| 时间 | 英文 | 中文 |
|---|---|---|
| [00:01] | Previously on “The Rookie”… -No sign of infection. -Infection? | |
| [00:04] | Your murder victim is part of a homegrown terror cell. | |
| [00:05] | What type of virus are we talking about? | |
| [00:07] | Dr. Morgan: A weaponized strain of hemorrhagic fever. | |
| [00:09] | It’s gonna be okay. I’m not going out | |
| [00:11] | the way my man Pete here just did. | |
| [00:12] | -I’m coming out. -Show me those hands! | |
| [00:13] | Jimmy: Don’t shoot. | |
| [00:14] | [ Gunfire ] | |
| [00:15] | What the hell? He was reaching. | |
| [00:17] | I don’t think he was reaching for a weapon. | |
| [00:18] | So either she doesn’t trust me or she’s a liar. | |
| [00:22] | He’s back. | |
| [00:23] | ♪♪ | |
| [00:24] | Tim! | |
| [00:27] | [ Sirens wailing ] | |
| [00:30] | 7-Adam-15 escorting CDC ambulance to Shaw Memorial. | |
| [00:33] | Heading east on South Grand. I need a clear path. | |
| [00:35] | Dispatch: Copy that, 7-Adam-15. | |
| [00:37] | CHP is en route to assist. | |
| [00:38] | Tim better make it. | |
| [00:40] | He will. | |
| [00:41] | ♪♪ | |
| [00:42] | Lucy: Is it the virus? | |
| [00:43] | There’s no bleeding. | |
| [00:44] | Looks like he’s having a severe reaction | |
| [00:46] | to the shot we gave him. | |
| [00:47] | He’s going into anaphylactic shock. | |
| [00:49] | Get me epinephrine! | |
| [00:50] | ♪♪ | |
| [00:55] | So, the CDC finally gave the all-clear | |
| [00:56] | to search Jimmy Roskin’s body. | |
| [00:58] | We found a burner phone. | |
| [00:59] | I’m not gonna like where this is going, am I? | |
| [01:01] | He made a call before I shot him, to another burner. | |
| [01:04] | You think there’s a third terrorist out there? | |
| [01:06] | And we just killed his friends. | |
| [01:08] | [ Sirens wailing ] | |
| [01:10] | ♪♪ | |
| [01:13] | [ Tires screech ] | |
| [01:15] | [ Siren wailing ] | |
| [01:17] | ♪♪ | |
| [01:20] | Hey! Can we get some help over here, please? | |
| [01:23] | Right now! | |
| [01:25] | [ Indistinct chatter over radio ] | |
| [01:27] | [ Heartbeat ] | |
| [01:29] | Gun! | |
| [01:30] | [ Gunfire ] | |
| [01:32] | ♪♪ | |
| [01:36] | 7-Adam-15! Shots fired! Shaw Memorial! | |
| [01:39] | [ Gunfire ] | |
| [01:42] | Flanking right! | |
| [01:44] | ♪♪ | |
| [01:45] | -Covering! -Moving! | -Covering! |
| [01:48] | [ Gunfire ] | |
| [01:50] | [ Indistinct shouting ] | |
| [01:52] | ♪♪ | |
| [01:58] | [ Breathing heavily ] | |
| [02:00] | Right behind you. | Right behind you. Right behind you. |
| [02:02] | ♪♪ | |
| [02:05] | [ Panting ] | |
| [02:08] | ♪♪ | |
| [02:13] | ♪♪ | |
| [02:18] | ♪♪ | |
| [02:23] | [ Gun clicks ] | |
| [02:25] | ♪♪ | |
| [02:32] | [ Grunts ] | |
| [02:32] | ♪♪ | |
| [02:36] | [ Groans ] | |
| [02:38] | [ Grunts ] | |
| [02:39] | [ Grunting ] | |
| [02:42] | [ Handcuffs click ] | |
| [02:44] | Suspect in custody! | |
| [02:47] | Doctor! | |
| [02:48] | I need some help over here! | |
| [02:50] | I got it! | |
| [02:53] | [ Indistinct talking, shouting ] | |
| [02:56] | Are you okay? | |
| [02:59] | I should’ve… reloaded on the move. | |
| [03:02] | You? | |
| [03:04] | I should’ve taken yesterday off. | |
| [03:11] | ♪♪ | |
| [03:18] | [ Sighs ] | |
| [03:20] | When you said date night, | |
| [03:21] | I thought you meant wine and romance. | |
| [03:24] | Oh, there’s wine, and there’s the romance. | |
| [03:28] | I have processed crime scenes that felt more romantic. | |
| [03:31] | What? Come on. That’s — | |
| [03:33] | Well, that’s accurate. Okay, look, | |
| [03:34] | I — your new place, it’s gonna be great when you’re done, | |
| [03:37] | and, uh, you definitely — | |
| [03:39] | you seem happy working on it. Right? | |
| [03:41] | I haven’t felt this much like me since… | |
| [03:44] | well, since I loaded up a U-Haul, | |
| [03:46] | drove across the country, and became a cop. | |
| [03:49] | And, uh, tomorrow, | |
| [03:50] | you are back at work being a cop. | |
| [03:52] | Administrative leave is over. | |
| [03:54] | Yeah, you didn’t take one, though. | |
| [03:55] | No. No, no, no. No, DHS is different. | |
| [03:58] | With a clean shoot, it’s just right back at work. | |
| [04:02] | Are you sure you’re ready to hit the streets? | |
| [04:04] | Yes! Yes. I just — | |
| [04:06] | well, it’s not gonna be quite the same without Talia. | |
| [04:08] | Taking that job over at ATF was smart. | |
| [04:10] | You know, she was never gonna have | |
| [04:12] | the career that she wanted over at the LAPD — | |
| [04:13] | I mean, not after she lied about her brother. Yeah. | |
| [04:15] | At least she waited until after I took the exam. | |
| [04:18] | And if I passed, six more months of training, | |
| [04:20] | I’m no longer the oldest rookie. | |
| [04:22] | Well, you will always be the oldest rookie to me. | |
| [04:25] | -Oh. -Mm. | |
| [04:27] | Wait, what? Okay, yeah. I’m gonna go. | |
| [04:29] | ♪♪ | |
| [04:31] | Jess? | |
| [04:32] | Yeah? | |
| [04:35] | Did it bother you at all? | |
| [04:37] | Shooting Roskin like that? | |
| [04:39] | Sure. | |
| [04:42] | H-Have you been wondering this for the last two weeks? | |
| [04:45] | Well, you just never said anything, | |
| [04:47] | and then I didn’t… see anything, so I… | |
| [04:50] | ♪♪ | |
| [04:52] | Right. Um… | |
| [04:55] | The truth is — | |
| [04:56] | things like that affect you a lot less | |
| [04:59] | the longer that you’re on the job. | |
| [05:02] | It’s just human nature. | |
| [05:04] | ♪♪ | |
| [05:11] | [ Door opens ] | |
| [05:14] | Lopez: [ Humming ] | |
| [05:16] | Mnh. | |
| [05:18] | Mm. | |
| [05:19] | Morning. | |
| [05:21] | Oh, hey. | |
| [05:22] | Sorry, um… I can’t find my shirt. | |
| [05:24] | [ Groans ] You want me to help? | |
| [05:27] | Nope. I have a system. | |
| [05:29] | Uh-huh. | |
| [05:30] | Don’t say anything. | |
| [05:32] | [ Exhales sharply ] I wasn’t going to. | |
| [05:36] | Ooh! Found it! Mm. | |
| [05:37] | Ha-ha! | |
| [05:41] | Huh. | |
| [05:43] | What? | |
