| 时间 | 英文 | 中文 |
|---|---|---|
| [00:01] | Previously on “Felicity”, | |
| [00:02] | I met him at the art studio. | |
| [00:05] | You still love Hanna?. You’re trying to it figure out?. | |
| [00:08] | You don’t stop feeling for someone | |
| [00:10] | because you start feeling for someone else. | |
| [00:15] | You can just stay here. We don’t have to do anything. | |
| [00:20] | I know. But I shouldn’t be here. | |
| [00:23] | Do you wanna stop?. | |
| [00:48] | Dear Sally, | |
| [00:49] | When I woke up, I wasn’t sure if it had really happened, | |
| [00:54] | or if it had been a dream, an incredibly realistic dream, | |
| [01:03] | There were pastel drawings and abstract paintings, | |
| [01:08] | It smelled like turpentine, | |
| [01:22] | He kissed my neck, I kissed him back, | |
| [01:29] | Felicity?. | |
| [01:35] | – Felicity, are you there?. – Hang on. | |
| [01:46] | I am so glad you’re here. Can I come in?. | |
| [01:54] | I came by last night but you weren’t around, | |
| [01:56] | which is OK, because you’re here now, so… | |
| [02:00] | Felicity, I am so sorry for everything. | |
| [02:03] | I can’t tell you how sorry I am. | |
| [02:05] | There aren’t words big enough to explain it. | |
| [02:08] | What I did was the worst thing that I could’ve done to you. | |
| [02:12] | I don’t know what I was thinking, but it’s over. | |
| [02:15] | The whole Hanna thing, it was a huge mistake. | |
| [02:20] | I can’t talk about this right now. | |
| [02:24] | Just hear me out. I’ve been thinking about this all night, | |
| [02:28] | wanting to tell you that the whole time I was with Hanna, | |
| [02:33] | all I could do was think of you. | |
| [02:36] | I needed you to know that nothing really happened. | |
| [02:40] | We didn’t sleep together. | |
| [02:45] | – I have to go to the library. – Well, I’ll walk with you. | |
| [02:49] | No, really. You don’t have to. | |
| [02:52] | Look, I know that you’re probably hurt and really mad, OK?. | |
| [02:56] | And I don’t blame you, because I know that it’s all my fault. | |
| [03:00] | – But can’t we just talk about this?. – I really have to go. | |
| [04:01] | What happened with Noel and Hanna?. Did you talk to him?. | |
| [04:05] | Yeah. This morning. | |
| [04:07] | – What did he say?. – He apologised. | |
| [04:12] | Good. What happened when he went over to her apartment?. | |
| [04:17] | I guess he told her that it was over between them. | |
| [04:22] | – You guess?. – No. He did. I mean, he told her. | |
| [04:28] | He didn’t sleep with her. | |
| [04:30] | So it’s definitely over between them?. | |
| [04:33] | Yeah. | |
| [04:35] | – Well, that’s great, isn’t it?. – Yeah. | |
| [04:39] | – Then what’s wrong?. – It’s more complicated than that. | |
| [04:46] | It’s kind of hard to explain right now. | |
| [04:49] | Hi, ladies. | |
| [04:51] | Don’t ask. I am not selling fruit for you. | |
| [04:53] | Do you see any fruit?. | |
| [04:54] | I’m here doing a little reading for a project I have in the works. | |
| [04:59] | Sean, do you mind?. We’re kind of in the middle of something. | |
| [05:07] | Sorry. | |
| [05:09] | I’ll see you later. | |
| [05:11] | I should go, too. I’ve got chemistry. | |
| [05:17] | OK. | |
| [05:34] | What?. | |
| [05:36] | – Alright, here’s the stuff. – What?. | |
| [05:41] | No. Not this. I can’t deal with this right now. | |
| [05:44] | You’re kidding?. This was your idea. | |
| [05:47] | I agreed to get the supplies and handle my floor, but that’s it. | |
| [05:50] | Your floor is your problem. | |
