| 时间 | 英文 | 中文 |
|---|---|---|
| [00:02] | ♪♪ | |
| [00:04] | Nolan: Okay, here we are. | |
| [00:06] | Thank you for being our designated driver. | |
| [00:08] | Oh, I figured you needed to blow off a little steam | |
| [00:10] | after the week you had. | |
| [00:11] | Forget about being left back. | |
| [00:12] | You just need to make peace | |
| [00:14] | with being back in long sleeves. | |
| [00:15] | I have. No, you haven’t. | |
| [00:16] | No, I haven’t. [ Chuckles ] | |
| [00:19] | Oh, guys. | |
| [00:21] | ♪♪ | |
| [00:28] | [ Cellphone beeps ] | |
| [00:30] | 911 Operator: 911, what’s your emergency? | |
| [00:31] | This if off-duty officer Jackson West, badge 33356. | |
| [00:34] | I need a unit to my home | |
| [00:36] | for an on-view suspect dealing eleven-three. | |
| [00:38] | I’m gonna cut around the back side, cut ’em off. | |
| [00:40] | ♪♪ | |
| [00:45] | Police. Get down on the ground, | |
| [00:47] | keep your hands where I can see them. | |
| [00:48] | Foot pursuit! Westbound in the alley! | |
| [00:50] | Suspect’s a male, white, 5’10”, 200 pounds. | |
| [00:51] | ♪♪ | |
| [00:55] | [ Grunts ] | |
| [00:57] | [ Groaning ] | |
| [00:59] | Lucy: Suspect in custody. | |
| [01:01] | Yo, you slinging dope in my neighborhood? | |
| [01:03] | [ Groans ] | |
| [01:05] | Mr. Wilson? | |
| [01:07] | Oh, hey, Jackson. | |
| [01:08] | You know this guy? | |
| [01:10] | Yeah, he’s my landlord. | |
| [01:12] | ♪ Whoa, oh, oh, oh, oh, oh, whoa, oh, oh ♪ | |
| [01:14] | ♪ I’m gonna win for you ♪ | |
| [01:17] | ♪ Like I know you want me to do ♪ | |
| [01:22] | [ “Feeling Good” plays ] | |
| [01:24] | ♪♪ | |
| [01:27] | ♪ We got that new thing ♪ | |
| [01:29] | Sgt. Grey: You ever heard of a Night General? | |
| [01:30] | No, sir. | |
| [01:32] | Night General Detectives. | |
| [01:34] | They respond to any major crime scene | |
| [01:36] | after normal business hours. | |
| [01:37] | They work the case until it’s assigned. | |
| [01:39] | They have to be a master in everything | |
| [01:40] | because they see everything. | |
| [01:41] | Sounds impressive. It is. | |
| [01:43] | And most of them got the attitude to go with it. | |
| [01:45] | [ Knock on door ] This my tour guide? | |
| [01:47] | I thought you were assigning me a rookie. | |
| [01:49] | I am a rookie, sir. John Nolan. | |
| [01:51] | Nick Armstrong. | |
| [01:53] | Detective Armstrong is our new Night Detective. | |
| [01:55] | He asked for a patrol officer to show him around, | |
| [01:57] | help him get familiar with our division. | |
| [01:59] | Yeah, just did a ten spot up in the seven-seven, | |
| [02:01] | so I don’t know none of the players in this part of town. | |
| [02:04] | Hell, I don’t know where to get a decent cup of coffee. | |
| [02:07] | Well, I got you covered on the coffee. | |
| [02:08] | I’ll do my best on the rest. | |
| [02:09] | Fair enough. | |
| [02:11] | Alright, it’s roll call time. You want to come? | |
| [02:12] | Yeah. First day of school, | |
| [02:14] | might as well meet the other kids. | |
| [02:16] | Were you Night General back at the seven-seven? | |
| [02:17] | Yeah. Last five years. | |
| [02:18] | After my wife died, I found the nights the hardest, | |
| [02:20] | so I filled ’em. Oh, I’m sorry. | |
| [02:22] | Married? Divorced. | |
| [02:24] | Before or after you signed up? Before. | |
| [02:25] | Part of the catalyst to make the change. | |
| [02:27] | Change is hard. I hate it, man. | |
| [02:28] | But here I am. Life is contradictory. | |
| [02:30] | [ Chuckles lightly ] Tell me about it. | |
| [02:31] | Sgt. Grey: Settle down. Find a seat. | |
| [02:34] | First up, | |
| [02:36] | I’d like to congratulate Officer Jackson West | |
| [02:38] | on a fine pinch last night. | |
| [02:39] | [ Cheers and applause ] | |
| [02:41] | No crook is safe from Officer West, | |
| [02:43] | not even his landlord. | |
| [02:45] | Letter of commendation? Change of address form. | |
| [02:47] | Your apartment is now considered a “house of ill repute”… | |
| [02:49] | [ Laughter ] …and under asset seizure. | |
| [02:51] | We need your new address by tomorrow, | |
| [02:53] | even if it’s Mama’s house. | |
| [02:54] | Alright. | |
| [02:56] | This sharp-dressed man in the doorway | |
| [02:58] | is Detective Nick Armstrong. | |
| [03:01] | He’ll be in the field after hours | |
| [03:02] | for your detecting needs. | |
| [03:04] | Yes, Officer Lopez? | |
| [03:05] | Detective Armstrong, on a scale of 1 to 10, | |
| [03:08] | where 1 is “patrol friendly” | |
| [03:09] | and 10 is “making us guard a cleared crime scene | |
| [03:11] | in the pouring rain | |
| [03:13] | ’cause you get a power trip off of it,” | |
| [03:14] | where do you stand? | |
| [03:16] | Sgt. Grey: Lopez. | |
| [03:17] | No, it’s alright, Sarge. | |
| [03:18] | I appreciate a direct question. | |
| [03:20] | A lot of cops take off the uniform, | |
| [03:22] | they put on the suit. | |
| [03:23] | Suddenly, they think they’re better | |
| [03:24] | than the officers in this room. | |
| [03:26] | I’m not one of them. | |
| [03:27] | Patrol is where it all happens. | |
| [03:29] | It’s fast, honest, pure, raw. | |
| [03:32] | 85% of all crimes are solved at the patrol level. | |
| [03:35] | So, the way I see it, I am here to help you, | |
| [03:39] | not the other way around. | |
| [03:41] | And if that doesn’t win you over, | |
| [03:42] | I have five dozen of the finest donuts | |
| [03:44] | in the break room. | |
| [03:46] | That’s all I’m saying. [ Laughter ] | |
| [03:47] | [ Applause ] | |
| [03:48] | Detective, you think you can buy us with donuts? | |
| [03:51] | Absolutely not. | |
| [03:53] | Maybe rent you, though. | |
| [03:54] | [ Light laughter ] | |
| [03:57] | Okay, are we done? Good, ’cause we’re done. | |
| [03:59] | Be safe out there. | |
| [04:01] | Bradford, let me see you a sec. | |
| [04:06] | Chief Williams added another book | |
| [04:08] | to your Sergeants Exam reading list. | |
| [04:10] | Tim: “Split Second Leadership: | |
| [04:11] | Leading Men In The Line Of Duty.” | |
| [04:13] | Men? It’s from the ’60s. | |
| [04:14] | How is this relevant to 21st-century policing? | |
| [04:16] | Ours is not to reason why, Officer Bradford. | |
| [04:20] | Read the book. | |
| [04:21] | Yes, sir. | |
