| 时间 | 英文 | 中文 |
|---|---|---|
| [00:00] | CLAIRE: The trip was amazing; it was perfect. | |
| [00:02] | We swam with stingrays. | |
| [00:04] | Randy got a great tan. | |
| [00:06] | And then it rained for two days, so we got married. | |
| [00:10] | WOMAN [OVER P.A.]: …taking off shortly.[LAUGHS] | |
| [00:12] | Yes, Aunt Diana, for real. | |
| [00:15] | I know it sounds crazy, but I’m telling you, | |
| [00:17] | it was meant to be. | |
| [00:19] | Thank you. | |
| [00:20] | I got to go, we’re at our seats. | |
| [00:23] | Yes, I have lots of pictures. | |
| [00:26] | I’ll send pictures. | |
| [00:27] | Okay. Love you, too. | |
| [00:31] | Sounds like that went all right. | |
| [00:35] | – [GRUNTS SOFTLY] – [PHONE RINGS] | |
| [00:39] | Hello? | |
| [00:41] | Mr. Greene. | |
| [00:42] | [MOUTHING]: My boss. | |
| [00:45] | Uh, no, I’m still out of the country. | |
| [00:47] | Another two days. | |
| [00:48] | Uh, I’m actually on a plane right now, | |
| [00:50] | getting ready to take off. | |
| [00:53] | Can’t you get Emerson to help you? | |
| [00:56] | You’re alone? | |
| [00:59] | Well, like I said, | |
| [01:00] | I’m-I’m on a plane full of people. | |
| [01:03] | I-I know they don’t know what we’re talking about, | |
| [01:05] | but still, it makes me nervous. | |
| [01:06] | And besides, I don’t know your combination. | |
| [01:08] | I only know mine. | |
| [01:11] | Okay, no, it’s fine. | |
| [01:13] | I’m being silly. | |
| [01:15] | Do you have a pencil? | |
| [01:16] | Okay, here goes. | |
| [01:19] | 77… | |
| [01:20] | 63… | |
| [01:22] | 11, 46. | |
| [01:24] | Can you say it back to me? | |
| [01:27] | Exactly. | |
| [01:29] | Nope, no trouble at all, Mr. Greene. | |
| [01:32] | Oh, and by the way, when you see me in two days, | |
| [01:34] | I’ll have a new last name. | |
| [01:37] | Uh-huh, I got married. | |
| [01:41] | No, you don’t need to make us a ring. | |
| [01:43] | You, too. Okay. | |
| [01:47] | That was like watching a foreign film | |
| [01:48] | without the subtitles. | |
| [01:51] | Oh. Poor Mr. Greene. | |
| [01:53] | He needs to sell the store. | |
| [01:55] | He’s too old. | |
| [01:56] | I mean, he can’t even remember his combination | |
| [01:58] | to the safe anymore. | |
| [02:00] | He wants to make us a ring. | |
| [02:02] | I told you, I have a ring. | |
| [02:04] | Yeah, well, talk is cheap. | |
| [02:06] | [CHUCKLES] | |
| [02:12] | [MAN SNEEZES] | |
| [02:18] | [WHISPERING]: Sorry, allergies. | |
| [02:20] | Oh. | |
| [02:29] | Congratulations. | |
| [02:32] | Heard you on the phone. | |
| [02:34] | Oh. Thank you. | |
| [02:36] | Boss wants to make you a ring, huh? | |
| [02:38] | [CHUCKLES SOFTLY] | |
| [02:39] | I’m guessing you’re in jewelry. | |
| [02:40] | Retail? | |
| [02:42] | Yeah, it’s not my forever job, but it pays the rent. | |
| [02:45] | – My ex-wife was in jewelry. – Oh. | |
| [02:47] | [SNIFFLES] | |
| [02:50] | I think she wore the same perfume you’re wearing. | |
| [02:53] | Eau de Bonne Jeunesse? | |
| [02:56] | Y-Yeah. Randy got it for me. | |
| [02:58] | – Always made me sneeze. – Oh, I’m sorry. | |
| [03:01] | – Everything makes me sneeze. – [CHUCKLES] | |
| [03:05] | Three more hours before the sun comes up. | |
| [03:07] | I’m gonna try and get some sleep. | |
| [03:09] | – Okay. – You want to get out before I settle in? | |
| [03:11] | No, I’m good. | |
| [03:12] | Okay, see you in the morning, newlywed. | |
| [03:16] | See you in the morning. | |
| [03:21] | CLAIRE: No. No, no, no. | |
| [03:22] | No. | |
| [03:24] | – RANDY: What’s the matter? – I can’t find my phone. | |
| [03:27] | I have all my pictures on that phone. | |
| [03:28] | Our-our wedding, our honeymoon. | |
| [03:29] | I have everything on that phone. | |
| [03:31] | Well, it’s got to be here someplace. | |
| [03:32] | – I’ll call it from my phone. – Oh. Is this it? | |
| [03:34] | Oh, my God. | |
| [03:36] | – Yes. – It was on the floor. | |
| [03:37] | Yes. Yes, thank you. | |
| [03:40] | [HORNS HONKING] | |
| [03:44] | [“LET’S STAY TOGETHER” BY AL GREEN PLAYING] | |
| [03:47] | ♪ Let’s stay together… | |
| [03:52] | [CHUCKLES SOFTLY] | |
| [03:54] | ♪ I… | |
| [03:57] | ♪ I’m so in love with you | |
| [04:01] | ♪ Whatever you want to do… | |
| [04:04] | Maybe I’m crazy but it feels like some of you is missing. | |
| [04:06] | Well, I made a pledge the last time you left, | |
| [04:08] | I wouldn’t eat until you returned. | |
| [04:10] | Well, had I known that, | |
| [04:11] | I would have stayed away for another six months. | |
| [04:13] | – Oh. [CHUCKLES] – Hmm. [CHUCKLES] | |
| [04:15] | ♪ Make me feel so brand-new… | |
| [04:19] | Don’t take this the wrong way, I’m thrilled that you’re here. | |
| [04:21] | But what is this dire emergency | |
| [04:23] | you woke me out of a dead sleep for? | |
| [04:27] | I just didn’t know who else to call. | |
| [04:29] | I flew in from Texas last night and I’m staring at | |
| [04:33] | an arraignment in 20 minutes and… | |
| [04:36] | while I do believe with all my heart | |
| [04:38] | that you are one of the dumbest | |
| [04:39] | hunks of man that I have ever had the pleasure | |
| [04:43] | of sharing pleasure with… | |
| [04:45] | I will also concede… | |
| [04:47] | that no one can navigate a New York City courtroom | |
| [04:49] | better than you. | |
| [04:51] | I feel so cheap when women just use me for my mind. | |
| [04:55] | Obviously, I’ll get you through the arraignment | |
| [04:58] | but let’s start with who you’re representing | |
| [05:01] | and what’s the crime? | |
| [05:02] | I’m here for my niece. | |
| [05:04] | What’s the charge? | |
| [05:05] | Armed robbery. | |
| [05:07] | In the matter of | |
| [05:09] | The People v. Claire and Randy Markes… | |
