could just talk to the IT guys — | |
| [25:38] | No. No talking to anyone. | |
| [25:40] | Well, look, maybe I am high, but these are still solid ideas. | |
| [25:43] | Okay. | |
| [25:44] | I’m cool. [ Chuckles ] | |
| [25:46] | I will stay here, and I will not talk to anyone. | |
| [25:48] | Great. | |
| [25:49] | [ Door opens ] | |
| [25:50] | [ Breathes deeply ] | |
| [25:59] | Get it together. [ Chuckles ] | |
| [26:01] | You’re gonna be okay. | |
| [26:02] | Just slow down… | |
| [26:04] | and, uh… | |
| [26:06] | take a breath. | |
| [26:08] | [ Exhales deeply ] | |
| [26:14] | What if the copier could copy your thoughts? | |
| [26:17] | ♪♪ | |
| [26:22] | [ Chuckles ] | |
| [26:23] | ♪♪ | |
| [26:26] | [ Beep, whirring ] | |
| [26:28] | Tim: I think you should interview him alone. | |
| [26:30] | Why? | |
| [26:31] | Because he knows I’m the one that hit her. | |
| [26:32] | He doesn’t know you were in the car with me. | |
| [26:34] | His guard won’t be up. | |
| [26:38] | [ Lucy clears throat ] | |
| [26:42] | I need to be at the hospital. | |
| [26:44] | Yes, sir. | |
| [26:45] | We’ll get you out of here as quickly as we can. | |
| [26:47] | And I wasn’t even in the car. | |
| [26:48] | I don’t understand why you have to talk to me. | |
| [26:50] | It’s…standard procedure. | |
| [26:52] | You can imagine the paperwork | |
| [26:54] | when an officer gets involved in an accident. | |
| [26:57] | That cop should be fired. | |
| [27:00] | That is up to the department. | |
| [27:02] | Do you and Sarah live together? | |
| [27:03] | Yeah. Why? | |
| [27:05] | Do you ever use her car? | |
| [27:06] | What difference does it make?! | |
| [27:07] | She was rear-ended. | |
| [27:09] | Yes, sir. If you could just answer the question. | |
| [27:11] | Do you ever use her car? | |
| [27:13] | [ Sighs ] | |
| [27:16] | No. | |
| [27:18] | Never? Never. | |
| [27:21] | So, you didn’t disconnect her taillights | |
| [27:23] | to commit insurance fraud? | |
| [27:25] | Nope. | |
| [27:26] | [ Paper rustles ] | |
| [27:28] | But you have committed fraud before. | |
| [27:29] | Isn’t that true? | |
| [27:31] | Arrested three times, convicted once. | |
| [27:33] | [ Chair slides ] | |
| [27:34] | I’m out of here. | |
| [27:39] | I know what’s going on here. | |
| [27:40] | You’re trying to intimidate me. But it’s not gonna work. | |
| [27:43] | ‘Cause I’m gonna get a lawyer, I’m gonna come back here, | |
| [27:45] | I’m gonna sue you and the entire department. | |
| [27:48] | Little advice — if you can only afford one retainer, | |
| [27:52] | I’d start with a criminal lawyer. | |
| [27:54] | You’re gonna need that one first. | |
| [27:59] | Sorry I didn’t get more out of him. | |
| [28:01] | Don’t be. The point was to wind him up. | |
| [28:04] | First thing he’s gonna do is call Sarah | |
| [28:05] | and wind her up even more. | |
| [28:07] | And then we see who breaks first. | |
| [28:10] | I’ve decided. Dominique can go to Cornell. | |
| [28:13] | We’ll just move there. | |
| [28:15] | Ithaca’s a nice town. | |
| [28:16] | It’s 3,000 miles away. | |
| [28:18] | That’s a hell of a commute to downtown L.A. | |
| [28:20] | I can get a gig there. | |
| [28:23] | Luna’s been begging me to retire from the LAPD anyway. | |
| [28:27] | So, you’re gonna follow your daughter to college? | |
| [28:28] | That’s not crazy at all. | |
| [28:30] | This way, I am close by if she needs me. | |