| [05:52] | OK, Daryl, I’m begging you. Cover for me, please?. | |
| [05:57] | Never gonna happen. | |
| [06:04] | Guys, please. | |
| [06:05] | The quicker we do this, the quicker we can all get out of here. | |
| [06:09] | As probably most of you are aware, there have been some security issues. | |
| [06:13] | You don’t know each other well and you’ve let strangers into the dorm. | |
| [06:17] | To rectify the situation, some genius had the idea of playing Assassins | |
| [06:22] | to get to know each other. | |
| [06:23] | I played that at boarding school. I love that game. | |
| [06:27] | OK, you are all now officially hit men. | |
| [06:31] | – How about hit person?. – Fine, hit person. | |
| [06:35] | Each of you hit people will receive a gun. | |
| [06:39] | Yes, Lewis?. | |
| [06:43] | I’m a pacifist and I’d like the conscientious objector status. | |
| [06:48] | Conscientious wuss! | |
| [06:53] | With your gun, you’ll receive a set of hopefully harmless suction darts, | |
| [06:57] | as well as an envelope with the name of a dorm resident, ie, your target. | |
| [07:01] | Once you hit them, you collect their envelope and get your next target. | |
| [07:05] | If you’re hit, you’re out. | |
| [07:07] | The game continues until there’s one person left. The winner. | |
| [07:10] | So, play if you want. I don’t care. | |
| [07:13] | The game starts in half an hour, and here are your guns. | |
| [07:19] | I have to win this game. I came in second the last time I played. | |
| [07:23] | A tenth-grader took me out in the last round. | |
| [07:26] | The image of her face haunts me. | |
| [07:28] | Can I talk to you?. | |
| [07:34] | Look, I don’t expect you to forgive me right away, | |
| [07:39] | but I wanted to say, | |
| [07:41] | if there’s anything you need me to do, I’ll do it. | |
| [07:43] | This should in no way be seen as a bribe, | |
| [07:46] | but remember that mix tape I was making for you?. | |
| [07:49] | I finally finished it. | |
| [07:52] | Thanks. | |
| [07:54] | Noel?. My gun’s broken. | |
| [08:00] | You just gotta pull the plastic thing out of the barrel, Richard. | |
| [08:04] | I can’t believe he dares talk to you after all that Hanna stuff. | |
| [08:22] | Tombs of Egypt, Incas, Aztecs and Mayans, | |
| [08:26] | Do you mind?. I’m reading. | |
| [08:29] | OK, Sean, I am very sorry I was rude to you in the library, | |
| [08:33] | but Felicity and I were in the middle of some very heavy girl talk. | |
| [08:37] | Yeah, whatever. | |
| [08:38] | What were you doing in the library if you weren’t selling fruit?. | |
| [08:42] | Let me guess. New travel business?. | |
| [08:48] | Come on, Sean. T ell me your new project. | |
| [08:49] | Come on, Sean. Tell me your new project. | |
| [08:50] | Alright, well, since you asked, it’s a woman. | |
| [08:56] | The most breathtakingly beautiful creature I have ever seen | |
| [08:59] | works in your library. | |
| [09:01] | – Who?. – That’s the problem. | |
| [09:02] | I’ve got this prospectus/approach plan I’m working on. | |
| [09:06] | – But I need her name. – She won’t tell you her name?. | |
| [09:09] | I can’t just ask her. I want my first impression to be powerful, | |
| [09:12] | not, “Pardon me, what’s your name?. ” Come on. | |
| [09:17] | – You want to ask for me?. – Me?. | |
| [09:19] | Yeah. | |
| [09:21] | I know, but I don’t know if I can go. | |
| [09:23] | You guys ever heard of this band, Love Pie?. | |
| [09:26] | They’re great. They’re playing at CB’s Gallery tonight, 1 am show. | |