| [04:26] | Sergeant Grey is setting me up to fail. | |
| [04:28] | You see that, right? No. I really don’t. | |
| [04:30] | Come on, there’s no way | |
| [04:31] | I’m gonna find someplace to live in one day. | |
| [04:33] | Not with that attitude. [ Sighs ] | |
| [04:34] | 7 to 10 days would be a reasonable amount of time. | |
| [04:37] | It’s at the sergeant’s discretion. | |
| [04:39] | Just like sticking me back in long sleeves was at his discretion. | |
| [04:41] | You know, I know two guys from the academy | |
| [04:43] | who both got 80s, and they’re both in short sleeves. | |
| [04:45] | [ Car door closes ] | |
| [04:46] | Why’s he penalizing me? | |
| [04:47] | You know, I think I liked you better | |
| [04:48] | when you were a coward. | |
| [04:50] | You complained less. | |
| [04:51] | ♪♪ | |
| [04:53] | Tim: If I have to suffer, so do you. | |
| [04:56] | So, you’re gonna read this out loud to me between calls. | |
| [04:58] | Only way I’m gonna get it memorized in time. | |
| [05:00] | Or I could drive | |
| [05:01] | and you could read it to yourself. | |
| [05:04] | Nice try. Start reading. | |
| [05:05] | [ Clears throat ] Okay. | |
| [05:07] | “Chapter One. | |
| [05:09] | True leadership generates respect, not fear. | |
| [05:12] | It elevates people, rather than diminishing them.” | |
| [05:15] | I like this book. | |
| [05:17] | You would. | |
| [05:18] | Keep reading. | |
| [05:20] | “The number-one mistake new leaders make | |
| [05:22] | is to think themselves suddenly infallible. | |
| [05:25] | The best leaders understand | |
| [05:27] | that even the lowliest patrol officer | |
| [05:29] | has something valuable to teach them.” | |
| [05:31] | Repeat that last part back to me. | |
| [05:35] | Memorizing is all about repetition. | |
| [05:37] | Trust me. I’m a psych major. | |
| [05:38] | I-I know this stuff. | |
| [05:40] | The best leaders understand | |
| [05:42] | that even the lowliest patrol officer | |
| [05:43] | has something valuable to teach them. | |
| [05:45] | Again. | |
| [05:47] | Dispatch: 7-Adam-19, | |
| [05:49] | family disturbance at 217 Evergreen. | |
| [05:51] | Thank God. | |
| [05:52] | 7-Adam-19, copy. En route. | |
| [05:54] | Okay, ETA three minutes. Time to read some more. | |
| [05:57] | “An open mind and an open door…” | |
| [06:00] | And that’s why phase three recruits | |
| [06:02] | all have tan left arms. | |
| [06:04] | I am not gonna lie, | |
| [06:07] | the change to short sleeves has been life-altering. | |
| [06:09] | [ Laughs ] I remember it well. | |
| [06:13] | Then I quickly, uh, moved into suits. | |
| [06:15] | I mean, it’s not as hot as wool, | |
| [06:17] | but it’s not cool, either. [ Chuckles ] | |
| [06:19] | How long did it take you to make the move? | |
| [06:21] | What? Uh, detective? | |
| [06:22] | Four years. | |
| [06:24] | I didn’t think that was possible. | |
| [06:26] | Yeah, well, I’m still the only cop who’s done it. | |
| [06:28] | But I still wonder if I — if I moved too quickly. | |
| [06:30] | Well, speaking as someone who wants to move up rapidly, | |
| [06:32] | I am officially your number-one fan. | |
| [06:34] | If there’s any hints you can dispense, | |
| [06:35] | I am all ears. | |
| [06:37] | You hook me up on the local 411, | |
| [06:38] | and I’ll dispense a little knowledge. | |
| [06:40] | Deal. [ Chuckles ] | |
| [06:41] | Dispatch: All units, incoming four-fifteen. | |
| [06:43] | Shaw Memorial. | |
| [06:45] | Security fighting with unknown male. | |
| [06:46] | I haven’t been in a fight in a while. | |
| [06:48] | Buy that call. | |
| [06:50] | Let’s go get in some trouble. | |
| [06:51] | Sure. Here we go. | |
| [06:53] | They’re gonna kill each other! | |
| [06:55] | My boys — they bought these military vests | |
| [06:56] | off the Internet, | |
| [06:57] | and they wanna try them out! | |
| [06:59] | Bulletproof vests? Oh, I hope so. | |
| [07:00] | They won’t listen to me. Maybe you’ll listen to them. | |
| [07:02] | I called the cops. Ma’am, get in the house. Get in the house. | |
| [07:04] | Put the guns down! Put ’em down! Both: 3, 2, 1. | |
| [07:06] | Drop your weapons! | |
| [07:07] | [ Gunshots ] | |
| [07:09] | Oh, my God! [ Both cough ] | |
| [07:11] | Stay in the house. J-Bag: See, I told you they’d work. | |
| [07:13] | Drop the guns, right now! Drop your weapon now! | |
| [07:14] | Jason: Relax. We were just messing around. | |
| [07:16] | J-Bag bet me the vests wouldn’t work. | |
| [07:18] | ♪♪ | |
| [07:19] | Tim: You been drinking, | |
| [07:21] | or are you normally this stupid? | |
| [07:22] | Get up. | |
| [07:24] | I-I don’t feel so good. | |
| [07:26] | [ Groans ] Tim. | |
| [07:28] | Tim. Shelly: Look at you! | |
| [07:29] | You guys never listen to what I’m saying. | |
| [07:31] | I won the bet. What bet? He’s dying! | |
| [07:33] | It doesn’t matter! It was his idea to buy the vests! | |
| [07:35] | 7-Adam-19. I need an ambulance. | |
| [07:36] | Gunshot wound to the upper torso. | |
| [07:38] | Mom, go back in the house! | |
| [07:39] | He’s bleeding. What are you doing here? | |
| [07:41] | Nurse Lisa: Excuse me, excuse me, excuse me. | |
| [07:42] | Just came in on a 5150 hold. | |
| [07:44] | He got loose. He’s high on something. | |
| [07:46] | [ Grunting, punches ] Armstrong: Whoa. | |
| [07:48] | [ Grunting ] | |
| [07:50] | Hey, big guy. Hey. | |
| [07:53] | We don’t want anybody hurting you, okay? | |
| [07:55] | [ Roars ] Tase him, tase him, tase him! | |
| [07:57] | [ Taser crackles ] | |
| [07:58] | ♪♪ | |
| [08:01] | [ Taser crackles ] | |
| [08:03] | ♪♪ | |
| [08:06] | [ Both grunting ] | |
| [08:10] | Come on, big guy. Come on. | |
| [08:11] | [ Both shouting ] | |
| [08:13] | ♪♪ | |
| [08:21] | Grace? John? | |
| [08:22] | [ Grunts ] | |
| [08:23] | ♪♪ | |
| [08:28] | I’m open to ideas. | |
| [08:29] | ♪♪ | |
| [08:32] | [ Applause ] | |
| [08:37] | Are you okay? Yes. | |
| [08:39] | Yeah, I probably should have…stretched before that. | |
| [08:41] | [ Chuckles lightly ] | |
| [08:42] | How long have you been a cop? | |
| [08:44] | Six months. You’re kidding me. | |
| [08:46] | I mean, they didn’t let me touch a patient for three years. | |
| [08:47] | Oh, well, I think LAPD puts value on | |
| [08:50] | “on the job” training. | |