| [05:45] | Nothing. | |
| [05:46] | Just… | |
| [05:48] | it’s a little messier since I moved in. | |
| [05:51] | Uh, we were dating before, so I spent two hours cleaning up | |
| [05:54] | every time you came over. | |
| [05:56] | Now you’re moved in, so you get to see the real me. | |
| [05:58] | Is that a problem? | |
| [06:00] | No, I wouldn’t want it any other way. | |
| [06:07] | Uh…when did you make a grilled cheese? | |
| [06:09] | Uh…last night after my shift. | |
| [06:11] | You were sleeping. | |
| [06:12] | Mmm! Mmm. | |
| [06:14] | ♪♪ | |
| [06:17] | Lucy: How are you feeling? | |
| [06:18] | Ready to get back to it. | |
| [06:21] | Did you get the food I sent over? | |
| [06:22] | I did. | |
| [06:23] | You shouldn’t have done that. | |
| [06:25] | Well, I wanted to, | |
| [06:26] | and eating well is crucial for a fast recovery. | |
| [06:28] | Alright. | |
| [06:30] | Shake off the rust and grab a seat. | |
| [06:33] | ♪♪ | |
| [06:36] | Anyone want to guess what these numbers represent? | |
| [06:39] | Nolan. | |
| [06:41] | Those are the scores to our six-month exams. | |
| [06:42] | That is correct, Officer Nolan. | |
| [06:43] | Oh! We all passed. | |
| [06:46] | Technically, yes, but that 81 is ugly, | |
| [06:49] | given that an 80 is basically an F. | |
| [06:52] | Who got the low mark? Clearly not West. | |
| [06:54] | I could tell you, but self-reflection is necessary | |
| [06:57] | for your success as a patrol officer. | |
| [06:59] | So I want your guesses as to which score is yours | |
| [07:02] | by end of shift. | |
| [07:03] | Understood? | |
| [07:04] | Why not give them now? | |
| [07:05] | To mess with our heads. | |
| [07:07] | Are you saying you’re so easily sabotaged, Officer Nolan? | |
| [07:09] | No, sir, I was speaking for Officer Chen. | |
| [07:10] | [ Laughter ] | |
| [07:13] | Sir, will there be consequences | |
| [07:15] | for the officer with the low score? | |
| [07:16] | Officer Lopez, you want to take that? | |
| [07:18] | At a minimum, a low score means | |
| [07:19] | merciless taunting for months. | |
| [07:20] | Great. | |
| [07:22] | Sgt. Grey: But you three did pass, | |
| [07:23] | so there’s good news — | |
| [07:25] | you can now wear short sleeves. | |
| [07:27] | Congratulations. | |
| [07:28] | [ Laughter ] | |
| [07:31] | Nolan. | |
| [07:32] | Sir, who will I be riding with today? | |
| [07:35] | I was thinking — | |
| [07:37] | me. | |
| [07:39] | How’s that sound? | |
| [07:40] | ♪♪ | |
| [07:43] | Alright. | |
| [07:45] | Lucy: I know I did better than an 81, didn’t I? | |
| [07:47] | Yeah, the oral exam is the X-Factor. Nolan: He’s right. | |
| [07:49] | Chief Williams could ding us on the tiniest of mistakes, | |
| [07:52] | which I’m sure he did with me, and Grey knows that, | |
| [07:54] | so he’s gonna spend the day torturing me. | |
| [07:55] | Or he knows you pulled the high score | |
| [07:57] | and plans to torture you anyway. | |
| [07:58] | You’re lucky you don’t have to worry. | |
| [08:00] | Who says I’m not worried? | |
| [08:02] | Lopez: You look worried. | |
| [08:03] | I have never had a rookie score that low on the exam. | |
| [08:05] | There’s a first time for everything. No. | |
| [08:07] | Officer Chen is a natural-born test-taker. | |
| [08:09] | Nolan didn’t even finish college. | |
| [08:11] | Plus, Chen had me for her T.O. | |
| [08:13] | Nolan had Bishop. Really? | |
| [08:14] | You’re gonna smack-talk her | |
| [08:16] | when she’s not here to defend herself. | |
| [08:17] | You’re right. It’s not the same. | |
| [08:20] | Even if she was here, you’d still be fighting for second place. | |
| [08:22] | What are you doing? What? | |
| [08:24] | My rookies wear long sleeves and ties | |
| [08:25] | until the last day of probation. | |
| [08:26] | Yeah, but Sergeant Grey said — | |
| [08:28] | Grey is not your training officer. | |
| [08:30] | I have complete discretion of the training of my boot, | |
| [08:32] | and that includes uniform. | |
| [08:34] | Okay? So go change back into your long sleeves. | |
| [08:36] | And don’t forget the tie. | |
| [08:38] | Now, Boot. | |
| [08:44] | -Where you going? -To change back. | |
| [08:46] | ♪♪ | |
| [08:48] | Nolan: Can I ask you a personal question? | |
| [08:49] | If you think it’s wise. | |
| [08:51] | Do things bother you less now? | |
| [08:52] | No, you’re just as annoying as you were before. | |
| [08:54] | Very funny. I mean the job. | |
| [08:57] | My first six months have been… a lot to process. | |
| [09:00] | It’s like a raw nerve. | |
| [09:02] | “All the feelings,” as my son’s fond of saying. | |
| [09:05] | Does that…get easier? | |
| [09:08] | Look, a cop has a decision to make in the first few years. | |
| [09:11] | “How much can I handle? | |
| [09:12] | How much I’m gonna let the job affect me. | |
| [09:15] | If I had an input control, where would I set it to?” | |
| [09:17] | Some cops set it to 7. | |
| [09:20] | They take a lot in. | |
| [09:21] | Some set it to 3. | |
| [09:23] | Hell, some set it to zero. | |
| [09:24] | Anybody keep it at 10? | |
| [09:26] | Can’t be done. | |
| [09:28] | Let me see your hand. | |
| [09:31] | You’ve been demoing your house for about a week, | |
| [09:34] | and you already got calluses growing. | |
| [09:37] | Your body does that to protect itself. | |
| [09:39] | Your mind does the same thing, | |
| [09:41] | whether you want it to or not. | |
| [09:43] | [ Radio blips ] Dispatch: 7-Adam-15, | |
| [09:45] | 507 at Sunset Plaza, Code 2. | |
| [09:48] | 7-Adam-15, copy. | |
| [09:50] | Jackson: Look, I’m with Wesley on this. | |
| [09:52] | The shower is definitely a beverage-only zone, | |
| [09:54] | and a soap dish is not a plate. | |
| [09:56] | Says who? Common decency, actually. | |
| [09:58] | Give me a break. He’s right. | |
| [10:00] | I live under an overpass, and even I think it’s gross. | |
| [10:02] | Hey, nobody asked you. | |
| [10:04] | [ Chuckles ] | |
| [10:07] | Stop pouting. | |