| [09:30] | 1 am?. We’ve got a 5am swim practice. | |
| [09:34] | – Are you in, or are you a killjoy?. – Killjoy. | |
| [09:38] | What about you?. Am I cute enough to date?. | |
| [09:40] | It’s the How to Perfect Your Sales Pitch seminar at 1 am. | |
| [09:43] | Channel 83. I never miss it. | |
| [09:45] | – Are you coming?. – You don’t mind if I go, right?. | |
| [09:49] | – What about practice?. – I’ll be alright. Yeah, I’ll come. | |
| [09:56] | – So you will ask her, right?. – What?. | |
| [10:06] | God, I love this song. | |
| [10:10] | Don’t you dare let some mix tape make you go soft on Noel. | |
| [10:16] | Maybe what he did wasn’t so horrible. | |
| [10:18] | Are you kidding?. Hanging out with Hanna?. | |
| [10:22] | Telling you that he’s confused?. That’s bad stuff, Felicity. | |
| [10:25] | Don’t you let him get away with it so easy. | |
| [10:28] | He just keeps apologising. I feel awful. | |
| [10:32] | You feel awful?. | |
| [10:33] | He’s the one that was hanging out with someone else, not you. | |
| [10:40] | Forget about Noel for now. | |
| [10:43] | Richard’s your target. Go shoot him. It’ll be fun. | |
| [10:46] | Get your mind off of everything. | |
| [10:50] | Don’t get it. The game started five minutes ago. | |
| [10:53] | That could be your hit person. | |
| [10:55] | – Delivery for Felicity Porter. – It’s not right. | |
| [10:59] | That’s the fakest-sounding delivery person I’ve ever heard. | |
| [11:03] | Why don’t you just leave whatever it is by the door, OK?. | |
| [11:07] | – Whatever. – Thanks. | |
| [11:12] | You guys deaf?. | |
| [11:13] | A delivery guy just left some hideous flowers outside your door. | |
| [11:28] | That’s it! I can’t live like this. I gotta go talk to him. | |
| [11:35] | So, who’s your target?. | |
| [11:40] | Some Elena Tyler. | |
| [11:45] | – Who the hell’s that?. – I have no idea. Bye. | |
| [11:57] | – Hi. | – Hi. Can we talk?. |
| [12:00] | You’ve no idea how happy I am to hear you say that. | |
| [12:07] | I know what I did was horrible, and I’m open to all punishment. | |
| [12:11] | I deserve it. But the fact that you’re here | |
| [12:14] | means that we can talk about this and work this out. | |
| [12:17] | – That’s all that I want. – Can you please stop?. | |
| [12:22] | There’s something that I need to tell you. | |
| [12:24] | Anything you have to say, I’m here for you. It’s gonna be fine. | |
| [12:28] | No, it’s not. Can you stop saying that?. | |
| [12:31] | I can’t take all the apologising, the tapes, the flowers… | |
| [12:34] | OK. That’s fair. Wait. What flowers?. | |
| [12:39] | – I just got them. – I didn’t send you any flowers. | |
| [13:02] | Who’s Eli?. | |
| [13:11] | Well, that’s what I came to talk to you about. | |
| [13:19] | Last night, I was with someone. | |
| [13:29] | And I… | |
| [13:33] | I slept with him. | |
| [13:54] | In his famous argument of 1860, | |
| [13:56] | Daniel Webster supported the Foot Resolution | |
| [13:59] | proposed by Samuel Foot of the Foot family. | |
| [14:01] | My question is why. Noel Crane?. | |
| [14:07] | Mr Crane?. | |
| [14:09] | Are you with us?. | |
| [14:13] | Yes, sorry. | |
| [14:16] | Good. | |
| [14:17] | I was asking why Daniel Webster supported the Foot Resolution. | |
| [14:26] | I just… | |
| [14:30] | I need to leave. | |
| [14:32] | I’m sorry. I just can’t hear anything you’re saying. | |
| [14:36] | Sorry. I’m in the middle of complete emotional turmoil. | |
| [15:14] | Hi. | |
| [15:17] | Thanks for the flowers. I got those. | |
