| 时间 | 英文 | 中文 |
|---|---|---|
| [00:00] | – Previously on Bull… – When we hear | |
| [00:02] | that one of our federal employees and his family | |
| [00:04] | have been a victim of arson, rape and murder, | |
| [00:07] | we like to stick our nose in. | |
| [00:08] | You, silver Explorer. | |
| [00:10] | They haven’t mentioned it in the news reports, | |
| [00:12] | but Elliott is mute. | |
| [00:14] | The government wants to execute you, | |
| [00:16] | and I would like to make sure that doesn’t happen. | |
| [00:19] | I think that you’re in the middle of some kind of crisis. | |
| [00:22] | Getting arrested, drinking too much, | |
| [00:24] | taking a death penalty case | |
| [00:26] | ’cause a guy gave you a handkerchief. | |
| [00:28] | I haven’t had a drink in 33 hours. | |
| [00:30] | Seems like you’re coming apart. | |
| [00:32] | I’m fine. | |
| [00:33] | You know what? You’re not. | |
| [00:34] | Izzy’s getting remarried. | |
| [00:36] | Oh, my goodness. | |
| [00:37] | Can I tell you something? | |
| [00:39] | I don’t think you’re good alone, Jason. | |
| [00:41] | Professor Jameson, you failed me. | |
| [00:44] | Is it just that I work for a trial scientist? | |
| [00:47] | I know he’s innocent. | |
| [00:48] | No, you don’t. | |
| [00:49] | – Did you do it? – You, you, | |
| [00:51] | you think he’s innocent. | |
| [00:52] | That’s not the same thing, | |
| [00:53] | and more importantly, you don’t know | |
| [00:56] | how to prove he’s innocent. | |
| [00:57] | Sorry to let everybody down. | |
| [00:59] | But I think I need a drink. | |
| [01:10] | Hey, Izzy. | |
| [01:12] | There’s a guy at the door for you. | |
| [01:15] | ♪ They told me ♪ | |
| [01:17] | ♪ Be sensible ♪ | |
| [01:19] | ♪ With your new love ♪ | |
| [01:22] | ♪ Don’t be fooled ♪ | |
| [01:23] | ♪ Thinking this is the last you’ll find… ♪ | |
| [01:27] | Don’t do this. | |
| [01:29] | No. | |
| [01:32] | Don’t you do this. | |
| [01:34] | You can’t just show up here | |
| [01:36] | at the last minute, | |
| [01:37] | and just expect me to… | |
| [01:38] | ♪ And drive me slowly out of my mind ♪ | |
| [01:41] | – ♪ Kiss me ♪ – ♪ Kiss me ♪ | |
| [01:44] | – ♪ Kiss me, and when you do ♪ – ♪ Kiss me ♪ | |
| [01:46] | ♪ I know that you will miss me ♪ | |
| [01:49] | – ♪ Miss me ♪ – ♪ Miss me ♪ | |
| [01:51] | ♪ If we ever say “adieu” ♪ | |
| [01:54] | ♪ So kiss me ♪ | |
| [01:56] | ♪ Kiss me ♪ | |
| [01:58] | ♪ Make me tell you ♪ | |
| [02:00] | ♪ I’m in love with you ♪ | |
| [02:04] | ♪ Ah, ah, ah, ah ♪ | |
| [02:07] | ♪ Kiss me ♪ | |
| [02:08] | – ♪ Kiss me ♪ – ♪ Kiss me… ♪ | |
| [02:10] | You were right. | |
| [02:14] | I’m no good alone. | |
| [02:16] | – ♪ Miss me ♪ – ♪ Miss me ♪ | |
| [02:17] | ♪ If we ever say “adieu” ♪ | |
| [02:20] | ♪ So kiss me. ♪ | |
| [02:23] | It is 6:45 in the morning. | |
| [02:25] | Time for all good trial scientists to get up | |
| [02:27] | and at ’em so they can hear the verdict | |
| [02:29] | read this morning. | |
| [02:31] | Thank you. | |
| [02:35] | I, uh, I have no recollection of calling you | |
| [02:38] | and asking you to bring me a new suit. | |
| [02:40] | It was at 3:17 this morning. | |
| [02:43] | I remember it vividly. | |
| [02:45] | Aha. | |
| [02:46] | Here’s the thing, | |
| [02:49] | I know I’ve let you down. | |
| [02:51] | Some of the things, | |
| [02:52] | the behavioral things we discussed, | |
| [02:54] | things I did… | |
| [02:57] | I actually did get a handle on them there for a couple of days. | |
| [03:03] | I’m sorry, Marissa. | |
| [03:05] | Will the defendant | |
| [03:06] | please rise? | |
| [03:12] | Has the jury reached a verdict? | |
| [03:14] | We have, Your Honor. | |
| [03:16] | We, the jury, find the defendant, | |
| [03:18] | Elliot Miles… | |
| [03:21] | guilty on two counts of capital murder. | |
| [03:34] | I’m sorry. | |
| [03:36] | I’m so sorry. | |
| [03:47] | I’m sorry. | |
| [03:53] | _ | |
| [03:56] | When I was in college, I had to take Psych 100. | |
| [04:00] | And one day the professor started to teach us | |
| [04:03] | about codependency. | |
| [04:05] | And I was just amazed. | |
| [04:09] | I mean, I was adopted. | |
| [04:11] | And frankly, I had never depended | |
| [04:13] | on anybody for anything in my whole life, so… | |
| [04:16] | the idea that I could be codependent sounded… | |
| [04:20] | fabulous. | |
| [04:22] | That someone could derive their happiness | |
| [04:25] | by being consumed with mine… | |
| [04:28] | that sounded like nirvana. | |
| [04:34] | It never occurred to me | |
| [04:35] | that I would be the one being consumed | |
| [04:37] | with someone else’s happiness. | |
| [04:46] | Where the hell is everybody? | |
| [04:48] | It’s a Tuesday. | |
| [04:50] | I gave everybody a couple days off. | |
| [04:53] | I couldn’t stand the way they were looking at me. | |
| [04:56] | Sounds like a fun place to work. | |
| [04:59] | FBI got a package in the mail. | |
| [05:01] | Potentially exculpatory evidence. | |
| [05:03] | I thought I’d share it with you personally. | |
| [05:04] | Matt Johnson’s class ring. | |
| [05:08] | Engraved with his initials and everything. | |
| [05:10] | Must have come from the crime scene. | |
| [05:12] | Came with a gift card. | |
| [05:14] | “You got the wrong guy.” | |
| [05:20] | Well, maybe you did… | |
| [05:22] | get the wrong guy, I mean. | |
| [05:24] | Let’s not get carried away here. | |
| [05:25] | Elliot could have sent it himself. | |
| [05:26] | – From jail? – He could have had anybody do it, | |
| [05:29] | knowing it would disrupt the case. | |
| [05:31] | A last-ditch effort to save his own life. | |