| [05:12] | how do you plead? | |
| [05:14] | Both Claire and Randy Markes plead not guilty, Your Honor. | |
| [05:17] | Counsel, would you like to be heard as to bail? | |
| [05:20] | We certainly would, Your Honor. | |
| [05:22] | Your Honor, the People at this time would ask | |
| [05:24] | that no bail be offered. | |
| [05:25] | On a burglary charge? | |
| [05:27] | The store’s owner is still in the hospital | |
| [05:29] | and the prognosis for his recovery is not yet clear. | |
| [05:33] | We could be looking at murder charges in the days to come. | |
| [05:35] | Additionally, the defendants recently traveled to… | |
| [05:38] | Thailand, Sri Lanka, and the Maldives, | |
| [05:41] | which doesn’t have an extradition treaty | |
| [05:43] | with the U.S. It’s the People’s view | |
| [05:46] | that the defendants represent a very real flight risk. | |
| [05:48] | – Oh, my God. – DIANA: Your Honor. | |
| [05:49] | Please. My clients have no record of previous charges, | |
| [05:53] | no record of previous arrests. | |
| [05:55] | They don’t even have points on their driver’s licenses. | |
| [05:57] | JUDGE FOLEY: Be that as it may, | |
| [05:58] | the court will accept the A.D.A.’s recommendations | |
| [06:01] | and deny bail at this time. | |
| [06:05] | Ask the court officer to find a place we can meet with our clients | |
| [06:09] | before they’re taken back to jail. | |
| [06:11] | None of this makes any sense. | |
| [06:12] | All right, well, let’s just start at the beginning, okay? | |
| [06:14] | Now, this is my friend, Dr. Jason Bull. | |
| [06:17] | He’s a legal genius. | |
| [06:19] | But we don’t tell him that to his face | |
| [06:21] | because we don’t want to make his head any bigger. | |
| [06:23] | He’ll be assisting us with the trial | |
| [06:25] | and doing everything he possibly can | |
| [06:27] | to make sure that we get you out of here as quickly as we can. | |
| [06:31] | So, both of you will be representing both of us? | |
| [06:37] | We’ll work out the particulars later | |
| [06:38] | but right now, I’d like to get Dr. Bull up to speed. | |
| [06:42] | Okay, the store that Claire works at, | |
| [06:45] | it’s a, uh, mom-and-pop jewelry store in Brooklyn. | |
| [06:49] | It was robbed at gunpoint two nights ago | |
| [06:52] | at 2:30 in the morning. | |
| [06:54] | Everybody wore masks and gloves | |
| [06:56] | but we have a ton of video. | |
| [06:59] | Unfortunately, the two robbers very much resemble | |
| [07:02] | both Claire and Randy, height-wise and weight-wise. | |
| [07:06] | Okay, and what about this man who was hurt? | |
| [07:08] | The one who’s in the hospital? | |
| [07:10] | Mr. Greene. | |
| [07:12] | He’s old and starting to lose it. | |
| [07:14] | Sometimes he forgets where he is. | |
| [07:16] | Sometimes he forgets who he is. | |
| [07:18] | Apparently, he was sleeping in his office | |
| [07:20] | when the robbers came in. | |
| [07:22] | The police said he was pistol-whipped | |
| [07:24] | to within an inch of his life. | |
| [07:26] | Hmm. Okay. | |
| [07:28] | And what convinced the authorities | |
| [07:29] | you two were involved? | |
| [07:30] | Well, the safe they hit… | |
| [07:32] | keeps track of every time it’s opened and who opened it. | |
| [07:35] | Now, each store manager, they… | |
| [07:36] | and really, there are only three, including the owner. | |
| [07:39] | They have their own combination. | |
| [07:41] | Hmm. And somehow the robbers knew to use yours. | |
| [07:45] | Okay. | |
| [07:46] | Let’s talk alibi. | |
| [07:48] | What were you two doing at 2:30 in the morning | |
| [07:50] | when the store was being robbed and your boss was being beaten? | |
| [07:53] | Well, at 2:30 in the morning | |
| [07:54] | we were where we were supposed to be. | |
| [07:57] | At home in bed together. | |
| [08:01] | I’m Randy, by the way. | |
| [08:02] | BULL: Yeah, it’s nice to meet you, Randy. | |
| [08:04] | And unfortunately, two codefendants, | |
| [08:07] | two married codefendants vouching for each other | |
| [08:10] | is not the world’s strongest alibi. | |
| [08:12] | I’m assuming that there’s no one staying with you? | |
| [08:14] | No one called in the middle of the night? | |
| [08:16] | No. Like we told the police, it was just us. | |
| [08:19] | Asleep by midnight. | |
| [08:22] | DIANA: So, can I count on you? | |
| [08:25] | You know, back me up? | |
| [08:26] | Whisper in my ear? | |
| [08:28] | How well do you know your niece’s new husband? | |
| [08:31] | This is the first time I ever met him. | |
| [08:33] | – Ah, and you love him already. – Mm. | |
| [08:35] | What’s this? | |
| [08:36] | Randy’s record. | |
| [08:38] | He has a record. | |
| [08:42] | Ah, there’s a couple of juvie convictions. | |
| [08:44] | One for petty theft. | |
| [08:45] | He got in a bar fight three years ago. | |
| [08:47] | He hit someone in the head with a guitar. | |
| [08:49] | Is this guy a musician? | |
| [08:51] | Well… | |
| [08:52] | based on this record, he could be a Supreme Court justice. | |
| [08:54] | I’m here to represent her. | |
| [08:56] | – I don’t even know him. – And that’s fine. | |
| [08:58] | They should have separate representation. | |
| [09:00] | You don’t want either one of them looking back | |
| [09:01] | and thinking that their lawyer wasn’t looking out | |
| [09:03] | for them and only them. | |
| [09:04] | Okay, good. | |
| [09:06] | So he’s not my problem. | |
| [09:09] | But he is. | |
| [09:11] | What you don’t want is this guy you don’t know | |
| [09:13] | out there on his own with his own legal team, | |
| [09:16] | his own narrative that you can’t control. | |
| [09:18] | You know, this would be a much easier conversation | |
| [09:21] | with a drink. | |
| [09:22] | Why don’t we do this? | |