| [15:20] | You’re welcome. | |
| [15:27] | I just wanted to say that,… | |
| [15:34] | .. that last night probably shouldn’t have happened at all. | |
| [15:42] | There’s a guy in my life and… | |
| [15:49] | – I get it. – What?. | |
| [15:52] | You’re going through a rough spot in your relationship. | |
| [15:56] | – And I was, like, a break. – No. I mean, it wasn’t like that. | |
| [16:02] | You just wanted to feel better. | |
| [16:04] | People do things like that all the time. | |
| [16:08] | – I’m not like… – It’s cool. | |
| [16:15] | But if it doesn’t work out between you and him, let me know. | |
| [16:23] | OK. | |
| [16:32] | He said, “People do it all the time”‘ | |
| [16:36] | I never thought I was one of those people. | |
| [16:41] | Just now, I was so relieved to get out of there, | |
| [16:44] | like I was leaving behind everything that had happened. | |
| [16:48] | But then I got to my room, and I realised I can’t leave it behind. | |
| [16:54] | I mean, I’ll never be able to. | |
| [16:58] | My first time was with someone I didn’t know. | |
| [17:02] | I’ll never be able to change that. | |
| [17:07] | What I did, it’s forever. | |
| [17:12] | Is your librarian working today?. It’s been over an hour. | |
| [17:16] | She’ll be here. Just cool your jets. | |
| [17:20] | – Gotcha! – The library is out of bounds. | |
| [17:24] | Sorry. | |
| [17:26] | – What the hell was that?. – Nothing. | |
| [17:30] | – There she is. – Where?. | |
| [17:34] | Look at her. How gorgeous she is. | |
| [17:39] | I can’t talk to a girl that gorgeous. | |
| [17:42] | Thanks. | |
| [17:45] | I’ll just give her the letter. | |
| [17:47] | – You wrote her a letter?. – Yeah. | |
| [17:53] | “Dear Librarian. Let me begin this letter by introducing myself”‘ | |
| [17:59] | “My name is Sean Blumberg. You may remember me | |
| [18:03] | as the successful and attractive young entrepreneur”‘ | |
| [18:05] | as the successful and attractive young entrepreneur “‘ | |
| [18:06] | – You cannot give her this letter. – What are you talking about?. | |
| [18:10] | Here she comes. Start talking. | |
| [18:18] | – I don’t have a chance. – You do. I’ll get her name. | |
| [18:22] | No, wait. Hold on. | |
| [18:24] | We need to regroup. I don’t know if the plan was thought out well enough. | |
| [18:28] | The plan is fine. It’s better than the letter. | |
| [18:31] | Trust me. | |
| [18:34] | Excuse me. Your name doesn’t happen to be Vivian?. | |
| [18:37] | – No, I’m Chloe. – OK. I’m sorry, never mind. | |
| [18:46] | Her name is Chloe. | |
| [18:48] | Chloe. | |
| [18:53] | Ask her out. | |
| [18:58] | No. Now I have to implement stage two. | |
| [19:00] | Stage two?. | |
| [19:05] | Yeah. Thank you so much. Chloe. I’ll see you later. | |
| [19:20] | Hi. | |
| [19:21] | Be careful. There are assassins everywhere. | |
| [19:24] | I don’t see anything. | |
| [19:30] | You cannot ambush your target. That is not fair! | |
| [19:33] | Your ass is mine. | |
| [19:36] | – Who’s the note for?. – It’s for Noel. | |
| [19:41] | Elena, this is ridiculous! | |
| [19:43] | I can’t miss a class because of this stupid game, OK?. | |
| [19:47] | My heart is breaking, Guy. | |
| [19:50] | If it was me, I’d let Noel suffer. | |
| [19:54] | Actually, I think he is suffering. | |
| [19:59] | I’ll tell you about it later. | |
| [20:04] | Elena?. Are you still there?. | |
| [20:18] | Excuse me, garçon? | |
| [20:20] | What’s up, man?. | |
| [20:24] | – Nice outfit. – Yeah. | |
| [20:26] | Can I have a non-fat, no-whip, no-café café latte, | |