| [05:33] | Or here’s a crazy thought: | |
| [05:35] | the person who sent this to you knows | |
| [05:37] | who the real killer is, and doesn’t want to see | |
| [05:38] | an innocent man die for something he didn’t do. | |
| [05:42] | Actually, I’d like to talk with your client, | |
| [05:45] | maybe even discuss a possible deal. | |
| [05:49] | Frankly, we believe this ring came from someone tied to you. | |
| [05:52] | An accomplice, and I’m very interested | |
| [05:54] | in seeing that person brought to justice, | |
| [05:55] | which is why I’m prepared to offer you a deal. | |
| [05:58] | You give me that person’s name, and I will once again | |
| [06:00] | offer to take the death penalty off the table. | |
| [06:03] | Guarantee you life in prison. | |
| [06:22] | “There is no name. | |
| [06:24] | I didn’t kill those people.” | |
| [06:28] | Do you want the deal, Elliot? | |
| [06:30] | How can he take the deal?! | |
| [06:31] | He doesn’t have a name to offer. | |
| [06:37] | Who keeps a ring like that? | |
| [06:40] | A piece of evidence, | |
| [06:42] | leads directly back to the victim. | |
| [06:44] | Has his name inscribed on it, for God’s sakes. | |
| [06:47] | It’s reckless… | |
| [06:48] | the kind of thing that gets you caught. | |
| [06:50] | I don’t know. | |
| [06:55] | What if it was a souvenir? | |
| [07:00] | What do you mean? | |
| [07:01] | What if it was all… | |
| [07:04] | planned from the start? | |
| [07:08] | You rape, you kill, | |
| [07:10] | you set a fire… | |
| [07:12] | you take some trophies. | |
| [07:16] | What if we should be looking for | |
| [07:18] | a methodical, premeditating, | |
| [07:21] | calculating killer? | |
| [07:24] | A serial killer? | |
| [07:28] | What if he knew exactly | |
| [07:31] | how to set the fire. | |
| [07:34] | Exactly how to restrain the victims. | |
| [07:38] | And the ring showing up now? | |
| [07:42] | What if that’s not an accident. | |
| [07:45] | What if none of this ever was. | |
| [07:46] | And whoever it was took it as a memento, | |
| [07:49] | a kind of keepsake. | |
| [07:51] | Exactly. | |
| [07:52] | A trophy from one of his kills. | |
| [07:54] | And that is why he was wearing it | |
| [07:56] | the night he sold Elliot the car, | |
| [07:59] | flaunting it. | |
| [08:00] | You think this was part of a pattern. | |
| [08:02] | You think this person killed before. | |
| [08:03] | I do, and will almost surely kill again. | |
| [08:06] | There’s just one thing that doesn’t add up. | |
| [08:08] | Why steal the car? | |
| [08:11] | It’s a sloppy move. | |
| [08:12] | And it doesn’t fit the methodical, | |
| [08:14] | meticulous psychopath mentality. | |
| [08:16] | Yeah, she’s right. | |
| [08:17] | The car is the most traceable piece of evidence | |
| [08:20] | back to the victims. | |
| [08:21] | Well, hey, it got our guy caught. | |
| [08:23] | I don’t know the answer, but there’s got to be a reason. | |
| [08:26] | Okay, so I’m confused. | |
| [08:28] | What is it we’re doing? | |
| [08:30] | Where are we supposed to put our energies? | |
| [08:32] | Are we mounting a defense | |
| [08:34] | for the penalty phase of a trial | |
| [08:36] | which starts the day after tomorrow? | |
| [08:38] | Or are we launching | |
| [08:40] | an investigation to find a serial killer? | |
| [08:47] | Both. | |
| [09:04] | Morning. | |
| [09:09] | I need to prepare you for what’s to come. | |
| [09:13] | Tomorrow, you are gonna walk | |
| [09:14] | into a room full of people | |
| [09:16] | who’ve already made up their minds about you. | |
| [09:20] | I know it makes no sense, | |
| [09:22] | but I need you to show remorse | |
| [09:26] | for something you did not do. | |
| [09:32] | Look at me. | |
| [09:34] | Look, look at me. | |
| [09:35] | We have one goal, and one goal only, | |
| [09:38] | and that is to avoid your execution. | |
| [09:40] | The truth is that we may be dealing with this verdict | |
| [09:42] | for years to come, but it’s gonna be | |
| [09:44] | a hell of a lot easier if we don’t have | |
| [09:46] | the ticking clock of a death sentence. | |
| [09:52] | Oh. | |
| [10:09] | How do they do what? | |
| [10:22] | Kill you. | |
| [10:25] | Poor kid. | |
| [10:27] | His record is absolutely clean. | |
| [10:29] | Never been arrested. | |
| [10:30] | Never had a problem with authorities. | |
| [10:32] | Not so much as a ticket for jaywalking. | |
| [10:36] | Anything I can do? | |
| [10:38] | I’m feeling kind of useless. | |
| [10:39] | Useless? Marissa, you are the key | |
| [10:42] | to everything. | |
| [10:45] | Shouldn’t you be running | |
| [10:46] | some focus groups with our mirror jurors? | |
| [10:49] | It’s a nice thought. | |
| [10:50] | Only problem is the algorithm we use, | |
| [10:52] | isn’t set up for penalty phase hearings. | |
| [10:54] | Really? Why not? | |
| [10:56] | Well, think about it. | |
| [10:57] | A typical trial is all about jurors gauging guilt | |
| [11:00] | or innocence, weighing the facts. | |
| [11:02] | But this trial, it’s all about emotion, | |
| [11:05] | if they sympathize with Elliot enough to spare his life. | |
| [11:09] | And I have no way to measure that. | |
| [11:11] | The algorithm won’t translate. | |
| [11:21] | – Mrs. O’Neil? – Yes? | |
| [11:23] | I’m Danny James… I’m a member | |
| [11:25] | of Elliot Mile” defense team. | |
| [11:27] | Okay, so… what can I do for you? | |
| [11:30] | The trial is over. | |
| [11:32] | They found the man you’re working for guilty. | |
| [11:34] | Well, right now we’re working on the penalty phase of the trial. | |
| [11:36] | Just wondered if I could ask you a few more questions, | |