| [09:24] | You represent Claire, my firm will represent Randy. | |
| [09:28] | You’d do that? | |
| [09:31] | Why? | |
| [09:32] | For you. | |
| [09:33] | And because it’s smart; I got a hundred reasons. | |
| [09:35] | Name one. | |
| [09:37] | Well, let’s start with the A.D.A. | |
| [09:39] | First chance he gets, he’s gonna offer | |
| [09:40] | your niece or her husband a deal. | |
| [09:42] | Divide and conquer. | |
| [09:43] | They’re innocent. | |
| [09:44] | Well, at least she is. | |
| [09:46] | Any defense is only as good as its weakest link. | |
| [09:48] | You let Randy fall into the clutches | |
| [09:50] | of some public defender who’s juggling | |
| [09:51] | – 16 other cases… – Okay. | |
| [09:53] | Okay, I see where you’re going. | |
| [09:54] | Two separate defense teams. | |
| [09:56] | Working together. You and me. | |
| [09:59] | It’s just really important we’re completely transparent | |
| [10:02] | with one another; we need to send a message | |
| [10:04] | to the A.D.A. that neither one of us | |
| [10:05] | is gonna sell the other side out | |
| [10:07] | and that there’s no point trying to smear Randy | |
| [10:09] | with 15-year-old charges from when he was in middle school. | |
| [10:15] | You really are something. | |
| [10:19] | So here’s the plan: | |
| [10:21] | I’ll provide TAC resources for both sides. | |
| [10:23] | You represent Claire and Benny’ll represent Randy. | |
| [10:27] | Hmm. | |
| [10:34] | So what are you drinking? | |
| [10:36] | Oh. | |
| [10:38] | I’m sure I’ll find something. | |
| [10:46] | [EXHALES] | |
| [10:58] | – How’d it go? – I just got off the phone with him. | |
| [11:00] | He filled me in, e-mailed me all the relevant work product. | |
| [11:04] | Ah. Well, then, let’s do this. | |
| [11:09] | What’s the matter? | |
| [11:11] | I don’t know. | |
| [11:13] | Something in his voice. | |
| [11:15] | – He sounded like the old Bull. – Well, we love the old Bull. | |
| [11:18] | Not that old Bull. | |
| [11:20] | [SIGHS] Marissa, | |
| [11:23] | he and Diana are old friends. | |
| [11:26] | It’s no secret they enjoy the hell out of each other. | |
| [11:28] | He probably just… stayed out past his curfew. | |
| [11:34] | Besides… | |
| [11:37] | …he’s gonna do what he’s gonna do. | |
| [11:42] | MARISSA: So, the plan of action | |
| [11:43] | is to request a joint trial for Claire and Randy. | |
| [11:47] | One jury for both defendants? | |
| [11:49] | That’s what he wants. | |
| [11:50] | But wouldn’t conventional wisdom be to split them up? | |
| [11:53] | Well, since Bull and Diana are so close, | |
| [11:55] | and since the two defendants are newlyweds, | |
| [11:57] | Bull is throwing out the conventional wisdom on this one. | |
| [12:00] | He believes the optics are just too good to ignore. | |
| [12:03] | The jury seeing them together, it all feeds into the narrative. | |
| [12:05] | Which is… | |
| [12:07] | They just didn’t do it. They couldn’t have done it. | |
| [12:09] | Someone is setting them up, taking advantage of two | |
| [12:12] | sweet young kids who just got married | |
| [12:13] | and are being wrongly jailed for something they didn’t do. | |
| [12:16] | We’ll lean on reasonable doubt, present character evidence | |
| [12:20] | for both of them, and then hope, in the meantime, | |
| [12:21] | that the real robbers slip up and somehow reveal themselves. | |
| [12:26] | Well, I can put in a call to the FBI. | |
| [12:27] | I’ve got a friend who can check on the chatter | |
| [12:29] | of known fences, and pawn shops that deal in stolen diamonds. | |
| [12:32] | Then I’ll head over to the jewelry store, | |
| [12:35] | talk to the girl’s coworkers, see what they know. | |
| [12:38] | And I should head over to court, meet our new clients, | |
| [12:40] | say hi to Diana and get ready for the start of voir dire. | |
| [12:45] | And give me a call if I have anything I need to worry about | |
| [12:48] | on that other front. | |
| [12:51] | He’s fine. | |
| [12:52] | He’s a big boy, Marissa. | |
| [13:02] | There she is! [CHUCKLES] | |
| [13:04] | I’ve been looking all over for the two of you. | |
| [13:06] | Come here. Where’s the big guy? | |
| [13:13] | [SNORING SOFTLY] | |
| [13:23] | Yeah, we’ve, uh… | |
| [13:25] | really been slammed at work lately. | |
| [13:28] | [LAUGHS] I honestly don’t know when the man sleeps. | |
| [13:30] | Right now. | |
| [13:32] | – Right. – And last night. | |
| [13:34] | We went out for drinks. | |
| [13:36] | He was on his second one, and that man looked like | |
| [13:37] | – he was about to keel over. – Mm. | |
| [13:40] | Last time I was here, it took two just to prime his pump. | |
| [13:42] | [LAUGHS] Yeah, well, you know, | |
| [13:44] | the problem is the man never gets a break. | |
| [13:47] | I think I’m gonna just slip in there and, uh, | |
| [13:51] | yeah, give him a little nudge. | |
| [14:04] | – Did I drift off? – [SIGHS] | |
| [14:06] | Looks that way. | |
| [14:09] | Diana’s waiting for you outside. | |
| [14:11] | – Oh, she’s something, isn’t she? – Mm. [CHUCKLES] | |
| [14:14] | Sounds like you had a bit of a rugged night. | |
| [14:17] | Oh, no, just, uh, a little out of practice. | |
| [14:21] | Oh. Well, I’m confused. | |
| [14:24] | I didn’t know you needed to practice. | |
| [14:25] | I thought you were retired. | |
| [14:28] | [SIGHS] It was “Old Timers’ Day.” | |
| [14:30] | Felt good to be back on the field. | |
| [14:32] | Ah, well, I wouldn’t want to deny you that. | |
| [14:35] | But voir dire is calling. | |
| [14:39] | Ah, well, if voir dire is calling, | |
| [14:42] | we must answer. | |
| [14:44] | It’s Claire’s combination. | |
| [14:46] | It’s Claire’s place of employment. | |