| [20:29] | hold the tay please?. | |
| [20:31] | You know what?. We’re all out of those. I’m sorry. | |
| [20:34] | Yeah. What’s up?. | |
| [20:35] | As your entertainment director, I have passes to the Knitting Factory. | |
| [20:39] | You want to go out again tonight?. I barely made it to practice. | |
| [20:43] | Come on, man. You look fine. How good was that band?. | |
| [20:47] | They were good. But I’m so tired, I can barely stand up. | |
| [20:50] | Barely is all you need, alright?. You’ll get a second wind. | |
| [20:55] | – This tip jar is pathetic. – I know. | |
| [21:00] | You deserve better than this. You do. You’re coming out tonight. | |
| [21:06] | – Alright. – OK. | |
| [21:08] | Now, get back to work, slacker. What’s the deal here?. | |
| [21:29] | I have a question about the rules of this game. | |
| [21:32] | How about we go over this later?. | |
| [21:33] | The name in the envelope, is that who I’m meant to shoot?. | |
| [21:37] | Yeah, that’s right. | |
| [21:38] | So if you had my name, you could shoot me?. | |
| [21:41] | That’s right. Now, will you leave?. | |
| [21:46] | Ironic, isn’t it?. How the hunter so quickly becomes the hunted. | |
| [21:51] | – That made no sense. – I’m about to shoot you. | |
| [21:55] | Please. Please, pull the trigger and put me out of my misery. | |
| [22:00] | You’re taking all the fun out of it. | |
| [22:04] | What’s wrong with you?. | |
| [22:05] | Nothing. I need to be shot and left alone. | |
| [22:09] | Whatever it is, you can tell me. I’m here for you. | |
| [22:13] | – You’re not here for me. – No, I am. | |
| [22:16] | Well, I don’t wanna talk about this. | |
| [22:18] | Is it something with Felicity?. | |
| [22:24] | Yeah, you’ve got the look. | |
| [22:30] | There’s another guy in the picture. | |
| [22:33] | Man. | |
| [22:36] | I’ve been there. This girl I dated at summer camp. | |
| [22:44] | I just… I don’t know what happened, you know?. | |
| [22:48] | You know what happened to me at summer camp?. | |
| [22:50] | I decided I needed to look into it, find out all about this other guy. | |
| [22:55] | Big mistake, believe me. | |
| [22:58] | It didn’t make me feel better when I found out he was a minnow. | |
| [23:01] | Wasn’t even allowed out of the shallow end of the pool. | |
| [23:06] | Do you hear me?. I lost my girlfriend to a guy that wore floaties. | |
| [23:12] | You went to find out about this guy?. | |
| [23:14] | Yeah, of course. Who wouldn’t?. | |
| [23:17] | It’s human nature. | |
| [23:21] | And also a really bad idea. | |
| [23:30] | Noel?. | |
| [23:31] | How did you meet him?. | |
| [23:34] | I don’t know if this is gonna help. | |
| [23:36] | Was it in class?. Here in the dorm?. | |
| [23:39] | Noel, I’m so sorry. I’m so sorry about everything. | |
| [23:58] | I met him at the art studio. | |
| [24:02] | So he’s an artist?. Well, that’s romantic. | |
| [24:08] | – Noel, I don’t wanna do this. – Were you drunk?. | |
| [24:10] | – Tell me that you were drunk. – I don’t wanna talk about it. | |
| [24:14] | This involves me. I don’t know if you were safe. | |
| [24:17] | Of course we were safe! | |
| [24:21] | You know, this isn’t just one-sided. You were with Hanna. | |
| [24:24] | I didn’t have sex with Hanna, though. | |
| [24:28] | I know that. | |
| [24:29] | Two months ago, you wouldn’t have sex | |
| [24:31] | because you wanted it to mean something. You weren’t ready. | |
| [24:35] | You were confused about your ex-girlfriend. | |