| [11:38] | just to make sure we have everything right. | |
| [11:40] | Okay, but I don’t get that. | |
| [11:42] | Do you have any I.D., any kind of credentials? | |
| [11:45] | Yeah. | |
| [11:51] | Hold on. | |
| [11:57] | Do you always wear glasses? | |
| [11:59] | Bifocals. I’m supposed to. | |
| [12:01] | Don’t tell my optometrist. | |
| [12:03] | Well, do you happen to remember the night of the murder, | |
| [12:06] | were you wearing them then? | |
| [12:09] | Mrs. O’Neil, you said you saw Elliot Miles’s face | |
| [12:13] | clearly enough to I.D. him. | |
| [12:16] | Yes. I did. | |
| [12:18] | I saw him coming out of the Johnsons’ house. | |
| [12:20] | He looked right at me. He was limping. | |
| [12:22] | He got in their car and drove away. | |
| [12:25] | Wait, limping? Actually, during the trial, | |
| [12:27] | you said he was running out the door. | |
| [12:29] | Yes, okay, it was a figure of speech. | |
| [12:31] | He was moving fast, as fast as he could, | |
| [12:34] | but there was something wrong with his leg, | |
| [12:36] | like he was injured or something. | |
| [12:37] | But you didn’t mention that on the stand. | |
| [12:40] | Well, nobody asked. | |
| [12:45] | Dr. Bull? | |
| [12:48] | I need to talk to you about Molly O’Neil. | |
| [12:50] | – What about her? – Well, I went and | |
| [12:51] | interviewed her yesterday, | |
| [12:52] | just grasping at straws. | |
| [12:54] | And the thing is, she was wearing glasses. | |
| [12:56] | Glasses that she didn’t have on in court. | |
| [12:58] | And she confessed to me that she | |
| [12:59] | didn’t have them on when she supposedly saw Elliot, either. | |
| [13:02] | Not earth-shattering, but certainly interesting. | |
| [13:04] | Well, wait, it gets better. | |
| [13:06] | I think I know why the killer had to steal the car that night. | |
| [13:08] | Molly told me that when she saw the killer, he was limping. | |
| [13:11] | Wait a second. | |
| [13:12] | Elliot mentioned that, too. | |
| [13:14] | Maybe our killer was injured. | |
| [13:16] | – But injured how? – I don’t know. | |
| [13:18] | Maybe he fell down the stairs, maybe he got in a fight | |
| [13:19] | with the husband… who cares? | |
| [13:21] | – The point is… – It was never | |
| [13:22] | part of the plan. | |
| [13:38] | Today’s gonna be hard. | |
| [13:40] | Friends and family of the Johnsons | |
| [13:42] | are gonna get up and talk about the devastation | |
| [13:44] | this has caused to their lives. | |
| [13:47] | You remember how we talked about… | |
| [13:50] | the appearance of remorse? | |
| [13:55] | This is what I was talking about. | |
| [13:59] | Please. | |
| [14:05] | Oh, Chunk. Hey. | |
| [14:07] | I need your help with something. | |
| [14:09] | Just, uh, lined up a new witness, | |
| [14:11] | an expert in criminology. | |
| [14:13] | Guy’s testified in dozens of murder trials. | |
| [14:15] | I need you to run him through his paces, | |
| [14:17] | make sure he sticks to what’s relevant. | |
| [14:18] | – All right. Let me at him. – Fair warning: | |
| [14:20] | he’s very resistant to the idea of being prepped at all. | |
| [14:24] | Okay. When’s he coming in? | |
| [14:26] | He’s not. He won’t. | |
| [14:28] | He only agreed to sit down for a couple of hours | |
| [14:30] | on the day of his testimony. | |
| [14:31] | I’ll arrange for you to do it in there. | |
| [14:33] | – Okay? Got to get to court. – All right, good luck. | |
| [14:38] | My very first memory is of my mother, | |
| [14:41] | putting a Band-Aid on my elbow. | |
| [14:45] | I don’t remember how I hurt it. | |
| [14:47] | All I remember is that when she kissed it, | |
| [14:49] | the pain disappeared. | |
| [14:52] | The pain you’ve caused me… | |
| [14:55] | will never disappear. | |
| [14:57] | When you killed my parents, you broke my heart. | |
| [15:03] | My dad taught me how to make lasagna | |
| [15:05] | and how to throw a football. | |
| [15:08] | He would let me paint his nails with sparkly polish. | |
| [15:12] | And I’ll never be able to do that again. | |
| [15:15] | I wish I had more than just these memories, | |
| [15:18] | but I don’t. | |
| [15:19] | When you did what you did… | |
| [15:22] | when you burned down our house, | |
| [15:24] | you took everything. | |
| [15:26] | Every picture, | |
| [15:28] | every birthday present, | |
| [15:30] | every single thing that tied me to them. | |
| [15:36] | I’m afraid to fall asleep at night, | |
| [15:39] | ’cause all I ever dream about is my mom and dad | |
| [15:42] | burning in that fire. | |
| [15:46] | My parents taught me | |
| [15:48] | that everyone deserves love and kindness. | |
| [15:53] | Do you deserve my love and kindness? | |
| [15:58] | I don’t think you do. | |
| [16:14] | – What am I looking at? – It’s a receipt for cigarettes. | |
| [16:17] | The police found it in the back of the Johnsons’ car. | |
| [16:19] | Turns out it’s from a store that Amy Johnson, | |
| [16:21] | one of the victims, shopped at on the day she died. | |
| [16:23] | Probably why everyone overlooked it in the first place. | |
| [16:27] | What do you mean? Overlooked it how? | |
| [16:29] | – You okay? – Yeah. My hand fell asleep. | |
| [16:32] | Whole damn arm, actually. | |
| [16:34] | Doesn’t your arm ever fall asleep? | |
| [16:36] | No. | |
| [16:39] | You were saying? | |
| [16:41] | Well, the receipt can’t belong to any of the victims. | |
| [16:44] | Autopsy says neither Amy nor her husband smoked. | |
| [16:46] | And because of his disability, neither does Elliot. | |
| [16:49] | So it can’t be his. | |