| [10:08] | I’m not pouting. What are we doing here? | |
| [10:10] | You thought it was gonna get easier after you passed the exam, | |
| [10:13] | but you were wrong. Awesome. | |
| [10:14] | What was that? | |
| [10:16] | Nothing. | |
| [10:17] | If recent events have taught us anything, | |
| [10:19] | it’s that we need to remain ever-vigilant. | |
| [10:21] | You probably think you know everything about policing, | |
| [10:23] | but you don’t. | |
| [10:25] | For example — | |
| [10:26] | what’s the most important thing you need on the street? | |
| [10:28] | Is this a trick question? | |
| [10:31] | Okay, well, the easy answer is my gun, | |
| [10:34] | but I know that’s not right. | |
| [10:35] | So, um…my mind? | |
| [10:38] | No. That’s too esoteric for you. | |
| [10:40] | Are you through not answering my question? | |
| [10:41] | Uh, my judgment? | |
| [10:44] | Yeah, my judgment. | |
| [10:46] | Your eyes. | |
| [10:47] | “Cop eyes” stop crime and save lives. | |
| [10:50] | Did you study explosive devices in the Academy? What? | |
| [10:53] | Yeah. I mean, a little. Good. | |
| [10:55] | I hope you paid attention because I had a buddy | |
| [10:57] | from the bomb squad mock up an IED | |
| [10:59] | and hide it somewhere here in this park. | |
| [11:01] | [ Chuckling ] What? | |
| [11:03] | You got 10 minutes to find it, | |
| [11:05] | or I’m adding the duty hat to your standard uniform. | |
| [11:08] | Go. I — | |
| [11:10] | Go! | |
| [11:11] | 10 seconds. | |
| [11:13] | [ Siren wails ] | |
| [11:14] | Alright, alright. What’s the problem here? | |
| [11:16] | The problem is this guy | |
| [11:17] | trying to sell me a colon-cleaning start-up | |
| [11:19] | while I’m eating lamb chops. | |
| [11:21] | Look, Colon Glow is patent-pending. | |
| [11:23] | “Make it sublime where the sun don’t shine.” | |
| [11:24] | You can get in on the ground floor for only $100K. | |
| [11:26] | You get this sort of thing a lot? | |
| [11:27] | You have no idea. | |
| [11:28] | Sir, sir, sir, sir. | |
| [11:30] | I admire your passion, | |
| [11:31] | but you need to leave Mr. Cuban alone. | |
| [11:33] | We get another complaint, | |
| [11:34] | we’re gonna book you for public nuisance, okay? | |
| [11:36] | Yeah. | |
| [11:37] | Mr. Cuban, sorry. | |
| [11:40] | Nolan, let’s go. Yes, sir. Yep. | |
| [11:42] | Actually, when I was in construction, | |
| [11:43] | I invented my own — it’s sort of a fastbinder, | |
| [11:45] | but the difference is, the heat sink — | |
| [11:48] | You know what? Never mind. You have a nice day. | |
| [11:50] | [ Tray clatters ] | |
| [11:52] | ♪♪ | |
| [12:02] | ♪♪ | |
| [12:11] | ♪♪ | |
| [12:21] | ♪♪ | |
| [12:31] | I found it. | |
| [12:35] | I found — | |
| [12:36] | [ Explosion ] | |
| [12:41] | And…you’re dead. | |
| [12:43] | Because radio frequency energy can trigger a bomb. | |
| [12:47] | You gonna forget that lesson, Boot? | |
| [12:50] | No. | |
| [12:51] | Good. | |
| [12:52] | Go get cleaned up. | |
| [12:54] | ♪♪ | |
| [13:01] | You’re supposed to carry an extra uniform shirt | |
| [13:03] | in your war bag. | |
| [13:05] | Oh, yes, sir. I didn’t expect to be in short sleeves yet. | |
| [13:07] | This is the only one I own. | |
| [13:10] | Sgt. Grey: Hey. | |
| [13:11] | I ordered a new set of dress blues last week. | |
| [13:13] | See if they’re in? | |
| [13:15] | Uh, yeah. I can go look in back. | |
| [13:17] | Frank, um… usually checks the computer. | |
| [13:20] | Is he around? | |
| [13:22] | No. | |
| [13:23] | Oh. | |
| [13:26] | Everything good? | |
| [13:28] | Yeah, it’s great. | |
| [13:29] | How long you been working here? | |
| [13:30] | Couple weeks. | |
| [13:31] | What’s your name? | |
| [13:33] | Uh, Justin. Justin what? | |
| [13:35] | ♪♪ | |
| [13:38] | He’s headed for the alley. I’ll cut him off. | |
| [13:40] | ♪♪ | |
| [13:43] | [ Groans ] | |
| [13:45] | ♪♪ | |
| [13:48] | [ Motorcycle engines rev ] | |
| [13:52] | ♪♪ | |
| [13:55] | [ Groans ] | |
| [13:56] | ♪♪ | |
| [14:02] | ♪♪ | |
| [14:08] | Sgt. Grey: 7-Adam-15, 211 at Top Cop Uniforms. | |
| [14:12] | Three suspects escaping on motorcycles | |
| [14:13] | heading north, south, and east. | |
| [14:15] | Send backup and airship. | |
| [14:17] | ♪♪ | |
| [14:19] | What’d they steal? | |
| [14:20] | Police uniforms. | |
| [14:22] | ♪♪ | |
| [14:28] | How many uniforms did they take? About 20. | |
| [14:31] | That’s a lot of potential fake cops, | |
| [14:32] | which is why you called Homeland Security. | |
| [14:34] | I called you as a courtesy. | |
| [14:36] | In most cases, stolen uniforms are used for drug rips. | |
| [14:39] | Well, that’s a lot of risk just to rob a few drug dealers, | |
| [14:41] | which is why we’re going to be treating this | |
| [14:43] | as a potential high-threat-level event. | |
| [14:45] | Like in ’09 with the bus? Oh, God, here we go. | |
| [14:47] | Jess’ first year with the FBI-LAPD Taskforce, | |
| [14:50] | she convinced us that a missing school bus | |
| [14:52] | was a prelude to a terror attack. | |
| [14:54] | -[ Scoffs ] Okay. -And it wasn’t? | |
| [14:55] | A third-grader didn’t want to take a test, | |
| [14:57] | so he stole the bus so he wouldn’t have to go to school. | |
| [14:58] | I mean — She had half the LAPD | |
| [15:00] | hunting a 9-year-old. [ Sighs ] | |
| [15:02] | Hey, overtime paid for my Disney World vacation. | |
| [15:04] | I’m not complaining. Okay, you know what? | |
| [15:06] | You picked the one time that I was wrong. | |
| [15:07] | The one time? | The one time? |
| [15:08] | Was there body-cam footage of the man inside the store? | |
| [15:10] | No. The cams weren’t on. | |
| [15:12] | I will put him with an artist. | |
| [15:14] | We will send you a sketch. How about that? Great. | |
| [15:15] | Look, I hope you’re right about this being small-time, | |
| [15:17] | but… I don’t think it is. | |
| [15:19] | Will you walk me out? | |
| [15:21] | Yes. Okay. | |
| [15:23] | Uh, is everything okay? | |
| [15:25] | Yeah. Why? | |
