| 时间 | 英文 | 中文 |
|---|---|---|
| [00:01] | [ Siren wailing ] | |
| [00:02] | Lopez: Control 7-Adam-07. | |
| [00:03] | Show us at a vehicle stop on Olympic and Avon. | |
| [00:05] | [ Vehicle doors open ] You got this. | |
| [00:07] | [ Vehicle doors close ] | |
| [00:11] | Sir, driver’s license and registration, please. | |
| [00:13] | Man: What’s the problem? | |
| [00:14] | You were doing 50 in a school zone. | |
| [00:16] | [ Faint buzzing ] What’s that sound? | |
| [00:17] | My bees. | |
| [00:18] | Your what? | |
| [00:20] | Bees. I’m a beekeeper. | |
| [00:22] | But I don’t know if I’ll be able to control them | |
| [00:24] | if you give me a ticket. | |
| [00:25] | Sir, threatening an officer is a crime. | |
| [00:27] | Alright, step out of the car. | |
| [00:28] | [ Loud buzzing ] | |
| [00:32] | [ Tires squeal ] | |
| [00:35] | [ Panting ] | |
| [00:37] | [ Tires screech ] You okay? | |
| [00:39] | Yeah. You? | |
| [00:40] | I sure am missing my long sleeves. | |
| [00:42] | Do we go after him? [ Scoffs ] | |
| [00:45] | Uh, all units, be on the lookout for a blue minivan. | |
| [00:48] | Look out, it’s — [ Bees buzzing ] | |
| [00:50] | …full of bees! | |
| [00:51] | ♪ Whoa, oh, oh, oh, oh, oh, whoa, oh, oh ♪ | |
| [00:55] | ♪ I’m gonna win for you like I know you want me to do ♪ | |
| [01:02] | ♪ Unh ♪ | |
| [01:04] | ♪♪ | |
| [01:08] | ♪ There it is ♪ | |
| [01:09] | Well, hello! | |
| [01:11] | [ Chuckles softly ] | |
| [01:12] | Well, hello to you, too. | |
| [01:14] | Mm. I was talking to the coffee. | |
| [01:15] | Mm. | |
| [01:17] | It’s too early for dad jokes. | |
| [01:19] | I woke up this morning with an amazing idea… | |
| [01:22] | Hmm? | |
| [01:23] | …for the layout of the master closet. | |
| [01:26] | Tell me what you think. | |
| [01:30] | Mm. | |
| [01:31] | What? | |
| [01:32] | Nothing. | |
| [01:33] | I-I mean, I was — I was married for 20 years. | |
| [01:37] | “Nothing” usually means a whole lot of something. | |
| [01:39] | Well, I mean… | |
| [01:40] | you don’t even have, like, a-a built-in shoe rack. | |
| [01:44] | Oh, well, I got, what, two pairs of shoes? | |
| [01:47] | Yeah, but I have a lot more. | |
| [01:48] | ♪♪ | |
| [01:52] | O-Oh. Yeah. Uh, right. | |
| [01:53] | Uh, I-I mean, obviously, yeah. | |
| [01:55] | I mean, we haven’t even talked about the… | |
| [01:57] | [ Laughs ] Relax! | |
| [01:58] | It’s fine. It’s good. I’m — I’m — I’m kidding. | |
| [02:01] | Right. Yeah. | |
| [02:03] | I’m gonna, um — I’m gonna get dressed. | |
| [02:05] | Okay. | Okay. |
| [02:06] | Okay. Yeah. | |
| [02:07] | ♪♪ | |
| [02:12] | ♪♪ | |
| [02:19] | I’m gonna lose it. | |
| [02:20] | [ Muffled ] Ah, you’re back — | |
| [02:22] | You forget something? | |
| [02:23] | My car won’t start. Again. | |
| [02:25] | You need a new one. | |
| [02:26] | I need a healthier bank account. | |
| [02:28] | [ Both chuckle ] | |
| [02:29] | Uh, I can get you to work, | |
| [02:30] | but you’re on your own to get home. | |
| [02:32] | Why? What are you doing tonight? | |
| [02:33] | Nothing. | |
| [02:34] | I mean, t-that thing. I told you. | |
| [02:36] | What thing? | |
| [02:37] | At my mother’s. Remember? | |
| [02:41] | The mother I haven’t met yet? | |
| [02:43] | No, you definitely didn’t tell me about that. | |
| [02:46] | Well, you probably had a lot on your mind. | |
| [02:48] | ♪♪ | |
| [02:49] | Do you want to go? | |
| [02:51] | Do you want me to go? | |
| [02:52] | Of course. | |
| [02:53] | Great! Awesome. | |
| [02:55] | ♪♪ | |
| [02:56] | [ Door opens ] | |
| [03:00] | Today is problem day. | |
| [03:03] | So you know what that means. | |
| [03:04] | Actually, sir, I-I don’t. | |
| [03:06] | Problem spots on your patrol route. | |
| [03:08] | Locations that attract crime like a felonious magnet. | |
| [03:11] | Businesses used as a cover for criminal activity. | |
| [03:14] | No-tell motels, massage parlors, dive bars. | |
| [03:17] | Or anywhere that ex-cons gather to plan their next adventure. | |
| [03:20] | The spots you see every day | |
| [03:22] | and you vow to take them down if you have the time, | |
| [03:25] | but we never have the time. | |
| [03:26] | So…today we make some. | |
| [03:30] | [ Whispering ] | |
| [03:32] | Is there a problem, Smitty? | |
| [03:33] | Oh, no, sir. | |
| [03:35] | I love playing whack-a-mole. | |
| [03:36] | [ Laughter ] | |
| [03:38] | Knock down a problem spot, it can pop back up anywhere. | |
| [03:41] | But that’s the job, right? | |
| [03:43] | And since you’re so excited about doing it, | |
| [03:45] | I think you should share your excitement | |
| [03:47] | with Officer West out there today. | |
| [03:48] | Seriously? | Seriously? |
| [03:49] | Yeah, seriously. | |
| [03:51] | That means, Lopez, you’re with Nolan. | |
| [03:53] | Okay. Happy hunting out there. | |
| [03:56] | [ Indistinct conversations ] | |
| [03:59] | Look, I know you’re probably still mad | |
| [04:00] | about me not rooming with you, but — | |
| [04:02] | Don’t flatter yourself, sunshine. | |
| [04:04] | [ Indistinct conversations ] | |
| [04:07] | So, uh, what’s our problem spot? | |
| [04:09] | You’ll see when we get there. | |
| [04:11] | [ Car doors close ] | |
| [04:13] | [ Seatbelt buckles ] So… | |
| [04:14] | what’d you do last night? | |
| [04:16] | Gym. Dinner. Study. | |
| [04:18] | Rinse, wash, repeat. | |
| [04:20] | What’s that supposed to mean? | |
| [04:22] | Nothing. | |
| [04:27] | You know, it — it — | |
| [04:28] | it’s just been a while since the divorce. | |
| [04:30] | You wanna jog behind the shop all day, Boot? | |
| [04:32] | No. No. | |
| [04:34] | No, sir. | |
| [04:35] | Shutting up. | |
| [04:36] | [ Engine starts ] | |
| [04:37] | ♪♪ | |
| [04:38] | It’s just a big step, and it’s never come up. | |
| [04:41] | I wasn’t prepared, and now she’s mad. | |
| [04:43] | Why do relationships have to be so complicated? | |
| [04:45] | Some things, you just shouldn’t spring on someone | |
| [04:47] | before they’ve even had their morning coffee. | |
| [04:49] | If you can’t be honest with each other, then why even be together? | |
| [04:52] | And now I’m sitting here wondering why Wesley Just, some things shouldn’t be rushed, | |