| [28:33] | Don’t do it. | |
| [28:34] | My parents barely let me out of their sight. | |
| [28:36] | Drove me crazy. | |
| [28:37] | You got to let her spread her wings. | |
| [28:39] | Fly! | |
| [28:41] | Disagree. Got to keep your family close. | |
| [28:44] | Zombies take over the city, | |
| [28:46] | you got to be able to grab them and go. | |
| [28:47] | The man with the nail bat agrees with you. | |
| [28:50] | Just, uh, you know, take that in for a minute. | |
| [28:52] | Don’t forget, I’m evaluating you today, Detective. | |
| [28:55] | Yes, sir. | |
| [28:56] | Ithaca is lovely this time of year. | |
| [29:01] | Jackson? | |
| [29:04] | And you’d be at the nexus of it all — | |
| [29:07] | dispatching units to pre-crimes, | |
| [29:08] | and you’d use the copier to help you. | |
| [29:11] | Hmm. Jackson! | |
| [29:13] | We’re supposed to be handling calls. | |
| [29:15] | Okay. Yeah. We were just — Well, we’re just — | |
| [29:17] | Let’s go now. | |
| [29:18] | Um, Officer Lopez? | |
| [29:20] | Just one quick thing? | |
| [29:24] | Sure. What’s up? | |
| [29:25] | It’s about Officer West. | |
| [29:28] | Yeah? | |
| [29:29] | I just wanted to say that he is… | |
| [29:35] | …such an insightful thinker. | |
| [29:37] | I mean, did you know he was full of ideas? | |
| [29:39] | I did not. | |
| [29:40] | He’s usually much… quieter. | |
| [29:42] | Hmm. | |
| [29:44] | Nice to see you, Nell. Mm-hmm. | |
| [29:48] | Only one of you is getting a deal. | |
| [29:50] | And you want it to be you. | |
| [29:55] | I was about to leave him. | |
| [29:56] | I went over to borrow some suitcases from my sister. | |
| [29:58] | I-I didn’t know that he messed with my brake lights. | |
| [30:00] | I swear. | |
| [30:03] | Why were you leaving him? | |
| [30:06] | He’s gone over the edge. | |
| [30:08] | At first, it was just staged accidents. | |
| [30:11] | We’d shake down some rich losers for cash | |
| [30:13] | or set a few fires for a cut of the insurance money, | |
| [30:15] | but now — | |
| [30:16] | But now what? | |
| [30:20] | He’s agreed to kill some guy’s wife | |
| [30:22] | for a cut of the life-insurance policy. | |
| [30:26] | And when is this murder supposed to happen? | |
| [30:29] | [ Sighs ] Later today. | |
| [30:31] | ♪♪ | |
| [30:37] | Homicide is sending another forensics team. | |
| [30:40] | This place isn’t gonna be cleared for hours at this point. | |
| [30:42] | You might as well go home. | |
| [30:44] | I’m good. | |
| [30:45] | Um, hey… | |
| [30:48] | I was wondering… | |
| [30:49] | what is Nell like? | |
| [30:52] | Nell? She’s lovely. | |
| [30:54] | I mean, I-I’ve talked to her a lot, you know, | |
| [30:56] | when dispatch calls me, | |
| [30:57] | but I’ve never met her in person. | |
| [31:01] | Is she pretty? Yes. | |
| [31:03] | You know, you could come down to the station, meet her face-to-face. | |
| [31:06] | No. I couldn’t. | |
| [31:07] | Uh… | |
| [31:09] | [ Groans ] | |
| [31:10] | [ Chuckles nervously ] | |
| [31:12] | Um… | |
| [31:13] | she’s busy. | |
| [31:15] | I — Um, I’m busy. We’re busy. | |
| [31:17] | I couldn’t. | |
| [31:18] | Listen — Nah. | |
| [31:21] | Ta-da. | |
| [31:23] | Happy birthday. | |
| [31:24] | Thank you. That is… | |
| [31:26] | extremely thoughtful. | |
| [31:27] | It’s nothing. Birthdays are important. | |
| [31:29] | [ Blows ] | |