| [15:26] | Well, you know, I mean, it’s your first day back, | |
| [15:28] | already chasing bad guys. Yes, well, chasing, not catching. | |
| [15:31] | Much like your 9-year-old. | |
| [15:32] | [ Chuckles ] Oh, I caught him. | |
| [15:34] | He will not fool me again. | |
| [15:36] | I’m sorry, you’re still keeping tabs on him? | |
| [15:38] | [ Clears throat ] | |
| [15:39] | Uh, Benjamin Smith is a sophomore at USC, | |
| [15:41] | and if he ever steps back over the line, | |
| [15:43] | I’ll be there. | |
| [15:45] | Wow. | |
| [15:46] | You terrify me. | |
| [15:48] | [ Dog barking in distance ] | |
| [15:51] | Missed a spot. | |
| [15:52] | What? | |
| [15:54] | [ Sighs ] | |
| [15:57] | [ Knock on door ] | |
| [15:58] | Thank God. My wife’s missing. | |
| [16:00] | She never came home from work last night. | |
| [16:02] | She always comes home. | |
| [16:03] | I texted and called her friends, and nobody’s — | |
| [16:05] | Okay, sir, can you please slow down? | |
| [16:06] | It’s important I get the report right for the detectives. | |
| [16:08] | What’s your wife’s name? | |
| [16:10] | Susanna — Brown. | |
| [16:12] | She’s a clerk at the courthouse downtown. | |
| [16:14] | We’re trying to have a baby, | |
| [16:16] | and she was supposed to come straight home to — | |
| [16:18] | you — you know. Yes, sir. | |
| [16:19] | Do you have a picture? | |
| [16:20] | Uh…y-yeah. | |
| [16:22] | No, hard copy’s preferable. | |
| [16:24] | Of course. | |
| [16:26] | Hold on. | |
| [16:28] | Poor guy. | |
| [16:29] | Really? | |
| [16:30] | What? Cop eyes. | |
| [16:33] | What? You — You think the husband did something? | |
| [16:35] | You always assume the husband did something. [ Chuckles ] | |
| [16:37] | Officer Bradford’s first rule of domestics? | |
| [16:39] | This isn’t a joke, Boot. | |
| [16:40] | You don’t have the experience to evaluate people yet, | |
| [16:43] | so your default should be suspicion, not compassion. | |
| [16:46] | Understood? | |
| [16:48] | Yeah. | |
| [16:50] | Have I told you how sexy you look in that uniform? | |
| [16:52] | No, most of your compliments come after I take it off. | |
| [16:54] | Oh. What? | |
| [16:55] | Nothing, just a little, uh — | |
| [16:57] | [ Blows ] Really? | |
| [16:58] | You couldn’t just be in the moment? | |
| [16:59] | You had to point that out? | |
| [17:01] | What? You just had a little something on your shirt. | |
| [17:02] | I just — | |
| [17:03] | Hey. Ready to roll? Yeah. | |
| [17:06] | I’ll see you at home tonight. Can’t wait. | |
| [17:11] | Hey, is everything alright? | |
| [17:13] | Fine. | |
| [17:16] | I thought living together would be more fun. | |
| [17:18] | Officer West. | |
| [17:20] | Be in the shop. | |
| [17:23] | You were in the cadet program in high school, right? Yes, sir. | |
| [17:25] | Cadet leader all four years, | |
| [17:26] | and in college, too. Good. | |
| [17:28] | They’re sending a group over tomorrow morning. | |
| [17:29] | I want you to talk to them. | |
| [17:30] | Yes, sir. Happy to do it. | |
| [17:33] | Very thin lips, | |
| [17:35] | uh, a-and two gold teeth, right here. | |
| [17:36] | Gold teeth. Gotcha. | |
| [17:39] | This is so cool. I’ve never actually sat with a sketch artist before. | |
| [17:41] | Yeah, my first time, too. I just got hired. | |
| [17:42] | Congrats. | |
| [17:44] | Okay, that should do it. | |
| [17:47] | What do you think? | |
| [17:49] | ♪♪ | |
| [17:52] | You drew me. | |
| [17:53] | What? | |
| [17:54] | No. I drew what you told me. | |
| [17:56] | Yeah, except… you…didn’t. | |
| [17:58] | May I? If — If you just… | |
| [17:59] | Yeah, so, I said he had — | |
| [18:02] | Yeah. This hair will drop down a little more, | |
| [18:05] | and I said he had deep-set eyes, right? | |
| [18:07] | Very thin lips. | |
| [18:10] | There. | |
| [18:15] | Yeah. I used to draw a lot for my old job. | |
| [18:17] | [ Knocks ] | |
| [18:18] | Got to go. They found the bikes. | |
| [18:19] | Great work. | |
| [18:25] | Nolan: Oh, yeah, that’s — | |
| [18:27] | those are definitely the motorcycles from the robbery. | |
| [18:30] | We’re not gonna get any forensics off them now, though. | |
| [18:33] | There’s a body. | |
| [18:35] | How can you tell? | |
| [18:36] | The smell. | |
| [18:38] | A burning body’s unmistakable. | |
| [18:42] | Oh. | |
| [18:43] | ♪♪ | |
| [18:46] | [ Groans ] | |
| [18:50] | [ Strained ] That’s him. I see the teeth. | |
| [18:51] | That’s definitely the guy from the uniform store. | |
| [18:53] | Not on the crime scene! Go! Go! | |
| [18:55] | ♪♪ | |
| [18:56] | [ Vomits ] | |
| [18:59] | 7-Adam-15, change our call to a homicide. | |
| [19:03] | Send detectives and a forensics team. | |
| [19:05] | And alert Jessica Russo at DHS. | |
| [19:07] | [ Walkie-talkie chirps ] | |
| [19:09] | So, they must have met up here | |
| [19:10] | after they got away, but… | |
| [19:12] | then his crew killed him? | |
| [19:14] | Why? | |
| [19:17] | Because we saw him. | |
| [19:21] | [ Indistinct talking, car doors close ] [ Sighs ] | |
| [19:24] | Stay here. | |
| [19:27] | How’s it going? | |
| [19:29] | He threw up. I… | |
| [19:30] | Oh. …couldn’t help it. | |
| [19:31] | It was the worst thing I’ve ever seen. | |
| [19:34] | And smelled. Yeah, well, no one can blame you. | |
| [19:35] | Uh, actually… | |
| [19:36] | What? Never mind. | |
| [19:39] | You know, a low score on the test, | |
| [19:40] | and now I puke in front of Grey? | |
| [19:42] | I’m gonna get bounced before the end of shift. | |
| [19:43] | Don’t be so sure about that low score. | |
| [19:45] | Tim spent the entire day making me feel like I don’t know anything. | |
| [19:47] | Jessica: Hey. [ Car door closes ] | |
| [19:48] | I heard you got him. | |
| [19:49] | Yeah, he puked. | |
| [19:51] | Stop telling people that. | |
| [19:52] | It happens. | |
| [19:53] | To you? | |
| [19:55] | I’m gonna go talk to Grey. | |
| [19:56] | -Yes. -Yeah. | |
| [19:57] | And my mortification is complete. | |