| [24:38] | It is not my fault you slept with someone else! | |
| [24:40] | No, but you wanted the facts. When you left to go to Hanna’s, | |
| [24:43] | I thought you were breaking up with me. | |
| [24:46] | I could barely breathe! | |
| [24:48] | – Was it revenge?. – No! | |
| [24:49] | Then what the hell was it?. | |
| [24:57] | I don’t know, OK?. I just… | |
| [25:02] | I don’t know what else you want me to say to you. I made a mistake. | |
| [25:07] | God, it was a horrible mistake. | |
| [25:11] | If… I would do anything to take back those last two days. | |
| [25:15] | I’m so sorry! | |
| [25:21] | Well, you can’t. | |
| [25:25] | It’s done. | |
| [25:43] | No, I don’t think so! | |
| [25:46] | I’m serious, Elena. I really gotta go to the bathroom. | |
| [25:51] | It’s getting tired, Guy. | |
| [25:53] | OK, fine. If my bladder bursts and I have to go to the hospital, | |
| [25:57] | I’m sending you the bill, OK?. | |
| [25:59] | Fine. I’ll give you a five-minute break to go to the bathroom. | |
| [26:03] | – Really?. – Yeah. Go. | |
| [26:18] | You… liar! | |
| [26:21] | – Here. – Sorry. | |
| [26:23] | – Noel, she cheats! – So does everyone. | |
| [26:30] | Damn it! | |
| [26:33] | I’m so sorry I didn’t tell you earlier. I just… | |
| [26:36] | It was like I couldn’t even get the words out. | |
| [26:39] | It’s OK. I understand. | |
| [26:43] | You know, I’ve kind of been there before. | |
| [26:48] | It’s just… It’s a really horrible feeling, | |
| [26:51] | sleeping with someone and wishing that you hadn’t. | |
| [26:56] | It kind of makes you feel like you were used, | |
| [27:00] | or like he didn’t care. | |
| [27:03] | But it wasn’t even like that. I mean, he was actually… | |
| [27:09] | He was actually sweet and kind. | |
| [27:14] | Really?. | |
| [27:16] | Really. No, I mean, he wasn’t the horrible part. | |
| [27:22] | The horrible part was that it happened at all. | |
| [27:28] | I mean, last week, Noel and I, | |
| [27:30] | we were making out instead of studying, and taking naps together. | |
| [27:37] | I was gonna go with him to Boston for spring break. | |
| [27:41] | And now, it’s… | |
| [27:46] | – It’s OK. – I just… | |
| [27:48] | I don’t even know what I was thinking. | |
| [27:52] | Well, you’re always thinking. | |
| [27:56] | I guess just this time, you weren’t. | |
| [27:58] | But, you know, sometimes that happens. | |
| [28:02] | I wish I hadn’t gone to the studio. Why didn’t I just stay in my room?. | |
| [28:06] | Hey. I heard about what you did to Noel. | |
| [28:09] | – What?. – Your dirty little deed. | |
| [28:12] | – Richard, get out of here. – What are you doing?. No! | |
| [28:17] | You hit me in the eye! | |
| [28:32] | – Who’d you get?. – I’ll give you one guess. | |
| [29:05] | Hi, can you tell me where Eli is?. | |
| [29:08] | Yeah, he’s in the corner. | |
| [29:11] | Thanks. | |
| [29:35] | Can I help you?. | |
| [29:38] | – I’m just looking. – OK. | |
| [29:50] | – Is this all yours?. – Yeah. | |
| [30:07] | Who’s this?. | |
| [30:10] | Just some girl. | |
| [30:18] | Yeah, that’s what I thought. | |
| [30:28] | Hi. | |
| [30:29] | Good old stage two. I got stage two right here. | |
| [30:34] | Look, I did the favour, I got you her name. Now, I am out, OK?. | |
| [30:40] | – You bought her a day planner?. – Yeah. What do you think?. | |
| [30:43] | I don’t understand. A day planner?. | |
| [30:46] | I’ve got to bring something or she won’t accept my offer. | |
| [30:49] | – What offer?. A date?. – Yeah. | |
| [30:52] | Why would you need a day planner?. | |