| [04:54] | doesn’t want me to meet his mom. and I don’t know if I’m ready to take it to that level. | |
| [04:56] | Wait, what? I thought we were talking about my thing. | |
| [04:58] | I thought we were talking about my thing. | |
| [05:00] | Wesley said he didn’t want you to meet his mom? | |
| [05:02] | He actually said that? | |
| [05:03] | He didn’t have to. | |
| [05:08] | [ Slurping ] | |
| [05:12] | “Problem spots,” my ass. | |
| [05:15] | What is that smell? | |
| [05:16] | Like sweat socks and licorice. | |
| [05:19] | This whole city’s a problem spot. | |
| [05:21] | Sean John cologne and desperation. | |
| [05:23] | [ Belches ] | |
| [05:24] | [ Radio chatter ] Pull over at that burger joint. | |
| [05:26] | Seriously? You just ate a burrito. | |
| [05:28] | [ Radio chatter ] That’s the problem spot. | |
| [05:30] | [ Sighs ] | |
| [05:35] | [ Tires screech ] | |
| [05:37] | Place has been a haven to shady ex-cons since I was a Boot. | |
| [05:40] | Ain’t never gonna change. | |
| [05:42] | So, what do we do? | |
| [05:44] | We sit here. Wait. | |
| [05:46] | For what? | |
| [05:47] | End of shift. | |
| [05:49] | Problem spot. Check. | |
| [05:51] | So, you want us to chill here in your rank-ass shop? | |
| [05:53] | [ Chuckling ] Rookies. Ohh. | |
| [05:55] | You all think you can change the world. | |
| [05:58] | [ Slurping ] | |
| [06:00] | [ Children shouting playfully in distance ] | |
| [06:08] | [ Parking brake engages ] | |
| [06:11] | This is our problem spot? | |
| [06:12] | What do you see? | |
| [06:18] | Guy waiting for the bus. | |
| [06:19] | Drug dealer. | |
| [06:21] | This corner’s a mecca for upper-class dopers. | |
| [06:23] | Oxy, Molly, Benzos, Vikes — | |
| [06:25] | anything a well-off suburbanite can choke down | |
| [06:27] | with a Kombucha spritzer. | |
| [06:29] | And right on cue. | |
| [06:36] | Gonna bust that dealer? | |
| [06:38] | Buyer. Dealers are a dime a dozen. | |
| [06:39] | We want to scare the clients away | |
| [06:41] | so business takes a big hit. | |
| [06:42] | [ Engine starts ] | |
| [06:43] | [ Siren wailing ] | |
| [06:49] | [ Tires screech ] | |
| [06:54] | Take the lead on this one. | |
| [06:55] | Okay. | |
| [06:56] | [ Dance music plays on stereo ] | |
| [06:58] | Morning, sir. | |
| [06:59] | What is the problem, officer? | |
| [07:01] | Is it illegal to ask for directions now? | |
| [07:04] | Well, you better lock me up. | |
| [07:07] | License and registration, please. | |
| [07:08] | My partner and I witnessed you exchange money for a baggie. | |
| [07:11] | Wanna show us what you bought? | |
| [07:12] | No idea what you’re talking about. | |
| [07:14] | What’s this? | |
| [07:16] | Oops. How’d that get there? | |
| [07:18] | You work for Councilwoman Langston? | |
| [07:19] | I’m her right hand. | |
| [07:21] | Sometimes her left, if you feel me. | |
| [07:23] | [ Music continues ] | |
| [07:25] | Look, Officer, uh…Nolan… | |
| [07:28] | you got a job to do. | |
| [07:29] | I get it. Believe me. | |
| [07:30] | Nobody appreciates the boys — and girls — | |
| [07:32] | in blue more than me. | |
| [07:33] | It’s just, you see, Langston — | |
| [07:37] | she needed me to find her some, uh, sleep aids. | |
| [07:39] | Oh. Yeah. | |
| [07:40] | Just hand over the baggie. | |
| [07:43] | No big deal. [ Dialing ] | |
| [07:45] | Now you, uh, let me off with a warning, | |
| [07:47] | win yourself some pretty powerful friends | |
| [07:49] | [ Line ringing ] down at City Hall. | |
| [07:50] | Oh. Sounds like quite an offer. | |
| [07:52] | [ Click ] | |
| [07:53] | Woman: Councilwoman Langston’s office. | |
| [07:55] | But I’m doing okay in the friend department. | |
| [07:57] | No, no, no. No, no, no. Uh, um — | |
| [07:58] | Hello? I’m sorry. T-The pills — t-t-they’re mine. | |
| [08:00] | Hello? P-P-Please hang up. Please? | |
| [08:03] | [ Cellphone beeps ] [ Sighs ] | |
| [08:05] | I just needed something to take the edge off. | |
| [08:06] | You can’t imagine what I go through every day. | |
| [08:08] | The wife, boss, the constant pressure. | |
| [08:09] | It’s just — | |
| [08:11] | Jump out of the car. We’re locking you up. | |
| [08:16] | Come over here. Put your hands on the car. | |
| [08:17] | Yes, sir. | |
| [08:18] | [ Buzzer ] | |
| [08:20] | We gonna be here a while? | |
| [08:22] | Yep. | |
| [08:23] | Then I need to arrange childcare. | |
| [08:25] | Yeah, sure. You get one call once we’re done processing you. | |
| [08:28] | Thanks. | |
| [08:29] | [ Buzzer ] | |
| [08:31] | Hey. I know you’re gonna say no, but… | |
| [08:34] | [ Sighs ] | |
| [08:35] | …I think I can help. With what? | |
| [08:38] | Well, you know, I know how hard it is to meet people in L.A. | |
| [08:40] | It’s what keeps them in business. | |
| [08:43] | Wait. | |
| [08:46] | You wanna set me up? | |
| [08:49] | [ Scoffs ] | |
| [08:50] | Forget it. | |
| [08:51] | Even if this wasn’t your dumbest idea yet, | |
| [08:53] | there is no way you’d be able to pick someone right for me. | |
| [08:56] | [ Scoffs ] | |
| [08:57] | Um, I bet I can. | |
| [08:59] | I’m serious. | |
| [09:01] | If I can fix you up on one good date, just one, | |
| [09:04] | I get to, uh — | |
| [09:06] | I get to wear short sleeves. | |
| [09:07] | ♪♪ | |
| [09:13] | Okay. | |
| [09:14] | Okay. | |
| [09:16] | But you’re paying. Whatever. | |
| [09:18] | And if you lose, you’re gonna do 50 push-ups | |
| [09:20] | after every call we take. | |
| [09:26] | ♪ Hey! ♪ ♪ Show me something that I never seen before ♪ | |
| [09:28] | [ Motorcycle engines idling ] | |
| [09:30] | ♪ Oh oh ♪ | |
| [09:32] | [ Slurping ] | |
| [09:34] | Okay. New plan. | |
| [09:36] | You drink your soda, and I’m gonna go do some policing. | |
| [09:39] | [ Slurps ] | |
| [09:42] | [ Car door closes ] Here they come. | |
| [09:43] | Keep cool. | |
| [09:47] | Morning, officers. Smitty: Boys. | |
| [09:48] | My partner here is a newbie | |
| [09:50] | who wants to learn about problem spots in town. | |
| [09:52] | So here we are. | |
| [09:53] | I’m just eating. | |
| [09:55] | Sure you are. | |
| [09:56] | Danny Dozier. | |
| [09:58] | You just did four years in Chino. | |