| [14:47] | She’s a young married woman with a musician for a husband, | |
| [14:50] | so of course she needs money. | |
| [14:52] | And that means what? | |
| [14:53] | That means we want jurors who tend to believe | |
| [14:56] | the simplest explanation is not always the right one. | |
| [14:58] | You mean like conspiracy theorists? | |
| [15:00] | No, not necessarily that radical. | |
| [15:02] | Just people who are willing to consider alternative narratives. | |
| [15:06] | Show of hands. Area 51. Proof of aliens? | |
| [15:14] | Or… Area 51. Government hoax? | |
| [15:18] | MARISSA: I’m confused. | |
| [15:19] | We want to keep the folks who believe we’re being visited | |
| [15:21] | by little green men, or we want to keep the people | |
| [15:24] | who believe Area 51 | |
| [15:25] | is a government hoax? | |
| [15:27] | [QUIETLY]: We keep ’em all for the moment. | |
| [15:28] | They’re willing to believe something | |
| [15:30] | they don’t know for certain | |
| [15:31] | and can’t really prove. | |
| [15:33] | And then we do our best to try and get rid of the ones | |
| [15:35] | who didn’t raise their hand for either choice. | |
| [15:38] | Good morning. | |
| [15:40] | I’m afraid I owe you all an apology. | |
| [15:42] | On your way in, I picked your pockets | |
| [15:44] | and stole all your wallets. | |
| [15:45] | [SCOFFS] | |
| [15:49] | I noticed that you didn’t need to check your pockets, sir. | |
| [15:52] | – No. – And why not? | |
| [15:54] | Because I know there’s no way in the world you took my wallet. | |
| [15:57] | Barry Fletcher. Of course he’s a skeptic. | |
| [16:00] | He works as an actuary at an insurance company. | |
| [16:02] | A non-believer and a numbers cruncher. | |
| [16:05] | The defense would ask the court to thank | |
| [16:08] | and excuse juror number seven. | |
| [16:10] | Juror number 11. | |
| [16:12] | I couldn’t help but notice that you checked. | |
| [16:15] | Your purse, your pockets, your coat. | |
| [16:17] | Well, I thought maybe you were just messing with us, | |
| [16:20] | but you can never be too careful. | |
| [16:22] | Sophia Holmes. Unemployed. | |
| [16:23] | And according to her credit card statement, | |
| [16:26] | she sees a tarot card reader at least once a month. | |
| [16:28] | I’ve died and gone to heaven. | |
| [16:30] | Now, just to be clear, you needed to be sure. | |
| [16:35] | You had a doubt. A reasonable doubt. | |
| [16:37] | Sure. | |
| [16:38] | BULL [QUIETLY]: Thank you, Benny. | |
| [16:39] | Plant the seed. Reasonable doubt. | |
| [16:41] | Say it loud, you’re unsure and you’re proud. | |
| [16:47] | That is terrific news. I’ll pass it along. | |
| [16:49] | What’s terrific news? | |
| [16:52] | I could use some terrific news. | |
| [16:55] | The store’s owner, Mr. Greene, is recovering quite nicely, | |
| [16:59] | and may even be well enough to testify tomorrow. | |
| [17:01] | That’s excellent. Mm. | |
| [17:03] | So much for murder charges. | |
| [17:04] | Maybe we could even revisit the question of bail. | |
| [17:09] | Well, thank you for dinner, sir. | |
| [17:12] | [GROANS] | |
| [17:17] | [CHUCKLES] | |
| [17:22] | I can feel your heart beating. | |
| [17:25] | That’s always a good sign. | |
| [17:30] | So tomorrow it starts. | |
| [17:33] | Yup. Tomorrow it starts. | |
| [17:37] | You want to run that opening statement by me? | |
| [17:40] | No. I want to go dancing. | |
| [17:45] | – Excuse me? – Mm. | |
| [17:48] | Once this trial starts, we’re not gonna have any time. | |
| [17:51] | Every night is gonna be about preparing for the next day. | |
| [17:55] | It’s the last night of summer vacation. | |
| [17:57] | I want to go dancing. | |
| [17:59] | I haven’t been dancing in 15 years. | |
| [18:01] | Well, all the more reason to go, then. | |
| [18:08] | – I will go dancing. – Mm. | |
| [18:09] | – And we will go back to your hotel room. – [GASPS] | |
| [18:12] | You’re reading my mind. | |
| [18:15] | And then you will read me your opening statement. | |
| [18:18] | – There will be openings. – Oh? | |
| [18:21] | There will be statements. | |
| [18:24] | I don’t know if there’ll be any reading, | |
| [18:26] | but… then again, you never know. | |
| [18:30] | – Hmm. – Mm. | |
| [18:32] | [BOTH LAUGHING] | |
| [18:39] | ♪ It’s 4:00 a.m., I don’t know where to go ♪ | |
| [18:43] | ♪ Everywhere is closed, I should just go home, yeah ♪ | |
| [18:48] | ♪ My feet are taking me to your front door ♪ | |
| [18:51] | ♪ I know I shouldn’t, though | |
| [18:53] | ♪ Heaven only knows that | |
| [18:57] | ♪ Ooh, the side effect | |
| [19:00] | ♪ Of my loneliness is you | |
| [19:05] | ♪ Oh, you’re all that I want | |
| [19:08] | ♪ No good at giving you up | |
| [19:10] | ♪ Come on and give me some love tonight ♪ | |
| [19:14] | ♪ Oh, you’re all that I want | |
| [19:17] | ♪ No good at giving you up | |
| [19:19] | ♪ Come on and give me some love tonight ♪ | |
| [19:24] | ♪ This happens every time I try to mix ♪ | |
| [19:27] | ♪ Decision making with one too many drinks ♪ | |
| [19:31] | ♪ But, ooh | |
| [19:33] | ♪ If late-night friends have consequences ♪ | |
| [19:38] | ♪ Cool, yeah | |
| [19:40] | ♪ Ooh, you’re all that I want | |
| [19:43] | ♪ No good at giving you up | |
| [19:45] | ♪ Come on and give me some love tonight ♪ | |
| [19:49] | ♪ Ooh, you’re all that I want | |
| [19:51] | ♪ No good at giving you up | |
| [19:53] | ♪ Come on and give me some love tonight ♪ | |
| [19:58] | ♪ Ooh, yeah. | |
| [20:01] | [SIGHS] | |
| [20:04] | Mm. [CHUCKLES] | |
| [20:12] | Baby, you still with us? | |
| [20:15] | [HEART BEATING RAPIDLY] | |
| [20:19] | [BREATHING HEAVILY] | |
| [20:36] | I need to go. | |
| [20:40] | Um… [LAUGHS] you do understand | |
| [20:43] | what is next on the menu, don’t you? | |
| [20:46] | Um… | |
