时间 | 英文 | 中文 |
---|---|---|
[00:01] | [ Wand crackling ] | |
[00:04] | All jewelry must be removed by the arresting officer. | |
[00:07] | Do I have your permission to proceed? | |
[00:09] | [ Camera shutter clicks ] | |
[00:11] | ♪♪ | |
[00:17] | [ Wand crackling ] | |
[00:19] | ♪♪ | |
[00:24] | [ Camera shutter clicks ] | |
[00:26] | ♪♪ | |
[00:34] | [ Wand crackling ] | |
[00:40] | ♪ Whoa, oh, oh, oh, oh, oh, whoa, oh, oh ♪ | |
[00:44] | ♪ I’m gonna win for you like I know you want me to do ♪ | |
[00:53] | Wesley: Hey. | |
[00:55] | Happy Half-Year Anniversary. | |
[00:57] | [ Chuckles ] That’s not a thing. | |
[00:59] | Well, maybe not for cynical police officers, | |
[01:02] | but for tender-hearted lawyers, | |
[01:03] | it’s totally a thing. | |
[01:05] | But, hey, if you don’t want to go to n/naka tonight, eh… | |
[01:09] | You got a reservation? | |
[01:10] | You need to make those like six — | |
[01:12] | Six months in advance. I know. | |
[01:13] | I love your confidence. [ Inhales sharply ] | |
[01:17] | Wait. | |
[01:19] | We’ve only been dating for five months. | |
[01:21] | [ Chuckles nervously ] | |
[01:23] | Yeah, well, technically, but — | |
[01:25] | Did you make that reservation for someone else | |
[01:27] | and hope I wouldn’t remember exactly when we hooked up? | |
[01:33] | If I say yes, are you gonna say no? | |
[01:35] | Are you kidding? I would kill to eat there. | |
[01:37] | [ Chuckles ] But I’m gonna require | |
[01:38] | some serious shower time… | |
[01:41] | Oh. …for you to make amends. | |
[01:46] | Deal. Yeah. | |
[01:48] | Whoa. Okay. | |
[01:50] | Rachel: We’ve got a problem. | |
[01:52] | I just got an invitation to a wedding. | |
[01:55] | Yeah. I don’t do weddings. | |
[01:57] | I don’t know what that means, | |
[01:58] | and I wasn’t inviting you. | |
[02:01] | Um, Lucy got the same invitation. | |
[02:03] | The couple getting married is her ex-boyfriend | |
[02:06] | and her ex-best friend. Let me guess. | |
[02:08] | They hooked up while Lucy was still dating him. | |
[02:09] | Living with him. Mm. | |
[02:10] | She’s obviously devastated, | |
[02:13] | so maybe take it easy on her today. | |
[02:15] | Look, Chen is my rookie, not my friend. | |
[02:17] | My job is to train her, | |
[02:18] | not help her through her messy social life. | |
[02:22] | [ Sighs ] | |
[02:26] | Fine. I’ll dial it down, like, 2%. | |
[02:29] | That’s my guy. | |
[02:31] | ♪♪ | |
[02:34] | It is hot as the surface of the sun out there. | |
[02:36] | Yep. Gonna be like that all week. | |
[02:38] | Good thing we’re all in short sleeves now. | |
[02:40] | The uniforms are still wool. | |
[02:41] | Today’s gonna be a nightmare. | |
[02:43] | I’m just saying — | |
[02:44] | I don’t get out of the car for less than a felony | |
[02:46] | when the needle hits 100. | |
[02:47] | Your commitment to protecting and serving is admirable. | |
[02:49] | As long as I can do it in comfort. | |
[02:52] | You know the front row’s for the rookies, right? | |
[02:55] | You hoping I’ll sit by you? | |
[02:56] | I’m just telling you how it is. | |
[02:58] | The day I need that from you | |
[02:59] | is the day I hang up my spurs. | |
[03:01] | You know you’re losing, right? | |
[03:03] | Sgt. Grey: Good morning. | |
[03:05] | We’ve got ourselves a heat wave, | |
[03:06] | which means what, Officer West? | |
[03:07] | Studies show that a 1% loss of body mass | |
[03:09] | due to sweating | |
[03:10] | decreases cognitive ability | |
[03:11] | and increases anxiety levels. | |
[03:13] | Translation — tempers will be short, | |
[03:15] | drug and alcohol use up, | |
[03:16] | so stay hydrated and stay sharp. | |
[03:18] | Now, while the rest of you are baking in the sun, | |
