时间 | 英文 | 中文 |
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[00:00] | Hola, friends. As you know, Jane’s husband died. | |
[00:02] | But three years later… | |
[00:04] | A publisher wants to buy my novel about Michael. | |
[00:06] | So sweet, right? But you know who hasn’t been that sweet | |
[00:09] | lately? Mr. Sweetface. | |
[00:11] | So Jane and Rafael decided to take | |
[00:12] | some action and get him an aide. | |
[00:14] | And as for Jane’s parents, well, they weren’t | |
[00:16] | on such great terms, because Xo learned that Ro agreed | |
[00:19] | to frame her as the evil ex on hon reality show. | |
[00:22] | Good thing Xo has her super cute lawyer boyfriend | |
[00:25] | to lean on. | |
[00:26] | And as for Rogelio, well, | |
[00:27] | he decided to quit The De La Vega-Factor Factor, | |
[00:30] | – which felt great until… – I’m being sued | |
[00:32] | for $10 million for breach of contract. | |
[00:34] | I know! Holy cow! | |
[00:36] | Oh, that reminds me. Remember Chuck Chesser, | |
[00:39] | owner of the hotel next door? | |
[00:40] | Well, Petra’s been sleeping with him. | |
[00:42] | But now Chuck actually likes her. But Petra has a secret. | |
[00:45] | See, there was a body found on the beach, | |
[00:47] | right between the Marbella and the Fairwick. And Petra… | |
[00:49] | Well, I’ll show you… | |
[00:50] | Yeah. | |
[00:52] | So that, friends, is where we… | |
[00:55] | Oh, wait. Shoot. I forgot about Abbey. | |
[00:57] | Abbey is Raf’s girlfriend, and she’s really nice. | |
[01:00] | Which is why I hope Raf isn’t up to something shady. | |
[01:02] | Though it sure seems like it. | |
[01:04] | And that’s really where we left off. | |
[01:08] | When Jane Gloriana Villanueva was 27 years | |
[01:12] | and 14 days old, | |
[01:14] | she lost her voice… | |
[01:15] | – _ I’m sorry, Mr. Sweetface. | |
[01:17] | I can’t sing to you. I can barely talk. | |
[01:19] | Daddy! | |
[01:20] | – Daddy! – Daddy already sang two songs. | |
[01:22] | Enough. Time for bedtime. I love you. | |
[01:29] | More stalling? | |
[01:31] | Thanks. I don’t know how I lost my voice. | |
[01:34] | I feel fine. | |
[01:35] | What? | |
[01:37] | I have a few things on my mind, | |
[01:39] | so I’m gonna go ahead and take advantage | |
[01:41] | of this whole you-can’t-talk situation. | |
[01:43] | – Well, that’s a lit… – Shh. So, per our deal | |
[01:45] | to keep each other informed… | |
[01:47] | I’m dating someone. | |
[01:49] | It’s getting a little serious. | |
[01:51] | Her name is Abbey. | |
[01:52] | What? When did y… | |
[01:53] | Shh. | |
[01:54] | Don’t use your voice. | |
[01:55] | That’s all I want to say about it. Next, | |
[01:57] | it’s time for you to start writing again. | |
[01:58] | Yes, I know… You haven’t made progress | |
[02:01] | on the Venezuela novel. | |
[02:03] | So write something new. | |
[02:04] | It’s been… | |
[02:05] | _ | |
[02:07] | Long enough. | |
[02:09] | You have to start. | |
[02:10] | – It’s not that easy. – It doesn’t even have to be good. | |
[02:13] | Just write. | |
[02:14] | About anything. | |
[02:16] | Uh, Kim and Kanye. | |
[02:17] | The-the history of… throat lozenges. | |
[02:21] | The history of… | |
[02:23] | Florida. | |
[02:24] | It-it doesn’t matter, okay? | |
[02:27] | Just flex the muscle. | |
[02:29] | Okay. That’s all my wisdom for the night. | |
[02:32] | I have a date. | |
[02:33] | I need details. | |
[02:35] | Depends on how many pages I get. | |
[02:38] | Come on, | |
[02:39] | you know he’s right. | |
[02:53] | Aw, I was hoping she’d go with lozenges. | |
[02:55] | A medicine and a candy! | |
[02:57] | But anyway, the point is Jane began to read… | |
[03:01] | _ | |
[03:03] | _ | |
[03:05] | _ | |
[03:07] | _ | |
[03:09] | _ | |
[03:15] | You got this. | |
[03:22] | And that, my friends, is how Jane got her voice back. | |
[03:27] | – _ – And since then, well, | |
[03:30] | she used it nonstop. | |
[03:31] | – You are being ridiculous. – See what I mean? | |
[03:34] | Of course I’m excited to meet my editor. | |
[03:35] | I was just expecting a woman, because… | |
[03:37] | You trust women more than men. | |
[03:38] | So not true! | |
[03:40] | You do. Admit it. You have a bias. | |
[03:41] | You didn’t even consider hiring Alex. | |
[03:43] | _ | |
[03:46] | I considered him. He’s just… | |
[03:48] | _ | |
[03:49] | Not as good as Carly. | |
[03:50] | Nope. | |
[03:51] | You only trust female authority figures. | |
[03:54] | It’s a pattern. | |
[03:55] | Wow. I’ve never noticed that before, | |
[03:57] | but it’s so true! | |
[04:00] | Okay, if it’s slightly true, | |
[04:03] | it’s not my fault… I’ve just always been surrounded by women. | |
[04:07] | But, fine, | |
[04:08] | I’ll check my bias from now on. Happy? | |
[04:13] | – Everything okay? – Yeah, it’s Abbey. | |
[04:15] | She just wants to have a talk later. | |
[04:18] | Huh, she seemed fine this morning. | |
[04:19] | – Uh-oh. – Mateo, | |
[04:21] | are you excited to meet your new special friend Carly today? | |
[04:23] | Oh, man. Come here. Come here. | |
[04:27] | _ | |
[04:29] | Yes, I’m excited! | |
[04:31] | Good. You’re gonna love her! | |