| [20:00] | Still think they stole the uniforms to rob drug dealers? | |
| [20:03] | Let’s skip the “I told you so”s, please. | |
| [20:04] | Tim: What does your intel say? | |
| [20:06] | Print from the store got a positive ID on our corpse. | |
| [20:08] | Trevor Travis, 28. | |
| [20:09] | Spent 18 months in Nevada State Prison | |
| [20:11] | for armed robbery. | |
| [20:12] | Known associates? | |
| [20:14] | Too many to name, but none in Southern California. | |
| [20:15] | Well, whoever his new crew is, they’re ruthless enough | |
| [20:17] | to kill one of their own to stop our investigation. | |
| [20:19] | And whatever they’re planning, no one’s gonna see it coming | |
| [20:21] | because they’re all dressed as cops. | |
| [20:23] | Hell, they could be working the scene right now. | |
| [20:26] | So, we’ll implement new identity verification protocols. | |
| [20:28] | I’ll call my guys, | |
| [20:30] | have them start an inter-agency task force. | |
| [20:32] | We’ve got to get out in front of this. | |
| [20:33] | We need to get in on this. Not gonna happen. | |
| [20:36] | We’re stuck on perimeter duty until end of shift, | |
| [20:38] | away from the action. | |
| [20:40] | Trust me, this is exactly where you want to be. | |
| [20:43] | ♪♪ | |
| [20:47] | [ Laughs ] | |
| [20:49] | ♪♪ | |
| [20:52] | [ Car doors close ] | |
| [20:53] | Um, what are you doing? | |
| [20:55] | Clocking out and heading home. | |
| [20:57] | “Rio Bravo’s” on cable. No, no. | |
| [20:58] | Why are you treating me like it’s day 1 all over again? | |
| [21:01] | Because it is. Today was day 1 of stage 2 of your training. | |
| [21:04] | So, what? Does that mean | |
| [21:06] | I’ve lost all the respect that I’ve earned? | |
| [21:07] | You lost that when you lied on a report. | |
| [21:09] | [ Chuckling ] What? I read your account | |
| [21:10] | of what happened at the quarantine house. | |
| [21:12] | O-Okay? | |
| [21:14] | When I thought I was infected, | |
| [21:15] | I told you I’d rather take my life than bleed out. | |
| [21:17] | You failed to report it. That’s what this is about? | |
| [21:20] | Suicide ideations by a law enforcement officer are extremely serious | |
| [21:22] | and should have been reported immediately. | |
| [21:23] | I was trying to protect you. | |
| [21:25] | They would have put you on leave, required therapy. | |
| [21:27] | You weren’t even actually suicidal. Not your call! | |
| [21:30] | You should have detailed everything, | |
| [21:31] | regardless of the consequences. | |
| [21:32] | [ Chuckling ] Oh, yeah? | |
| [21:34] | Like I should have filed a report | |
| [21:35] | detailing everything you’ve done to protect Isabel? | |
| [21:38] | You know what? | |
| [21:39] | You wanna rake me over the coals for the next six months, | |
| [21:41] | you go ahead. | |
| [21:43] | But don’t pretend like it’s because you’ve got some code. | |
| [21:44] | ♪♪ | |
| [21:48] | [ Door opens ] | |
| [21:49] | Lopez: Hey. | |
| [21:51] | [ Door closes ] This is gonna sound weird, | |
| [21:52] | but if you see any cops at the courthouse, | |
| [21:54] | check their credentials, okay? | |
| [21:56] | Yeah, they sent an e-mail around. | |
| [21:57] | What’s going on? Eh, I can’t really say. | |
| [21:59] | [ Zipper opens ] What’s the timer for? | |
| [22:01] | Well, I wanted to discuss something, | |
| [22:03] | and I figured this would be a controlled way to do it. | |
| [22:08] | We’re gonna fight using a timer? | |
| [22:09] | [ Chuckles ] | |
| [22:10] | Basically. | |
| [22:13] | Okay. | |
| [22:15] | I spent an hour looking for the remote when I got home. | |
| [22:18] | Found it under the bed. So? | |
| [22:21] | So the TV’s in the living room. | |
| [22:22] | Look, I’ve been here a week | |
| [22:24] | and I have found coffee cups, bras, Pop-Tarts | |
| [22:27] | inside of, on top of, and underneath | |
| [22:29] | almost every surface in this house. | |
| [22:31] | Now, I’m super-glad that you feel comfortable enough with me | |
| [22:33] | to be yourself, but I — I also — | |
| [22:34] | You’d rather I was someone else? | |
| [22:36] | No. Not at all. | |
| [22:38] | I just think that it’s important to set ground rules. | |
| [22:41] | Ground rules? Uh, use the timer. | |
| [22:44] | You think I’m a slob. | |
| [22:45] | No. ‘Cause I’m not a slob. | |
| [22:47] | I work my ass off in an incredibly controlled environment, | |
| [22:49] | and when I get home, I just want to relax. | |
| [22:51] | You might be anal-retentive | |
| [22:52] | and fold your underwear in a triangle — | |
| [22:54] | which is weird, by the way — but that’s not me. | |
| [22:57] | Folding your underwear is not weird, | |
| [22:59] | and an orderly space helps me relax. | |
| [23:01] | There’s enough chaos in the world. | |
| [23:03] | I’d rather not live in it. You think this is chaos? | |
| [23:04] | Timer. No, screw the timer. This is how I live. | |
| [23:07] | I’m sorry if it upsets your delicate sensibilities. | |
| [23:09] | Wait, Angela, I-I didn’t — | |
| [23:10] | You think I’m overreacting? | |
| [23:12] | You know what? I’ve had a long day. | |
| [23:13] | I’m going to bed. | |
| [23:14] | You should sleep on the couch. | |
| [23:16] | ♪♪ | |
| [23:19] | I would, if I could find it. | |
| [23:21] | ♪♪ | |
| [23:22] | [ Smacks lips ] | |
| [23:24] | ♪♪ | |
| [23:28] | [ Breathing heavily ] | |
| [23:30] | ♪♪ | |
| [23:33] | [ Cellphone ringing ] | |
| [23:35] | [ Laughter echoes ] | |
| [23:36] | [ Metal crumples ] | |
| [23:37] | [ Ringing continues ] | |
| [23:39] | ♪♪ | |
| [23:44] | [ Ringing continues ] | |
| [23:47] | ♪♪ | |
| [23:52] | [ Ringing continues ] | |
| [23:54] | ♪♪ | |
| [24:03] | Good morning. | |
| [24:05] | Both: What’s good about it? Uh-oh. | |
| [24:07] | Looks like somebody’s stressed about their test scores. | |
| [24:09] | Yeah, well, we both think we got the 91. | |
| [24:12] | Which means one of us got the 81. | |
| [24:14] | Sgt. Grey: Alright, take your seats. | |