| [08:51] | I thought you were gonna be a painter. | |
| [08:53] | I mean, things happened, so… | |
| [08:55] | What did you give him, and can I get some? | |
| [08:58] | [ Chuckles ] | |
| [09:00] | Detective Armstrong, this is Grace. | |
| [09:01] | Hi. Nice to meet you. | |
| [09:02] | How do you know Nolan? | |
| [09:04] | We went to college together. | |
| [09:05] | [ Exhales sharply ] Briefly. | |
| [09:06] | Nurse Lisa: Gunshot victim coming in! | |
| [09:08] | Good seeing you again, John. | |
| [09:10] | Nice to meet you, Detective. | |
| [09:12] | Armstrong: Nice to meet you. | |
| [09:14] | This the first time you’ve seen her since? | |
| [09:16] | Yeah. | |
| [09:18] | She looks good. | |
| [09:21] | Come on. Yep. | |
| [09:22] | Come on. | |
| [09:23] | No. | |
| [09:25] | [ Door buzzes ] | |
| [09:26] | [ Groans ] | |
| [09:28] | Come on. Come on. | |
| [09:30] | ♪♪ | |
| [09:31] | Hey, West. | |
| [09:32] | What’s up? | |
| [09:34] | You find a place to live yet? | |
| [09:35] | Smitty, it’s only been, like, two hours. | |
| [09:37] | After you book your DUI, meet me at the west gate. | |
| [09:40] | ♪♪ | |
| [09:41] | Oh. | |
| [09:42] | [ Man falls on floor ] | |
| [09:49] | Smitty? | |
| [09:51] | [ Gate opens ] | |
| [09:53] | ♪♪ | |
| [09:57] | [ Indistinct conversations ] | |
| [09:59] | [ Door opens ] | |
| [10:00] | Jackson. Welcome home. | |
| [10:03] | Home? That’s right. | |
| [10:05] | You have a chance to stay at the best-kept secret | |
| [10:07] | in the LAPD — | |
| [10:08] | Shangri-La Westgate. | |
| [10:11] | Low maintenance, zero commute, | |
| [10:13] | and a vacation is easy as | |
| [10:15] | “Gentlemen, start your engines.” | |
| [10:17] | Smitty, you live in the police station parking lot. | |
| [10:20] | I even have the password to the coffee shop WiFi. | |
| [10:23] | Baller, isn’t it? | |
| [10:25] | “Baller” is not the first word that comes to mind, | |
| [10:27] | and not one that sounds good coming out of your mouth. | |
| [10:29] | But…you know what? | |
| [10:32] | This actually is something that might — Lopez: Boot! | |
| [10:34] | I told you to meet me at the shop! | |
| [10:37] | $400 a month, zero security deposit. | |
| [10:39] | We got a deal? | |
| [10:40] | Let’s go! | |
| [10:43] | Let me get back to you. | |
| [10:44] | [ Car door closes ] | |
| [10:47] | Alright, so, what’s the deal with Dr. Grace? | |
| [10:50] | What do you mean? | |
| [10:52] | Mm, noticed a little something-something under the surface. | |
| [10:53] | You didn’t catch it? | |
| [10:56] | No, but I was, uh, a little preoccupied. | |
| [11:00] | You know, surprise, adrenaline, head trauma. | |
| [11:02] | Okay. | |
| [11:05] | What — What do you think it was? | |
| [11:06] | Hey, I — No idea. No idea. | |
| [11:08] | Dispatch: 7-Adam-15, manually activated panic alarm. | |
| [11:11] | Multiple distress activations. | |
| [11:13] | 7-Adam-15, responding. | |
| [11:15] | Code 2 High. | |
| [11:17] | ♪♪ | |
| [11:21] | Is this locked? | |
| [11:23] | Let’s try the side of the house first. | |
| [11:24] | ♪♪ | |
| [11:30] | ♪♪ | |
| [11:36] | Hey. | |
| [11:39] | Look. | |
| [11:41] | [ Banging on door ] | |
| [11:42] | [ Muffled shouting ] | |
| [11:43] | Police! Come on out! | |
| [11:45] | Show me your hands! | |
| [11:47] | [ Muffled grunting ] | |
| [11:49] | Nolan: I got you. I got you. | |
| [11:50] | Armstrong: It’s okay. Oh, oh, oh. | |
| [11:51] | Alright. They have Jeff. | |
| [11:53] | They have our son. | |
| [11:55] | There’s — There’s two of them. Shh. It’s okay. | |
| [11:56] | -They’re upstairs. -How long ago? | |
| [11:58] | Uh, 20 minutes, half hour. | |
| [11:59] | Home invasion, possible 207. We’re clearing the house now. | |
| [12:02] | Stay here. Okay. Okay. | |
| [12:04] | [ Both breathing shallowly ] | |
| [12:08] | ♪♪ | |
| [12:18] | ♪♪ | |
| [12:28] | ♪♪ | |
| [12:38] | Armstrong: Clear! | |
| [12:40] | ♪♪ | |
| [12:46] | ♪♪ | |
| [12:52] | Matt: [ In distance ] Jeff? | |
| [12:54] | ♪♪ | |
| [12:56] | No. I’m sorry. | |
| [12:57] | No! Jeff! | |
| [13:00] | ♪♪ | |
| [13:04] | God… I’m sorry. | |
| [13:10] | So, what we got? Uh, victim’s name | |
| [13:13] | is Jeff Christian, 17 years old. | |
| [13:14] | Apparently gunshot wound to the back. | |
| [13:15] | Any others? Yeah. | |
| [13:17] | Matt and Marilyn Christian. Parents. | |
| [13:18] | Both assaulted. | |
| [13:19] | Described two masked assailants. | |
| [13:21] | Males, white, maybe Hispanic. | |
| [13:23] | 5’9″ to 5’11”, medium build. | |
| [13:25] | Uh, the primary wore white sneakers with a red triangle. | |
| [13:28] | I already put out a BOLO citywide. | |
| [13:30] | Can I tell you, it’s nice to have | |
| [13:32] | a detective here from the get-go. Yeah. | |
| [13:34] | Now, you want the on-call homicide dicks to respond? | |
| [13:36] | Nah, I’ll take this one. Anything special | |
| [13:38] | you want them to pay attention to? | |
| [13:39] | Uh, there was a piece of electrical tape | |
| [13:41] | covering the doorbell camera. | |
| [13:44] | Hey. | |
| [13:46] | 75% of cops would have missed that tape. | |
| [13:48] | That’s a nice spot, Officer Nolan. | |
| [13:50] | You want to work with me on this one? | |
| [13:52] | Yes, sir, I do. | |
| [13:53] | Good. Come on. | |
| [13:58] | Mr. and Mrs. Christian, I… | |
| [14:03] | I am, uh… | |
| [14:07] | I’m sorry. | |
| [14:08] | All I can offer is a promise. | |
| [14:12] | I will hunt the men who did this. | |
| [14:15] | I will hunt them to the ends of the Earth, | |
| [14:17] | and I will not stop until I find them. | |
| [14:20] | If there’s anything you need, the LAPD is here for you. | |
| [14:23] | Thank you. | |
| [14:26] | Armstrong: Would you excuse us? | |
| [14:36] | What do we got? [ Grunts ] | |
| [14:37] | Is that a puncture wound on the elbow? | |
| [14:39] | Yeah. Entry wound. | |
| [14:42] | The bullet entered the elbow, | |
| [14:44] | probably bounced off the humerus bone, | |
| [14:46] | severed the brachial, | |
| [14:47] | and then came out of the back. | |
| [14:50] | What’s this fluid in his mouth? | |
| [14:54] | Pulmonary edema, but let’s let the coroner handle that. | |
| [14:56] | Any sign of struggle? | |
| [14:57] | Uh… | |
| [14:59] | Not really, but… | |
| [15:02] | how does someone get shot in the elbow? | |