| [30:54] | It’s buyer incentive. | |
| [30:56] | It’s like the free watch you get from a magazine subscription. | |
| [31:00] | OK, you are insane. Lose the day planner. | |
| [31:03] | Plus you spelled Chloe wrong. | |
| [31:15] | – I know you. – Yeah, we’ve met. | |
| [31:18] | Ben’s coming over here right away. | |
| [31:20] | That’s good. Ben. I’d actually forgot about Ben. | |
| [31:23] | Thanks for reminding me. Here. | |
| [31:26] | You OK?. | |
| [31:28] | I’ll take another beer. Yeah. I’ve been better, though. | |
| [31:32] | So, you’re gonna do one of those I’ve-seen-it-in-the-movies- | |
| [31:36] | I- want-to-drink-away-my-sorrows things?. | |
| [31:39] | You giving me a running commentary?. | |
| [31:42] | No. But I am gonna cut you off after that one. | |
| [31:47] | Then it’ll be time to go home, see your girlfriend. | |
| [31:51] | My girlfriend?. | |
| [32:00] | – Hello. – Yeah. | |
| [32:05] | – Don’t do it! – I was going for my Carmex. | |
| [32:09] | Stop the violence! | |
| [32:12] | Does one of you have me as your target?. | |
| [32:16] | I’m Lewis. And I’m for peace at Kelvin Hall. | |
| [32:23] | I’m not going down in the first round. Who has me as a target?. | |
| [32:27] | No, I asked first. | |
| [32:32] | I had you. | |
| [32:36] | See you. | |
| [32:39] | Damn! | |
| [32:42] | I hate this game! | |
| [33:04] | Hi. | |
| [33:12] | Is that the tape I made you?. | |
| [33:14] | Yeah, it is. | |
| [33:18] | What do you think?. | |
| [33:20] | – It’s really good so far. – Good. | |
| [33:27] | – Can I…?. – Of course. Yeah. | |
| [33:36] | – Have you been drinking?. – Just a little. | |
| [33:44] | Did you get any of my messages?. | |
| [33:49] | You called me?. | |
| [33:50] | I didn’t know where you were, so… | |
| [33:53] | I was nowhere. I was just walking. | |
| [33:56] | I walked all the way up to 81 st and then back, and… | |
| [34:02] | .. ended up at that bar on 1 Oth. | |
| [34:06] | – I can tell. – I’m sorry. | |
| [34:09] | No, I didn’t mean it like that. | |
| [34:12] | No. | |
| [34:15] | I’m sorry about us, about everything that’s happened. | |
| [34:20] | – I know this is all my fault. – No, it’s not. | |
| [34:23] | It’s my fault, too. I’m… | |
| [34:27] | I’m so sorry. | |
| [34:48] | – I think we can do this. – Do what?. | |
| [34:51] | Just forget about it. Erase it. | |
| [34:57] | Don’t you think we should talk about it?. | |
| [35:00] | Figure out why this happened?. | |
| [35:02] | We should forget about it. | |
| [35:05] | Wait a second. Let’s talk about it for a bit. | |
| [35:08] | Let’s pretend like it never happened. | |
| [35:12] | Wait, let’s talk about it… What are you doing?. | |
| [35:15] | Noel, I just… | |
| [35:17] | Noel… OK, stop it! | |
| [35:41] | What am I doing here?. | |
| [36:20] | – Excuse me, diabetic here. – What are you doing?. | |
| [36:24] | That’s the last Jell-o. | |
| [36:26] | It’s all I can eat in this craphouse. | |
| [36:28] | – I was just about to take that. – You snooze, you lose. | |
| [36:32] | You should’ve told Noel that | |
| [36:33] | when he threw a fit about you banging the art student. | |
| [36:36] | As if what I tell Noel is any of your business. | |
| [36:39] | You know what?. You are nothing but a selfish, offensive, freak show, | |
| [36:43] | and I’m sick of everything about you. | |
| [36:46] | Are you mad at me or something?. | |
| [36:50] | I just want my damn Jell-o back. | |
| [36:56] | – Give her back the Jell-o. – Forget it. | |