| [16:52] | Wait a second. So you’re thinking the killer | |
| [16:54] | bought these cigarettes and then accidentally dropped | |
| [16:56] | the receipt in the car when he stole it? | |
| [16:59] | We know from the debris in the kitchen | |
| [17:00] | that Amy went to the store that day. | |
| [17:02] | It’s a block and a half from her house. | |
| [17:04] | What if she walked to the store, and the killer saw her there | |
| [17:07] | and followed her home on foot? | |
| [17:10] | There’s a time stamp on the receipt. | |
| [17:11] | If the store has security cameras, | |
| [17:14] | maybe we use it to check the footage? | |
| [17:19] | This is great. | |
| [17:21] | This is… | |
| [17:22] | Get this to Danny. | |
| [17:24] | And see if you can get everybody in here | |
| [17:25] | before I go to court. | |
| [17:30] | Your identity is clearly wrapped up in your work, | |
| [17:34] | which means that it’s inherently wrapped up | |
| [17:37] | in the man you work for. | |
| [17:39] | I mean, basically, what you’re telling me | |
| [17:41] | is that… you can’t be you without him. | |
| [17:46] | Oh, I don’t know. | |
| [17:47] | He leads a messy life. | |
| [17:49] | Someone has to help clean up. | |
| [17:52] | Marissa Morgan… | |
| [17:54] | you like it. | |
| [17:57] | I think I’ve been playing this whole thing all wrong. | |
| [18:01] | We keep thinking | |
| [18:02] | we have to respect the jury’s decision. | |
| [18:05] | Well, we don’t. | |
| [18:08] | And we’re not going to. | |
| [18:10] | You think it’s hard sending a guilty man | |
| [18:11] | to the electric chair? | |
| [18:13] | Try sending an innocent one. | |
| [18:15] | From now on, our job in that courtroom | |
| [18:17] | is to make every single one | |
| [18:19] | of those jurors doubt themselves. | |
| [18:21] | Make them… | |
| [18:22] | regret their decision. | |
| [18:24] | Make them realize… | |
| [18:26] | Elliot is an innocent man. | |
| [18:29] | Wow. The judge isn’t gonna let us just call witnesses | |
| [18:33] | to the stand so we can re-adjudicate Elliot’s guilt. | |
| [18:36] | Well… | |
| [18:37] | the witnesses will all be there, for legitimate reasons, | |
| [18:40] | but they may say some things that cast doubt on the verdict. | |
| [18:44] | Isn’t the prosecutor just going to object? | |
| [18:46] | Then we withdraw the question… | |
| [18:48] | hopefully, after the witness has given his or her answer. | |
| [18:51] | It’s worth a try. | |
| [18:53] | We know from our research that any information | |
| [18:55] | the jury hears, they take it into consideration. | |
| [18:58] | Regardless of the judge’s rulings on relevance. | |
| [19:01] | Well, the criminologist | |
| [19:02] | I’m prepping has already been deemed relevant. | |
| [19:04] | Maybe I can get him to skew his testimony | |
| [19:07] | toward the idea that the crime fits the profile | |
| [19:10] | of a psychopath. | |
| [19:11] | I’d love to get that neighbor back on the stand. | |
| [19:13] | Have her testify that she wasn’t wearing her glasses, | |
| [19:16] | – that the man had a limp. – That’s a great idea. | |
| [19:18] | We should all get down to the courthouse. | |
| [19:19] | Chunk, your criminologist is up first. You won’t have much time. | |
| [19:22] | Yep, I’m on it. | |
| [19:32] | This must be some kind of joke. | |
| [19:36] | Professor Jameson? | |
| [19:37] | Mr. Palmer. I should have known | |
| [19:40] | that your company would somehow be involved in this. | |
| [19:42] | Professor Jameson, look, uh… | |
| [19:45] | I’m sure the thought of working with me is highly… | |
| [19:49] | unsettling to you. And… | |
| [19:52] | – Huh. – I cannot lie, the idea of spending | |
| [19:54] | my next half hour with you is not setting my heart aflutter. | |
| [19:58] | But the truth is… | |
| [20:01] | you’re getting paid and so am I. | |
| [20:04] | And more importantly… | |
| [20:07] | your testimony is crucial to our case and to our client. | |
| [20:12] | Well… | |
| [20:15] | you’re right about one thing… | |
| [20:17] | I am getting paid. | |
| [20:19] | But I can’t imagine what you’re gonna tell me | |
| [20:21] | that I don’t already know. | |
| [20:23] | You talk down to people, sir. | |
| [20:26] | And you can’t do that to this jury, | |
| [20:28] | or you’re going to lose them. | |
| [20:29] | So I need you to watch them, | |
| [20:31] | read their cues. | |
| [20:32] | If they’re fidgety, you’re boring them. | |
| [20:35] | On the other hand, if they’re leaning in… | |
| [20:38] | they’re excited, they want more. | |
| [20:40] | We’re talking about a court of law, Mr. Palmer. | |
| [20:43] | It’s not about how much they like me. | |
| [20:45] | It’s about my expertise. | |
| [20:47] | It’s about what I know that they don’t. | |
| [20:49] | No, it’s not about you at all; it’s about them. | |
| [20:52] | I need you to take them on a journey with your testimony. | |
| [20:55] | I need you to tell them a story. | |
| [20:58] | Hmm. | |
| [20:59] | Based… on your read of the evidence, | |
| [21:03] | describe our killer. | |
| [21:06] | Clearly, he’s an individual with a personality disorder | |
| [21:10] | characterized by persistent antisocial behavior, | |
| [21:14] | impaired empathy, impaired remorse, | |
| [21:16] | as well as bold… | |
| [21:18] | disinhibited and, uh, egotistic traits. | |
| [21:24] | Are you serious? | |
| [21:28] | Why not just use the word “psychopath”? | |
| [21:31] | If you use the word “psychopath,” | |
| [21:32] | you will have that jury’s attention. | |
| [21:34] | Trust me, I already have the jury’s attention… | |