| [20:49] | I’ll explain it to you later. I just, uh… | |
| [20:51] | I have to… [INHALES] | |
| [20:53] | I’ve got to get some fresh air. | |
| [20:56] | Uh, who are you and what have you done with Jason Bull? | |
| [20:59] | [PANTING]: I’m so sorry. | |
| [21:20] | First witness for the prosecution after lunch | |
| [21:22] | is your boss. | |
| [21:23] | Okay. Good. | |
| [21:26] | He must be doing better. | |
| [21:28] | He loves me. [CHUCKLES] | |
| [21:30] | [LAUGHS SOFTLY] Well, be that as it may, | |
| [21:32] | if the prosecution didn’t think he had something to offer, | |
| [21:35] | they wouldn’t be putting him on the stand. | |
| [21:37] | What could he offer? We weren’t there. | |
| [21:39] | I have no idea. But let’s drill down | |
| [21:42] | on the obvious for a second. It was your combination | |
| [21:45] | that opened the safe that night. | |
| [21:48] | If it wasn’t you, who was it? | |
| [21:51] | Uh, how would I know? | |
| [21:52] | – Dr. Bull… – Have you ever shared your combination | |
| [21:55] | with anyone who isn’t authorized to have it? | |
| [21:56] | – No. – Is it written down somewhere | |
| [21:58] | where someone could find? | |
| [21:59] | – No. – So you’ve never told your combination | |
| [22:02] | to anyone, never even uttered it out loud? | |
| [22:04] | No. | |
| [22:07] | Yes. | |
| [22:10] | Five days before the robbery, Mr. Greene called me. | |
| [22:14] | He forgets things. | |
| [22:16] | He forgot his combination, and I gave him mine. | |
| [22:19] | He forgets things? | |
| [22:20] | Forgets the combination to his own safe? | |
| [22:23] | Well, he’s old. | |
| [22:25] | And I know it kills him to ask for help. | |
| [22:29] | Well, obviously your boss didn’t rob and pistol-whip himself. | |
| [22:33] | That’s the only time you can recall? | |
| [22:35] | That’s the only time it ever happened. | |
| [22:41] | Uh, we didn’t do this. | |
| [22:43] | He knows you didn’t do anything, honey. | |
| [22:50] | Well, there is one more thing I want to clear up. | |
| [22:54] | The D.A.’s office sent these over last night. | |
| [23:00] | Look familiar? | |
| [23:01] | RANDY: Yeah. | |
| [23:03] | I have one just like it. Or, I did. | |
| [23:05] | I think I lost it in Thailand. | |
| [23:07] | BULL: Well, this was found | |
| [23:08] | outside the jewelry store the night of the robbery. | |
| [23:10] | Police, at first, didn’t think there was any connection. | |
| [23:13] | Took them a couple days to, uh, find the camp, and get a list | |
| [23:17] | of the people who were at the reunion. | |
| [23:18] | Only 200 of these were made. | |
| [23:20] | What are you implying? | |
| [23:21] | Why don’t you tell us? | |
| [23:22] | There’s nothing to tell. | |
| [23:24] | I was in bed beside my wife the entire night. | |
| [23:27] | And I haven’t seen that hat since we got back. | |
| [23:34] | Tell them, honey. | |
| [23:37] | I actually don’t know anything about your hat. | |
| [23:39] | No, I mean, tell them I was in bed with you the whole night. | |
| [23:46] | BULL: She’s already told us that. | |
| [23:48] | No one’s implying anything. | |
| [23:50] | We’re all in this together. | |
| [23:54] | I was sleeping in my office. | |
| [23:56] | Do you do that often? | |
| [23:57] | GREENE: It’s not something I plan. | |
| [23:59] | Lot of times at night, I can’t sleep. | |
| [24:01] | So when I come in the next day to work, I’m exhausted. | |
| [24:06] | I close up, sit down in my office | |
| [24:09] | about 8:00, do my paperwork, | |
| [24:13] | and end up conking out in my chair. | |
| [24:15] | So what happened? | |
| [24:16] | Ah. Alarm went off, 2:30 in the morning, | |
| [24:21] | scared the life out of me. | |
| [24:24] | And the only way they can get through is in the front, | |
| [24:26] | and that’s where I went. | |
| [24:27] | And, uh, you encountered the robbers. | |
| [24:29] | Yes, sir. | |
| [24:31] | Did you get a good look at them? | |
| [24:32] | Not their faces. They had masks on. | |
| [24:35] | Uh, h-he was kind of tall, uh, | |
| [24:40] | and she was a, uh… a she. | |
| [24:42] | Sort of like | |
| [24:43] | the two defendants, seated over there? | |
| [24:45] | Objection. Counsel is testifying. | |
| [24:49] | JUDGE MILLER: Sustained. | |
| [24:51] | [QUIETLY]: Hi. | |
| [24:53] | [SOFT LAUGHTER] | |
| [24:55] | M-Mr. Greene? | |
| [24:58] | She’s my Clairey. | |
| [25:00] | Works in the store. She’s a lifesaver. | |
| [25:04] | [LAUGHTER] | |
| [25:07] | Let’s just call for a verdict right now. | |
| [25:09] | MARISSA: Easy, big boy. | |
| [25:10] | It ain’t over till it’s over, | |
| [25:12] | – and this one’s barely begun. – Excuse me. | |
| [25:14] | No one asked you. If I want to hear the truth, | |
| [25:16] | I’ll go out into the hall and talk to myself. | |
| [25:18] | So you confronted the robbers. | |
| [25:20] | I sure did. | |
| [25:21] | And the tall one confronted me. | |
| [25:23] | Took his gun and he started hitting me in the head. | |
| [25:26] | Uh, and then I fell down, | |
| [25:28] | and-and then, I must’ve passed out. | |
| [25:30] | [STAMMERS] Is there anything else you remember | |
| [25:34] | that happened prior to you losing consciousness? | |
| [25:37] | One thing. I heard the woman say something. | |
| [25:40] | CARTER: What did she say? | |
| [25:43] | She said, “Randy, stop it. | |
| [25:47] | You’re killing him.” | |
| [25:49] | – [GALLERY MURMURING] – CARTER: “Randy.” | |
| [25:51] | Are you positive that’s what she called him? | |
| [25:54] | Oh, yeah. | |
| [25:56] | 100%. Randy. | |
| [26:04] | I am so sorry, Bull. | |
| [26:06] | It’s that good, huh? | |
| [26:08] | “Sea of red” doesn’t even get it done. | |
| [26:11] | What did I just tell you about the truth? | |