[04:33] | Mwah! | |
[04:35] | Do you think he loves her? | |
[04:36] | I can’t tell. He won’t turn around. | |
[04:38] | I think she just said “Good job, Mateo.” | |
[04:41] | Or was it “Stop that, Mateo”? | |
[04:43] | Looked to me like “Screw you, Mateo,” | |
[04:45] | but I think I’m just really bad at this. | |
[04:47] | Okay, this is crazy. | |
[04:48] | We have to go before we get caught. | |
[04:50] | I know. You’re right. Going. | |
[04:51] | Wait, what? | |
[04:59] | _ | |
[05:08] | _ | |
[05:15] | Oh, Jane, Raf. Hey, Stacy. | |
[05:18] | So, how are things going with Mateo’s new aide? | |
[05:20] | I completely get why you need the extra help. | |
[05:24] | What a relief, | |
[05:26] | – huh? – Yeah. | |
[05:27] | It really is. | |
[05:29] | What a bitch! | |
[05:30] | Can you believe her? | |
[05:31] | What? She was nice. | |
[05:33] | Nice? Didn’t you hear her tone? | |
[05:36] | I think you’re being a little sensitive. | |
[05:37] | No. Trust me, this is a mean girl thing. | |
[05:40] | You just don’t get it because you’re a man. | |
[05:42] | Yep. There’s that gender bias. | |
[05:44] | Who’s never experienced mean girls. | |
[05:46] | Or maybe you’re just a little extra sensitive | |
[05:47] | because you’re feeling insecure about Mateo. | |
[05:50] | Maybe. We’ll see. | |
[05:52] | I have to go meet with my editor. | |
[05:54] | With my open mind. | |
[05:55] | – Good luck with Abbey. – Yeah. Thanks. | |
[05:57] | I’m thinking she just wants to come to the fundraiser, | |
[06:00] | you know, get involved with school stuff. | |
[06:02] | – I want to move in. – Oh. | |
[06:03] | Wow. | |
[06:04] | _ | |
[06:06] | _ | |
[06:08] | You look shocked. | |
[06:09] | Surprised. | |
[06:11] | It’s been over a year. | |
[06:12] | Where did you think we were headed? | |
[06:13] | Right here. Of course. | |
[06:14] | I just, you know, didn’t expect today. | |
[06:16] | I know. It’s… a little out of the blue. | |
[06:19] | Exactly. You know? | |
[06:20] | Um, I just thought you wanted to come with me | |
[06:22] | to the fundraiser. | |
[06:25] | I assumed I’d be going to that. | |
[06:29] | – No… – I mean, I’m here all the time. | |
[06:30] | – You have the dr… – Don’t say I have that drawer. | |
[06:32] | A dramatic way of bringing it up. | |
[06:35] | Look, this is a big deal, because | |
[06:38] | it affects Mateo and Anna and Ellie, too. | |
[06:41] | Good save, Raf. | |
[06:43] | So will you just give me a beat to think it through? | |
[06:46] | Mr. Solano, I… | |
[06:48] | Oh, excuse me. | |
[06:49] | – Oh, no, that’s okay. I was just leaving. – No, it’s… | |
[06:52] | It’s okay. I’m fine. | |
[06:53] | You don’t seem fine. | |
[06:54] | Well, I am. | |
[06:55] | Yeah. I’m not buyin’ that, darlin’. | |
[06:58] | To remind you… | |
[07:04] | You’re embarrassed to be seen with me. | |
[07:09] | Oh… please. No. | |
[07:12] | That’s not true. | |
[07:13] | We’re having lunch in Cooper City. | |
[07:15] | At 11:00 a.m. | |
[07:17] | Yeah. Well, I happen to love the food here. | |
[07:20] | Early. | |
[07:22] | – I know you moved the bones, ma’am. – What? | |
[07:25] | – I said watch out for the bones, ma’am. – _ | |
[07:27] | What is going on with you? | |
[07:32] | Okay, fine. You know what? | |
[07:33] | You’re right. | |
[07:35] | I am a little embarrassed. | |
[07:36] | And, uh… and I know I shouldn’t be. | |
[07:39] | So, tomorrow… | |
[07:41] | come to the Marbella for dinner. | |
[07:43] | All right. | |
[07:46] | And, wow, you’re way more sensitive than I thought. | |
[07:49] | Can’t judge a book by its cover. | |
[07:52] | But can you judge an editor | |
[07:54] | by his office décor? | |
[07:57] | There she is! | |
[07:59] | Jane Villanue-bomb! | |
[08:01] | _ | |
[08:04] | _ | |
[08:05] | _ | |
[08:06] | Man, I really dug your book. | |
[08:09] | You crushed it. | |
[08:11] | Thank you. So much. | |
[08:13] | It was epic. I swear, I freaking inhaled it. | |
[08:15] | I’ll remind you she’d written | |
[08:16] | about her love story with Michael. | |
[08:19] | _ | |
[08:21] | The railroad tycoons, | |
[08:22] | all the letter writing. | |
[08:24] | And those robber barons? | |
[08:26] | Dapper as hell. | |
[08:27] | To clarify, her love story with Michael | |
[08:30] | as imagined in the early 1900s | |
[08:32] | at the dawn of Miami’s great hotel boom. | |
[08:35] | I mean, bam! Getting Josephine knocked up | |
[08:37] | by the robber baron after that one-night stand was fire. | |
[08:40] | Great. I really wanted it to be… fire. | |
[08:43] | And Detective Martin almost getting shot | |
[08:46] | on his wedding night but not! | |
[08:47] | And then catching the villain, | |
[08:49] | who ended up being the woman without the face! | |
[08:51] | Hella happy ending! | |
[08:53] | Ba-boom! | |
[08:54] | But I need more obstacles. | |
[08:56] | – More than that? – More than that? | |
[08:58] | Especially in the middle section where it gets mad slow. | |
[09:01] | Look at Rake, the robber baron character. | |
[09:03] | I feel like he could be more… | |
[09:05] | bam, boom, bang! | |
[09:10] | You got that? | |
[09:11] | Makes sense? | |
[09:12] | Definitely not. | |