| [21:36] | so much so that the people paying you requested me. | |
| [21:40] | Yeah? Well, they told me I needed to work with you. | |
| [21:43] | Say “psychopath.” | |
| [21:45] | – I will not. – Well, you should. | |
| [21:47] | The fact is, you may be an expert in your field, | |
| [21:50] | Professor Jameson, but I am an expert in mine. | |
| [21:54] | And you need me. | |
| [21:56] | Dr. Jameson, | |
| [21:58] | what was your first reaction | |
| [22:00] | when you heard about the murders of Amy and Matt Johnson | |
| [22:04] | and the apprehension of Elliot Miles? | |
| [22:07] | I was perplexed. | |
| [22:09] | The assistant U.S. attorney has characterized it | |
| [22:11] | as a crime of opportunity, | |
| [22:14] | a theory that I strongly disagree with. | |
| [22:17] | There are very clear indications | |
| [22:20] | that signal it was not a crime of opportunity, | |
| [22:23] | but rather a crime that was committed in a methodical | |
| [22:27] | and purposeful way. | |
| [22:29] | In fact, | |
| [22:30] | the entire pathology of the crime | |
| [22:34] | speaks to a very different type of criminal. | |
| [22:37] | And what kind of criminal would that be? | |
| [22:50] | A psychopath. | |
| [22:58] | Let me tell you a story. | |
| [23:01] | A man walks into a small, suburban house | |
| [23:05] | with the sole purpose of sexually assaulting | |
| [23:08] | a woman who is home alone, | |
| [23:10] | – unpacking her groceries. – Objection. | |
| [23:12] | We’re not here to listen to the professor’s interpretation | |
| [23:15] | of facts we’ve already adjudicated. | |
| [23:16] | I’m trusting that this is going to lead us | |
| [23:18] | to a place that will be of use to the jurors | |
| [23:20] | as they contemplate the defendant’s punishment. | |
| [23:22] | You have my word, Your Honor. | |
| [23:24] | You may proceed. | |
| [23:25] | The husband interrupts. | |
| [23:27] | The perpetrator panics. He kills them both. | |
| [23:30] | Or so they would have you believe. | |
| [23:33] | But if this was a decision | |
| [23:36] | that was made in haste, | |
| [23:38] | where did he get the rope to restrain his victims? | |
| [23:41] | And where did he get the accelerant | |
| [23:44] | to start the fire? | |
| [23:47] | When psychopaths commit a homicide, | |
| [23:52] | the killings are planned, purposeful, and organized, | |
| [23:56] | – just like this one here was. – Your Honor. | |
| [23:59] | What’s the point of all this? | |
| [24:00] | Is the defense going to ask a question? | |
| [24:02] | I’d be happy to, Your Honor. | |
| [24:04] | Is there any other evidence that points to a psychopath? | |
| [24:07] | In-Indeed. And I’m not sure the jury is aware of this, | |
| [24:10] | but there was a ring sent to the FBI. | |
| [24:14] | It was Matt Johnson’s ring. | |
| [24:17] | His class ring. | |
| [24:19] | And it’s been missing since the murders. | |
| [24:21] | Objection. Witness is referring to evidence | |
| [24:23] | that has not been presented | |
| [24:24] | because it has been deemed irrelevant. | |
| [24:26] | By who? It’s evidence. | |
| [24:29] | Denying it exists does a disservice to the jury, | |
| [24:31] | my client, and the entire | |
| [24:33] | system of justice. | |
| [24:35] | Gentlemen. Mr. Colón, you are on thin ice here. | |
| [24:39] | May I rephrase? | |
| [24:41] | The ring was not expensive, | |
| [24:42] | so it wasn’t stolen to be sold later. | |
| [24:44] | So why did the killer take a useless, | |
| [24:48] | easily identifiable piece of memorabilia? | |
| [24:55] | He wanted a trophy. | |
| [24:57] | – A trophy? – A souvenir. | |
| [24:59] | It represents the killer’s power over his victims. | |
| [25:02] | It helps him to preserve the memory, | |
| [25:05] | the excitement of the kill. | |
| [25:07] | Dahmer did it. | |
| [25:09] | Bundy, Gacy, they did it, too. | |
| [25:13] | So, just to be clear, | |
| [25:14] | are you saying | |
| [25:16] | that my client, Elliot Miles, is a psychopath? | |
| [25:20] | Not in the slightest. | |
| [25:22] | I’m… | |
| [25:25] | I’m sorry, I’m-I’m confused. | |
| [25:28] | Didn’t you just say the crime was committed by a psychopath? | |
| [25:32] | It was. | |
| [25:34] | But I’ve been through Mr. Mile” psychological history, | |
| [25:37] | and he exhibits zero signs | |
| [25:41] | of psychopathy. | |
| [25:43] | He has healthy emotional attachments. | |
| [25:46] | No signs of psychological distancing or manipulation. | |
| [25:50] | In fact, it is my professional opinion | |
| [25:54] | that Mr. Miles | |
| [25:57] | is psychologically | |
| [25:58] | incapable of having committed this crime. | |
| [26:01] | Objection. What are we doing here? | |
| [26:03] | This man was clearly brought in to relitigate | |
| [26:05] | the defendant’s guilt or innocence. | |
| [26:07] | I-I was just stating | |
| [26:09] | my professional opinion, Your Honor. | |
| [26:10] | Mr. Colón, you made this court a promise. | |
| [26:14] | And I believe with all my heart that I kept it. | |
| [26:17] | In any event, | |
| [26:19] | I have no further question for the witness, Your Honor. | |
| [26:26] | I have just one question for you, Doctor. | |
| [26:28] | After committing the murders, the killer stole | |
| [26:30] | the couples’ car. | |
| [26:31] | That seems like an incredibly sloppy | |
| [26:33] | and uncalculated move, | |
| [26:34] | something not at all in line | |
| [26:35] | with the behavior of a psychopath. | |
| [26:37] | Can you give the jury a way | |
| [26:39] | to reconcile that? | |
| [26:41] | Well, you’re right. | |
| [26:43] | That-that only makes sense if it was out of necessity. | |