| [26:26] | Excuse me. | |
| [26:27] | Could you drop me off first? | |
| [26:29] | Switch seats with me. | |
| [26:32] | Switch seats with me. Come on. | |
| [26:34] | Call me crazy, but I sense some antagonism | |
| [26:37] | here in the back seat. | |
| [26:40] | “Randy,” hmm? Isn’t that your client’s name? | |
| [26:43] | Apparently, that was one of the burglar’s names. | |
| [26:45] | Well, thank goodness all this anger isn’t personal. | |
| [26:47] | Ha, well, it’s a little personal. | |
| [26:49] | I can take the subway. | |
| [26:51] | You know, lots of people are named Randy. | |
| [26:52] | I can attest to that. | |
| [26:54] | And we have no way of knowing if the Randy | |
| [26:55] | Mr. Greene thinks he heard referred to is our Randy. | |
| [26:58] | Could be a whole different Randy. | |
| [26:59] | Could even have been “Andy,” or “Sandy.” | |
| [27:02] | He makes an excellent point. | |
| [27:03] | Sometimes the people you think are Randy aren’t. | |
| [27:06] | [LAUGHS] Don’t I know it. | |
| [27:11] | I can take the subway. | |
| [27:14] | Benny could cross-examine Mr. Greene tomorrow morning. | |
| [27:17] | We already know he’s forgetful. | |
| [27:19] | It wouldn’t be very difficult to convince the jury | |
| [27:21] | that he is a less than reliable witness. | |
| [27:23] | My client would have a serious issue with that, | |
| [27:25] | thank you very much. | |
| [27:26] | She loves Mr. Greene, and thinks | |
| [27:27] | that he has been through enough. | |
| [27:30] | Excuse me, you can drop me off right here. | |
| [27:36] | I’ll see you in the morning, Benny. | |
| [27:45] | [SIGHS] | |
| [27:46] | Seriously, I could take the subway. | |
| [27:49] | GRANT: Your scars look good. | |
| [27:50] | Your heart sounds good. | |
| [27:52] | I’m gonna give you the name of my stylist, | |
| [27:55] | see if he can do something fun with your unruly chest hair. | |
| [27:59] | But first, why don’t you tell me what spooked you | |
| [28:02] | so bad that you had to see me at 7:00 in the morning? | |
| [28:05] | You get lightheaded in the gym? | |
| [28:07] | Short of breath walking to work? | |
| [28:09] | Actually, I was with a woman the other night… | |
| [28:10] | Ah, I’m thrilled for you. | |
| [28:12] | She and I have known each other for a long time. | |
| [28:16] | And one thing led to another… | |
| [28:17] | – And…? – And my heart | |
| [28:19] | – started to pound. – Okay. | |
| [28:22] | Is it supposed to do that? | |
| [28:24] | It depends. How excited were you to be with this woman? | |
| [28:29] | Does she know about your history? | |
| [28:30] | What you’ve been through this past year? | |
| [28:32] | Your operation was… | |
| [28:34] | last May. | |
| [28:36] | I’m assuming that you’ve been in this situation prior to this? | |
| [28:41] | Or… maybe not? | |
| [28:43] | Any particular reason? I mean, religion, pain | |
| [28:47] | or something that I should know about? | |
| [28:49] | [SIGHS] | |
| [28:50] | I’ve certainly thought about it. | |
| [28:52] | You know, it’s not unusual for men who suffer a cardiac arrest | |
| [28:55] | to shy away from intimacy, | |
| [28:59] | and convince themselves that in all the excitement, | |
| [29:01] | they might give themselves another heart attack. | |
| [29:04] | You’re saying that like it’s not the case. | |
| [29:07] | You’re in better shape now than in all the time I’ve known you. | |
| [29:09] | The problem is not with your heart. | |
| [29:11] | The problem’s in your head, | |
| [29:12] | said the heart surgeon to the head doctor. | |
| [29:17] | You like this woman? You trust this woman? | |
| [29:20] | Tell her your history. | |
| [29:22] | Tell her what you’re feeling, and if she’s still interested, | |
| [29:27] | then you have nothing to fear. | |
| [29:30] | What if you’re wrong? | |
| [29:32] | Well, if I’m wrong, you die. | |
| [29:38] | But what a way to go. | |
| [29:44] | BENNY: We are not welcome. | |
| [29:47] | Diana’s client wanted some time alone with her attorney. | |
| [29:51] | – Where’s Randy? – Guard took him to court. | |
| [29:53] | I’ve been standing here waiting for you. | |
| [29:55] | I couldn’t help but sense a little something | |
| [29:57] | in the car last night. | |
| [29:59] | Is our alliance here starting to fall apart? | |
| [30:01] | [CHUCKLES] I have no idea. | |
| [30:03] | But I’d love to know what they’re talking about in there. | |
| [30:05] | CLAIRE: Do you remember yesterday, | |
| [30:06] | when Randy said he hadn’t seen his hat since Thailand? | |
| [30:09] | Sure. | |
| [30:14] | He wore it onto the plane home. | |
| [30:18] | So he did have it here in New York. | |
| [30:21] | I don’t know. All I know is that he wore it onto the plane. | |
| [30:24] | I-I’m guessing he threw it into his carry-on bag or something. | |
| [30:27] | Do you think maybe he just forgot? | |
| [30:29] | That’s why I’m talking to you, Aunt Diana. | |
| [30:31] | I don’t know what to think. | |
| [30:33] | Okay, honey. Okay… | |
| [30:38] | [KNOCKING ON DOOR] | |
| [30:40] | COURT OFFICER: I need you both in the courtroom. | |
| [30:41] | The judge is about to take the bench. | |
| [30:43] | All right. | |
| [30:45] | Are you ready? | |
| [30:48] | Prosecution calls Jacqueline Stone to the stand. | |
| [30:53] | BENNY: Uh, objection. | |
| [30:55] | Your Honor, we have no knowledge of this witness. | |
| [30:59] | Neither did we until last night. | |
| [31:02] | Witness can testify. I’ll give you time to prepare | |
| [31:05] | for cross-examination. | |
| [31:08] | Who is this woman? Do you know her? | |
| [31:10] | – Ask Randy. – She’s my ex-girlfriend. | |
| [31:12] | Ex-fiancée. | |
| [31:16] | JACQUELINE: I dated him for almost two years, | |
| [31:18] | and then we decided to get married. | |