| [31:31] | This is a treat. It really is. | |
| [31:35] | You okay? | |
| [31:37] | Yeah. | |
| [31:39] | I missed one. My sister’s. | |
| [31:41] | Her last. | |
| [31:43] | Oh, I’m so sorry. | |
| [31:45] | She killed herself that year. | |
| [31:47] | Um, at my parents’ house. | |
| [31:50] | Ellroy, was that your first crime scene? | |
| [31:54] | I put everything the way it was, | |
| [31:56] | but nothing has been right since. | |
| [31:59] | [ Sighs ] | |
| [32:01] | Ellroy, I don’t even know what to say. | |
| [32:04] | I’m so sorry. I had no idea. | |
| [32:05] | It was a long time ago. | |
| [32:08] | [ Sighs ] | |
| [32:09] | Anyway… | |
| [32:11] | I think I am gonna take off. | |
| [32:12] | [ Chuckles ] | |
| [32:15] | Uh, just… | |
| [32:17] | give me a heads-up whenever they finally clear the scene. | |
| [32:19] | Of course. | |
| [32:20] | [ Chuckles ] Yeah. | |
| [32:21] | Alright. | |
| [32:24] | Hey, Ellroy, did you see this? | |
| [32:27] | What’s that? | |
| [32:28] | This vent. | |
| [32:29] | The screws have been practically pulled out of the wall. | |
| [32:34] | What if the bookcase didn’t fall down in the struggle? | |
| [32:36] | What if they moved it so they could look inside the vent? | |
| [32:38] | Lawyers like this guy, they deal in a lot of cash. | |
| [32:42] | Maybe they knew he kept it hidden here, | |
| [32:44] | and they tortured him to find it. | |
| [32:45] | Well, it wasn’t hidden in the vent. | |
| [32:47] | This thing’s coated with dust. Hasn’t been touched in years. | |
| [32:49] | Must have kept looking, | |
| [32:51] | moved next door into the raw space. | |
| [32:55] | I don’t think they ever found it. | |
| [32:57] | How do you know? | |
| [32:57] | Because they’re back. | |
| [32:58] | [ Breathing shakily ] | |
| [33:00] | ♪♪ | |
| [33:06] | LAPD! Drop your weapons! | |
| [33:07] | ♪♪ | |
| [33:13] | [ Radio beeps ] 7-Adam-9 — | |
| [33:14] | [ Static crackles ] Oh, no. | |
| [33:16] | ♪♪ | |
| [33:22] | Okay, Ellroy, you’re gonna move to the raw space behind me. | |
| [33:24] | As soon as I say “Move.” Ready? | |
| [33:27] | Move! | |
| [33:28] | [ Yells ] | |
| [33:31] | ♪♪ | |
| [33:37] | ♪♪ | |
| [33:42] | Help me! Oh, God. | |
| [33:44] | ♪♪ | |
| [33:48] | [ Pounding on door ] | |
| [33:50] | That’s not gonna hold them for long. | |
| [33:52] | Alright. Alright. Okay, um…come on. | |
| [33:55] | Give me your phone. Mine’s dead. | |
| [33:56] | Oh. I have a pager. | |
| [33:58] | Seriously? [ Sighs ] | |
| [34:00] | He probably surprised them when they were searching in here. | |
| [34:05] | [ Alarm blaring ] Okay. | |
| [34:07] | Now we just have to find a place to hide till the cavalry arrives. | |
| [34:09] | Come on. Over here. | |
| [34:10] | Right. You stay right here. | |
| [34:12] | By myself? | |
| [34:16] | I’m bringing a pipe to a gunfight? | |
| [34:17] | It’s better than bare hands. | |
| [34:19] | ♪♪ | |
| [34:22] | [ Banging ] | |
| [34:23] | ♪♪ | |
| [34:33] | [ Blaring continues ] | |
| [34:41] | ♪♪ | |
| [34:51] | ♪♪ | |
| [35:00] | ♪♪ | |
| [35:10] | ♪♪ | |
| [35:19] | ♪♪ | |
| [35:29] | [ Gasps ] | |
| [35:30] | ♪♪ | |
| [35:37] | ♪♪ | |
| [35:45] | [ Screams ] | |
| [35:47] | [ Pipe clatters ] | |
| [35:49] | [ Gunshot ] [ Grunts ] | |
| [35:52] | Stay down! Do not move. | |
| [35:54] | Stay down! Facedown! | |
| [35:55] | [ Groans ] | |
| [35:57] | Hands! | |
| [36:01] | [ Handcuffs click ] | |