| [09:59] | Armed robbery, was it? | |
| [10:03] | And you. | |
| [10:05] | Weren’t you the wheelman for Larry Marks? | |
| [10:07] | Think of this as a lowlife employment agency. | |
| [10:10] | Each of these dirtbags has a set of illicit skills, | |
| [10:14] | and they are just itching for a chance to use ’em. | |
| [10:16] | Hmm. Last time I checked, | |
| [10:17] | associating with felons was a no-no for parolees. | |
| [10:20] | Raise your hand if you’re on parole. | |
| [10:23] | [ Scoffs ] Look, don’t make me run you through the system. | |
| [10:25] | It’ll just piss me off. | |
| [10:28] | There we go. That’s more like it. | |
| [10:29] | Everybody grab some wall. | |
| [10:31] | Come on. Right this way. | |
| [10:37] | Speed it up. | |
| [10:42] | Smitty: What are you doing? | |
| [10:43] | Just kick ’em loose with a warning. | |
| [10:44] | Tell them not to come back. | |
| [10:46] | Problem spot handled. | |
| [10:48] | They break the law, they go in. | |
| [10:52] | ♪♪ | |
| [10:55] | Go, kid. | |
| [10:56] | ♪♪ | |
| [11:00] | [ Beep ] Foot pursuit. | |
| [11:01] | White male, gray shirt and blue jeans, | |
| [11:03] | headed north on Fillmore. | |
| [11:05] | ♪ Looking around, and I don’t know why ♪ | |
| [11:07] | ♪ But they held me ♪ | |
| [11:08] | ♪ If you watch him cry and you don’t know why, then — ♪ | |
| [11:12] | [ Music stops ] | |
| [11:22] | [ Fence rattles ] | |
| [11:32] | [ Music resumes ] | |
| [11:33] | ♪♪ | |
| [11:40] | ♪♪ | |
| [11:46] | [ Siren wailing ] | |
| [11:48] | ♪♪ | |
| [11:50] | [ Music stops ] | |
| [11:51] | [ Grunts ] Why’d you run, huh? | |
| [11:53] | Stand up. | |
| [11:54] | [ Wailing stops ] | |
| [11:56] | [ Fence rattles ] Spread your feet. | |
| [11:58] | ♪♪ | |
| [12:00] | Where’s the gun? | |
| [12:01] | I don’t got one. I just like bullets. | |
| [12:03] | That ain’t a crime, is it? | |
| [12:05] | He must have dumped the gun somewhere between here and the burger joint. | |
| [12:07] | Woman: Help! | |
| [12:09] | Somebody please help me! | |
| [12:10] | I need help! Please, somebody! | |
| [12:12] | Calvin, g– | |
| [12:14] | Calvin! Give me the gun, baby. | |
| [12:16] | Baby, please. Give me the gun. | |
| [12:17] | [ Imitating gunfire ] Calvin! | |
| [12:18] | Hey, Calvin? | |
| [12:19] | Buddy. It’s not a toy, okay? | |
| [12:21] | Please put the gun down. | |
| [12:23] | Calvin, give me the gun! | |
| [12:24] | Hey, buddy, please put the gun down. | |
| [12:26] | Calvin, give me the gun! It’s not a toy! Put the gun — | |
| [12:27] | [ Gunshot ] | |
| [12:31] | [ Sirens wailing ] | |
| [12:33] | Gunshot wound to the upper-right chest! | |
| [12:34] | [ Breathing heavily ] | |
| [12:37] | [ Calvin crying ] | |
| [12:40] | [ Siren wailing ] | |
| [12:44] | ♪♪ | |
| [12:49] | You did this. | |
| [12:50] | I didn’t do nothin’. | |
| [12:51] | It was your gun! | |
| [12:53] | Prove it. | |
| [12:54] | [ Dog barks ] | |
| [13:01] | [ Chuckling ] Rachel? | |
| [13:02] | Look at you! | |
| [13:04] | Oh, my G– All official! | |
| [13:06] | Mm! | Mm! |
| [13:08] | You were the talk of the reunion, you know. | |
| [13:10] | I was bummed I couldn’t go. | |
| [13:11] | What are you doing here? | |
| [13:12] | Oh, just trying to cut through some red tape. | |
| [13:15] | But so far, my scissors haven’t been sharp enough. | |
| [13:18] | Oh, problems in Child Services? | |
| [13:19] | Yeah, civil standbys. | |
| [13:21] | LAPD needs a faster response time. | |
| [13:23] | I’ve had four go sideways in the last month. | |
| [13:25] | Mm. | |
| [13:27] | Hey. Maybe you can help me. | |
| [13:30] | I-I wish I could, | |
| [13:32] | but I am below bottom of the food chain here. | |
| [13:34] | It’s — | |
| [13:35] | Boot! Get a move on. | |
| [13:36] | No lunch till you finish those reports. | |
| [13:39] | Who’s that? | |
| [13:40] | That is my training officer. | |
| [13:43] | I should probably go. | |
| [13:46] | Hey, uh, you’re single, right? | |
| [13:49] | Mm-hmm. | |
| [13:50] | Would you want to go out with him? | |
| [13:52] | Uh, he’s hot… | |
| [13:55] | but I-I made a vow. | |
| [13:57] | No more jerks. | |
| [13:58] | Tim: Let’s go, Boot! | |
| [13:59] | [ Inhales sharply ] | |
| [14:01] | Okay, so, you don’t date jerks. | |
| [14:04] | But how would you like to help me win a bet against one? | |
| [14:06] | ♪♪ | |
| [14:08] | [ Radio chatter ] | |
| [14:11] | Smitty: Let’s go. | |
| [14:13] | We gotta take this dirtbag back to the station, | |
| [14:15] | get him processed. | |
| [14:19] | You alright? | |
| [14:22] | No. | |
| [14:24] | I… | |
| [14:26] | I should have tackled the kid. | |
| [14:29] | Taken the bullet myself. | |
| [14:34] | That’s a no-win situation. | |
| [14:36] | Had you reacted differently, | |
| [14:38] | maybe the kid would have shot himself instead. | |
| [14:41] | Hey. | |
| [14:44] | You did the right thing. | |
| [14:48] | Yeah, it was– it wasn’t enough. | |
| [14:51] | Hey, Jess. | |
| [14:53] | It’s me. Just trying you…again. | |
| [14:55] | Call me back. | |
| [14:58] | [ Cellphone beeps ] Okay. | |
| [14:59] | She is definitely mad at me and ducking my calls. | |
| [15:06] | What time is dinner with Mom? | |
| [15:07] | Huh? Dinner. | |
| [15:08] | Oh. Um… | |
| [15:10] | At 8:00, I think. | |
| [15:11] | You know, there is no world | |
| [15:13] | in which Wesley is embarrassed by you. | |
| [15:16] | If that was what you were worried about. | |
| [15:19] | It’s not. | |
| [15:20] | [ Buzzer ] Park: I’m not charging him. | |
| [15:23] | You’re kidding me. Why not? | |
| [15:24] | You never saw the gun in his possession, | |
| [15:26] | and his prints weren’t on it. | |
| [15:27] | All you got was a pocket full of bullets. | |
| [15:29] | There’s no crime in that. | |
| [15:30] | Bullets are the same caliber as the gun. | |
| [15:31] | It’s a 9-millimeter. Most common handgun there is. | |
| [15:34] | He tossed the gun while I was chasing him, | |
| [15:35] | and a child picked it up. | |
| [15:37] | But you didn’t see it. | |
| [15:39] | That kid could’ve killed himself. | |
| [15:40] | As it is, his mother almost died. | |
| [15:41] | The kid is traumatized. | |