[09:14] | Yeah. Totally. | |
[09:15] | Good. So go knock that rewrite out of the park! | |
[09:18] | Bam! | |
[09:20] | Bam! | |
[09:24] | Let’s see. Where were we? | |
[09:27] | _ | |
[09:36] | I’m with child, Rake. | |
[09:38] | From our drunken night in the railway car? | |
[09:42] | But though you are the father, | |
[09:44] | I love Detective Martin, and I want to be with him. | |
[09:48] | I understand. | |
[09:50] | Ah, yes… | |
[09:51] | Go, Josephine. | |
[09:53] | Win him back. | |
[09:55] | Jane’s novel. | |
[09:58] | _ | |
[10:00] | Remember, more obstacles, Jane. | |
[10:08] | I’m awfully sorry if I offended you. | |
[10:10] | Only, I love Detective Martin, and I want to be with him. | |
[10:13] | I understand. | |
[10:16] | Go, Josephine. | |
[10:19] | Win him back. | |
[10:30] | I don’t care what you have to do, Kristoff, | |
[10:33] | but find an excuse to lock up that Pinkerton, Martin. | |
[10:38] | She will be mine. | |
[10:42] | She will be mine. | |
[10:43] | _ | |
[10:49] | Stop worrying! | |
[10:51] | They call me The Jaguar for a reason. | |
[10:53] | I’d kill for my clients. | |
[10:55] | And I devour my prey. | |
[10:58] | It’s just that ten million dollars is a lot of money. | |
[11:01] | For some people, so I’ve heard, you know? | |
[11:05] | And I did quit the show. | |
[11:06] | And I did have a contract, so… | |
[11:08] | Yeah. So what? | |
[11:10] | I deal with this kind of thing all the time | |
[11:12] | for my celebrity clients. | |
[11:14] | _ | |
[11:16] | _ | |
[11:18] | When Jennifer quit two movies in a row | |
[11:20] | after filming had already started, | |
[11:22] | I got the studios to pay her a million dollars. | |
[11:25] | Lopez? Garner? | |
[11:28] | Aniston? | |
[11:29] | Lawrence?! | |
[11:34] | We’ll get it down to a couple hundred thou, | |
[11:36] | which you’ll pay out over ten years. | |
[11:38] | Chump change. | |
[11:39] | – Now, I need your list. – Huh? | |
[11:42] | All the people involved | |
[11:43] | so we can start gathering intel for our attack. | |
[11:47] | Oh, I’m being deposed. | |
[11:50] | Well, The De La Vega-Factor Factor did impact you. | |
[11:52] | I know, but I don’t want to have to see Rogelio. | |
[11:54] | I’ll go with you for support. | |
[11:56] | It’s good to have your own legal counsel anyway. | |
[11:57] | – Thanks, baby. – Of course. | |
[11:59] | Love you. | |
[12:03] | He is so sweet. | |
[12:05] | How can someone be so sweet? | |
[12:06] | I don’t know. | |
[12:07] | _ | |
[12:11] | _ | |
[12:12] | _ | |
[12:14] | And he’s got | |
[12:15] | ass for days, right? | |
[12:19] | I mean, when you factor in the difficult children, I mean… | |
[12:22] | Remember, Jane, Stacy probably wasn’t being snarky | |
[12:25] | about Mateo before. | |
[12:26] | I mean, I just hope Mateo’s aide is going to be there | |
[12:28] | because I can’t handle that situation on my own. | |
[12:31] | – Ugh, trust me, I know. – Excuse me. | |
[12:33] | So you know, my son is not a situation to be handled. | |
[12:36] | And I’d appreciate it if you grew up and stopped gossiping. | |
[12:39] | Just stay out of this. I don’t even know you. | |
[12:41] | Uh, Jane, | |
[12:42] | this is Gwen Conway. | |
[12:44] | Huh. | |
[12:45] | Why does that name sound familiar? | |
[12:46] | _ | |
[12:49] | _ | |
[12:50] | Yeah, we were just discussing the upcoming | |
[12:52] | field trip. I’m the only parent going, | |
[12:54] | and it’s a lot of kids | |
[12:55] | to handle on my own. | |
[12:56] | That’s all I meant. | |
[12:57] | Gotcha. | |
[12:59] | Oh! So sorry about that. | |
[13:02] | And it’s really nice to meet you, Gwen. | |
[13:04] | Um, can I say, | |
[13:05] | we are so happy to be here at your school? | |
[13:08] | I know. I can’t watch, either. | |
[13:15] | It’s a great card. | |
[13:17] | Really beautiful, hon. | |
[13:19] | Kiss ass. | |
[13:20] | But what about what I wrote in the card? Is that great? | |
[13:22] | I mean, it’s an apology for being rude, | |
[13:25] | so I think “great” is probably hard to achieve. | |
[13:27] | So no? | |
[13:28] | Jane, Gwen is not gonna kick Mateo out of school. | |
[13:31] | No, but he’ll definitely get the bad teacher for kindergarten. | |
[13:34] | Okay, girls, | |
[13:35] | why don’t you go play with your brother in the playroom? | |
[13:38] | Poor Mateo. | |
[13:40] | I know. Let’s hug him. | |
[13:43] | You must make this right. | |
[13:44] | Look, if Gwen doesn’t like you, you’re screwed. | |
[13:46] | Or rather, Mateo’s screwed. | |
[13:48] | He’ll get no special attention, | |
[13:49] | he’ll get all the bad teachers. | |
[13:50] | I’m fixing it. I wrote a long apology note. | |
[13:52] | Words don’t mean anything. Only actions do. Oh! | |
[13:55] | Okay, there’s a final | |
[13:57] | planning committee for the annual fundraiser tomorrow. | |
[13:59] | Gwen will be there, and so will you. | |
[14:01] | This is important, Jane! Plus, everything | |
[14:03] | you do reflects on me because I’m the one who got you in. | |
[14:05] | My reputation was ruined. | |
[14:07] | Strangers confronted me at the grocery store. | |
[14:09] | Someone gave me the finger at a red light | |