| [36:59] | Give her the Jell-o, nice and slow, and I won’t shoot. | |
| [37:04] | It only counts if you have my name. | |
| [37:07] | You’re Meghan, right?. | |
| [37:19] | Fine. Take it. | |
| [37:22] | I thought getting some would’ve loosened you up, | |
| [37:25] | but you’re worse than ever. | |
| [37:30] | Thanks. | |
| [37:38] | Are you doing anything next Wednesday?. | |
| [37:43] | Wednesday?. Yeah, I got plans Wednesday. Why?. | |
| [37:51] | No reason. | |
| [38:00] | You really think I’d forget your birthday?. | |
| [38:02] | I haven’t seen much of you lately. | |
| [38:04] | I wouldn’t. I have a thing planned. | |
| [38:06] | – Thing?. What kind of a thing?. – I can’t tell you. It’s a surprise. | |
| [38:10] | – Really?. – Yeah. | |
| [38:13] | Do you wanna come to the bar with me after class?. | |
| [38:16] | You’re going out with Lynn?. | |
| [38:18] | I’m not gonna stay out late. I’m just gonna drop by and say hello. | |
| [38:22] | No. I’m just gonna go back to the dorm after class, then. | |
| [38:26] | Alright, I’ll just call you when I get back. | |
| [38:29] | OK. | |
| [38:44] | Hi. I’m Sean. | |
| [38:46] | – Blumberg. Sean Blumberg. – Hi. | |
| [38:50] | I was wondering if I could run something by you. | |
| [38:52] | Give me a minute. | |
| [38:54] | Isn’t East Asian archaeology | |
| [38:56] | more advanced than Egyptian archaeology?. | |
| [38:59] | I just think that the tombs are so prosaic. | |
| [39:03] | Would you go out with me sometime?. | |
| [39:06] | Just… Can you repeat the title?. I’ll check it for you. | |
| [39:10] | The what…?. No, I just asked you out. | |
| [39:16] | – Like on a date?. – Yeah, like on a date. | |
| [39:24] | I’d love to, but… | |
| [39:25] | No, I understand. You have a boyfriend. | |
| [39:28] | No, it’s not that. | |
| [39:29] | It’s just, I have no idea what my schedule is. | |
| [39:34] | I lost my day planner. | |
| [40:25] | Noel. | |
| [40:29] | Who’s your target?. | |
| [40:32] | I have Felicity. | |
| [40:35] | So, I guess you two have to shoot each other?. | |
| [40:40] | Noel?. Felicity?. | |
| [40:44] | I’m asking you as a friend. | |
| [40:46] | Raise your guns. It’ll be therapeutic for you both. | |
| [40:49] | Elena. | |
| [40:50] | OK. But that means you two are disqualified. | |
| [41:01] | Should we…?. | |
| [41:03] | Yeah. | |
| [41:39] | Look, last night, that’s not what I wanted to happen. | |
| [41:46] | I was a little drunk. | |
| [41:47] | I hate this. | |
| [41:50] | I hate everything about this. | |
| [41:53] | I know. Me, too. | |
| [41:58] | I can’t stop thinking | |
| [42:00] | about how I waited for you to get over your feelings for Ben. | |
| [42:06] | And it was worth it. It was like… | |
| [42:09] | God, it was like the easiest thing I’ve ever done. | |
| [42:13] | But I tell you that I’m confused about my feelings for Hanna, | |
| [42:17] | and you can’t even wait one night. | |
| [42:24] | The way you just said that sounds like you were testing me. | |
| [42:30] | It wasn’t a test. | |
| [42:34] | I just never thought… | |
| [42:42] | I never thought I’d do that either. | |
| [42:46] | OK, I know I did something wrong, too. | |
| [42:51] | I know that. But when it came time to make a decision, I stopped. | |
| [42:59] | And maybe… Yeah, maybe I should be able to forgive you. | |
| [43:05] | But I can’t. | |
| [43:15] | You just left. You and Hanna. | |
| [43:22] | I don’t know if I can forgive you, either. | |
| [43:39] | Well, I guess… | |
| [43:43] | I guess we are breaking up. | |
| [43:54] | I guess so. |