| [15:43] | So how in the hell can you kick this guy loose? | |
| [15:45] | It’s not a case that we can win. I’m sorry. | |
| [15:46] | I have to get back to court. | |
| [15:49] | [ Buzzer ] | |
| [15:50] | [ Door opens ] | |
| [15:57] | Don’t call her again. | |
| [15:58] | When she’s ready, she’ll call you. | |
| [15:59] | You’re right. | |
| [16:04] | [ Engine revs, tires screech ] | |
| [16:06] | Turn around. What? | |
| [16:07] | There’s a guy back there being chased. | |
| [16:08] | [ Tires screech ] | |
| [16:11] | Control 7-Adam-15, suspicious circs on 5th and Beaudry, | |
| [16:13] | requesting backup. | |
| [16:15] | [ Engine revving, tires screeching ] | |
| [16:17] | ♪♪ | |
| [16:20] | [ Tires screech ] | |
| [16:22] | [ Amplified ] Back up! Back up! Move your vehicle! | |
| [16:25] | [ Siren wailing ] Come on! Come on, damn it! | |
| [16:27] | ♪♪ | |
| [16:30] | [ Wailing continues ] | |
| [16:33] | ♪♪ | |
| [16:37] | You see them? There. | |
| [16:39] | [ Tires screech ] | |
| [16:41] | ♪♪ | |
| [16:49] | [ Radio chatter ] | |
| [16:58] | Back seat clear. | |
| [16:59] | Front seat clear. | |
| [17:01] | So, where’d they go? | |
| [17:02] | Head upstai– | |
| [17:03] | [ People gasp, murmur ] | |
| [17:05] | ♪♪ | |
| [17:11] | Man: Coming through. Out of the way! | |
| [17:13] | We’re over here. | |
| [17:15] | What do we have? | |
| [17:16] | Patient suffered a fractured left femur, | |
| [17:18] | possible internal bleeding, and head trauma. | |
| [17:19] | -BP? -Stable. | |
| [17:21] | They gave him two liters of saline on the way over. | |
| [17:22] | -Hi. -Hey. | |
| [17:24] | What happened to him? Car accident? | |
| [17:25] | No, no. He, uh, got dropped off a footbridge. | |
| [17:27] | Landed on top of a car right in front of us. | |
| [17:29] | Do you know his name? | |
| [17:30] | Uh, yeah, driver’s license says he’s Cesar Ojeda. | |
| [17:32] | Okay. We need a CT scan. Alert the OR. | |
| [17:34] | He’s jumping the line. Not before I talk to him. | |
| [17:36] | Jessica Russo. DHS. Hey. | |
| [17:38] | That’s not possible. | |
| [17:39] | Well, make it possible. | |
| [17:41] | He’s unconscious and probably bleeding internally. | |
| [17:43] | If we delay surgery, he could die. | |
| [17:44] | Is that what you want? | |
| [17:45] | Nobody wants that, right? | |
| [17:46] | N-No. | |
| [17:47] | I — Fine. Fine. | |
| [17:49] | I just need to talk to him as soon as he wakes up. | |
| [17:51] | Of course. Let’s move. | |
| [17:56] | So, who was that guy, | |
| [17:57] | and why did you have to talk to him so badly? | |
| [18:00] | I can’t really tell you that. | |
| [18:01] | Can’t or won’t? | |
| [18:02] | I ran the plates on the car that chased him. | |
| [18:04] | It was reported stolen last week. | |
| [18:06] | What about the guys inside? | |
| [18:07] | They were gone by the time backup cleared the building. | |
| [18:09] | What’s your interest? | |
| [18:11] | [ Scoffs ] | |
| [18:13] | His real name is Alejandro Mejia. | |
| [18:15] | He’s undercover DHS. | |
| [18:17] | He disappeared about six weeks ago during an infiltration, | |
| [18:20] | and I was alerted when you ran his cover ID through the system. | |
| [18:23] | Wow. So, what was he into? | |
| [18:25] | I-I’m not cleared to tell you that. | |
| [18:27] | So, DHS is taking this over? | |
| [18:29] | Yes, but I would really appreciate it | |
| [18:30] | if you could provide some extra security | |
| [18:32] | [ Cellphone buzzing ] until my guys got here. | |
| [18:34] | Of course. | |
| [18:34] | Excuse me. | |
| [18:36] | [ Cellphone beeps ] Yes, sir? | |
| [18:38] | Yeah, she’s definitely mad at you. | |
| [18:40] | Yes, he’s, um — he’s unconscious and… | |
| [18:43] | She’s a social worker? | |
| [18:44] | You say that like it’s equivalent | |
| [18:46] | to being a serial killer. | |
| [18:48] | No. Social workers do valuable work — | |
| [18:49] | coddling criminals. | |
| [18:52] | Look, if you’re not even gonna try — Hold your water, Boot. | |
| [18:54] | I’m just getting the lay of the land on my “date.” | |
| [18:56] | So, where are you taking her? Ravenna. | |
| [18:58] | That…sounds expensive. | |
| [19:00] | Oh. It is. | |
| [19:02] | They’ve got a $100 filet, just melts in your mouth. | |
| [19:05] | And their wine list — ohh! It’s exceptional. | |
| [19:07] | Well, good. | |
| [19:09] | It seems like a really romantic place. | |
| [19:11] | Hmm. What? | |
| [19:13] | You’re gonna have to do so many push-ups. | |
| [19:15] | [ Sighs ] [ Chuckles ] | |
| [19:16] | Anyway, this…is Rachel. | |
| [19:19] | ♪♪ | |
| [19:22] | Pretty. | |
| [19:24] | Wes, where’s Smitty? | |
| [19:25] | Probably watching “Judge Judy” in the break room. | |
| [19:28] | Sir, was pairing us up meant to be added punishment? | |
| [19:30] | Think of it more as a kick in the pants. | |
| [19:32] | No way you’re advancing back to short sleeves | |
| [19:34] | until I see the fire back in your eyes. | |
| [19:36] | You collared a guy named Gleason Dunn earlier, right? | |
| [19:38] | Yeah. | |
| [19:40] | You ship him downtown yet? | |
| [19:41] | No, he’s, uh, being processed out. | |
| [19:43] | ADA told me to kick him. | |
| [19:44] | Why? | |
| [19:45] | Ballistics came back on the gun the kid fired. | |
| [19:47] | It was used in an unsolved murder last year. | |
| [19:51] | What? | |
| [19:52] | They pulled a DNA sample from the scene, | |
| [19:54] | but there was no match in the system. | |
| [19:56] | Dunn’s DNA isn’t in the system. We don’t have it. | |
| [19:58] | Well, we need to get a sample. | |
| [20:00] | [ Buzzer ] | |
| [20:01] | [ Indistinct conversations ] | |
| [20:03] | ♪♪ | |
| [20:12] | Excuse me. | |
| [20:14] | Gleason Dunn. | |
| [20:16] | Where is he? | |
| [20:17] | Released. About 10 minutes ago. | |
| [20:19] | ♪♪ | |
| [20:23] | Okay. I’m — I’m on my way in. | |
| [20:25] | [ Chatter on P.A. ] | |
| [20:28] | [ Clears throat ] Hey. | |
| [20:29] | Hey. | |
| [20:30] | So, about this morning — | |
| [20:31] | Oh. This is not the right time. | |
| [20:33] | Right. Yeah. | |
| [20:35] | And also, I mean, it’s not a big deal. | |
| [20:37] | So we’re good? | |