| [15:04] | [ Sighs ] Reaching for a loaded gun. | |
| [15:06] | But what does lunging for a gun suggest? | |
| [15:08] | He was fighting back. Eventually, | |
| [15:09] | but why wait so long? | |
| [15:11] | Was he trying to reason with them? Maybe. | |
| [15:14] | But maybe shooting the kid wasn’t the original plan, | |
| [15:15] | but once he grabbed the gun — | |
| [15:16] | Bang. No choice. | |
| [15:18] | But why are they in this room? | |
| [15:20] | The master bedroom, the parents’ room — | |
| [15:22] | that’s where all the expensive stuff is. | |
| [15:24] | ♪♪ | |
| [15:26] | But here… | |
| [15:28] | Wait a minute. | |
| [15:33] | [ Door hinges creak ] | |
| [15:36] | Cubby hole. | |
| [15:38] | Prescription pills. | |
| [15:41] | [ Cellphone camera clicks ] | |
| [15:42] | Yeah. | |
| [15:44] | I’m gonna have to let the lab confirm, | |
| [15:45] | but I’m saying that’s Oxycontin. | |
| [15:48] | You think maybe this was the real target? | |
| [15:49] | See that piece of plastic on that nail? | |
| [15:50] | The baggie probably ripped when they pulled it out, | |
| [15:53] | and they lost a few pills. | |
| [15:54] | So that explains what they were doing up here. | |
| [15:56] | So, what do we do next? | |
| [15:58] | Uh…we dig into Jeff’s past, | |
| [16:01] | find out everybody he knew. | |
| [16:03] | Two of those people either killed him or know who did. | |
| [16:05] | Perfect. | |
| [16:06] | The suspect pool just shrunk | |
| [16:08] | from the whole world to about 200 now. | |
| [16:10] | Eliminate women, the very tall, short, young, old — | |
| [16:13] | we’re talking maybe 50 names. | |
| [16:15] | We could have these guys ID’d before dinner. | |
| [16:17] | ♪♪ | |
| [16:19] | Jackson: Good move, pulling me away from Smitty’s RV. | |
| [16:21] | He just dropped the rent a hundred bucks. | |
| [16:23] | Yeah, my dad always said the only true negotiating power | |
| [16:25] | is the ability to walk away. | |
| [16:27] | Smitty’s Shangri-La is where cops go to die. | |
| [16:29] | That’s one way of looking at it. | |
| [16:30] | And the other is that it’s freedom, | |
| [16:33] | model of efficiency. | |
| [16:34] | No commute, cheap rent. | |
| [16:36] | You can spin it all you want. | |
| [16:37] | Doesn’t change the fact | |
| [16:38] | that it’s another step in the wrong direction. | |
| [16:40] | Why not just move back in with your folks | |
| [16:42] | while you look for a place? | |
| [16:43] | Talk about the wrong direction. | |
| [16:45] | ‘Cause you haven’t told your dad about your test score? | |
| [16:47] | [ Scoffs ] No. | |
| [16:49] | [ Police radio chatter ] | |
| [16:51] | Alright, fine. Fine. | |
| [16:54] | I’ll stay at home tonight, | |
| [16:55] | but only ’cause it’ll get Smitty | |
| [16:57] | to knock down the rent even more. | |
| [16:58] | Just like that, we’re back where we started. | |
| [17:00] | Lucy: “Chapter Three. | |
| [17:02] | The healthy habits of command. | |
| [17:04] | Delegation is the key | |
| [17:06] | to leading men in times of stress. | |
| [17:07] | Don’t ever think you can carry the load all by yourself.” | |
| [17:10] | That is so true. Don’t you think? | |
| [17:12] | It’s hard enough to listen to it without you editorializing. | |
| [17:14] | Hey, I’m happy to stop reading and catch up on paperwork. | |
| [17:16] | You’re gonna have to re-read all of this anyway | |
| [17:18] | to really memorize it. No. | |
| [17:20] | I memorize best when I hear it. | |
| [17:21] | Really? | |
| [17:23] | Yeah. Huh. | |
| [17:25] | Why? Nothing. I… | |
| [17:26] | Boot. | |
| [17:28] | You might have a learning difference. | |
| [17:30] | A what? | |
| [17:32] | Technically, it’s classified as a disability, | |
| [17:35] | but it really just means that you’re wired | |
| [17:37] | to process information differently. | |
| [17:38] | In your case, through — through hearing | |
| [17:40] | rather than reading. I don’t have a learning disability. | |
| [17:42] | A lot of people have them. | |
| [17:44] | I bet Isabel helped you in the Academy, | |
| [17:45] | read through the materials with you and stuff. | |
| [17:47] | We’re not talking about this. | |
| [17:49] | Dispatch: 7-Adam-19, suspicious person. | |
| [17:51] | Unknown male sitting in a red minivan. | |
| [17:53] | Possibly casing at 1966 Keegan Street. | |
| [17:56] | 7-Adam-19, show us responding. | |
| [17:58] | All I’m saying is… | |
| [18:02] | Never mind. | |
| [18:05] | [ Siren chirps ] | |
| [18:08] | ♪♪ | |
| [18:11] | [ Car doors close ] | |
| [18:13] | ♪♪ | |
| [18:18] | Let’s talk on the sidewalk. | |
| [18:20] | ♪♪ | |
| [18:25] | [ Chuckles ] Rex? | |
| [18:26] | You’re still chasing bounty? | |
| [18:28] | I thought you moved to Reno. | |
| [18:29] | All my bail jumpers come to L.A. | |
| [18:31] | I got a tip one of ’em’s down the street | |
| [18:33] | staying at his aunt’s place. | |
| [18:34] | We got three 911 calls about a weirdo in a minivan. | |
| [18:36] | Casing. Watch your tone, Boot. | |
| [18:39] | Oh, you don’t get to call her “Boot,” Rex. | |
| [18:40] | You’re retired. | |
| [18:42] | She’s the police now. | |
| [18:43] | Let’s see your bail bonds license | |
| [18:44] | and the warrant on your jumper. | |
| [18:46] | You let her talk to you like that? | |
| [18:48] | [ Clicks tongue ] | |
| [18:55] | Nico Sandoval. Attempted murder? | |
| [18:57] | Okay, you need to call dispatch | |
| [18:59] | and let us know when you’re out here. | |
| [18:59] | This guy sounds dangerous. | |
| [19:01] | Uh, I’ve been Code 5 on dangerous men | |
| [19:03] | since before you were born, little lady. | |
| [19:05] | Well, in this century, you notify local law enforcement | |
| [19:06] | so when you get in the weeds, we know who’s out here. | |
| [19:09] | I don’t call for help. Help calls for me. | |
| [19:12] | Maybe you need to let this guy read your book. | |
| [19:14] | Rex, if you’re gonna be out here, you gotta play by the rules. | |
| [19:15] | Ah, come on, Tim. | |
| [19:16] | I call this in, | |
| [19:18] | someone’s gonna snatch my bounty. | |
| [19:24] | I need that money. | |
| [19:28] | Nico shows, you give us a call. | |
| [19:30] | No one’s gonna “snatch your bounty.” | |
| [19:33] | Alright. | |
| [19:36] | It’s good to see you, Rex. | |