[03:21] | Officer Nolan will be flop-sweating | |
[03:23] | in his very first preliminary court hearing. | |
[03:25] | [ Laughter ] | |
[03:27] | Oh, no flop sweats here, sir. | |
[03:28] | I have reviewed the arrest report repeatedly. | |
[03:31] | I am 100% ready to testify on all the facts. | |
[03:34] | Hmm. Bradford? | |
[03:35] | When did you graduate the Academy? | |
[03:37] | Oh, that was September… Exact date, Boot. | |
[03:39] | What’s your weapon’s serial number? | |
[03:41] | I don’t know the — You need to know the number by heart. | |
[03:43] | For a DUI arrest? I didn’t even draw my weapon. | |
[03:45] | If you don’t even have your personal information squared away, | |
[03:48] | how could you possibly know the facts of the case? | |
[03:50] | A defense attorney’s job is to screw you up on the stand | |
[03:52] | by any means necessary. | |
[03:54] | Sgt. Grey: Which means everything that connects | |
[03:56] | to your experience on the job is in bounds. | |
[03:58] | Got it? | |
[03:59] | Yes, sir. | |
[04:05] | You’re driving today, Boot. What? | |
[04:07] | You heard me. Why? | |
[04:08] | Look, if you don’t want to — N-No, no. I do. | |
[04:15] | [ Car door opens ] | |
[04:20] | What’s the catch? Why does there have to be a catch? | |
[04:22] | There’s always a catch. Not today. | |
[04:28] | [ Engine starts ] | |
[04:31] | [ Horns honking ] | |
[04:33] | Jackson: Well, that can’t be legal. | |
[04:35] | It’s not. Light him up. | |
[04:36] | [ Siren chirps ] | |
[04:46] | You’re not coming? | |
[04:48] | It’s a low-risk misdemeanor. You got this. | |
[04:53] | [ Car door closes ] | |
[04:55] | [ Air conditioner turns on ] Ahh. | |
[05:00] | [ Indistinct conversations ] | |
[05:06] | [ Sighs ] | |
[05:13] | Hey. Hi. | |
[05:14] | What are you doing here? | |
[05:16] | Well, it’s your first time in court. | |
[05:17] | I thought you’d — you’d appreciate | |
[05:18] | a friendly face in the gallery. | |
[05:19] | Well, thank God. | |
[05:21] | At roll call this morning, Grey had me freaked out. | |
[05:23] | He told me this was predetermined to be a disaster. | |
[05:25] | The first one always is. | |
[05:26] | Was yours? | |
[05:27] | Ugh. Especially mine. | |
[05:29] | Good morning. | |
[05:30] | Wesley. Whoa. | |
[05:32] | You got a case on the docket today? Yep. Yours. | |
[05:35] | Defense counsel ate some bad lamb last night, | |
[05:37] | asked me to step in. Outstanding. | |
[05:39] | N-Not about the — the lamb, | |
[05:41] | but that — that it’s — that it’s you. | |
[05:42] | He’s a little nervous. | |
[05:43] | It’s his first time in court. | |
[05:45] | Yeah. I get it. My first time was disastrous. | |
[05:47] | Look, I’ll try to make it as painless as possible, okay? | |
[05:50] | Thank you very much. | |
[05:52] | Hey, just remember — | |
[05:53] | whatever happens, it’s not personal. | |
[05:56] | Right. | |
[05:58] | What does that mean? | |
[06:00] | That I’m the only friendly face here. | |
[06:08] | [ Door opens ] | |
[06:10] | [ Chains rattling ] | |
[06:13] | That’s my guy, the one with the ponytail, | |
[06:15] | Brant Reggie, 23-152, DUI Drugs. | |
[06:18] | [ Door closes ] | |
[06:22] | How do I know the guy next to him? | |
[06:24] | Oh, that’s, um, Oscar Hutchinson. | |
[06:28] | He was one of the prison bus escapees we tracked down. | |
[06:32] | He’s kind of the reason we’re together. | |
[06:34] | [ Door opens ] How romantic. | |
[06:36] | [ Door closes ] Judge Stevens: Good morning. | |
[06:37] | We’ve got a lot of cases to get through today, | |
[06:39] | so let’s just jump right in. [ Clears throat ] | |
[06:40] | Uh, hi. Uh… | |
[06:42] | Mr. Hutchinson, you’ve been in my courtroom enough | |