[14:11] | and called me a slut. It was awful. | |
[14:14] | For the record, I want to reiterate how sorry I am | |
[14:17] | for the part I played in causing this. | |
[14:19] | Okay. Got it. I think that’s all we need. | |
[14:22] | Sounds like they assassinated your character. | |
[14:24] | Great, great stuff. | |
[14:27] | For our case. | |
[14:28] | Hopefully, we won’t need to use any of it, though. | |
[14:30] | Much better to mediate. | |
[14:32] | That’s right, in the media. | |
[14:34] | What? I am gonna drag | |
[14:36] | this company’s name through the mud so hard, | |
[14:38] | they beg us to settle! | |
[14:41] | I love this guy. | |
[14:43] | I don’t like this guy. | |
[14:45] | Trying to shame the production… it’s risky. | |
[14:47] | Well, there’s nothing we can do. | |
[14:49] | You could talk to Rogelio about it. | |
[14:52] | Oh, come on! The sooner this case is over, | |
[14:54] | the better it will be for you. | |
[14:56] | Fine. As long as you do it with me. | |
[14:59] | Of course. | |
[15:01] | We’re a team. | |
[15:02] | And speaking of teamwork… | |
[15:04] | Thank you again to Petra for donating | |
[15:07] | the use of the Marbella. | |
[15:09] | And thank you to the planning committee. | |
[15:12] | Your hard work has been inspiring. | |
[15:16] | Monte Carlo night is going to be our best fundraiser yet. | |
[15:19] | – Agreed. Absolutely. – Mm. | |
[15:21] | All right, so, any more auction items to add, ladies? | |
[15:24] | Yes, um, my sister can donate courtside seats | |
[15:27] | – to the Heat game. – Oh. | |
[15:28] | And I secured those Beyoncé tickets. | |
[15:31] | Use your words, Jane! | |
[15:32] | Say something! | |
[15:33] | Um, well, I was thinking, | |
[15:36] | uh, maybe if we lose the second fountain, | |
[15:39] | we could make room for another table to make extra money. | |
[15:42] | I mean, looking at the budget, those fountains | |
[15:45] | are a fortune, and the point is | |
[15:46] | to raise money for the school, not spend it. | |
[15:48] | We need | |
[15:49] | the second fountain. | |
[15:51] | No one is going to pull out their wallets | |
[15:53] | to donate if the event isn’t great. | |
[15:55] | Huge mistake. She loves fountains. | |
[15:57] | You know, I love | |
[15:58] | the layout that we decided on | |
[16:00] | last month. | |
[16:02] | Okay, so we need three more people to work tomorrow night. | |
[16:06] | Any volunteers? | |
[16:09] | I would love to. | |
[16:11] | And she just | |
[16:12] | keeps messing up. | |
[16:13] | Honestly, it’s kind of funny. | |
[16:15] | Okay, never mind then. | |
[16:18] | Not funny. Sorry. Just distracted. | |
[16:22] | – Abbey? – Do you think I should do it? | |
[16:26] | Yeah. Probably. | |
[16:28] | Abbey’s great. | |
[16:29] | I mean, Jane and I both like her, | |
[16:31] | and that’s saying something. | |
[16:32] | Yeah. I know. | |
[16:38] | Oh, and by the way, | |
[16:39] | not a big deal, but, um, Chuck and I will be dining | |
[16:41] | at the restaurant tonight. | |
[16:42] | Got it. Does he know we don’t serve gator? | |
[16:47] | Hey, change of plans. | |
[16:49] | Petra will be out of her room tonight. | |
[16:52] | Got it. | |
[16:52] | – I’ll get it done. – Get what done? | |
[16:55] | Gosh, what are these two up to? | |
[16:57] | _ | |
[16:58] | _ | |
[17:01] | _ | |
[17:03] | Hey, hon, want Chinese? | |
[17:07] | I’m confused. | |
[17:09] | Okay, you can decide later. | |
[17:11] | No, the book. | |
[17:13] | I don’t know if I’m going in the right direction. | |
[17:14] | I mean, I-I don’t think I am. | |
[17:16] | But maybe I’m just used to what I had? | |
[17:19] | Then again, this editor is… | |
[17:20] | Hey, hon, don’t just discount him | |
[17:21] | because he seems like a frat guy. | |
[17:23] | I know, you’re right. | |
[17:24] | Oh, sure! | |
[17:25] | Now that a woman said it, you hear it. | |
[17:27] | I swear, now I’m seeing her gender bias everywhere. | |
[17:29] | I’m trying not to, and yes to the Chinese. | |
[17:32] | And button up before the delivery guy gets here. | |
[17:34] | You know he’s got a crush on you. | |
[17:47] | Kind, sir, I’m here to seek your help finding Martin. | |
[17:52] | _ | |
[17:56] | Oh. | |
[17:57] | Dear me. | |
[17:59] | I seem | |
[18:01] | to have a rip in my stocking. | |
[18:05] | Zara… | |
[18:08] | you are a sight for sore eyes. | |
[18:12] | That’s not all I am. | |
[18:15] | What else are you? | |
[18:20] | You can’t put that in the book! | |
[18:22] | I’m serious. That’s gross. Take it out! | |
[18:25] | Okay, please leave. | |
[18:26] | You are not supposed to be the literal obstacle to my writing. | |
[18:29] | Fine. | |
[18:31] | But I’m serious. Take it out. | |
[18:36] | And… we’re out. | |
[18:39] | Calm down. | |
[18:40] | You’re making a bigger deal of this than it is. | |
[18:41] | Oh, our public debut is a big deal. | |
[18:44] | Everyone’s watchin’. | |
[18:46] | _ | |
[18:48] | Oh, no. | |
[18:50] | I think I left my phone upstairs. I’ll be right back. | |
[18:52] | “You’re not baili” on me, right? | |
[18:53] | Oh, of course not. | |
[18:54] | Sit, get us some drinks. | |