| [31:20] | What happened? | |
| [31:22] | You’d have to ask him. | |
| [31:25] | He texted me, said something just didn’t feel right. | |
| [31:29] | CARTER: Wow. | |
| [31:30] | – You talk to him after that? – Not for a long time. | |
| [31:32] | But you heard from him recently? | |
| [31:34] | Yes, uh, he’s actually been calling a lot lately. | |
| [31:37] | [GALLERY MURMURING] | |
| [31:40] | MARISSA: I’m guessing you know what’s going on over here. | |
| [31:43] | BULL: You don’t need to say anything. | |
| [31:45] | I can actually feel the love. | |
| [31:48] | CARTER: Any reason in particular? | |
| [31:50] | He wanted his engagement ring back. | |
| [31:53] | He said it was his grandmother’s. I told him that | |
| [31:55] | if he wanted it back, he could come to my place | |
| [31:57] | one night and pick it up. | |
| [31:59] | See that? Oh ye of little faith. | |
| [32:01] | He wanted the ring back for Claire. | |
| [32:04] | And did he? Did he come to your place? | |
| [32:06] | He did, around midnight. | |
| [32:11] | We hung out for a while. | |
| [32:13] | Talked about old times. | |
| [32:15] | [GALLERY MURMURING] | |
| [32:18] | Look, I’m not given to panic, | |
| [32:19] | but if she starts testifying that they slept together, | |
| [32:21] | I need you to call in a bomb threat. | |
| [32:24] | And then what happened? | |
| [32:26] | He told me that he met someone. | |
| [32:30] | Told me that was why he wanted the ring back. | |
| [32:33] | I got upset. | |
| [32:34] | I told him he was never getting it back, and he left. | |
| [32:39] | Your Honor… | |
| [32:41] | Okay. We lived. | |
| [32:43] | Honestly? That was a whole lot of nothing. | |
| [32:48] | Um… | |
| [32:50] | one last question. | |
| [32:53] | Do you recall what night this was? | |
| [32:56] | The night Randy came by? | |
| [32:59] | Uh, December 6th. | |
| [33:01] | CARTER: That’s the same night | |
| [33:03] | the jewelry store was burglarized. | |
| [33:04] | So if the defendants were to tell the police | |
| [33:07] | that they were home that night sleeping, | |
| [33:11] | they’d be lying, wouldn’t they? | |
| [33:12] | Well, they’d be lying about Randy, that’s for sure. | |
| [33:16] | And if you don’t believe me, you can ask the doorman | |
| [33:18] | at my building. He let Randy in and out. | |
| [33:20] | [GALLERY MURMURING] | |
| [33:25] | No further questions. | |
| [33:28] | Okay, let’s just call for a recess. | |
| [33:29] | That’ll give us enough time to… | |
| [33:30] | Cross-examination, Your Honor? | |
| [33:33] | Oh, I thought your team would want time | |
| [33:34] | to prepare for cross, but by all means. | |
| [33:39] | DIANA: Just to be clear, | |
| [33:41] | you’re testifying that at the night of the burglary, | |
| [33:43] | you and Mr. Markes were together. | |
| [33:47] | You and Mr. Markes. | |
| [33:48] | So you don’t actually know the whereabouts of my client, | |
| [33:52] | – do you? – What is she doing? Objection! | |
| [33:57] | Grounds? | |
| [34:01] | Withdrawn. | |
| [34:04] | What do you know, “backstabbing” isn’t grounds for objection. | |
| [34:08] | You’re a woman, aren’t you? | |
| [34:10] | Last I checked. | |
| [34:12] | And you’re roughly my client’s height and build. | |
| [34:15] | – Well, maybe Randy has a type. – Maybe. | |
| [34:18] | Or maybe it was you he was with the night of the burglary. | |
| [34:22] | Excuse me? | |
| [34:23] | Objection, Your Honor. The witness is not on trial. | |
| [34:26] | Sustained. Jury will ignore the question. | |
| [34:29] | Withdrawn. No further questions, Your Honor. | |
| [34:43] | Some team. | |
| [34:45] | Some alliance. Some partnership. | |
| [34:48] | Hey, I didn’t call Randy’s ex to the stand. | |
| [34:51] | That was as much of a surprise to me as it was to you. | |
| [34:53] | So you just figured, what the hell, | |
| [34:55] | we’ll just throw him under the bus in front of the jury? | |
| [34:58] | You’re damn right I did. That man is a liar. | |
| [35:00] | – Excuse me? – He’s been lying to us. | |
| [35:05] | He’s been lying to me. | |
| [35:08] | You left me in the middle of the night to go see your ex-fiancée? | |
| [35:11] | For the ring. I wanted to give you the ring. | |
| [35:15] | But why not tell me? | |
| [35:16] | To protect you. To protect your feelings. | |
| [35:19] | I didn’t want you to be upset. | |
| [35:21] | Okay, good plan. What about the hat? | |
| [35:24] | What are you talking about? | |
| [35:26] | You told everyone in this room | |
| [35:28] | that you lost your hat in Thailand, | |
| [35:30] | but you know damn well that you were | |
| [35:32] | wearing the hat onto the plane home. | |
| [35:36] | Was I? | |
| [35:38] | Oh. Yeah. | |
| [35:42] | BENNY: So you had it here in New York? | |
| [35:44] | Could someone have stolen it from you? | |
| [35:47] | But I didn’t have it here in New York. | |
| [35:49] | I haven’t seen it since… | |
| [35:53] | I must’ve left it in the overhead bin. | |
| [35:56] | I threw it up there. | |
| [35:58] | I was putting our bags up there. | |
| [36:00] | You were on the phone with your aunt. | |
| [36:02] | Then you were on the phone with your boss… | |
| [36:04] | DIANA: Mr. Greene? | |
| [36:06] | Why were you on the phone with your boss | |
| [36:08] | while you were on your honeymoon? | |
| [36:09] | He didn’t know it was going to be a honeymoon. | |
| [36:11] | We didn’t know it was gonna be a honeymoon. | |
| [36:13] | I told you. He forgot his combination to the safe, | |
| [36:16] | so I gave him mine. | |
| [36:17] | When you say “gave him,” you texted? You e-mailed? | |
| [36:20] | We were still on the ground, so I just… | |
| [36:22] | told him over the phone. | |
| [36:26] | Out loud? | |