| [24:16] | As expected, the stolen uniforms | |
| [24:18] | caused a bit of paranoia out there. | |
| [24:20] | Overnight, there were two fights and a near shooting | |
| [24:23] | ’cause two officers didn’t recognize each other. | |
| [24:25] | Alright, that being said, | |
| [24:27] | it is vital that we remain vigilant. | |
| [24:29] | Understood? | |
| [24:30] | Now, to your exam scores. | |
| [24:33] | You all submitted your guesses last night, | |
| [24:35] | and none of you guessed right. | |
| [24:38] | ♪♪ | |
| [24:43] | [ Chuckling ] Thank God. | |
| [24:45] | [ Laughs ] | |
| [24:48] | Nolan, I’m sorry. | |
| [24:50] | Sgt. Grey: Save your concern, Officer Chen. | |
| [24:51] | Officer Nolan got the highest score, not the lowest. | |
| [24:54] | [ Officers murmur ] | |
| [24:57] | That “honor” goes to… | |
| [25:00] | [ Scribbling ] | |
| [25:02] | …Officer West. | |
| [25:03] | That’s not possible. | |
| [25:05] | I’ve seen a lot of strange things in my 20 years, | |
| [25:08] | but never would I have imagined | |
| [25:10] | that the golden boy would tank his test. | |
| [25:13] | But there’s a — th– like, I-I — | |
| [25:15] | Uh-oh. Looks like Grey broke your rookie. | |
| [25:17] | [ Laughter ] | |
| [25:18] | Lopez: Shut up. | |
| [25:20] | Ah, Agent Russo. | |
| [25:22] | You looking for me? | |
| [25:24] | No. Actually, Officer Nolan. | |
| [25:26] | Can you spare him for the morning? | |
| [25:27] | I need his help running down a lead. | |
| [25:28] | Nolan. | |
| [25:30] | Alright, let’s go back to work. | |
| [25:34] | Why didn’t you call me back? What? | |
| [25:36] | I left you a message last night. | |
| [25:37] | Oh, well, I went to bed early. | |
| [25:39] | Okay. And then this morning? | |
| [25:41] | Did you have Sergeant Grey assign me to you | |
| [25:43] | just so you could ask me about this? Mm-hmm. | |
| [25:45] | Figured I’d kill two birds while we’re running down leads. | |
| [25:47] | So, why didn’t you call me? | |
| [25:52] | Are you okay? | |
| [25:53] | Yeah. Fine. | |
| [25:55] | It’s not like it’s the first time I didn’t get the highest score. | |
| [25:57] | [ Chuckles ] | |
| [25:58] | Dude. | |
| [26:01] | Look, um…after the terrorist on the bus, | |
| [26:04] | I just need a little bit of time off. | |
| [26:06] | I figured I knew this stuff backwards and forwards, | |
| [26:08] | but clearly, that was a mistake. | |
| [26:09] | Clearly, I should have kept studying. | |
| [26:12] | Jackson… | |
| [26:13] | Look, I let everyone down. | |
| [26:15] | West, your cadets are here. | |
| [26:18] | ♪♪ | |
| [26:19] | Hey. | |
| [26:20] | Sorry to make you wait. | |
| [26:23] | I am Officer Jackson West. | |
| [26:25] | I am currently a rookie patrol officer — | |
| [26:28] | although, with the score I just got, | |
| [26:30] | I could be, um, mall security in my future. | |
| [26:33] | [ Chuckles ] | |
| [26:35] | Okay. | |
| [26:37] | Um… | |
| [26:39] | Good morning. | |
| [26:40] | All: Good morning, sir! | |
| [26:43] | Right. Um… | |
| [26:47] | My whole life, | |
| [26:49] | the only thing I ever wanted to be was a cop. | |
| [26:51] | Every class I took, every sport I played | |
| [26:55] | were all meant to make me the best of — | |
| [26:57] | ♪♪ | |
| [27:02] | You know what? | |
| [27:05] | No. | |
| [27:06] | ♪♪ | |
| [27:09] | You are looking at a cautionary tale. | |
| [27:13] | The fallout of singular focus. | |
| [27:15] | You were told your entire life to study hard, stay in school. | |
| [27:21] | Look, I am living proof… | |
| [27:24] | that you need to skip school. | |
| [27:27] | Stop worrying about overachieving | |
| [27:28] | and acing every single test. | |
| [27:31] | You know where the safest place to be is? | |
| [27:33] | The safest place to be — | |
| [27:36] | the middle. | |
| [27:39] | Stop…sacrificing… | |
| [27:42] | and, uh… | |
| [27:46] | …start living. | |
| [27:49] | ♪ Yeah, I push it to the limit ♪ | |
| [27:52] | ♪ I am a brand-new… ♪ | |
| [27:54] | That was unexpected. | |
| [27:56] | Yeah. | |
| [28:00] | Look, I’m — I’m sorry about the test. | |
| [28:05] | Tim had it made for Lucy, but now you gotta wear it. | |
| [28:08] | ♪♪ | |
| [28:10] | Seems fair. | |
| [28:12] | [ Buzzer ] | |
| [28:14] | Officer Thomas: Uh, hold that, please. | |
| [28:16] | -Oh. Yeah. -Yeah. | |
| [28:17] | -Thanks. -Yeah, no problem. | |
| [28:30] | ♪♪ | |
| [28:35] | [ Car door opens ] | |
| [28:37] | [ Rustling ] | |
| [28:39] | Hey, are you looking for something? [ Car door closes ] | |
| [28:41] | Oh, yeah, um… [Chuckling] my wallet. | |
| [28:44] | Ah. | |
| [28:45] | ♪♪ | |
| [28:51] | ♪♪ | |
| [28:56] | Did you find it? | |
| [28:59] | Yeah. Thanks. | |
| [29:00] | Yeah. | |
| [29:03] | What are you doing with that radio? | |
| [29:04] | Hey! Stop! | |
| [29:06] | 7-Adam-19, chasing a fake cop in the garage. | |
| [29:08] | I need backup. | |
| [29:11] | [ Thud ] | |
| [29:12] | ♪♪ | |
| [29:15] | [ Car door closes ] | |
| [29:16] | [ Engine sputtering ] | |
| [29:19] | [ Grunts ] | |
| [29:23] | [ Engine starts ] | |
| [29:26] | Hey! Stop! | |
| [29:27] | [ Tires squeal ] | |
| [29:29] | ♪♪ | |
| [29:37] | You jumped from here? Yes, sir. | |
| [29:39] | Are you okay? Yeah. [ Chuckles ] | |
| [29:42] | You went right over after him? ‘Course she did. | |
| [29:44] | I trained her. Mm-hmm. | |
| [29:45] | You saying this guy stole a radio? | |
| [29:47] | Uh, yes, sir, out of Car 26. | |
| [29:49] | Actually, he — he wasn’t wearing gloves. | |
| [29:51] | Maybe we can pull a print? | |
| [29:55] | [ Car horns honking ] | |
| [29:57] | Jessica: Well, you’re gonna have to tell me at some point. | |
| [29:59] | I was just tired, and you were — | |
| [30:02] | …you were laughing over a burned body. | |
| [30:04] | What? | |
| [30:05] | Last night at the crime scene. | |
| [30:07] | And after Roskin, you now think I’m heartless? | |
| [30:09] | No. N– By no means, no. Not at all. | |
| [30:11] | I-I get it. | |