| [26:47] | I don’t understand. | |
| [26:48] | Perhaps the killer was injured in the commission of the crime. | |
| [26:51] | Perhaps there was an altercation, | |
| [26:53] | maybe with the husband? “Perhaps”? | |
| [26:57] | “Maybe”? | |
| [26:58] | Well, perhaps you haven’t heard, | |
| [27:00] | but we’re not in the business of suppositions. | |
| [27:02] | Or maybe you just forgot, but here in a court of law, | |
| [27:05] | what jurors want are facts. | |
| [27:07] | Not guesses. | |
| [27:10] | No further questions, Your Honor. | |
| [27:13] | So, Danny got the security footage | |
| [27:16] | from the store where the cigarettes were purchased. | |
| [27:19] | And based off of the time stamp on the receipts, | |
| [27:22] | this is our guy. | |
| [27:31] | That’s him. | |
| [27:35] | That’s our killer. | |
| [27:38] | He does exist. | |
| [27:40] | Cable, can we get this image a little clearer? | |
| [27:42] | Definitely gonna run it | |
| [27:43] | through facial recognition software. | |
| [27:45] | And what are the chances it’ll actually find a match? | |
| [27:47] | Probably narrow it down to | |
| [27:49] | – a few hundred possible suspects. – That’s it? | |
| [27:51] | That’s the best we can do? | |
| [27:52] | No. That’s just the first step. | |
| [27:54] | Cable and I, you and Marissa, we’ll parse the list. | |
| [27:56] | Narrow it down | |
| [27:57] | to who could’ve physically been | |
| [27:58] | at that location at that time. | |
| [28:00] | With any luck, | |
| [28:01] | that’ll get us down to maybe low double digits. | |
| [28:03] | Good. | |
| [28:05] | In the meantime, let’s find this guy. | |
| [28:17] | Dear Bull, | |
| [28:19] | I apologize for not discussing this | |
| [28:21] | with you face-to-face, | |
| [28:24] | but I just can’t do it. | |
| [28:25] | I’ve been seeing a psychiatrist for the last little while, | |
| [28:28] | trying to figure out why I’m not happier than I am. | |
| [28:32] | There are, of course, | |
| [28:34] | a hundred answers to that question, | |
| [28:37] | but clearly, one of them is that I’ve had | |
| [28:39] | the terrible ill fortune | |
| [28:41] | to have found myself working for someone | |
| [28:43] | I adore more than words can describe | |
| [28:45] | at an enterprise that gives me more satisfaction | |
| [28:48] | than anyone has a right to expect. | |
| [28:51] | Sadly, I have come to realize | |
| [28:53] | that I am so consumed with you and TAC | |
| [28:57] | that there is very little me left | |
| [28:58] | for the rest that life has to offer. | |
| [29:01] | I am therefore tendering my resignation. | |
| [29:05] | I hope you’ll accept it, | |
| [29:06] | knowing that it is being offered reluctantly, | |
| [29:09] | that I am actually sure of very little… | |
| [29:12] | except this. | |
| [29:14] | You have changed my life, | |
| [29:17] | and the memory of working with you | |
| [29:18] | is something I will always carry with me. | |
| [29:21] | You’re an amazing man, Jason Bull. | |
| [29:24] | And if I am tough on you, | |
| [29:26] | it is only because I hold you in such high regard | |
| [29:28] | that I cannot bear to see you be less | |
| [29:30] | than I know you are capable of. | |
| [29:33] | Thanks for being alive. | |
| [29:35] | Marissa. | |
| [29:36] | P.S. I am happy to leave | |
| [29:39] | at whatever time or date works best for you. | |
| [29:46] | – Excuse me. – Ah! | |
| [29:48] | I’m sorry. I-I didn’t mean to frighten you. | |
| [29:50] | I’m-I’m looking for Chunk Palmer. | |
| [29:52] | Uh, it’s barely 7:30 in the morning, | |
| [29:55] | and he’s on his way to court. | |
| [29:56] | I have a seminar to get to. | |
| [29:58] | Uh, could you give Mr. Palmer a message for me? | |
| [30:00] | Certainly. | |
| [30:02] | Tell him that Professor Jameson learned a lot yesterday, | |
| [30:06] | and if he’s willing, | |
| [30:07] | I would love for him to come and lecture to my class | |
| [30:10] | about trial science sometime. | |
| [30:12] | I’d be happy to give him the message. | |
| [30:15] | Thank you. | |
| [30:22] | Your Honor, the defense would like to call | |
| [30:25] | Molly O’Neil to the stand. | |
| [30:27] | Objection. Relevance? | |
| [30:30] | Mrs. O’Neil testified that she observed the killer | |
| [30:33] | in the immediate aftermath of the murder. | |
| [30:36] | I would think that her impressions of that man | |
| [30:37] | would be highly relevant to a group of people | |
| [30:40] | trying to decide whether or not to put someone to death. | |
| [30:42] | Your Honor, this is yet another thinly veiled attempt | |
| [30:45] | to offer irrelevant and unduly prejudicial evidence. | |
| [30:48] | I mean, first the criminologist, and now this? | |
| [30:50] | This is an obvious attempt | |
| [30:52] | – on the defense’s part – Come on, Benny. | |
| [30:53] | To use the penalty phase… …to relitigate this case. | |
| [30:55] | I can assure you, we have no such intention. | |
| [30:57] | – I… – Mr. Colón, I have given you | |
| [30:58] | a lot of latitude, but this is where I draw the line. | |
| [31:00] | Your behavior is disrespectful | |
| [31:03] | of the jury’s decision to convict. | |
| [31:05] | I’m denying your request to call Mrs. O’Neil. | |
| [31:08] | I’m also holding you in contempt and fining you | |
| [31:11] | $5,000, and if you try to pull something like this again, | |
| [31:14] | you can spend the remainder of this trial in the lockup. | |
| [31:17] | Yes, Your Honor. | |
| [31:19] | I apologize, Your Honor. | |
| [31:23] | Facial recognition came back with 172 matches | |
| [31:26] | for the guy in the video buying those cigarettes. | |