| [20:39] | Yeah. Uh, why wouldn’t we be? | |
| [20:41] | Right. | |
| [20:42] | I brought Grey up to speed. | |
| [20:44] | He said he’d give you whatever you need. | |
| [20:45] | Oh, great. | |
| [20:46] | Any chance you got more clearance | |
| [20:48] | to tell us about Mejia? Yes. | |
| [20:49] | He’s a forensic accountant, an expert in cryptocurrency. | |
| [20:53] | We put him inside an illegal arms operation, | |
| [20:55] | where he was supposed to target their financials | |
| [20:58] | and then neutralize their access. | |
| [21:00] | By what? Changing all their passwords? | |
| [21:02] | Basically, yeah. | |
| [21:03] | The downside of digital money. | |
| [21:05] | Then Mejia went silent, what’d you say, about six weeks ago? | |
| [21:07] | Mm-hmm. | |
| [21:09] | So we presumed he was either dead or — | |
| [21:10] | Compromised. | |
| [21:11] | No wonder you need to talk to him. | |
| [21:13] | Look, um, I’ve got to go brief my boss. | |
| [21:15] | DHS is gonna be mobilizing some agents to come stand watch. | |
| [21:19] | Are you good until they arrive? | |
| [21:20] | Like Grey said, anything you need. | |
| [21:23] | Hmm. | |
| [21:24] | Alright, I’m gonna take the shop. | |
| [21:26] | Dispatch will arrange pickup once you’re replaced. | |
| [21:28] | You’re leaving? I gotta get dressed for dinner. | |
| [21:30] | The great thing about you being a phase three now | |
| [21:32] | is I don’t have to supervise you 24-7. | |
| [21:34] | So have fun on guard duty. | |
| [21:35] | Good luck with Mommie Dearest. | |
| [21:43] | I briefed my buddies on Midnight shift about Gleason. | |
| [21:46] | They’ll get him. | |
| [21:51] | You know, it’s not too late. | |
| [21:53] | For what? | |
| [21:54] | Scale of 1 to 10, how sure are you | |
| [21:56] | the gun belonged to Gleason? | |
| [21:57] | 10. | |
| [21:58] | Then maybe you need to revise your statement to the ADA. | |
| [22:02] | You’re a rookie whose vision got blurry in the fog of war, | |
| [22:05] | but now you’re clear, | |
| [22:07] | and you did see him toss the weapon. | |
| [22:10] | Write it up like that, and I’ll back you. | |
| [22:15] | ♪♪ | |
| [22:23] | I’d be lying. | |
| [22:26] | Kid, you’re in the honeymoon period of being a cop. | |
| [22:30] | Full of piss and righteous vinegar. | |
| [22:32] | But it’s not a black-and-white world. | |
| [22:34] | Never has been. | |
| [22:35] | Look, right and wrong matter. | |
| [22:37] | Otherwise, why bother pinning on the badge? | |
| [22:39] | It’s not about right and wrong. | |
| [22:41] | It’s about getting the bad guys off the street. | |
| [22:44] | How you gonna feel if we can’t pin Gleason down | |
| [22:46] | and he hurts more people? | |
| [22:48] | Or worse. | |
| [22:49] | It can’t be worse than today. | |
| [22:51] | Oh, it can always get worse. | |
| [22:53] | [ Cellphone buzzing ] | |
| [22:56] | [ Cellphone beeps ] Yeah? | |
| [22:58] | Okay, thanks. | |
| [23:00] | [ Cellphone beeps ] | |
| [23:04] | The mom died on the operating table. | |
| [23:07] | I’m sorry. | |
| [23:09] | [ Footsteps depart ] | |
| [23:17] | Lucy: Yes! | |
| [23:19] | I’m so glad she wore that dress. | |
| [23:22] | She didn’t want to look too sexy, | |
| [23:23] | but, uh, Mama needs to get into some short sleeves. | |
| [23:29] | Yo. Where did you go? | |
| [23:31] | Sorry. Uh… | |
| [23:33] | I can’t stop thinking about my guy. | |
| [23:35] | He killed someone, and I just let him walk. | |
| [23:38] | Dude, you did what the ADA told you to do, | |
| [23:40] | and now you’re trying to fix it. | |
| [23:42] | Night shift is on the hunt. | |
| [23:43] | Yeah. | |
| [23:45] | Head in the game. Let’s go. | |
| [23:47] | [ Sighs ] This is so weird. | |
| [23:48] | Uh-huh. Yep, yep, yep. | |
| [23:49] | ♪♪ | |
| [23:51] | So, you’ve, uh — you’ve known Chen since — | |
| [23:54] | I mean, Lucy since college? | |
| [23:57] | Yeah, we were in psych class together. | |
| [23:59] | Hmm. | |
| [24:00] | Bet she hasn’t changed a bit. | |
| [24:02] | No. Always playing matchmaker. | |
| [24:05] | Well, this is my favorite place. | |
| [24:06] | Best filet in town. | |
| [24:08] | Oh, I don’t eat red meat. | |
| [24:10] | Sea bass is great, too. | |
| [24:12] | [ Chuckles ] Nothing that had a face. | |
| [24:14] | I’m on a raw-food diet, actually. | |
| [24:16] | You know, reduce my imprint. | |
| [24:19] | ♪ This is roller coaster love ♪ | |
| [24:20] | ♪ Leave you breathless every time ♪ | |
| [24:23] | Lucy: Oh, wait. What happened? | |
| [24:25] | They stopped talking. | |
| [24:29] | Jackson: This is like watching a nature documentary. | |
| [24:31] | You’re just waiting for the gazelle to get eaten by the jaguar. | |
| [24:33] | [ Scoffs ] | |
| [24:37] | Oh, my God. | |
| [24:39] | I’m gonna lose this bet. | |
| [24:41] | Pbht. | |
| [24:42] | Look, you seem nice and all, | |
| [24:45] | so I probably should just tell you the truth. | |
| [24:47] | I let Lucy set us up tonight because she made me a bet. | |
| [24:51] | And, um, you want her to lose. | |
| [24:54] | No, I want me to win. | |
| [24:56] | Being here with me isn’t a win? | |
| [24:59] | ♪ Love me till I say I want more ♪ | |
| [25:03] | Maybe a little. | |
| [25:04] | Mm-hmm. | |
| [25:06] | ♪♪ | |
| [25:08] | You know what would be a win for me? | |
| [25:10] | ♪♪ | |
| [25:13] | If you could get me… | |
| [25:17] | …a direct line to your watch commander | |
| [25:20] | so I could talk to him about civil standbys. | |
| [25:22] | ♪ Leave you breathless every time ♪ | |
| [25:25] | ♪♪ | |
| [25:31] | I could do that. | |
| [25:33] | Really? | |
| [25:34] | Yeah. | |
| [25:36] | And what would you want in return? | |
| [25:38] | ♪ Who could it be? ♪ | |
| [25:43] | ♪♪ | |
| [25:47] | I’m gonna be in long sleeves forever. | |
| [25:49] | ♪♪ | |
| [25:52] | [ Mejia exhales ] | |
| [25:55] | Where am I? | |
| [25:57] | You’re in the hospital, Mr. Mejia. | |
| [25:59] | You just underwent surgery. | |
| [26:00] | You know my name? | |
| [26:01] | Yes, I do. | |
| [26:03] | I’m working with DHS — Jessica Russo. | |
| [26:05] | She told us about your undercover op. | |
| [26:07] | Looks like you have quite a tale to tell. | |