| [19:38] | It’s good seeing you, too, Tim. | |
| [19:40] | Nolan: Detective Armstrong. | |
| [19:41] | I spoke to some of Jeff’s friends. | |
| [19:44] | Turns out he did a stint in rehab three months ago. | |
| [19:47] | Wow. | |
| [19:49] | Funny how his family failed to mention that, | |
| [19:51] | and that explains the fluid you saw coming out of his mouth. | |
| [19:54] | The only cause for that to happen in a dead body | |
| [19:56] | is a bad chest cold or an opioid addiction. | |
| [19:59] | That’s good to know. | |
| [20:00] | We need to get a warrant for Jeff’s rehab records, | |
| [20:02] | see if he made any friends in there. | |
| [20:05] | Actually, I spoke to an ex-girlfriend. | |
| [20:07] | She told me while Jeff was in rehab, | |
| [20:08] | he connected with a man who was, quote, | |
| [20:10] | “ass cancer in a skin suit.” | |
| [20:12] | Got Jeff to deal some drugs for him | |
| [20:13] | while he was in his fancy prep school. | |
| [20:15] | This skin suit have a name? | |
| [20:16] | Bruno Winch. | |
| [20:18] | He lives over in Highland Park. | |
| [20:19] | ♪♪ | |
| [20:25] | Lopez: LAPD! Probation search! | |
| [20:26] | Open up! | |
| [20:28] | ♪♪ | |
| [20:30] | -Bruno Winch! LAPD! -Clear! | |
| [20:33] | ♪♪ | |
| [20:37] | -Clear! -Clear. | |
| [20:38] | ♪♪ | |
| [20:40] | Clear! | |
| [20:41] | ♪♪ | |
| [20:48] | Man: Clear. | |
| [20:53] | Sgt. Grey: Baseball bat. Tough way to go. | |
| [20:56] | White shoes, red triangles. | |
| [20:59] | ♪♪ | |
| [21:04] | Bruno: [ Gasps ] | |
| [21:10] | [ Woman speaks indistinctly over P.A. ] | |
| [21:12] | Nolan: I don’t see you in 20 years, | |
| [21:14] | now I see you twice in one day. | |
| [21:15] | I still cannot believe you’re a cop. | |
| [21:16] | How long have you been in L.A.? | |
| [21:18] | Uh, less than a year. | |
| [21:20] | Moved out after Sarah and I got divorced | |
| [21:21] | and Henry went off to college. | |
| [21:22] | That’s right. | |
| [21:24] | Yeah, Henry would be, um, 20 now. | |
| [21:26] | 20. [ Chuckles lightly ] | |
| [21:28] | That’s so weird. We’re so old. | |
| [21:30] | Right. And yet, you look exactly the same. | |
| [21:32] | How is that even possible? | |
| [21:33] | Grace. Did Bruno make it? | |
| [21:36] | He’s critical, but I think he’ll live. | |
| [21:38] | He’s in ICU. Any chance for an interview? | |
| [21:40] | No, we had to induce a coma. | |
| [21:42] | There’s a lot of pressure on his brain. Couple days, maybe? | |
| [21:44] | Most likely, it’s gonna be a week. | |
| [21:45] | But we bagged his clothing for you. | |
| [21:47] | Excuse me. | |
| [21:50] | Yeah, see, I didn’t feel anything then. | |
| [21:54] | Yeah, maybe I’m just making it up. | |
| [21:56] | Now I think you’re just giving me a hard time. Absolutely possible. | |
| [21:59] | So, what are we thinking with Bruno? | |
| [22:01] | He and his partner | |
| [22:03] | pull a home invasion to get to Jeff. | |
| [22:05] | Jeff probably stole something from him — | |
| [22:08] | maybe owed him drugs, money. | |
| [22:10] | But then how does Bruno end up beaten half to death? | |
| [22:12] | Don’t do that — speculate. | |
| [22:14] | Making up stories is how innocent men to go jail | |
| [22:16] | and guilty men go free. | |
| [22:17] | Thus endeth the tip. Understood. | |
| [22:19] | Alright. End of shift. Uh, you riding back to the station? | |
| [22:21] | Oh, no, I don’t have to clock out like you do. | |
| [22:23] | I’m gonna stay here, have some questionable hospital food, | |
| [22:26] | see if a miracle happens and Bruno wakes up. | |
| [22:28] | Okay. Later. | |
| [22:29] | Later. | |
| [22:39] | Armstrong? | |
| [22:42] | I’m doing a huge renovation on a house I just bought. | |
| [22:45] | I could really use an extra set of hands. | |
| [22:47] | Pizza and beer on me. | |
| [22:51] | [ Chuckles lightly ] | |
| [22:52] | ♪♪ | |
| [22:54] | Pizza and beer? | |
| [22:56] | This place is a wreck. Yes. | |
| [22:58] | But it’s my wreck. | |
| [23:00] | [ Laughs ] | |
| [23:01] | So, hey, tell me about Grace. | |
| [23:03] | Uh…we dated. | |
| [23:05] | Yeah, I knew it. | |
| [23:07] | She had that “bad breakup” energy. | |
| [23:09] | It was 20 years ago, and she’s wearing a ring, | |
| [23:12] | probably has a kid. | |
| [23:13] | I’m sure she barely remembers me. | |
| [23:15] | Yeah, yeah. Just tell me what happened. | |
| [23:17] | We met my junior year. | |
| [23:20] | I was…dating my ex-wife, Sarah, since high school, | |
| [23:23] | and, uh, we hit a bad spell and broke up. | |
| [23:25] | And that’s when Grace happened. | |
| [23:27] | Yeah, we’d been friends for a few months, | |
| [23:29] | and there had always been a spark, | |
| [23:31] | but it just… | |
| [23:32] | went off like a bomb. | |
| [23:35] | Crawled all over each other for two weeks. | |
| [23:37] | It was zero to 160 in the span of a heartbeat. | |
| [23:40] | And then? | |
| [23:43] | Then Sarah showed up at my dorm eight weeks’ pregnant. | |
| [23:45] | Damn. Damn. | |
| [23:48] | And you did the right thing? | |
| [23:50] | There was really no other choice. | |
| [23:51] | I still loved her, and that was my kid. | |
| [23:53] | So, I, uh, dropped out of school, | |
| [23:55] | packed up my things, moved back to Foxburg. | |
| [23:58] | I was married in a month, a dad within six, | |
| [24:02] | got a job in construction, never looked back. | |
| [24:04] | Never? | |
| [24:06] | Well…I mean, not never. | |
| [24:09] | Now your paths have crossed again, so… | |
| [24:11] | So, nothing. | |
| [24:12] | I’m seeing someone, and she’s married. | |
| [24:14] | Married women are the best. | |
| [24:17] | You find yourself | |
| [24:18] | a sexually frustrated, hot little mama | |
| [24:20] | whose husband isn’t doing it right — I can’t do that. | |
| [24:22] | I mean, just thinking about that stresses me out. | |
| [24:24] | That’s — That’s how lives are ruined. | |
| [24:26] | ♪ Power ♪ | |
| [24:28] | ♪ Unh ♪ | |
| [24:29] | That… is the right answer. | |
| [24:33] | [ Chuckles ] | |
| [24:34] | Hey, you can’t be faithful to a girl, | |
| [24:36] | you can’t be faithful to an oath or a badge. | |
| [24:39] | I’ll drink to that. Yes. | |
| [24:40] | Tim: Running late? | |
| [24:42] | Yeah, had to commute from my folks’ place in Simi Valley. | |