| [31:28] | All these guys live in the tristate area. | |
| [31:30] | Marissa, Danny and I then narrowed down | |
| [31:33] | the 172 men to eight. | |
| [31:36] | Ladies and gentleman, | |
| [31:38] | meet our suspects. | |
| [31:40] | It’s like The Bachelorette, | |
| [31:41] | except these guys might be killers. | |
| [31:44] | It’s just a question | |
| [31:46] | of how we turn these eight into one. | |
| [31:48] | And how were you able to determine | |
| [31:50] | that all eight of these men were near the crime scene? | |
| [31:52] | I got their approximate locations | |
| [31:54] | at the time of the fire from cell phone towers. | |
| [31:56] | All these guys were close enough to the Johnsons’ house | |
| [31:58] | to have theoretically committed the crime. | |
| [32:01] | Okay. | |
| [32:04] | Let’s winnow. | |
| [32:06] | We’re looking for someone with detachment, | |
| [32:08] | an emotional distance from those around him. | |
| [32:11] | That’s you. | |
| [32:13] | So someone with very few friends. | |
| [32:16] | I mean, look | |
| [32:17] | at these profiles, Bull. They all have friends. | |
| [32:20] | Yes and no. | |
| [32:23] | Psychopaths can be superficially charming. | |
| [32:26] | Even those closest | |
| [32:27] | to them may not know their relationship is… | |
| [32:30] | isn’t built on any real feeling. | |
| [32:32] | Here, look at this guy. | |
| [32:33] | Psychopaths tend to be Internet trolls, bullies. | |
| [32:37] | Well, four of these guys fit that bill. | |
| [32:39] | All right, let’s get rid of the others. | |
| [32:42] | I’m looking for a grandiose sense of self-importance. | |
| [32:46] | Psychopaths feel they’re not just better than others. | |
| [32:49] | They’re more important than others. | |
| [32:51] | Their lives are worth more | |
| [32:54] | than others. Other people are like cockroaches. | |
| [32:56] | Waiting to be stepped on or tortured. | |
| [32:59] | Or killed. | |
| [33:01] | Look at these two. | |
| [33:03] | They both have a tsunami | |
| [33:04] | of selfies. | |
| [33:07] | Dozens of them. | |
| [33:09] | No one else in the photo. | |
| [33:11] | No one else in the world. | |
| [33:15] | It’s one of these two. | |
| [33:17] | Any criminal record? | |
| [33:19] | Uh, John Fuller had | |
| [33:21] | a drunk driving offense six years back. | |
| [33:24] | Wayne Norton has several juvenile arrests, | |
| [33:27] | all stemming from aggressive behavior in school. | |
| [33:29] | This is 20 years old. | |
| [33:30] | Playground incident at school. | |
| [33:32] | Wayne was 11. | |
| [33:33] | It’s from a social worker’s report. | |
| [33:36] | “He broke the other child’s arm. | |
| [33:38] | “They were out on the playground. | |
| [33:40] | “Teacher had only looked away for a minute. | |
| [33:42] | “I am concerned because Wayne does not seem | |
| [33:44] | “to feel badly about what he did. | |
| [33:46] | “When I asked him about it, he shrugged it off. | |
| [33:49] | “He wasn’t scared, or nervous or guilty. | |
| [33:52] | “The teacher mentioned that Wayne just stared | |
| [33:54] | at the other child while he cried.” | |
| [33:56] | Kind of textbook, isn’t it? | |
| [33:57] | Classic detachment. | |
| [33:59] | I think we found our man. | |
| [34:04] | What are you smiling at? | |
| [34:05] | Uh, no, no. I’m-I’m not smiling. | |
| [34:08] | I’m just… having a flashback. | |
| [34:12] | A good one. | |
| [34:13] | So you really think this is our guy? | |
| [34:19] | 8-8-9. | |
| [34:20] | Do we know the street? | |
| [34:22] | Sure do. Brisk Street. | |
| [34:25] | Okay. | |
| [34:26] | So what happens now? | |
| [34:27] | Well, I can get this information to the FBI, | |
| [34:29] | have them jump on it. | |
| [34:30] | It’s 7:30 at night. | |
| [34:32] | Nobody’s jumping on anything. | |
| [34:34] | Can’t even call the police. | |
| [34:35] | We have no proof. | |
| [34:37] | And tomorrow Elliot takes the stand | |
| [34:38] | in his own defense, and then… | |
| [34:40] | Is my car out front? | |
| [34:41] | – Should be. – All right. | |
| [34:43] | Well, there’s nothing more to be done tonight. | |
| [34:46] | To be continued. | |
| [34:52] | Nice work, Danny. | |
| [34:54] | Cable, Marissa, Chunk. | |
| [34:56] | Bravo. | |
| [34:58] | I’ll see you tomorrow. | |
| [35:02] | Night. | |
| [35:34] | Is this Wayne Norton’s house? | |
| [35:41] | Can I help you? | |
| [35:43] | Perhaps. | |
| [35:44] | Are you Mrs. Norton? | |
| [35:46] | Is your husband home? | |
| [35:48] | No. He’s working. | |
| [35:51] | Who are you? | |
| [35:53] | You don’t know me. | |
| [35:56] | I have a hunch about you. | |
| [35:59] | I think maybe you’ve been worried about your husband | |
| [36:01] | for a long time. | |
| [36:03] | I think maybe you found something | |
| [36:05] | that… confirmed your worst fears, | |
| [36:07] | I think you put it in a box, | |
| [36:09] | sent it off in hopes that maybe, | |
| [36:11] | someone would understand. | |
| [36:13] | I don’t know what you’re talking about. | |
| [36:14] | I think you do. | |
| [36:18] | Get off my property before I call the police. | |
| [36:21] | No, you won’t. | |
| [36:23] | If you’re willing to do that, | |
| [36:24] | you would have already done it by now. | |
| [36:29] | You know, someone else is gonna die for his crime. | |
| [36:32] | And that’s gonna up the body count by one, | |
| [36:35] | except this time, it’ll be your fault. | |
| [36:41] | You need to turn him in. | |
| [36:44] | They’ll make sure you’re safe. | |
| [36:48] | They’ll make sure that he never hurts you, | |