| [26:09] | I need to get outta here. | |
| [26:10] | Not just yet. | |
| [26:11] | You’ve been through a great deal. | |
| [26:13] | Um, the men who were chasing you — | |
| [26:15] | can you ID them? | |
| [26:17] | No. | |
| [26:19] | Why did they throw you off the bridge? | |
| [26:20] | They didn’t. I jumped. | |
| [26:22] | Why? | |
| [26:23] | Seemed necessary at the time. | |
| [26:25] | Were they trying to kill you? | |
| [26:26] | Worse. | |
| [26:28] | What do you mean by that? | |
| [26:30] | [ Exhales deeply ] | |
| [26:31] | Mr. Mejia? | |
| [26:35] | Come on. We got to get to my mom’s party. | |
| [26:38] | No. | |
| [26:39] | Not until you admit | |
| [26:41] | you never mentioned this thing with your mom before. | |
| [26:43] | I-I thought I did. | |
| [26:48] | Okay, fine. I didn’t. | |
| [26:49] | I knew it. You didn’t want her to meet me. | |
| [26:51] | Angela. | |
| [26:52] | Is it because I’m… spirited? | |
| [26:54] | No. You got us a chess clock to mediate our arguments. | |
| [26:56] | I know, but that’s not what this — | |
| [26:58] | And I can be a little feral when I eat sometimes, but — | |
| [27:00] | Angela. | |
| [27:03] | This wasn’t about you. | |
| [27:07] | What does that mean? | |
| [27:08] | [ Sighs ] | |
| [27:10] | Look, I have to tell you something… | |
| [27:14] | but I don’t want you to freak out. | |
| [27:16] | [ Indistinct conversations, laughter in distance ] | |
| [27:19] | You’re rich. | |
| [27:20] | Well, wealth is relative. | |
| [27:24] | Yeah. Super rich. | |
| [27:25] | Oh, look who decided to grace us with his presence. | |
| [27:29] | Hello, darling. | |
| [27:30] | [ Smooches ] | |
| [27:31] | Hello, my dear! Hi. | |
| [27:33] | Oh, it’s so nice to finally meet you. | |
| [27:36] | You are simply stunning. | |
| [27:37] | Thank you. You are, too, Mrs. Evers. | |
| [27:39] | And — And this beautiful house. | |
| [27:41] | Come on. Let’s get you a drink. | |
| [27:42] | ♪ It feels like flying ♪ | |
| [27:45] | ♪♪ | |
| [27:48] | So, what made you decide to become a police officer? | |
| [27:51] | Well, I love my city and wanted to give back. | |
| [27:53] | Mm. Getting to kick ass helped, too. | |
| [27:55] | [ Laughs ] | |
| [27:56] | Well, I, for one, thank you for your service. | |
| [27:59] | You know, you put ’em in jail, and my son tries to get ’em out. | |
| [28:03] | Mother. | |
| [28:04] | Why do you keep calling me “Mother,” | |
| [28:06] | like — like this is “Downton Abbey”? | |
| [28:07] | Insufferable, isn’t he? | |
| [28:08] | Definitely, but he’s cute. | |
| [28:10] | You know, his grandfather founded | |
| [28:12] | the biggest law firm in Beverly Hills, | |
| [28:14] | but Wesley insists on working pro bono, | |
| [28:17] | over a restaurant that serves $5.99 buffets. | |
| [28:20] | Mother. | |
| [28:22] | Mom. | |
| [28:24] | Well, I just want to give you a helping hand | |
| [28:26] | from time to time, but you slap it away. | |
| [28:27] | Well, I do fine on my own. | |
| [28:29] | But you could do so much more. | |
| [28:31] | Okay, can we not talk about this right now, in front of Angela? | |
| [28:34] | But you’re living together. She’s family. | |
| [28:38] | And, you know, there’s never really a good time | |
| [28:39] | to talk with you. | |
| [28:41] | I-I know you want to do it all on your own | |
| [28:42] | and not touch your trust fund — | |
| [28:44] | Trust fund? | |
| [28:45] | …but the fact that you seem mad at me about it, | |
| [28:47] | that is just messed up. | |
| [28:49] | [ Chuckles ] How’s your wine? | |
| [28:50] | Amazing. | |
| [28:52] | Yeah, I picked it up at a spa retreat in Tuscany. | |
| [28:54] | I’m going again in March. | |
| [28:56] | [ Gasps ] You should come. | |
| [28:57] | Wesley, you two should come. | |
| [28:58] | 100% yes. Yes. | |
| [29:00] | Mm. You know what? | |
| [29:02] | I’m gonna take an Uber home. | |
| [29:02] | [ Keys clatter ] | |
| [29:04] | The two of you, just… | |
| [29:05] | enjoy each other. | |
| [29:07] | [ Sighs ] | |
| [29:08] | Come on, Wesley. | |
| [29:09] | Always with the drama. | |
| [29:11] | I should go after him. | |
| [29:12] | Oh, nonsense. He’s a grown man. | |
| [29:15] | Besides, I want you to taste the stew. | |
| [29:17] | It’s my own recipe. | |
| [29:21] | It does smell good. | |
| [29:22] | Mm-hmm. | |
| [29:27] | Hi. | |
| [29:28] | I’m here to transfer the patient to the ICU | |
| [29:30] | for some serial exams, check for any internal bleeding. | |
| [29:32] | Sure. Uh, do you mind if I…? | Sure. |
| [29:34] | Susan Taylor. How long have you worked here, Susan? | |
| [29:36] | A lot of fives. | |
| [29:38] | Five months in the ICU, five years at the hospital, | |
| [29:40] | and, uh, since 5:00 this morning — | |
| [29:43] | 5:30, actually — | |
| [29:44] | Okay, well, I’m gonna need to accompany you. | |
| [29:45] | No problem. | |
| [29:48] | Why do I do this? Do what? | |
| [29:50] | Infiltrate myself into everything. | |
| [29:52] | I’m like a virus. | |
| [29:53] | You’re not a virus. | |
| [29:54] | Yes. I am. | |
| [29:56] | Why do I care if Tim dates? | |
| [29:58] | Why do I care why anyone does anything? | |
| [30:00] | Okay, you just want everyone to be happy. That’s a good quality. | |
| [30:02] | No, you know what I want? To get drunk. | |
| [30:04] | [ Laughs ] Let’s get a butt load of tequila, | |
| [30:06] | get up on the roof of our building, | |
| [30:07] | and listen to music from the Hollywood Bowl. | |
| [30:09] | [ Cellphone rings ] That’s what I want. | |
| [30:10] | Hello? | |
| [30:12] | Yeah. | |
| [30:13] | ♪♪ | |
| [30:15] | Thank you for letting me know. | |
| [30:17] | [ Cellphone beeps ] What was that? | |
| [30:18] | Night shift still hasn’t found Gleason. | |
| [30:20] | Bastard’s still walking around out there. | |
| [30:21] | Give ’em time. | |
| [30:25] | What are you doing? | |
| [30:26] | Getting my car. I’m going for a ride. | |
| [30:27] | Going for a ride up the PCH with a little bit of sad music | |
| [30:30] | or a little off-duty action? | |
| [30:33] | Okay. I’ll drive. | |
| [30:34] | Hey, Jess. | |
| [30:37] | Oh, yeah, well, no, he was a-awake for a minute, | |