[06:44] | to know that this isn’t a Q&A. | |
[06:45] | Yes, Your Honor. | |
[06:47] | I just wanted to say I don’t mind going last. | |
[06:49] | I think these men beside me | |
[06:50] | deserve to be heard from first. | |
[06:52] | And you’re in no hurry to go back in the hole. | |
[06:54] | Interrupt me again, and I’ll have you gagged. | |
[06:55] | Call the first case. | |
[06:57] | Bailiff: People of the State of California | |
[06:58] | versus Jonathan Ryland, | |
[07:00] | homicide in the first degree. | |
[07:03] | ♪♪ | |
[07:10] | ♪♪ | |
[07:17] | [ Spectators murmuring ] | |
[07:20] | Is everything okay? | |
[07:22] | [ Sniffles ] That man killed our son. | |
[07:28] | I’m so sorry. | |
[07:34] | Amari: Thank you, sir. Color’s all off, man. | |
[07:36] | It’s not even the right color green. What’s up, Amari? | |
[07:38] | Man, this fool took a counterfeit $100 | |
[07:39] | without even checking it. | |
[07:40] | ♪ Black and yellow ♪ | |
[07:42] | ♪ Black and yellow, black and yellow ♪ | |
[07:43] | They misspelled it “hunderd.” | |
[07:45] | Don’t get me started. | |
[07:46] | Tim: You got a description for us? | |
[07:47] | Oh, better. | |
[07:49] | ♪ I run from my past, I guess that makes… ♪ | |
[07:51] | Come on. You took a $100 bill from this clown? | |
[07:53] | Lucy: How long ago was he here? | |
[07:55] | 30 minutes or so. | |
[07:56] | I was at couple’s counseling. | |
[07:58] | Everything alright with you and Serena? | |
[07:59] | You know how it is. Baby’s teething. | |
[08:02] | We’re not sleeping. I’m working long hours. | |
[08:04] | Yeah. Well, look, hang in there, alright? | |
[08:07] | Yeah. | |
[08:09] | Look, we’ll put a BOLO out, cruise the neighborhood. | |
[08:10] | Hopefully we spot him. Thanks. | |
[08:13] | Oh, hey, I’m still out $100, though. | |
[08:14] | Uh, unfortunately, yes. | |
[08:18] | ♪♪ | |
[08:21] | [ Door chimes ] | |
[08:23] | You should’ve gloved up when you touched the counterfeit bill | |
[08:24] | in case we needed to pull prints. | |
[08:26] | You’re right. Um, I spaced. | |
[08:28] | I’m sorry. | |
[08:29] | Wait. | |
[08:31] | Why didn’t you say anything when we were inside? | |
[08:33] | No reason. | |
[08:35] | You always call me out in front of people | |
[08:38] | when I screw up. | |
[08:39] | First you let me drive, now this? | |
[08:41] | Why are you being nice to me today? I’m not. | |
[08:45] | Did Rachel talk to you? | |
[08:48] | She did. I told her not to. | |
[08:51] | Well, if it makes you feel any better, | |
[08:52] | I didn’t want her to, either. | |
[08:54] | Look, this isn’t a big deal. | |
[08:55] | You know, I — I’m over him, | |
[08:56] | and I’m — I’m happy for them. | |
[08:57] | So I don’t need any special treatment from you, okay? | |
[09:00] | Okay. | |
[09:02] | Then I’m driving. | |
[09:03] | What? But… | |
[09:06] | [ Car door closes ] | |
[09:11] | Hey. You called 911? | |
[09:13] | Yeah. I was hooking up the car, | |
[09:15] | and I caught a whiff of something really bad | |
[09:16] | coming from that warehouse. | |
[09:17] | Alright. I’ll check it out. Thanks. | |
[09:22] | Whew. God. | |
[09:24] | [ Sniffs ] | |
[09:26] | [ Flashlight clicks ] | |
[09:27] | [ Radio static crackles ] | |
[09:28] | 7-L-14, possible DB at location. | |
[09:31] | Stand by for confirmation. | |
[09:33] | [ Radio static crackles ] | |
[09:33] | ♪♪ | |
[09:42] | [ Cellphone ringing ] | |
[09:43] | [ Sighs ] | |
[09:46] | [ Exhales heavily ] | |
[09:47] | Hey. Can I call you right back? | |
[09:49] | What? | |
[09:51] | You said visitation was set. | |
[09:53] | I changed my schedule. | |
[09:55] | I haven’t seen my daughter in over a week. | |
[09:57] | Look, I don’t want to play nice. | |
[09:59] | I want my kid. | |