| [24:45] | Half the LAPD lives in Ventura County, | |
| [24:46] | but they all seem to make it to work on time. | |
| [24:48] | Yeah, well, my dad was getting | |
| [24:50] | all up in my business about getting extended. | |
| [24:52] | Literally had to stop him from coming down here and lighting up Lopez. | |
| [24:54] | Look, the hole you’re in has nothing to do with Lopez. | |
| [24:56] | But she’s gonna pay the price | |
| [24:57] | when the commander’s son goes belly-up | |
| [24:58] | halfway through training. | |
| [25:00] | I told him it’s not her fault. | |
| [25:01] | Yeah, so, tell him again. | |
| [25:02] | Lopez bent over backwards for you. | |
| [25:04] | She protected your ass | |
| [25:06] | when any other T.O. would’ve sent you packing. | |
| [25:08] | You owe her your career. | |
| [25:10] | I know. | |
| [25:13] | ♪♪ | |
| [25:21] | Nurse Lisa: Hey. | |
| [25:23] | You’re the cop who wrestled the guy in the kilt. | |
| [25:25] | Yes. Actually, I’m here checking on another patient. | |
| [25:27] | Bruno Winch? We’re trying to I.D. his p– | |
| [25:28] | Bruno’s still in a coma. | |
| [25:30] | Right. I figured…as much. | |
| [25:32] | I just thought I’d come and check. | |
| [25:34] | You could have done that by phone. | |
| [25:37] | Nurse Lisa: See ya. | |
| [25:40] | I officially feel like you’re stalking me. | |
| [25:43] | That is as ridiculous as it is accurate. | |
| [25:45] | We really just didn’t get a chance to catch up yesterday. | |
| [25:47] | Like, how long have you been working here? | |
| [25:49] | And, uh, do you have any kids? | |
| [25:52] | [ Exhales sharply ] | |
| [25:54] | I’ve been here three weeks, | |
| [25:55] | I’m the new head of emergency medicine, | |
| [25:58] | and I have an 8-year-old. | |
| [25:59] | Oh, 8’s such a great age, | |
| [26:01] | I mean, obviously, they’re all great, but 8 is… | |
| [26:03] | John, listen — I don’t mean to be rude. | |
| [26:06] | I can’t do this with you. | |
| [26:09] | Grace, it’s been 20 years. | |
| [26:11] | You left a note on my door. | |
| [26:12] | I mean, I never heard from you again. | |
| [26:13] | Sarah was pregnant. | |
| [26:16] | You broke my heart. | |
| [26:18] | I mean, I thought that we were both in love, | |
| [26:20] | and then you just disappeared. | |
| [26:24] | I can’t believe that I am still this angry with you. Grace — | |
| [26:26] | You know, I’ll have them call you | |
| [26:28] | when your suspect wakes up. | |
| [26:30] | ♪♪ | |
| [26:38] | [ Indistinct conversations ] | |
| [26:45] | Nolan: Mr. Christian? | |
| [26:47] | Can I help you with something? | |
| [26:48] | Uh, Detective Armstrong asked me to come in | |
| [26:50] | so he could re-interview me | |
| [26:52] | after, you know, the initial shock’s passed. | |
| [26:56] | But I’m not sure it has. | |
| [27:00] | I can only imagine what you’re going through right now. | |
| [27:04] | Hell, if somebody hurt my Henry, I’d be out for blood. | |
| [27:07] | ♪♪ | |
| [27:13] | I’ll go let Detective Armstrong know that you’re here. | |
| [27:19] | Armstrong. Yeah. What’s up, buddy? | |
| [27:21] | I was just talking | |
| [27:23] | to Matt Christian in the lobby. Mm-hmm? | |
| [27:24] | I told him if anything happened to my son, | |
| [27:27] | I’d be out for blood, and he just got his look. | |
| [27:31] | I mean, I-I could be misinterpreting it. | |
| [27:33] | Our job as investigators is not to speculate. | |
| [27:36] | It’s to think about what we’ve seen, | |
| [27:37] | what we’ve heard, and articulate the facts. | |
| [27:40] | What are those facts? | |
| [27:42] | Matt paid for Jeff to go to rehab. | |
| [27:46] | Uh, that’s where Jeff met Bruno. | |
| [27:48] | Yep. | |
| [27:50] | It’s definitely possible | |
| [27:52] | that Matt met Bruno there | |
| [27:54] | when he was visiting his son. | |
| [27:55] | Maybe Matt recognized Bruno’s voice | |
| [27:57] | during the home invasion? | |
| [28:01] | Let’s go talk to Matt. | |
| [28:03] | Armstrong: Alright. Thanks for coming by, Matt. | |
| [28:05] | How’s Marilyn today? | |
| [28:06] | We didn’t sleep. | |
| [28:07] | She, uh — She can’t stop crying. | |
| [28:11] | Yeah, I’m sorry. | |
| [28:13] | I only have a few follow-up questions, | |
| [28:15] | and then we’ll get you back to her, okay? | |
| [28:16] | Yeah. | |
| [28:18] | Alright, was Jeff on pain medication? | |
| [28:19] | We found oxy in his room. | |
| [28:21] | He tore his knee last year. | |
| [28:24] | Eh — Doctor gave him a couple of pills. | |
| [28:26] | He was hooked for a little while, | |
| [28:27] | but…I got him clean. | |
| [28:30] | Re-birth Malibu. That’s right. | |
| [28:31] | They straightened him right out. | |
| [28:33] | Did you ever visit him there? Of course. | |
| [28:35] | You know, when they let me. | |
| [28:36] | Did you meet a patient named Bruno Winch? | |
| [28:42] | Doesn’t ring a bell. | |
| [28:46] | But what’s this got to do with the home invasion? | |
| [28:49] | That…wasn’t about Jeff. | |
| [28:51] | Well…actually, we think he was the real target. | |
| [28:57] | What are you talking about? | |
| [28:59] | Bruno Winch is one of the men that entered your home, | |
| [29:01] | bound and beat you, and killed your son. | |
| [29:05] | I have a photo of him. Maybe you recognize him. | |
| [29:09] | Oops. Uh, that’s the wrong photo. | |
| [29:12] | That’s what he looked like yesterday when we found him, so… | |
| [29:14] | Is he dead? No. | |
| [29:15] | He’s just in the hospital. | |
| [29:16] | We’re waiting for him to wake up | |
| [29:18] | so he can tell us who did that to him. | |
| [29:19] | I don’t actually have the photo with me. | |
| [29:21] | Uh…let me go get it. | |
| [29:24] | Uh, Matt, why didn’t you mention | |
| [29:25] | that Jeff had a drug problem? | |
| [29:30] | Wasn’t a problem anymore. | |
| [29:33] | And I didn’t want his whole memory to be that. | |
| [29:35] | Of course. Well, that’s a father’s job — | |
| [29:37] | protect his kids. | |
| [29:39] | He was the best part of me. | |
| [29:42] | I failed him. | |
| [29:45] | Matt, I know you feel guilty. | |
| [29:47] | Put him in rehab to straighten him out, | |
| [29:49] | watch him get connected with bad people | |
| [29:51] | who just pulled him deeper down, | |