| [30:39] | and now he’s unconscious again. | |
| [30:41] | They’re just transferring him to ICU. | |
| [30:43] | Right. Okay. I’ll see you in a few. | |
| [30:45] | [ Cellphone beeps ] | |
| [30:47] | How’s it going? | |
| [30:49] | Good. Yeah, good. | |
| [30:50] | Uh, Jessica’s on her way here to question him. | |
| [30:52] | It…seems like you know her pretty well. | |
| [30:54] | Yeah. Well, we’re dating. | |
| [30:56] | Really? | |
| [30:58] | What? | |
| [30:59] | Nothing. | |
| [31:01] | She’s j– She’s a little intense. | |
| [31:02] | Oh, that’s… just “work Jessica.” | |
| [31:04] | Yeah, she’s — she’s different at home. | |
| [31:06] | Sure. | |
| [31:07] | What? Nothing. Um… | |
| [31:09] | She just — She doesn’t really seem like your type. | |
| [31:11] | My type? | |
| [31:12] | Never mind. You know what? I’m gonna shut up. | |
| [31:14] | People can change a lot in 20 years. | |
| [31:17] | [ Scoffs ] | |
| [31:18] | W-What are you doing outside the ICU? | |
| [31:20] | Oh, uh, the nurse transferred Mejia here from post-op. | |
| [31:23] | They needed to run some tests. | |
| [31:25] | But I just — I spoke with the surgeon. | |
| [31:26] | He didn’t want to move Mejia yet. | |
| [31:28] | He was gonna do the exams in post-op. | |
| [31:30] | ♪♪ | |
| [31:40] | ♪♪ | |
| [31:43] | I need this hospital put on immediate lockdown! | |
| [31:45] | Nobody in or out. | |
| [31:47] | 7-Adam-15, 207 at Shaw Memorial. | |
| [31:49] | I need backup, unknown number of suspects, | |
| [31:50] | possibly armed, Code 3. | |
| [31:52] | [ Buzzer ] | |
| [31:57] | [ Buzzer, door opens ] | |
| [32:01] | Remember me? | |
| [32:02] | Smitty’s rookie? | |
| [32:04] | Had you dead to rights on a parole violation? | |
| [32:06] | Yeah. What do you want? | |
| [32:08] | Your boy. Gleason Dunn. | |
| [32:10] | Tell me where he is, | |
| [32:11] | and these officers might just let you go. | |
| [32:13] | He’s not my boy. | |
| [32:14] | He destroyed a family today, | |
| [32:16] | dumped a gun for a child to find. | |
| [32:17] | Life’s full of tragedy. | |
| [32:18] | You want your life to become one? | |
| [32:21] | ‘Cause I’m hoping for a couple more decades on the job, | |
| [32:23] | years I will spend making your life a living hell | |
| [32:25] | if you don’t come clean. | |
| [32:27] | Is that really something you want to sign up for? | |
| [32:29] | ‘Cause it seems smarter to just give the guy up and go home. | |
| [32:31] | ♪♪ | |
| [32:37] | Police! | |
| [32:39] | ♪♪ | |
| [32:48] | [ Elevator bell dinging ] | |
| [32:50] | ♪♪ | |
| [32:55] | ♪♪ | |
| [33:11] | [ Glass shatters ] | |
| [33:12] | ♪♪ | |
| [33:17] | ♪♪ | |
| [33:23] | ♪♪ | |
| [33:28] | ♪♪ | |
| [33:34] | [ Electricity crackling ] | |
| [33:37] | ♪♪ | |
| [33:40] | ♪♪ | |
| [33:44] | [ Glass crunches ] | |
| [33:49] | [ Electricity crackles ] | |
| [33:52] | ♪♪ | |
| [33:58] | ♪♪ | |
| [34:05] | [ Handcuffs click ] | |
| [34:06] | [ Breathing heavily ] | |
| [34:08] | ♪♪ | |
| [34:16] | ♪♪ | |
| [34:21] | ♪♪ | |
| [34:24] | [ Groaning ] | |
| [34:29] | [ Whirring ] Passwords, or I start taking off ears. | |
| [34:32] | [ Groans ] I don’t — I don’t — | |
| [34:33] | I don’t know them off the top of my head, man. | |
| [34:35] | I got them stored back at my place! | |
| [34:36] | Nice try. | |
| [34:38] | Guess I’m taking some pieces off to get the truth. | |
| [34:40] | I’m telling you the truth! I swear! Come on! | |
| [34:42] | Police! Drop the saw! | |
| [34:44] | Stand up right now, or I will shoot you. | |
| [34:46] | Do not test me. | |
| [34:48] | [ Whirring continues ] | |
| [34:49] | ♪♪ | |
| [34:54] | [ Grunts ] Okay. Okay, you got me. | |
| [34:56] | Back up. Hands behind your head. Interlace your fingers. | |
| [34:59] | No problem, officer, but I got a bad shoulder. | |
| [35:01] | Shut up. Turn around. | |
| [35:04] | [ Grunting ] | |
| [35:05] | I don’t know if I can… | |
| [35:07] | Stay right there. | |
| [35:09] | [ Gunshots ] | |
| [35:11] | ♪♪ | |
| [35:12] | [ Whirring continues ] | |
| [35:15] | You see where he went? | |
| [35:16] | No, I didn’t see where he went. | |
| [35:18] | Can you get this damn saw away from me? | |
| [35:21] | [ Whirring stops ] | |
| [35:23] | Can you walk? I don’t think so. | |
| [35:24] | Stay right there. I don’t think I have a choice. | |
| [35:26] | Give me your backup. | |
| [35:27] | Come on, man. I need a weapon. | |
| [35:30] | [ Grunts ] Got it? | |
| [35:32] | ♪♪ | |
| [35:37] | ♪♪ | |
| [35:43] | ♪♪ | |
| [35:55] | [ Gunshot ] | |
| [35:56] | [ Groans ] | |
| [36:01] | [ Groaning ] | |
| [36:03] | You’re under arrest. | |
| [36:05] | [ Briston Maroney’s “Hard to Tell” plays ] | |
| [36:06] | ♪♪ | |
| [36:12] | ♪♪ | |
| [36:18] | ♪ Well, I ain’t no old dog ♪ | |
| [36:22] | ♪ But I got a trick or two, baby ♪ | |
| [36:25] | ♪ It ain’t what I wanted ♪ | |
| [36:29] | ♪ But I gotta give it to ya, baby ♪ | |
| [36:32] | ♪ You been on my mind ♪ | |
| [36:36] | Well done, Officer West. | |
| [36:38] | ♪ You don’t need no textbook ♪ | |
| [36:42] | ♪ Baby, I can teach it to you right now ♪ | |
| [36:45] | ♪ If you’re willing to try ♪ | |
| [36:47] | [ Door closes ] | |
| [36:49] | Hi. | |
| [36:50] | I’m sorry. | |
| [36:52] | Just, every time I go to my mother’s house, | |
| [36:54] | I turn into this person I don’t want to be. | |
| [36:56] | Why? Your mom is great. | |
| [36:58] | And don’t give me the “You don’t really know her” spiel. | |
| [37:00] | She has nothing but a deep and genuine love for you. | |
| [37:02] | So why do you keep turning your back on her? | |
| [37:04] | It’s just all that excess. I always hated that. | |
| [37:07] | I need to make it on my own. | |
| [37:09] | [ Chuckles ] What? | |
| [37:11] | Only a rich person would think | |
| [37:13] | turning down money is a noble idea. | |
| [37:15] | [ Scoffs ] | |
| [37:16] | I wore my brother’s hand-me-downs until I was 15. | |
| [37:19] | My mom worked two jobs, | |
| [37:20] | and so did we once we reached high school. | |
| [37:22] | So… you think less of me? | |
| [37:24] | Are you kidding? | |
| [37:26] | Your mom and I already started planning the wedding. | |
| [37:27] | [ Chuckles ] | |