[19:03] | What the hell are you doing here? | |
[19:04] | Just some standard maintenance on the penthouse suites, ma’am. | |
[19:06] | Why didn’t you call in advance? | |
[19:08] | I mean, you can’t just enter people’s homes with no notice! | |
[19:11] | I’m very sorry. I’ll come back another time. | |
[19:23] | _ | |
[19:25] | _ | |
[19:34] | Oh, dear. Whose book is that? | |
[19:36] | As Jane’s editor would say, that’s hella shady. Bam! | |
[19:50] | Hi, there. Sorry to just come by, | |
[19:53] | but I wanted to bring you Anna’s blankie. | |
[19:54] | She left it at Raf’s. | |
[19:55] | Oh. Thanks. | |
[19:59] | And? | |
[20:01] | And I also wanted to talk to you. | |
[20:02] | About Rafael, which I realize is completely | |
[20:05] | inappropriate, but I’m sure you heard | |
[20:07] | about the whole moving-in conversation? | |
[20:09] | It might have come up. | |
[20:11] | – It seemed so out of the blue to him. – Yeah, well, | |
[20:14] | – part of that’s just a guy thing. – Hey! | |
[20:16] | I mean, they’re like cows. They have to be led to the water | |
[20:19] | – and told to drink. – Right, totally. | |
[20:21] | Maybe get a girl to narrate for you then. | |
[20:23] | But do you think he’ll get there eventually? | |
[20:26] | Honest opinion. You know, I don’t… | |
[20:27] | I don’t want to set myself up. | |
[20:30] | I hope he does. | |
[20:32] | I think he should. | |
[20:34] | Ugh, men. | |
[20:37] | Oh, come on! | |
[20:38] | That doesn’t count! He’s four! | |
[20:41] | – How was he today? – Great. | |
[20:43] | – _ – We worked on | |
[20:44] | – _ – paying attention to our neighbors. | |
[20:46] | And I probably shouldn’t say this, but… | |
[20:48] | you know that kid Nick? | |
[20:49] | – Yeah? – He’s a little terror. | |
[20:52] | Yelling, interrupting. | |
[20:53] | Mateo is a dream in comparison. | |
[20:56] | Just so you know. | |
[20:57] | I see that smile, Jane. | |
[20:59] | Anyway, I’ll see you tomorrow. Bye, Mateo! | |
[21:04] | Another good day with Carly. | |
[21:07] | She’s great, right? | |
[21:08] | – Yeah, she is! – All right, let’s go. | |
[21:11] | Yeah. | |
[21:15] | Oh. | |
[21:18] | Hello? | |
[21:19] | Villanue-bomb! | |
[21:20] | Uh, you think you can get me those new pages | |
[21:22] | by the end of the week? | |
[21:23] | Oh. Uh, wow, that soon? | |
[21:25] | Yeah, man. Deadlines are what’s up! | |
[21:27] | That way I can check in, make sure you’re moving | |
[21:29] | in an awesome direction. | |
[21:31] | Right. O-Of course. | |
[21:33] | No problem. | |
[21:40] | Hi, Bisa. I have to go pee-pee. | |
[21:43] | _ | |
[21:47] | So, now I havehaa deadline and.. | |
[21:50] | Oh, hey, Bruce. Where’s Mom? | |
[21:52] | Well, I came over to talk to you two, actually. | |
[21:57] | _ | |
[21:59] | _ | |
[22:00] | One more minute! | |
[22:08] | Okay. I’m ready. | |
[22:10] | I swear, this one is always sneaking up on me. | |
[22:13] | Wow. You look… beautiful. | |
[22:15] | Oh, thank you. You look beautiful, too. | |
[22:18] | Are you ready for a night out | |
[22:20] | with my two baby mamas at a cheesy approximation | |
[22:23] | – of Monte Carlo? – Hey, don’t ruin it for me. | |
[22:25] | I’ve never been to the real Monte Carlo, so for all I know, | |
[22:28] | this could be exactly like Monte Carlo. | |
[22:30] | I can assure you, it is nothing like the real Monte Carlo. | |
[22:35] | But, hey, it’s still pretty nice | |
[22:38] | for a freakin’ preschool fundraiser! | |
[22:40] | Hi! Welcome! | |
[22:42] | So, I’ve already sold 12 raffle tickets. | |
[22:44] | Oh, no. | |
[22:46] | We were at 50 by this time last year. | |
[22:49] | Oh. I’m just warming up. | |
[22:52] | Oh. | |
[22:56] | Hey. | |
[22:58] | Need a raffle ticket? | |
[23:01] | – _ – Sorry. Right. You already bought one. | |
[23:14] | Keep selling. | |
[23:26] | Ooh, looks like someone has an idea. | |
[23:40] | Excuse me, Penelope, but I need your help. | |
[23:43] | Why would I help a floozy like you? | |
[23:46] | You’re carrying my husband’s child. | |
[23:48] | But I don’t want to be with Rake. | |
[23:50] | I want to be with Martin. | |
[23:53] | Why would I help a floozy like you? | |
[23:57] | You’re carrying my husband’s child. | |
[24:04] | Why would I help a floozy like… | |
[24:08] | What’s going on, Jane? If you don’t know where you’re going, | |
[24:10] | why are you dragging me into this? | |
[24:12] | I second that. | |
[24:13] | Jane, we’re out of glasses. | |
[24:16] | Oh, I’m not working. | |
[24:17] | I-I know. But what should we do? | |
[24:18] | The-the dishwasher broke, I called room service. | |
[24:20] | We’re literally out everywhere. | |
[24:21] | Have the bussers wash them. | |
[24:23] | The school didn’t hire any bussers. | |
[24:24] | We’re so shorthanded. | |
[24:26] | Okay, I’ll handle it. | |
[24:33] | – Hey, I need your help. – Hey, Chuck, it’s me. | |
[24:36] | Uh, you haven’t been returning my calls, | |
[24:38] | and, well, that’s rude. | |
[24:44] | – Ooh! – Oh, look! | |
[24:47] | Hey, ladies! | |
[24:48] | Bonjour. | |
[24:51] | ‘Cause it’s… | |
[24:53] | Monte Carlo. | |
[24:54] | Anyway, we’re out of glasses, and we’re understaffed. | |