| [29:52] | but that is not your fault. | |
| [29:53] | If you know anything | |
| [29:55] | that can lead us to Bruno’s partner, | |
| [29:57] | you need to tell me. | |
| [29:59] | Just let us do our job. | |
| [30:01] | ♪♪ | |
| [30:11] | Sorry. Printer’s broken. | |
| [30:13] | Uh, I can e-mail you the photo. | |
| [30:15] | Sure. | |
| [30:17] | Uh…I really have to get back to my wife. | |
| [30:21] | O-Of course. Of — Of course. Come — | |
| [30:23] | Uh, we’ll be in touch. Soon. | |
| [30:26] | Thank you. | |
| [30:31] | So, what do you think? | |
| [30:32] | He’s out for revenge. | |
| [30:34] | We get a surveillance team on him? | |
| [30:35] | If he knows who Bruno is, | |
| [30:37] | it’s likely he knows who Bruno’s partner is, | |
| [30:38] | and he’ll go after him next. | |
| [30:39] | Which is why when I stepped out, | |
| [30:41] | I had SIS put a tracker on Matt’s car. | |
| [30:43] | Airship will follow. | |
| [30:44] | While we hunt down the partner. | |
| [30:46] | While we hunt down the partner. | |
| [30:47] | Lopez: You doing okay? | |
| [30:49] | Jackson: Fine. | |
| [30:50] | I know what’s bothering you. | |
| [30:52] | Seven Year Glitch. | |
| [30:53] | Sorry. Seven Year what? Glitch. | |
| [30:55] | The most dangerous time for a cop | |
| [30:57] | happens every seven years, like clockwork. | |
| [30:59] | It’s when most of us lose the passion, | |
| [31:01] | grow complacent, disillusioned. | |
| [31:03] | I went through it myself. | |
| [31:04] | Okay, well…I mean, | |
| [31:06] | I’ve only been on for six months. | |
| [31:08] | You’re not a regular rookie. | |
| [31:10] | You’ve been gung-ho since you were a kid. | |
| [31:12] | And now you’re glitching early. | |
| [31:16] | Okay, well, h-how do I fix my glitch? | |
| [31:18] | How’d you fix yours? | |
| [31:20] | I became a T.O. | |
| [31:22] | Changed my routine. Challenged myself. | |
| [31:25] | Well, I am challenging myself. | |
| [31:27] | Me not being all in, all the time, | |
| [31:29] | is me changing my routine. | |
| [31:32] | But…you know, I can — | |
| [31:34] | I can put all that on hold for six more months, | |
| [31:38] | embrace my inner slacker after you’re free of me. | |
| [31:40] | I’m not asking you that — I know. | |
| [31:42] | But it’s the right thing. | |
| [31:46] | Do you want me to read to you? | |
| [31:47] | No. Come on. | |
| [31:48] | You have to learn it. | |
| [31:50] | I can do that on my own. | |
| [31:55] | What are we doing back here? | |
| [31:56] | I checked the computer. | |
| [31:58] | Rex didn’t bring in his bounty last night, | |
| [32:00] | which means he’s been out here this whole time. | |
| [32:01] | So this is a welfare check? | |
| [32:03] | Oh, don’t put it to him like that. | |
| [32:04] | ♪♪ | |
| [32:11] | 7-Adam-19, got a broken car window, | |
| [32:13] | missing driver. | |
| [32:15] | Send backup to my location. | |
| [32:16] | ♪♪ | |
| [32:21] | Rex: [ Groaning ] | |
| [32:23] | Tim: Rex. | |
| [32:24] | Eh, that little punk hit me with a cheap shot. | |
| [32:27] | Lucy: 7-Adam-19, we need an RA to 1966 Keegan. | |
| [32:30] | Assault victim. Broken arm, possible concussion. Where’d he go? | |
| [32:33] | His aunt’s house. He’s long gone by now, though. | |
| [32:35] | We need a warrant, or backup. | |
| [32:38] | Sit down. No, go — | |
| [32:40] | Go, go! Go with him. I’m fine. Go! | |
| [32:42] | Tony Craig! That’s Bruno’s partner. | |
| [32:46] | [ Slaps folder ] He’s all over Bruno’s cellphone. | |
| [32:48] | They even texted about the home invasion. | |
| [32:50] | Apartment’s in Century City. | |
| [32:52] | Sgt. Grey: Matt Christian’s in the wind. | |
| [32:54] | I thought there was a tracker on his car. | |
| [32:56] | He ditched it at the mall. Disappeared. | |
| [32:58] | Which mall? Century City. | |
| [33:00] | He’s going after Tony. | |
| [33:06] | Tim: Nico. Where is he? I don’t know. He isn’t here. | |
| [33:09] | There’s blood on your front door. | |
| [33:10] | That’s exigent circumstances, | |
| [33:11] | so I’m not leaving till you tell me where he is. | |
| [33:12] | He isn’t here! | |
| [33:13] | So, you’re gonna call him. | |
| [33:15] | Otherwise we’re gonna book you | |
| [33:16] | for aiding and abetting a fugitive. | |
| [33:18] | Do it now. | |
| [33:19] | ♪♪ | |
| [33:23] | [ Cellphone beeps ] | |
| [33:24] | [ Cellphone ringing ] | |
| [33:28] | Nico: [ Echoing ] Hey. What’s up? | |
| [33:30] | Cops are here. Where are you? | |
| [33:32] | I’m in Florida. | |
| [33:35] | Tim: Nico Sandoval! | |
| [33:36] | You got five seconds to surrender! | |
| [33:38] | I’m in Florida, yo. | |
| [33:48] | You guys want some of this? | |
| [33:50] | [ Chuckles ] | |
| [33:54] | [ All grunting ] | |
| [33:56] | ♪♪ | |
| [34:03] | ♪♪ | |
| [34:11] | ♪♪ | |
| [34:18] | [ Grunting ] | |
| [34:21] | Michelle! Bail me out, okay? | |
| [34:23] | Lucy: You’re coming, too. Let’s go. What?! | |
| [34:25] | Right now. | |
| [34:27] | ♪♪ | |
| [34:29] | Armstrong: Tony’s gate is open. | |
| [34:32] | ♪♪ | |
| [34:37] | ♪♪ | |
| [34:42] | Clear. | |
| [34:44] | ♪♪ | |
| [34:50] | ♪♪ | |
| [34:57] | Clear. | |
| [35:03] | Armstrong: Matt got here before us. | |
| [35:05] | He must have knew we were right behind him, | |
| [35:07] | took Tony someplace to finish him off. | |
| [35:09] | Yeah. But where? | |
| [35:11] | Lopez: Mrs. Christian, | |
| [35:12] | I know you think you’re protecting him, | |
| [35:14] | but what your husband is doing is wrong. | |
| [35:17] | Look, m-ma’am, | |
| [35:20] | right now, you can’t see beyond this moment. | |
| [35:23] | Neither can your husband. | |
| [35:25] | Making those men pay for what they did | |
| [35:27] | is all he cares about. | |
| [35:28] | I, uh… | |
| [35:31] | I know just…a little about what it’s like | |
| [35:35] | to be obsessed with something | |
| [35:38] | at the expense of everything else. | |
| [35:40] | And trust me, it will not change the way you feel. | |
| [35:46] | Look, your son is gone, | |
| [35:48] | and what your husband is doing will destroy both of you. | |
| [35:51] | I know it’s too late to save Jeff, | |
| [35:53] | but if you can tell us where Matt is… | |
| [35:56] | you might not lose your husband. | |
| [36:00] | [ Machinery whirring ] | |
| [36:04] | ♪♪ | |