| [37:29] | California’s a no-fault divorce state, | |
| [37:30] | so if you ever felt like doing me a solid… | |
| [37:32] | Mm-hmm. | |
| [37:33] | ♪♪ | |
| [37:36] | Love your mom while you have her. | |
| [37:39] | Take that money and do something good with it. | |
| [37:41] | Like fix your car, maybe? | |
| [37:43] | I was thinking more like feed the homeless, | |
| [37:45] | but I wouldn’t say no to a Porsche. | |
| [37:47] | Oh, really? | |
| [37:48] | Or we could just get a chauffeur. | |
| [37:51] | Come on, trust fund. | |
| [37:52] | [ Laughs ] | |
| [37:53] | ♪♪ | |
| [37:56] | ♪ Baby, it’s just too hard to tell ♪ | |
| [37:58] | Mm! | |
| [37:59] | ♪♪ | |
| [38:01] | Two hours till we’re back on shift. | |
| [38:03] | It’s gonna be a long day. | |
| [38:05] | Think you can get a power nap in? | |
| [38:06] | Nah. | |
| [38:07] | I’m just gonna “Clockwork Orange” it. | |
| [38:09] | [ Laughs ] | |
| [38:12] | Hey, come on. Gleason’s behind bars. | |
| [38:14] | You gotta feel good about that, right? | |
| [38:15] | Yeah. | |
| [38:18] | But if I wouldn’t have pushed things with my problem spot, | |
| [38:21] | if I would have just sat in the car, like Smitty said, | |
| [38:25] | or — or let the ex-cons go with a warning, | |
| [38:27] | then Gleason wouldn’t have run and he wouldn’t have — | |
| [38:29] | he wouldn’t have dumped the gun, and that kid would still have a mom. | |
| [38:31] | Stop. | |
| [38:33] | What happened was not your fault. | |
| [38:35] | It was Gleason’s, and now he’s on the hook for two murders. | |
| [38:38] | He’s gonna be locked up forever. | |
| [38:40] | That’s all you need to take away from this. | |
| [38:42] | You got me? | |
| [38:43] | Yeah. | |
| [38:45] | And don’t start listening to Smitty. | |
| [38:46] | You’re not that kind of cop. | |
| [38:48] | Yeah, I’m the kind who’ll never get out of long sleeves. | |
| [38:50] | Mm! Excuse me? | |
| [38:52] | Sorry. Your bet. Clearly, you won’t, either. | |
| [38:55] | Do you really think Tim’s gonna make me do push-ups | |
| [38:56] | after every call? | |
| [38:58] | You know what? On the bright side, | |
| [39:00] | when it’s over, I’m gonna have mad upper-body strength. | |
| [39:02] | [ Both laugh ] | |
| [39:04] | Come on. I’ll drop you off at your car. | |
| [39:06] | We still got time to shower and change before roll call. | |
| [39:08] | Let’s go. | |
| [39:09] | [ Cellphone rings ] | |
| [39:11] | How’s Mejia? | |
| [39:13] | They took him back into surgery, | |
| [39:14] | but, um, I think he’s gonna be okay. | |
| [39:17] | And did you get a chance to talk to him? | |
| [39:18] | I got the passwords, | |
| [39:19] | and we seized $22 million in assets from the arms dealer. | |
| [39:22] | And you helped take down a pretty big operation, John. | |
| [39:25] | Despite the fact I almost screwed it up. | |
| [39:26] | Well, everyone makes a mistake now and then. | |
| [39:30] | Like the one I made yesterday with you? | |
| [39:31] | Look, um… | |
| [39:34] | I-I wasn’t asking to live with you. | |
| [39:37] | I was, uh… | |
| [39:39] | I was just testing the waters. | |
| [39:40] | And I capsized the boat. | |
| [39:42] | Look, Jess… | |
| [39:45] | I am still just figuring out who I am in this new life. | |
| [39:49] | It hasn’t even been a year since I got divorced, | |
| [39:52] | and I got a brand-new job, entirely new city. | |
| [39:56] | The only thing I know for sure is… | |
| [40:00] | I love spending time with you. | |
| [40:02] | And a shoe rack will add value to my home, | |
| [40:06] | and if you have any more great ideas… [ Chuckles ] | |
| [40:07] | …I’d love to hear them. | |
| [40:09] | ♪♪ | |
| [40:11] | Deal. | |
| [40:12] | ♪♪ | |
| [40:15] | I gotta go. | |
| [40:17] | [ Elevator bell dings ] | |
| [40:21] | Look at you, saving the world, getting the girl. | |
| [40:24] | Far cry from college, when all you wanted | |
| [40:26] | was a fake ID and to pass organic chem. | |
| [40:28] | Well, it wasn’t all I wanted. | |
| [40:31] | You had your charms. | |
| [40:34] | Hey, um, I wanted to apologize | |
| [40:37] | about that crack about Agent Russo | |
| [40:39] | and for assuming that I know your taste. | |
| [40:42] | I mean, 20 years is a long time. | |
| [40:44] | And yet you are exactly how I remember you. | |
| [40:46] | I’m not sure if that’s a positive or a negative. | |
| [40:49] | Positive, for sure. And this has… | |
| [40:52] | This has been great seeing you again | |
| [40:54] | and catching up and being friends again. | |
| [40:57] | Mm-hmm. And I would love to go | |
| [40:58] | on a double date, meet your husband. | |
| [40:59] | [ Sighs ] | |
| [41:00] | I’m not really married. | |
| [41:02] | Oh, I-I — | |
| [41:04] | I mean, technically, I am, | |
| [41:05] | but Simon and I — we separated over a year ago. | |
| [41:08] | I’m sorry. | |
| [41:09] | Yeah, I guess that I keep wearing the ring | |
| [41:11] | so I don’t have to have uncomfortable conversations. | |
| [41:13] | Right. I get it. Um… | |
| [41:14] | And I know the drill. | |
| [41:16] | So if you ever want to just talk, I’m — I’m around. | |
| [41:20] | I might just take you up on that. | |
| [41:23] | ♪♪ | |
| [41:27] | [ Knock on door ] | |
| [41:31] | Lucy! What are you doing here? | |
| [41:33] | Uh, sorry. I know it’s early. | |
| [41:34] | Um, I just wanted to thank you | |
| [41:36] | for going out with Tim last night. | |
| [41:39] | Uh, Bordeaux, your favorite wine, right? | |
| [41:42] | That wasn’t necessary. | |
| [41:45] | [ Bottle thuds ] | |
| [41:47] | I hope it wasn’t too unbearable. | |
| [41:48] | [ Scoffs ] It was fine. He was…fine. | |
| [41:51] | I know he can come off like this smug hard-ass, | |
| [41:54] | but, you know, deep down, he — he has a really good heart. | |
| [41:57] | Anyway, I’ll go. | |
| [41:59] | But I owe you one. Big time. | |
| [42:01] | [ Chuckles ] | |
| [42:02] | ♪♪ | |
| [42:06] | Hey, can I borrow your, uh — | |
| [42:07] | ♪♪ | |
| [42:11] | [ Chuckles ] | |
| [42:13] | Short sleeves. | |
| [42:15] | ♪♪ | |
| [42:21] | Yes! | |
| [42:26] | ♪♪ | |
| [42:34] | ♪♪ | |
| [42:42] | ♪♪ | |
| [42:50] | ♪♪ | |
| [42:59] | Damn it! | |
| [43:00] | ♪♪ |