| [30:13] | You’re a cop, and you’ve seen a lot of bad things, | |
| [30:14] | but nothing has ever made me feel more like… | |
| [30:18] | a rookie. | |
| [30:19] | [ Computer beeps ] | |
| [30:22] | Grey wants us to go to Channel 9. | |
| [30:24] | Go for 7-Adam-15. | |
| [30:27] | Sgt. Grey: We have a suspect ID’d — Thomas Bernhardt. | |
| [30:29] | Four possible addresses. Sending one for you to check. | |
| [30:32] | And stay off the main channels. Bernhardt just stole a radio. | |
| [30:35] | Copy that. | |
| [30:37] | Why steal a radio? | |
| [30:38] | You can listen to dispatch from an app on your phone. | |
| [30:40] | Because with a radio, they can broadcast as well as listen. | |
| [30:43] | They can feed us bad intel, | |
| [30:45] | have us running all over the city while they do — | |
| [30:47] | Whatever it is they’re planning on doing. Yep. | |
| [30:51] | That’s the house. | |
| [30:55] | Wait just one second. | |
| [30:57] | What are you doing? | |
| [30:59] | Just want to run the plates of the cars on the street. | |
| [31:01] | Be nice to know if Bernhardt has any company. | |
| [31:03] | [ Computer beeps ] That’s hot. | |
| [31:04] | Thank you. | |
| [31:05] | [ Computer beeps ] | |
| [31:06] | Oh, that’s weird. | |
| [31:07] | What? | |
| [31:09] | That green car belongs to a missing person. | |
| [31:12] | Tim and Lucy are on the case. | |
| [31:13] | [ Beep ] 7-Adam-15 to 7-Adam-19. | |
| [31:16] | We have eyes on a car belonging to Susanna Brown. | |
| [31:19] | Parked in front of the fake cop’s house? | |
| [31:22] | Nolan: That’s correct. Who is she? | |
| [31:24] | She’s a clerk at the criminal courthouse. | |
| [31:26] | Didn’t come home last night. | |
| [31:28] | No idea how she could be connected to our uniform thieves. | |
| [31:30] | Do you need backup? | |
| [31:31] | No. | |
| [31:33] | Negative, but we’ll keep you posted. Roger. | |
| [31:35] | Husband always did it, huh? | |
| [31:39] | Do you have any surveillance gear in your war bag? | |
| [31:41] | ♪♪ | |
| [31:45] | Now we can look and listen. | |
| [31:47] | ♪♪ | |
| [31:56] | [ Fence rattles ] | |
| [31:58] | ♪♪ | |
| [32:07] | ♪♪ | |
| [32:16] | [ Frequency screeches ] | |
| [32:17] | Thomas: It’s time. [ Susanna whimpers ] | |
| [32:20] | 7-Adam-15, requesting backup and SWAT — | |
| [32:22] | 9701 St. Andrews Place — Talk. | |
| [32:24] | for a hostage situation — not for public broadcast. | |
| [32:26] | Hello, this is Susanna Brown from Foltz Criminal Court. | |
| [32:30] | Security code Apple-5, 2-1-4-2. | |
| [32:33] | I have an — an urgent situation. | |
| [32:36] | Judge Crawford granted | |
| [32:38] | an unexpected appeal in a homicide case… | |
| [32:42] | and the evidence is on your truck. | |
| [32:44] | I need you to divert from the route. | |
| [32:46] | An escort will meet you there. | |
| [32:47] | What is she talking about? | |
| [32:48] | Every three months, | |
| [32:50] | evidence from adjudicated trials is destroyed | |
| [32:52] | in a bonded demolition facility up in Lancaster. | |
| [32:54] | [ Helicopter blades whirring ] This is Overwatch. Road clear ahead. | |
| [32:57] | Drugs, counterfeit money, a huge cache of weapons | |
| [32:59] | are all transported there by police caravan. | |
| [33:01] | That truck is driving into an ambush. | |
| [33:03] | The escort that meets it will be full of fake cops. | |
| [33:05] | They won’t hesitate to kill that driver. | |
| [33:06] | Truck 3 is diverting. | |
| [33:08] | Man: Copy that. SWAT will remain with the convoy. | |
| [33:10] | An escort should meet you en route. | |
| [33:12] | Hey, it’s me. | |
| [33:13] | They’re planning to hijack the Lancaster convoy. | |
| [33:15] | [ Sobbing ] Please. Okay. Copy that. | |
| [33:17] | Please. I did what you asked. Please just let me go. | |
| [33:21] | Not until they make contact with the truck. | |
| [33:23] | As soon as that happens, they’re gonna kill her. | |
| [33:25] | We gotta get in there. | |
| [33:26] | He’s in a room in the middle of the house. | |
| [33:27] | If we breach either door, | |
| [33:29] | he’s gonna shoot her first and then come for us. | |
| [33:31] | Raised foundation. | |
| [33:32] | That means there’s a crawlspace under the house. | |
| [33:34] | I can use that, come up through one of the heating vents. | |
| [33:36] | John, John, this is way too dangerous. If we wait, | |
| [33:38] | and that woman is killed… We need to wait for SWAT. | |
| [33:40] | …I won’t be able to live with myself. No! | |
| [33:45] | [ Fence rattling ] | |
| [33:49] | ♪♪ | |
| [33:56] | ♪♪ | |
| [34:04] | [ Spits ] | |
| [34:05] | ♪♪ | |
| [34:09] | There it is. | |
| [34:10] | Fake escort’s already got them. | |
| [34:12] | Tim: Can’t warn the truck driver, because our heist crew’s | |
| [34:14] | jamming the signal with their stolen radio. | |
| [34:16] | Shouldn’t we wait for backup? | |
| [34:17] | We are the backup. | |
| [34:20] | [ Susanna sobbing in distance ] | |
| [34:23] | Oh, please, let me go! Thomas: Shut up. | |
| [34:25] | Not until they make contact with the truck and call back. | |
| [34:28] | [ Sobbing continues ] | |
| [34:30] | Please don’t hurt me. | |
| [34:32] | [ Cellphone ringing ] Shut up! | |
| [34:33] | [ Cellphone beeps ] | |
| [34:35] | Yeah? | |
| [34:37] | Sweet. I’ll meet you at the rendezvous. | |
| [34:39] | [ Cellphone beeps ] | |
| [34:42] | They got the truck. | |
| [34:44] | Which means you’re a loose end. | |
| [34:47] | [ Sobbing ] | |
| [34:49] | [ Grate creaking ] | |
| [34:55] | [ Sobbing ] | |
| [34:56] | [ Doorbell rings ] | |
| [34:57] | [ Screams ] | |
| [34:59] | ♪♪ | |
| [35:05] | ♪♪ | |
| [35:15] | ♪♪ | |
| [35:20] | [ Sobbing, breathing heavily ] | |
| [35:22] | Thank you. | |
| [35:23] | Okay. You’re safe now. Okay? | |
| [35:26] | I got you. Come on. | |
| [35:27] | Oh! | |
| [35:30] | Okay. | |
| [35:32] | He’s not gonna hurt you anymore. | |
| [35:33] | [ Sobbing ] | |
| [35:35] | [ Siren wailing ] | |
| [35:40] | Okay, get ready. | |
| [35:41] | Remember, they don’t know that we know. | |