| [36:51] | or anyone else ever again. | |
| [36:57] | Get off my property. | |
| [37:07] | That’s for when you change your mind. | |
| [37:22] | Elliot, I know you’re angry, | |
| [37:24] | and you have every right to be. | |
| [37:28] | But now is your chance to tell | |
| [37:30] | your side of the story. | |
| [37:34] | No one’s gonna be questioning you, | |
| [37:35] | not me or the prosecutor. | |
| [37:37] | Just you, and your interpreter, | |
| [37:41] | telling the jury why they should spare your life. | |
| [37:48] | He wants to know where Dr. Bull is. | |
| [37:54] | I don’t know where Dr. Bull is. | |
| [37:56] | I wish I knew. | |
| [37:58] | I’m-I’m hoping, I’m-I’m guessing | |
| [38:00] | that-that he’s still on his way, | |
| [38:01] | but no matter where he is, he’d want you to give | |
| [38:06] | what you’re about to do some serious thought. | |
| [38:14] | I’m going to tell them that I didn’t do it. | |
| [38:18] | I’m going to tell them they’re fools. | |
| [38:22] | And that God | |
| [38:24] | will remember what they did today. | |
| [38:30] | Trust me. Please. Y-You don’t want to do that. | |
| [38:34] | You want to ask them for mercy. | |
| [38:37] | You want to ask them to spare your life. | |
| [38:44] | Mr. Miles. | |
| [38:46] | Do you have something to say to this jury or not? | |
| [39:05] | I didn’t do it. | |
| [39:08] | Order in the court. | |
| [39:09] | Please allow the witness to speak his mind. | |
| [39:11] | Order in the court. | |
| [39:13] | Over there. Sir? | |
| [39:18] | I’d like to call for a brief recess, Your Honor. | |
| [39:21] | Who would like to call for a brief recess? | |
| [39:28] | I… the-the defense | |
| [39:31] | would like to call for a brief recess, Your Honor. | |
| [39:33] | But your client is in the middle of testifying. | |
| [39:35] | Please, Your Honor. | |
| [39:37] | A man’s life is at stake here. | |
| [39:39] | I will allow a five minute recess. | |
| [39:41] | – Not a minute more. – Obj… | |
| [39:42] | Stay in your seat, Counselor. | |
| [39:44] | Don’t object. My name is Agent Kincaid. | |
| [39:46] | I’m with the Federal Bureau of Investigation. | |
| [39:49] | Dr. Bull brought a woman to our offices last night. | |
| [39:52] | She wanted to talk about this case, | |
| [39:53] | about her husband. | |
| [39:54] | Excuse me? | |
| [39:55] | She brought a box with her. | |
| [39:57] | Another ring, a bracelet, | |
| [39:59] | a Jewish star. | |
| [40:01] | She said he referred to those things as his mementos. | |
| [40:05] | What the hell is going on here? | |
| [40:07] | Well, I won’t bore you with all the details, | |
| [40:09] | but at 6:30 this morning, | |
| [40:10] | the FBI picked up Wayne Norton | |
| [40:12] | for questioning, and ten minutes into interrogation, | |
| [40:15] | he confessed. | |
| [40:17] | Your Honor, if I might ask with the approval of the defense, | |
| [40:20] | that this hearing resume | |
| [40:23] | so I could address the court? | |
| [40:26] | Yes, uh, Your Honor. | |
| [40:27] | The defense has no objection. | |
| [40:29] | Gentlemen, I am determined to bring these proceedings | |
| [40:32] | to a close and allow this jury to do its job. | |
| [40:36] | With that sole admonition, | |
| [40:38] | court is back in session. | |
| [40:39] | Yes, Counselor. | |
| [40:41] | In light of new evidence | |
| [40:43] | brought to my attention by the FBI, | |
| [40:46] | the government would like to make a motion | |
| [40:48] | to set aside the verdict against Elliot Miles. | |
| [40:54] | ♪ Hold me ♪ | |
| [40:55] | ♪ Hold me, never let me go ♪ | |
| [41:00] | ♪ Until you’ve told me ♪ | |
| [41:03] | ♪ Told me ♪ | |
| [41:04] | ♪ What I want to know… ♪ | |
| [41:06] | You okay? | |
| [41:09] | ‘Cause you’re white as a ghost. | |
| [41:11] | I’m great, man. | |
| [41:13] | I just need some air. | |
| [41:15] | Maybe some sleep. | |
| [41:17] | Tell Marissa I might not be in today. | |
| [41:20] | And tell everybody, “thank you.” | |
| [41:23] | They did this. | |
| [41:26] | And nice work, Counselor. | |
| [41:29] | ♪ Will be ♪ | |
| [41:31] | ♪ Hiding lovers just the same ♪ | |
| [41:33] | ♪ As we’ll be, we’ll be ♪ | |
| [41:37] | ♪ When you make me tell you ♪ | |
| [41:40] | ♪ I love you ♪ | |
| [41:47] | ♪ They told me ♪ | |
| [41:48] | ♪ Be sensible with your new love ♪ | |
| [41:53] | ♪ Don’t be fooled ♪ | |
| [41:55] | ♪ Thinking this is the last ♪ | |
| [41:57] | ♪ You’ll find ♪ | |
| [42:00] | ♪ But they never stood in the dark ♪ | |
| [42:03] | ♪ With you, love ♪ | |
| [42:06] | ♪ When you take me in your arms ♪ | |
| [42:09] | ♪ And drive me slowly out of my mind ♪ | |
| [42:13] | – ♪ Kiss me ♪ – ♪ Kiss me ♪ | |
| [42:15] | – ♪ Kiss me, and when you do ♪ – ♪ Kiss me ♪ | |
| [42:17] | ♪ I know that you will miss me ♪ | |
| [42:20] | – ♪ Miss me ♪ – ♪ Miss me ♪ | |
| [42:23] | ♪ If we ever say “adieu” ♪ | |
| [42:26] | ♪ So kiss me ♪ | |
| [42:27] | ♪ Kiss me… ♪ | |
| [42:30] | Hi. 911? | |
| [42:33] | Yes, I’ll hold. | |
| [42:37] | What are you doing, you taking a nap? | |
| [42:40] | Jeremy! | |
| [42:42] | Jeremy! | |
| [42:44] | Leave the strange man alone. | |
| [42:45] | – ♪ Miss me ♪ – ♪ Miss me ♪ | |
| [42:47] | Hi. | |
| [42:49] | I think I need an ambulance. | |
| [42:51] | I think I’m having a heart attack. | |
| [42:54] | Uh, I’m at the federal courthouse. | |
| [42:56] | Right outside. Yeah. | |
| [42:59] | I promise you’ll see me. | |
| [43:02] | Absolutely. Yes. | |
| [43:05] | I’m not going anyplace. | |
| [43:08] | ♪ Never, never, never let me go ♪ | |
| [43:12] | ♪ Thrill me ♪ | |
| [43:14] | ♪ Never, never, never let me go. ♪ |