[24:57] | So I was thinking that if we wash the dirty ones | |
[24:59] | during the auction, then we can fix this | |
[25:00] | without anyone noticing. | |
[25:03] | Wash the dishes? | |
[25:06] | – _ – Rogelio again? | |
[25:08] | He settled. He loves his lawyer. | |
[25:10] | Okay, so maybe we were wrong. | |
[25:12] | I’m still glad we told him how we felt. | |
[25:14] | Yeah, except now he’ll never stop gloating. | |
[25:16] | _ | |
[25:18] | _ | |
[25:20] | Yeah, right. | |
[25:22] | What? | |
[25:23] | He hopes we can settle things soon, too. | |
[25:26] | Yeah. I agree. | |
[25:28] | What? | |
[25:29] | I think you should forgive him. | |
[25:31] | You’re on his side? | |
[25:32] | No. I’m-I’m on your side. | |
[25:35] | Always. | |
[25:36] | Which is why I want you to be happy. | |
[25:38] | And the truth is, you’re happier when you have | |
[25:40] | your whole family in your life. | |
[25:41] | Just think about it. | |
[25:43] | What are you thinking about? | |
[25:45] | Just work stuff. | |
[25:47] | I hate everything I’ve written. And I gave it a try. | |
[25:51] | I really did. And it’s not a man/woman thing… | |
[25:53] | It’s a Jeremy thing. | |
[25:55] | And how did you learn how to wash dishes so fast? | |
[25:57] | Oh, I was on KP duty in prison. | |
[26:00] | I keep forgetting he was in prison. | |
[26:02] | That time just flew by, huh? | |
[26:04] | Hi there. I heard what happened. | |
[26:06] | Don’t worry, we have everything under control. | |
[26:08] | Well, I appreciate that. | |
[26:10] | Of course. | |
[26:12] | And I’m so sorry again about the yelling. | |
[26:15] | I’ve been stressed out about Mateo and obviously | |
[26:18] | overly sensitive. And when I thought someone was saying | |
[26:20] | mean things about him, | |
[26:22] | I just lashed out. | |
[26:25] | I guess because it preys | |
[26:26] | on my insecurities. Which I’m working on. | |
[26:29] | Well, parents are their kids’ fiercest advocates. | |
[26:32] | Just bring the fierce down a notch from now on. | |
[26:36] | Got it. Done. | |
[26:38] | And, of course, I asked Stacy to back off. | |
[26:41] | She can be a real bitch. | |
[26:44] | See? | |
[26:45] | I gave her the benefit of the doubt. | |
[26:47] | She’s always been so nice to me. | |
[26:49] | – No kidding. – Big surprise. | |
[26:50] | All right, we get the point, ladies. | |
[26:52] | – Give him a break. – I’ll just go take these glasses out. | |
[26:55] | No, no, don’t refill it. | |
[26:56] | I’ll just take a fresh one. | |
[26:58] | Oh… | |
[27:00] | Hey. | |
[27:02] | Everything okay? | |
[27:05] | Yeah. | |
[27:07] | Feeling a little smutna. | |
[27:09] | Say what now? | |
[27:10] | Yeah, your Czech only comes out | |
[27:12] | when you’ve had too much to drink. So… | |
[27:16] | What’s wrong? | |
[27:20] | It’s Chuck. | |
[27:22] | He won’t answer my texts. | |
[27:24] | He thinks I’m rozpacích. | |
[27:26] | Em-Embarrassed. | |
[27:28] | Embarrassed of him. | |
[27:29] | Okay. Well, are you? | |
[27:32] | Obviously, yes. | |
[27:33] | He’s rude. | |
[27:35] | He’s… coarse. | |
[27:37] | He slurps when he eats. | |
[27:39] | And let’s not forget the other issue of the… | |
[27:42] | bones. | |
[27:44] | Well, I guess you can’t choose who you fall for, right? | |
[27:47] | You also can’t choose who you aren’t falling for. | |
[27:50] | Look, you know I like Abbey. | |
[27:53] | I mean, she’s so nice. | |
[27:55] | But you obviously don’t want to move in with her. | |
[27:58] | So just tell her already, | |
[28:01] | be done with this nesmysl. | |
[28:07] | Like I said, | |
[28:09] | this one sneaks up on you. | |
[28:10] | You know what, | |
[28:11] | – I’m drunk. – Ya think? | |
[28:13] | So I’m gonna go. | |
[28:15] | O-kay. | |
[28:17] | Petra out. | |
[28:21] | Get home safely. | |
[28:23] | Yeah. Who said she was going home? | |
[28:28] | I know. | |
[28:29] | You’re mad because you think I’m embarrassed of you. | |
[28:32] | And you know what? | |
[28:33] | Maybe I am. | |
[28:34] | But I don’t want to be, okay? | |
[28:36] | Because I like you. | |
[28:38] | And I-I just want to… | |
[28:43] | And I know, I know you don’t know what that means, but… | |
[28:47] | you’re gonna be very happy when you find out. | |
[28:50] | Hmm. He’s got quite the poker face. | |
[28:52] | What? | |
[28:54] | Poker night. | |
[28:56] | Like I said. | |
[28:58] | Guys, meet Petra. | |
[29:07] | Boom! | |
[29:08] | Villanue-bomb in before the deadline. | |
[29:12] | Yeah. | |
[29:15] | Well, I just wanted to talk to you. | |
[29:16] | Psyched. | |
[29:17] | Because… | |
[29:19] | I just don’t think that we’re a good fit. | |
[29:21] | – Less psyched. – I’m sorry. | |
[29:23] | I tried implementing your notes, but they don’t work for me. | |
[29:25] | Jane… | |
[29:26] | And I just really don’t think that my book | |
[29:28] | needs any more external obstacles. | |
[29:29] | The Rake storyline was always supposed to be simple. | |
[29:32] | Josephine loved him, he got her pregnant… | |
[29:34] | Wait, Josephine loved Rake? | |
[29:36] | That didn’t come through at all. | |
[29:38] | It didn’t? | |
[29:39] | No, it read like | |