| [35:44] | [ Wailing continues ] | |
| [35:47] | [ Tires screech ] | |
| [35:49] | ♪♪ | |
| [35:50] | [ Tires screech ] | |
| [35:53] | What’s the problem? Radios are down. | |
| [35:55] | We were sent to escort the truck back to the courthouse. | |
| [35:57] | Must be a mistake. | |
| [35:59] | We’re the escort. | |
| [36:00] | So get out of the way. | |
| [36:02] | No problem. We were headed to lunch when we got the call. | |
| [36:05] | Tim? | |
| [36:06] | Yeah, I see it. | |
| [36:07] | ♪♪ | |
| [36:10] | One last thing before we go — | |
| [36:13] | real cops wear their vests under their shirt. | |
| [36:14] | ♪♪ | |
| [36:24] | [ Hissing ] | |
| [36:25] | ♪♪ | |
| [36:29] | [ Tires squeal ] | |
| [36:31] | ♪♪ | |
| [36:36] | [ Sirens wailing ] | |
| [36:38] | ♪♪ | |
| [36:39] | [ Tires screech ] | |
| [36:42] | ♪♪ | |
| [36:44] | Get out of the car! | |
| [36:46] | Facedown on the ground! | |
| [36:48] | [ Gunfire ] | |
| [36:50] | ♪♪ | |
| [36:52] | Drop your weapon right now! | |
| [36:54] | Down on the ground, facedown, hands apart! | |
| [36:57] | ♪♪ | |
| [36:59] | Don’t you move. | |
| [37:01] | ♪♪ | |
| [37:03] | Up. | |
| [37:05] | ♪♪ | |
| [37:06] | [ Knock on door ] | |
| [37:08] | You wanted to see me, sir? | |
| [37:13] | So, how’s the golden boy | |
| [37:15] | dealing with almost failing out of Field Training? | |
| [37:19] | Fine. | |
| [37:22] | You heard about the cadets? | |
| [37:25] | I’m sorry about that, sir. | |
| [37:28] | But you told us that self-reflection | |
| [37:30] | was a necessary skill for an LAPD officer. | |
| [37:32] | And I’ve just had a…pretty powerful dose of it. | |
| [37:36] | My whole life has been about getting here, | |
| [37:38] | and now that I’m in uniform, | |
| [37:40] | I realize that I’ll never make it | |
| [37:42] | if I, um… | |
| [37:44] | if I don’t find some balance. | |
| [37:47] | Even if that means getting an 81 on a test or two. | |
| [37:49] | And, uh… I can live with that. | |
| [37:52] | That’s admirable, Officer West — truly. | |
| [37:57] | But… | |
| [38:00] | see, I’m not here to help you find balance, son. | |
| [38:04] | My job is to make sure | |
| [38:06] | you keep your head in the game at all times, | |
| [38:08] | because lives are at stake. | |
| [38:12] | So, I’m extending you in the program. | |
| [38:14] | Tomorrow, you’re back in long sleeves, | |
| [38:16] | and your T.O. will continue to write daily evaluations. | |
| [38:21] | For how long? | |
| [38:25] | Until I can trust you | |
| [38:26] | in front of a room full of cadets again. | |
| [38:30] | You’re dismissed. | |
| [38:32] | [ deM atlaS’ “Gratitude” plays ] | |
| [38:35] | ♪ Ooh ♪ | |
| [38:37] | ♪ Ooh ♪ | |
| [38:38] | ♪♪ | |
| [38:39] | [ Sighs ] | |
| [38:42] | [ Sniffles ] | |
| [38:44] | ♪ Gratitude can’t get you nowhere ♪ | |
| [38:47] | ♪ Now my love has gone away ♪ | |
| [38:52] | [ Bottle sprays ] Hey. | |
| [38:53] | Hey. | |
| [38:56] | ♪ I try to be like somebody ♪ | |
| [38:58] | What’s wrong? | |
| [38:59] | [ Sniffles ] Nothing. | |
| [39:01] | ♪ I already was ♪ | |
| [39:02] | ♪ I don’t give a… ♪ | |
| [39:05] | ♪ Whoo! Unh ♪ | |
| [39:10] | This is only gonna work if we talk to each other. | |
| [39:12] | You know that, right? | |
| [39:14] | ♪♪ | |
| [39:18] | [ Sniffles ] | |
| [39:20] | I’ve never lived with anyone before. | |
| [39:23] | I’ve never been in love like this. | |
| [39:25] | ♪♪ | |
| [39:29] | And I’m scared I’m gonna screw it up. | |
| [39:31] | You won’t. | |
| [39:34] | I won’t let you. | |
| [39:35] | [ Laughs ] | |
| [39:37] | Good, ’cause we’re getting a maid. | |
| [39:38] | [ Sniffles ] | |
| [39:39] | [ Both laugh ] | |
| [39:41] | ♪ On this road, and I won’t look back ♪ | |
| [39:44] | ♪ Gratitude can’t get you nowhere ♪ | |
| [39:46] | [ Knock on door ] | |
| [39:48] | ♪ Now my love is gone away ♪ | |
| [39:49] | Hey. Hi. | |
| [39:50] | I’m glad you’re here. | |
| [39:52] | I’m glad, um, you called. | |
| [39:54] | Come in. Come on. Okay. | |
| [39:57] | Can I, um… get you something to drink? | |
| [40:00] | No. No, I’m good. Thank you. | |
| [40:01] | I just kind of, um, just want to talk about | |
| [40:04] | whatever it is that’s bothering you. | |
| [40:06] | Fair enough. | |
| [40:07] | [ Inhales sharply ] | |
| [40:09] | The last six months have been the most intense in my life. | |
| [40:14] | I…killed a man in the line of duty, | |
| [40:16] | I watched my captain die, I fought for my own life… | |
| [40:19] | more times than I can count. | |
| [40:21] | And I felt every second of it. | |
| [40:25] | Yesterday, you told me I would feel less | |
| [40:28] | the longer I did the job, | |
| [40:30] | and a part of me wanted that so badly. | |
| [40:33] | But I can’t… | |
| [40:36] | go numb. | |
| [40:37] | It’s not who I am, | |
| [40:38] | and it’s…definitely not who I want to be. | |
| [40:42] | So if I’m going to do this job, I have to feel… | |
| [40:46] | all of it. | |
| [40:48] | No matter… what it does to me. | |
| [40:54] | Damn it. | |
| [40:55] | What? | |
| [40:57] | I just, uh — I just… | |
| [41:02] | …fell in love with you a little. | |
| [41:05] | Wow. | |
| [41:07] | is that a bad thing? | |
| [41:09] | I don’t know yet. | |
| [41:12] | I think now’s a good — I’m gonna come right in for a — | |
| [41:15] | ♪ Gratitude, it used to be here ♪ | |
| [41:20] | Do you wanna, um… | |
| [41:23] | Do you wanna fool around? | |
| [41:26] | Yes…I…do. | |
| [41:28] | Mm. | |
| [41:29] | ♪♪ | |
| [41:35] | Where are you going? | |
| [41:38] | Uh, my place. | |
| [41:40] | I’m not taking my clothes off here. | |
| [41:43] | But you know what? | |
| [41:44] | You can choose your house over me, if you want. | |
| [41:47] | [ Chuckles ] | |
| [41:50] | ♪ Attitude like you ain’t seen, yeah ♪ | |
| [41:53] | ♪ Now my love is going away ♪ | |
| [41:58] | ♪ Going away, hey ♪ | |
| [41:59] | Wait! | |
| [42:04] | ♪♪ | |
| [42:13] | ♪♪ | |
| [42:22] | ♪♪ | |
| [42:36] | Damn it! |