| [36:04] | Good work, Ellroy. | |
| [36:07] | I’m glad I know how to clean the stains out of trousers. | |
| [36:16] | [ Car alarm chirps ] | |
| [36:20] | ♪♪ | |
| [36:25] | [ Tires squealing ] | |
| [36:27] | [ Siren wailing ] | |
| [36:29] | [ Tires screech ] | |
| [36:32] | Freeze! [ Shotgun cocks ] | |
| [36:33] | LAPD! | |
| [36:34] | Turn around! | |
| [36:35] | Drop your weapon! | |
| [36:36] | Drop your weapon! | |
| [36:38] | Keep your hands up! Sidestep to the right! | |
| [36:40] | Keep going! | |
| [36:42] | Get down on the ground! On your stomach! | |
| [36:44] | Hands out to the side! | |
| [36:46] | Now, don’t move! | |
| [36:48] | Mike Garvey, you’re under arrest for attempted murder. | |
| [36:51] | [ Handcuffs click ] | |
| [36:53] | Nice wig, Boot. | |
| [36:55] | ♪ What are you doing here? ♪ | |
| [36:56] | Sgt. Grey: It took long enough to get this going. | |
| [36:58] | You might be under the limit by now. | |
| [37:00] | [ Woman shouting ] Yeah. Feeling pretty sober. | |
| [37:05] | Look, I know it’s a lot. Let it be a wake-up call. | |
| [37:08] | Getting arrested might be the best thing that ever happened to you. | |
| [37:10] | ♪ We were lovers, sure ♪ | |
| [37:12] | [ Breathalyzer hisses, beeps ] | |
| [37:14] | ♪ But that’s not what I came here for ♪ | |
| [37:16] | ♪ I came because… ♪ | |
| [37:17] | I’m not an alcoholic. | |
| [37:18] | You were stumbling drunk at 10:00 a.m. | |
| [37:21] | I had a doctor’s appointment at 9:00. | |
| [37:22] | Bad news? | |
| [37:24] | ♪ You say love is hardly… ♪ | |
| [37:26] | Not a good day for tests. | |
| [37:29] | My biopsy came back. | |
| [37:31] | [ Voice breaking ] Stage 3 breast cancer. | |
| [37:34] | The bar was across the street. | |
| [37:35] | I just wanted to feel…less. | |
| [37:39] | I wasn’t gonna drive. I would never hurt anybody. | |
| [37:45] | [ Sniffles ] | |
| [37:46] | ♪ I am a cold wind ♪ | |
| [37:47] | .07. | |
| [37:50] | Just under the limit. | |
| [37:53] | ♪ And the hands of Satan ♪ | |
| [37:57] | We’re gonna release you, pending D.A. review. | |
| [38:00] | [ Sniffles ] Really? | |
| [38:01] | Yeah. | |
| [38:03] | You deserve a little good news today. | |
| [38:06] | Thank you. | |
| [38:08] | ♪ I’ve still got daylight in my heart ♪ | |
| [38:15] | How are you feeling? | |
| [38:16] | My head is pounding, and my throat’s on fire. | |
| [38:19] | Sounds like you’re coming down off whatever it was. | |
| [38:21] | Hey. | |
| [38:22] | I was, uh, looking for Nolan. | |
| [38:24] | Since I’m running into you… | |
| [38:26] | Not PCP. Please not PCP. | |
| [38:28] | It wasn’t PCP. | |
| [38:29] | [ Sighs ] Yes! | |
| [38:30] | Or much of anything, really. | |
| [38:32] | It was horse vitamins and caffeine. | |
| [38:34] | It was bunk? | |
| [38:35] | But he’s been high as a kite all day. | |
| [38:37] | An allergic reaction can mimic some of those symptoms. | |
| [38:39] | And from there, | |
| [38:41] | the power of suggestion did the rest. | |
| [38:43] | ♪ …restart one day ♪ | |
| [38:47] | [ Exhales sharply ] | |
| [38:51] | Dress blues? | |
| [38:52] | Bradford and West are getting their commendations | |
| [38:54] | in a half-hour. Oh. Right. | |
| [38:56] | I didn’t have a chance to write up your evaluation, | |
| [38:58] | but you’ll have it tomorrow. | |
| [39:00] | And it will be positive. | |
| [39:04] | Thank you. | |
| [39:05] | You’re welcome. | |