[29:40] | an olden times one-night stand. | |
[29:42] | Oh. But that could be the missing obstacle, right? | |
[29:45] | Boom. Josephine’s conflicted feelings in this love triangle. | |
[29:49] | – That would be enough? – Of course. | |
[29:51] | Dude, I’m sorry. | |
[29:52] | I never meant that the obstacles had to be external. | |
[29:55] | I just threw something out there. You seemed to latch on. | |
[29:57] | I thought I had to take your note. | |
[29:58] | No! | |
[30:00] | This is all a part of a long conversation. | |
[30:03] | That’s how an editor-writer relationship works. | |
[30:05] | – Oh. Wow. – Yeah! | |
[30:07] | Of course I want your voice, Jane! | |
[30:09] | That’s why I bought your hella good book. | |
[30:12] | So, look, you can handle these notes however you’d like. | |
[30:15] | It sounds like beefing up the baller love triangle | |
[30:18] | is the most natural thing to do. | |
[30:19] | Which brings us here. | |
[30:21] | Now. | |
[30:28] | I… | |
[30:30] | like you so much, dude. | |
[30:33] | Thanks. | |
[30:35] | You’re hella awesome. | |
[30:41] | _ | |
[30:44] | _ | |
[30:50] | I just can’t write it, Abuela. | |
[30:53] | Somehow, deepening Josephine’s love for Rake | |
[30:57] | feels like a betrayal of Michael. | |
[30:58] | Martin. | |
[31:00] | _ | |
[31:02] | And intellectually, I know that… | |
[31:04] | Mm. | |
[31:06] | _ | |
[31:09] | _ | |
[31:12] | _ | |
[31:19] | _ | |
[31:25] | _ | |
[31:29] | _ | |
[31:36] | Yeah. | |
[31:38] | Maybe. | |
[31:43] | _ | |
[31:46] | _ | |
[31:55] | And so, Jane wrote… | |
[31:59] | _ | |
[32:02] | Be brave. | |
[32:11] | _ | |
[32:14] | _ | |
[32:24] | _ | |
[32:27] | And friends, that’s how Jane got her voice back. | |
[32:31] | – Again. – Guys, | |
[32:34] | – lower your voices, please. – What am I supposed to do? | |
[32:36] | She is ridiculously stubborn! | |
[32:37] | – He completely betrayed me! – Hey! Enough! | |
[32:39] | You’re both here, so we’re gonna work this out, | |
[32:41] | because you have a child | |
[32:42] | and a grandchild together, and everybody in your life | |
[32:45] | is happier when you’re getting along. | |
[32:46] | Including the two of you. I mean, | |
[32:49] | are you willing to concede that point at least, Xiomara? | |
[32:52] | Yeah. | |
[32:53] | And you, Rogelio? | |
[32:56] | Yes. | |
[32:58] | I’m so much happier with you in my life. | |
[33:01] | Maintain eye contact, Xiomara. | |
[33:04] | Rogelio, | |
[33:05] | do you concede that you screwed up? | |
[33:08] | Massively, yes. | |
[33:10] | And swear never to do it again, | |
[33:12] | under penalty of never speaking? | |
[33:14] | You have my word. | |
[33:17] | What’s that nod mean, Xiomara? | |
[33:19] | Do you forgive him? | |
[33:22] | Then tell him! | |
[33:26] | I forgive you. | |
[33:29] | Let’s leave it in the past. | |
[33:31] | I’d love to. Thank you. | |
[33:35] | So glad he had another good day. | |
[33:41] | You know about Stacy’s older son, right? | |
[33:43] | What? | |
[33:45] | So, I probably shouldn’t say this, | |
[33:47] | but he isn’t actually attending | |
[33:48] | an exclusive boarding school like she says. | |
[33:51] | He’s at a behavioral center for juvenile delinquents. | |
[33:54] | Really? | |
[33:55] | I know! And don’t even get me started | |
[33:58] | on her so-called “perfect marriage.” | |
[34:01] | It’s not perfect. | |
[34:03] | I heard he’s had, like, three affairs | |
[34:05] | in the last two years alone… | |
[34:07] | I just don’t think it’s appropriate | |
[34:09] | for Carly to be gossiping like that | |
[34:11] | about the kids and the parents? | |
[34:13] | No, definitely not. | |
[34:16] | But how do we get rid of her now? | |
[34:17] | – Mateo loves her. – No, I don’t! | |
[34:19] | What? | |
[34:21] | I just said I did ’cause I could | |
[34:23] | tell you wanted me to like her. | |
[34:25] | Okay, so, what do you not like about her, sweetie? | |
[34:28] | She’s just always talking on her phone | |
[34:30] | and taking pictures of herself. | |
[34:34] | Hey, Mateo, I always want to know what you think, okay? | |
[34:38] | Not what you think I want you to think. | |
[34:40] | Huh? | |
[34:44] | Your voice is important to me. | |
[34:46] | We’ll find you another aide. | |
[34:47] | That guy Alex seemed cool. | |
[34:49] | Yes! Redemption! | |
[34:51] | Why are you smiling? | |
[34:53] | I had a nice time tonight, that’s all. | |
[34:55] | Come on, we were out and about. Mmm! | |
[34:59] | In public! | |
[35:05] | And I like you, Solano. | |
[35:09] | Yeah, I like you, too. | |
[35:11] | Don’t look so upset about it. | |
[35:16] | Mmm. So what do you say we bone? | |
[35:20] | Oof, wrong choice of words there, buddy. | |
[35:23] | What? Too crass? | |
[35:28] | What is it? | |
[35:32] | Oh, come on, you can tell me, darling. | |
[35:36] | I want to. | |
[35:38] | I want to be honest. | |
[35:40] | So just say it. | |
[35:42] | How to find the words… | |
[35:44] | Well, uh… well… | |
[35:48] | when we found Scott’s bones… | |
[35:50] | well, I-I | |
[35:52] | panicked, and I-I, uh… | |
[35:54] | I kind… I kind of… | |