| [36:09] | ♪♪ | |
| [36:14] | Matt! | |
| [36:18] | What did you do with Tony? | |
| [36:19] | What he deserved. | |
| [36:22] | And now it’s over… | |
| [36:24] | or it’s gonna be soon. | |
| [36:25] | ♪♪ | |
| [36:35] | The cement. | |
| [36:38] | Matt put Tony in the cement. | |
| [36:40] | That criminal killed my boy. | |
| [36:42] | I know, and he’s gonna pay, okay? | |
| [36:44] | So, you don’t have to do this. | |
| [36:46] | You can just come on down. | |
| [36:47] | ♪♪ | |
| [36:54] | You don’t get it. | |
| [36:57] | I died in that bedroom alongside my son. | |
| [37:00] | The only thing keeping me alive was killing them, | |
| [37:05] | and now that’s over. | |
| [37:06] | ♪♪ | |
| [37:09] | Armstrong: Hey, Nolan! | |
| [37:11] | Look, I found him, but I can’t get him up. | |
| [37:13] | Help me! | |
| [37:14] | We can only save one guy, | |
| [37:16] | and right now, Tony is the victim! | |
| [37:19] | ♪♪ | |
| [37:22] | Matt, I know this seems hopeless right now, | |
| [37:25] | but don’t make your wife bury two bodies. | |
| [37:27] | It will destroy her. | |
| [37:29] | Nolan! Help me! | |
| [37:31] | ♪♪ | |
| [37:38] | ♪♪ | |
| [37:44] | Come here. | |
| [37:45] | [ Grunts ] Come on! | |
| [37:47] | [ Grunts ] | |
| [37:48] | [ Grunts ] | |
| [37:50] | [ Both grunting ] | |
| [37:54] | Watch yourself. | |
| [37:55] | ♪♪ | |
| [38:00] | ABCs. Go. | |
| [38:02] | [ Both grunting ] | |
| [38:04] | -[ Coughs, gasps ] -There we go. | |
| [38:06] | [ Breathing heavily ] We saved him. | |
| [38:08] | ♪♪ | |
| [38:17] | ♪ Yeah, yeah ♪ | |
| [38:19] | [ Grunting ] | |
| [38:21] | ♪ Yeah, yeah, yeah ♪ | |
| [38:22] | ♪♪ | |
| [38:24] | Lucy: Training for the rematch with Nico? | |
| [38:28] | Ah, we got him in the end. | |
| [38:30] | ♪♪ | |
| [38:32] | Here. | |
| [38:33] | What’s this? | |
| [38:36] | It is “Split Second Leadership: | |
| [38:38] | Leading Men In The Line of Duty,” | |
| [38:39] | the audio book. | |
| [38:41] | This book’s out of print. | |
| [38:42] | There’s no audio book. | |
| [38:44] | Yeah, which is why I recorded one for you. | |
| [38:47] | Uh, listen, I-I talked to Isabel, | |
| [38:48] | and from what she said, | |
| [38:50] | it’s clear you’re a kinesthetic learner, | |
| [38:52] | which just means that you need to listen | |
| [38:53] | while you’re being active in order to absorb things. | |
| [38:56] | There’s no shame in it. Really. | |
| [38:59] | Honestly, it’s probably why you excel at being a cop. | |
| [39:03] | [ Exhales sharply ] | |
| [39:04] | Uh…I’ll see you tomorrow. | |
| [39:07] | Yeah. | |
| [39:08] | ♪♪ | |
| [39:12] | Thanks. | |
| [39:14] | ♪ Bet on myself every time ’cause I like those odds ♪ | |
| [39:17] | ♪ I’ve earned this ♪ | |
| [39:19] | ♪ I’m not afraid of a little hard work ♪ | |
| [39:22] | Lucy: “Split Second Leadership” by Curtis Philbrick, | |
| [39:25] | read by the best rookie you’ve ever trained. | |
| [39:27] | ♪ When will they learn? ♪ | |
| [39:29] | ♪♪ | |
| [39:32] | Hey, headed home? Yeah. | |
| [39:34] | You live alone, right? | |
| [39:36] | Yeah. First time ever. No roommates. | |
| [39:37] | It’s heaven. Why? | |
| [39:40] | [ Indistinct conversations ] | |
| [39:53] | [ Knock on door ] | |
| [39:58] | Well, welcome aboard. | |
| [40:00] | Women’s softball’s on ESPN, | |
| [40:01] | and I just made a pitcher of mojitos. | |
| [40:03] | Come on in. | |
| [40:09] | -[ Laughs ] -Yeah, nice! | |
| [40:14] | Jackson: Nope. | |
| [40:15] | [ The Faim’s “Humans” plays ] | |
| [40:21] | ♪ Easy comes, easy goes, somewhere out the window ♪ | |
| [40:22] | Lucy: Hey. | |
| [40:24] | I talked to Lopez, and she said you needed a place to live | |
| [40:28] | and a kickass roommate to help you find some balance. | |
| [40:31] | Thank God. Thank you. | |
| [40:32] | ♪ You’re no different than I ♪ | |
| [40:34] | ♪ Some will change, some too late ♪ | |
| [40:36] | Yeah. Come on. Come on. Let’s go. | |
| [40:37] | Let’s get out of here. | |
| [40:39] | ♪ Will you be the one to say ♪ | |
| [40:40] | ♪ Happy ever after ♪ | |
| [40:41] | ♪ Oh ♪ Tim: Hey. | |
| [40:43] | ♪ You may give it a try ♪ Rex: [ Chuckles ] | |
| [40:45] | Good Lord, don’t you have someplace better to be? | |
| [40:47] | It’s nice to see you, too. | |
| [40:48] | Hey…thanks. | |
| [40:51] | Look, I put the paperwork through under your name. | |
| [40:54] | So, you’re gonna get the bounty on Nico. | |
| [40:57] | Thank you. | |
| [40:59] | ♪ You find how a heart aches ♪ | |
| [41:01] | ♪ Every day has ruins ♪ Look, Rex, | |
| [41:03] | I…I know you’re not the kind of guy that asks for help, | |
| [41:05] | but if you ever find yourself out here again, | |
| [41:07] | just give me a heads up. | |
| [41:09] | Little professional courtesy, right? | |
| [41:11] | Exactly. Alright. | |
| [41:13] | Thanks, brother. | |
| [41:14] | Alright. You take care. | |
| [41:15] | ♪ Human ♪ | |
| [41:19] | ♪ Human ♪ [ Sighs ] | |
| [41:20] | [ Elevator bell dings ] | |
| [41:22] | ♪ Love is only painful when it lies ♪ | |
| [41:24] | Hey. | |
| [41:25] | It’s been a long day, John. | |
| [41:26] | No, I know. Of course. | |
| [41:28] | And I’ll only take a moment of your time. | |
| [41:30] | Look, I left you a note | |
| [41:32] | because I wouldn’t have been able to go through with it | |
| [41:34] | if I saw you in person. | |
| [41:35] | ♪ That’s what makes us human ♪ | |
| [41:37] | And I don’t regret marrying Sarah, | |
| [41:39] | and I have loved every minute of being Henry’s dad. | |
| [41:42] | But what I did to you was selfish, | |
| [41:45] | and you deserve better, and I’m sorry. | |
| [41:47] | ♪ Sometimes you gotta break ♪ | |
| [41:50] | ♪ That’s what makes us human ♪ | |
| [41:53] | ♪ Every time we lose it ♪ | |
| [41:55] | ♪ You find how a heart aches ♪ | |
| [41:57] | ♪ Every day has ruins ♪ | |
| [41:58] | Thank you. | |
| [42:00] | ♪ But we know what the truth is ♪ | |
| [42:01] | Thank you. | |
| [42:03] | ♪ Sometimes you gotta break just to know you’re human ♪ | |
| [42:06] | So…now that we’re friends again, | |
| [42:09] | it hurts when I do this. | |
| [42:11] | ♪ That’s what makes us human ♪ [ Chuckles lightly ] | |
| [42:14] | Good night, John. Good night, Grace. | |
| [42:16] | ♪ Human ♪ | |
| [42:26] | ♪♪ | |
| [42:34] | ♪♪ | |
| [42:42] | ♪♪ |