| [39:09] | You know, I wanted to say… | |
| [39:13] | you did a great job with your daughter. | |
| [39:15] | [ Chuckles ] Yeah. | |
| [39:17] | The fact she wants to move across country speaks volumes. | |
| [39:19] | It does. | |
| [39:21] | It says that she’s brave and confident. | |
| [39:24] | You gave her a home — | |
| [39:26] | a safe place to launch from and retreat to. | |
| [39:30] | Same way you do for us. | |
| [39:33] | I hope I can become half the parent you are. | |
| [39:36] | ♪ Banging on my eardrums till my… ♪ | |
| [39:40] | Laying it on pretty thick, aren’t you? | |
| [39:43] | Yes, sir. | |
| [39:44] | [ Laughs ] | |
| [39:46] | Have fun at the ceremony. | |
| [39:48] | Will do. | |
| [39:49] | ♪ Why don’t I listen to myself? ♪ | |
| [39:53] | Get it. | |
| [39:55] | [ Camera clicking ] [ Chuckles ] | |
| [39:56] | Alright. Okay. Yeah. That’s enough. | |
| [39:58] | I told you, I need to get pics for Rachel. | |
| [40:01] | Come on, Boot. Buy me a beer. | |
| [40:04] | You make that your home screen, you’re gonna be running | |
| [40:05] | the Academy training course in a bomb disposal suit. | |
| [40:07] | I would never do that. | |
| [40:09] | It is now… | |
| [40:11] | my lock screen. | |
| [40:15] | Listen… | |
| [40:17] | I wouldn’t have gotten this stupid plaque | |
| [40:18] | if you didn’t have my back today. | |
| [40:20] | So… | |
| [40:21] | you know… | |
| [40:23] | thanks. | |
| [40:24] | For what? Doing my job? | |
| [40:30] | Ellroy: Today was fun. | |
| [40:31] | I mean, not fun, but fun…fun. | |
| [40:36] | Well, the fun hasn’t stopped yet. | |
| [40:37] | I’m gonna introduce you to Nell. | |
| [40:39] | What? W-When? | What? |
| [40:41] | Don’t tell me you don’t want to meet her. | |
| [40:42] | [ Sighs ] | |
| [40:44] | I’d rather face off against another shotgun. | |
| [40:45] | That’s the spirit. | |
| [40:47] | Hey, there, Nell. | |
| [40:48] | Oh! Hi. I’m so happy to see that you’re okay. | |
| [40:51] | Thank you for everything. Uh, Nell… | |
| [40:52] | this is Ellroy. | |
| [40:54] | Ellroy? | |
| [40:55] | [ Chuckling ] Hi. | |
| [40:57] | [ Squeals, laughs ] | |
| [40:59] | Oh, I’m so happy to finally meet you in person. | |
| [41:02] | I’m good to meet you, too. I’m glad. | |
| [41:05] | [ Chuckles ] | |
| [41:06] | Ellroy saved my life today. Tell her that story. | |
| [41:08] | Wow. | |
| [41:10] | Is this for me? Did I miss it? | |
| [41:11] | Miss what? | |
| [41:12] | What is that? What is this? | |
| [41:14] | Surprise. | |
| [41:16] | All: Happy birthday! | |
| [41:19] | [ Chuckles ] | |
| [41:21] | You know, um… | |
| [41:23] | a year ago, I never would have believed this would be my life. | |
| [41:26] | I mean, new beginnings are rare, | |
| [41:29] | and rewarding ones, even more so. | |
| [41:32] | And here I am, | |
| [41:35] | surrounded by the best people I’ve ever known. | |
| [41:38] | And Lopez. | |
| [41:42] | Just — That’s just jokes. | |
| [41:45] | To us. | |
| [41:46] | Cheers! | |
| [41:47] | Cheers. | Cheers. Cheers. |
| [41:48] | You want to cheer somebody? | |
| [41:50] | Grace: Alright. | |
| [41:52] | What did you get me? | |
| [41:53] | [ Chuckles ] Take a guess. | |
| [41:55] | [ Rattling ] A steamer. | |
| [41:56] | [ Laughs ] Exactly. | |
| [42:02] | ♪♪ | |
| [42:11] | ♪♪ | |
| [42:20] | ♪♪ | |
| [42:30] | ♪♪ | |
| [42:34] | Damn it! | |
| [42:35] | ♪♪ |