[35:57] | Well, I… I moved them on to your side a little bit. | |
[36:00] | What? | |
[36:01] | Well-well, they were kind of on the line, | |
[36:04] | so I just… I just… I kind of… I… | |
[36:07] | I just scootched them over a little bit, and… | |
[36:09] | Look, I’ve felt horrible about it ever since, | |
[36:12] | but it… the case is closed, so, it’s over, right? | |
[36:17] | Please, Chuck, you have | |
[36:19] | to understand, this hotel means everything to me. | |
[36:21] | And you could have destroyed mine. | |
[36:22] | No, I would have told before that happened. | |
[36:23] | Yeah. Somehow I find that hard to believe. | |
[36:34] | Jane. | |
[36:35] | Hi, Stacy. | |
[36:36] | I can’t believe you told everyone about my son. | |
[36:38] | What?! | |
[36:38] | Oh, come on. Carly works for the same company | |
[36:40] | that my son’s aide used to work for. | |
[36:43] | You obviously found out | |
[36:44] | the truth, and you just ran your mouth. | |
[36:45] | Carly did tell me about your son, | |
[36:47] | and-and I am sorry that you’re going through that, | |
[36:49] | but I didn’t tell anybody. | |
[36:52] | I would never want to make you feel badly about that. | |
[36:54] | Parenting is hard enough. | |
[36:56] | It was probably Carly. | |
[36:57] | She is a huge gossip, which is why I let her go. | |
[37:00] | Oh. | |
[37:04] | Well, thank you. | |
[37:10] | Hey. | |
[37:12] | I’m really sorry. | |
[37:14] | You’re sorry? | |
[37:16] | – I thought this was settled! – It was, | |
[37:18] | but somehow it leaked that we started this smear campaign, | |
[37:21] | and now they’re suing you | |
[37:22] | for violating the non-disparagement clause. | |
[37:24] | But don’t worry! We’ll fight back, | |
[37:26] | razzle-dazzle ’em. | |
[37:27] | But that’s just more legal bills. | |
[37:29] | I just saved you $9.8 mill, am I right? | |
[37:32] | No. | |
[37:33] | Nothing has changed. | |
[37:35] | Okay, I just… I thought about it, | |
[37:37] | and I’m… | |
[37:39] | I’m not ready to move in. | |
[37:41] | And that made me think about us, | |
[37:44] | – okay, and where we’re at, and… – Just stop. | |
[37:48] | I found this in your pocket. | |
[37:54] | You were gonna move in with me. | |
[37:57] | So I’m asking you again. | |
[38:00] | What changed? | |
[38:01] | You obviously don’t want to move in with her. | |
[38:05] | I just rethought things. | |
[38:13] | She’s gonna be totally shocked. | |
[38:15] | – Are you sure? – Trust me, if she thought | |
[38:16] | she was being proposed to, she wouldn’t wear those sweats. | |
[38:18] | OMG! Bruce is gonna propose to XO?! | |
[38:21] | Okay, guys, you remember the plan? | |
[38:24] | Places! | |
[38:28] | Bruce? | |
[38:29] | Uh, something tells me this isn’t part of the plan. | |
[38:32] | I went to your office, they told me you were here. | |
[38:34] | Yeah, now is not a good time. | |
[38:35] | Listen, I know we’ve had our ups, and we’ve had our downs, | |
[38:38] | but at the end of the day, | |
[38:39] | you are a really smart guy, | |
[38:41] | so I have an important question. | |
[38:43] | Is this the proposal? | |
[38:45] | Yes! The proposal of a lifetime! | |
[38:48] | I will do this now | |
[38:49] | and in front of everyone! | |
[38:51] | Bruce, you were right all along. | |
[38:54] | Donnie was sleazy, and I don’t want him. | |
[38:57] | I want you! | |
[38:59] | He’s not on his knee. | |
[39:00] | I will go down on one knee! | |
[39:04] | Bruce, | |
[39:05] | will you… be my attorney? | |
[39:11] | Well, this is just kismet! | |
[39:13] | What are the odds?! | |
[39:17] | Sure, Rogelio. | |
[39:24] | This wasn’t for | |
[39:25] | Rogelio, was it? | |
[39:28] | No. | |
[39:29] | What? | |
[39:31] | Oh, what the hell. | |
[39:33] | This isn’t how I planned it, but that’s life, right? | |
[39:36] | Curveballs. | |
[39:42] | I love you so much. | |
[39:44] | And I love how far we’ve come. | |
[39:46] | And I lost you once, and I’m not gonna lose you again. | |
[39:50] | So, | |
[39:52] | Xiomara Gloriana Villanueva… | |
[39:58] | will you marry me? | |
[40:00] | Yes. | |
[40:10] | Come on… | |
[40:17] | And you got a lawyer! Good job. | |
[40:22] | So they’re engaged? | |
[40:24] | They sure are. | |
[40:25] | Hmm. And the rewrite? | |
[40:28] | Jeremy thought I crushed the new pages. | |
[40:30] | I got four bangs, three sa-weets, | |
[40:33] | and two “killin’ it!” | |
[40:35] | I’m not surprised. I loved it, too. | |
[40:37] | I did, too. | |
[40:38] | Jeremy loved it, Raf loved it. | |
[40:40] | All the men in your life loved it, | |
[40:41] | not that you care what we think, but still. | |
[40:43] | You know, reading it really brought it all back… | |
[40:46] | You know, how we felt, | |
[40:49] | how I want that again… | |
[40:51] | with someone else. | |
[40:54] | That’s why I broke up with Abbey. | |
[40:56] | You did? | |
[40:59] | Yeah. | |
[41:01] | I just realized we weren’t moving in that direction. | |
[41:05] | Huh. And here I thought it was what Petra said. | |
[41:09] | And unfortunately, so did Abbey. | |
[41:12] | – What’s this? – Don’t know. | |
[41:13] | Came for you. | |
[41:20] | Hi there. | |
[41:25] | _ | |
[41:30] | _ |