| [36:27] | BENNY: Boy, I would love to know | |
| [36:28] | who was sitting around you when you were on that call. | |
| [36:30] | I know someone who might be able to help us with that. | |
| [36:32] | See if you can talk to the judge, | |
| [36:34] | get us a continuance for a day. | |
| [36:37] | Marissa, is Taylor around? | |
| [36:40] | Yeah, ask her if she can find a way to access | |
| [36:42] | the manifest from the Thailand | |
| [36:44] | to New York flight that Randy and Claire were on? | |
| [36:46] | I need names, addresses, | |
| [36:47] | and final destinations of everyone seated around them. | |
| [36:51] | Mm-hmm. | |
| [36:56] | [MOUTHING]: Thank you. | |
| [36:58] | [MOUTHING]: You’re welcome. | |
| [37:04] | TAYLOR: He has quite a record. | |
| [37:05] | Breaking and entering, assault. | |
| [37:07] | He seemed so nice. | |
| [37:09] | So you’re guessing he heard the combination, memorized it. | |
| [37:13] | But how did he figure out where Claire worked? | |
| [37:15] | Did he ever have access to your phone? | |
| [37:20] | You couldn’t find it when we were getting off the plane. | |
| [37:23] | He must’ve grabbed it when I was sleeping | |
| [37:26] | and then kicked it down the aisle, | |
| [37:28] | so I wouldn’t know it was him. | |
| [37:29] | BENNY: Grabbed your hat | |
| [37:30] | so he could drop it at the scene and guarantee | |
| [37:32] | you two would take the blame. | |
| [37:35] | – Now all we have to do is find him. – We’re working on it. | |
| [37:37] | Did he tell you anything else about himself? | |
| [37:40] | Anything at all? | |
| [37:41] | Um, he mentioned he’d been married. | |
| [37:44] | TAYLOR: Okay. | |
| [37:45] | – Anything else? – CLAIRE: Um… | |
| [37:47] | He didn’t like my perfume. Said he was allergic to it. | |
| [37:50] | What kind of perfume were you wearing? | |
| [37:52] | BOTH: Eau du Bonne Jeunesse. | |
| [37:55] | [BOTH CHUCKLE] | |
| [38:03] | Our man is on the move. | |
| [38:05] | We’ll alert the authorities. | |
| [38:06] | Just got word. He’s out of the apartment. | |
| [38:10] | Scotch. Neat. | |
| [38:15] | Cup of coffee, please. | |
| [38:19] | [SNEEZES TWICE] | |
| [38:22] | Bless you. | |
| [38:24] | That came out of nowhere. Uh, excuse me. So sorry. | |
| [38:28] | No need apologize. In fact, | |
| [38:31] | it’s probably my fault. | |
| [38:36] | Eau du Bonne Jeunesse. | |
| [38:39] | It’s a gift from a friend of yours. | |
| [38:41] | Said she sat next to you on a plane from Thailand to New York. | |
| [38:44] | [SNEEZES] | |
| [38:46] | Bless you again, Mr. McCall. | |
| [38:48] | Wait a second, how do you know my name? | |
| [38:51] | Stephen McCall. I had to give it to the police | |
| [38:54] | so they could execute the search warrant. | |
| [38:56] | – Search warrant? – Mm-hmm. | |
| [38:59] | They’ve been at your house for the last ten minutes. | |
| [39:02] | [SIRENS WAILING] | |
| [39:04] | Sounds like they might’ve found something. | |
| [39:06] | – Stolen goods, that sort of thing. – [PHONE CHIMES] | |
| [39:09] | [CHUCKLES] See that? | |
| [39:12] | They did. | |
| [39:14] | I’d stay in that seat if I were you. | |
| [39:17] | Finish your drink. | |
| [39:19] | You’re not gonna be having one of those for a long time. | |
| [39:22] | Besides, they already picked up your accomplice, | |
| [39:25] | your ex-wife. | |
| [39:27] | She told them everything. | |
| [39:33] | That’s on me. | |
| [39:37] | [SNEEZES] | |
| [39:41] | Is there any better sound in the world | |
| [39:43] | than when the judge says “case dismissed”? | |
| [39:45] | Not when you’re representing the accused | |
| [39:47] | and the accused is someone you care about. | |
| [39:51] | You think Claire and Randy are gonna be okay? | |
| [39:54] | You think they’re gonna be okay with me? | |
| [39:57] | I really misjudged Randy. | |
| [39:59] | Well, I’m no expert, but from my vantage point, | |
| [40:02] | it looked like they couldn’t wait to get home | |
| [40:04] | and resume their honeymoon. | |
| [40:06] | I think he knows you were just doing your job, | |
| [40:08] | as a lawyer and as an aunt. | |
| [40:13] | Oh, this is me. | |
| [40:15] | – As always, a pleasure, Diana. – [CHUCKLES] | |
| [40:19] | Safe travels. | |
| [40:21] | – Take care, Benny. – All right. | |
| [40:26] | Bye. | |
| [40:35] | I have no idea what I’m gonna do for the rest of my day. | |
| [40:38] | Hmm. | |
| [40:42] | I’m not really good alone. | |
| [40:45] | Funny you should mention that. | |
| [40:48] | You want to get a drink? | |
| [40:51] | I would love to get a drink. | |
| [40:58] | Oh. Baby, the bar’s over there. | |
| [41:00] | Yeah. | |
| [41:04] | Thing is… | |
| [41:07] | I’m actually trying not to drink. | |
| [41:13] | You okay with that? | |
| [41:16] | Sure. | |
| [41:20] | Thing is, back in May, | |
| [41:22] | I-I had this… thing. | |
| [41:25] | Uh… | |
| [41:28] | I’ll tell you about it later. | |
| [41:30] | – You don’t have to. – I want to. | |
| [41:33] | Okay. | |
| [41:40] | Well… if we’re not gonna go to the bar, | |
| [41:45] | what would you like to do? | |
| [41:48] | Well, to be honest, I’d like to go back up to your room | |
| [41:50] | and listen to you read your opening statement | |
| [41:52] | to the jury again. | |
| [41:54] | I should slap you. | |
| [41:55] | Patience. I’m sure we’ll get to all of that. | |
| [41:58] | Well, thank goodness. | |
| [42:00] | Now where are those elevators? | |
| [42:02] | [“LET’S STAY TOGETHER” BY AL GREEN PLAYING] | |
| [42:05] | ♪ Let’s stay together… | |
| [42:06] | So what’s this thing that happened to you? | |
| [42:08] | Oh, patience. Your flight’s not till tomorrow. | |
| [42:11] | I’m sure we’ll get to it. | |
| [42:12] | ♪ I… | |
| [42:14] | ♪ I’m so in love with you. |