[10:00] | [ Rattling ] | |
[10:01] | ♪♪ | |
[10:03] | I got to call you right back. | |
[10:04] | [ Cellphone beeps ] | |
[10:06] | ♪♪ | |
[10:10] | ♪♪ | |
[10:15] | [ Squishing ] | |
[10:20] | [ Exhales sharply ] | |
[10:22] | [ Crunching, squishing ] | |
[10:24] | ♪♪ | |
[10:25] | [ Dog snarling ] | |
[10:31] | ♪♪ | |
[10:34] | [ Dog barking ] | |
[10:37] | ♪♪ | |
[10:46] | [ Exhales sharply ] | |
[10:47] | 7-L-14, DB on scene. | |
[10:50] | I need homicide and forensic team. | |
[10:52] | But first, I need animal control. | |
[10:54] | [ Radio beeps ] | |
[10:56] | Officer Nolan, did you have training at the Academy | |
[10:58] | for DUI suspects? Uh, yes, sir. | |
[11:00] | 40 hours of alcohol intoxication recognition. | |
[11:03] | Did they test you on that training? | |
[11:04] | Of course. | |
[11:05] | And did you score 100%? | |
[11:09] | No, but I — | |
[11:10] | Okay, so, on the date in question — | |
[11:13] | March 16th. Yes. That date. | |
[11:14] | Did you see my client behind the wheel? | |
[11:16] | N-No. Your client was already out of the car | |
[11:18] | by the time we arrived on scene, | |
[11:20] | but the driver of the vehicle he hit — Allegedly hit. | |
[11:22] | And please only answer the questions that I ask you. | |
[11:24] | Now, did you get fingerprints from the steering wheel | |
[11:26] | to prove that my client was the driver? | |
[11:29] | No, but the other driver — | |
[11:31] | The other driver, as you call him, | |
[11:33] | suffered a head injury. | |
[11:34] | Are you telling me that you identified my client | |
[11:36] | based solely on that man’s say-so? | |
[11:40] | Man: [ Clears throat ] | |
[11:43] | Your client owns the car. | |
[11:45] | Your Honor, can you please instruct the witness | |
[11:47] | to answer my question? | |
[11:48] | Officer. Yeah. Uh, yes. | |
[11:50] | I ID’d your client as the driver of the vehicle | |
[11:54] | based on the witness statement. | |
[11:56] | Okay. | |
[11:58] | ♪♪ | |
[12:03] | [ Door buzzes ] | |
[12:05] | Lopez: How could I have known he wasn’t wearing pants? | |
[12:07] | No, not just pants — bottoms of any kind. | |
[12:09] | I’ll never be able to unsee that. | |
[12:12] | Whoa! My man, close it up. | |
[12:14] | [ Laughs ] | |
[12:17] | Lucy: You think I’m being stupid, | |
[12:19] | letting that invitation bother me. | |
[12:21] | You said it wasn’t bothering you, | |
[12:22] | and I was relieved we didn’t have to talk about it. | |
[12:23] | Why the hell would they invite me to their wedding? | |
[12:26] | To further humiliate me? | |
[12:27] | [ Sighs ] | |
[12:29] | Maybe they’re trying to make amends. Amends. | |
[12:31] | By making me starve myself for a month | |
[12:34] | so I can fit into a drop-dead sexy dress and — | |
[12:35] | Hey. Up ahead. | |
[12:37] | That’s the counterfeit guy. | |
[12:38] | [ Police radio chatter ] | |
[12:40] | [ Siren chirps ] | |
[12:41] | Hey! Hands on the hood. Let’s go. | |
[12:44] | [ Sighs ] | |
[12:45] | Alright. Spread your legs apart. | |
[12:47] | [ Cellphone alarms blaring ] | |
[12:51] | ♪♪ | |
[12:57] | [ Dog barking ] | |
[12:59] | [ Sighs, cellphone alarm blaring ] | |
[13:02] | ♪♪ | |
[13:06] | [ Cellphone alarms blaring ] | |
[13:10] | This can’t be real. | |
[13:12] | ♪♪ | |
[13:14] | [ Cellphone alarms blaring ] | |
[13:19] | [ Spectators murmuring, shouting ] | |
[13:20] | ♪♪ | |
[13:22] | -It’s the emergency… -Look. You think this is real? | |
[13:25] | [ Murmuring, shouting continues ] | |
[13:27] | ♪♪ | |
[13:31] | What’s happening? | |
[13:33] | ♪♪ | |
[13:41] | [ Murmuring, shouting continues ] | |
[13:49] | [ Tires squeal ] | |
[13:51] | Man: Go! Go! Go! Come on! We got to get out of here! | |
[13:54] | [ Tires squeal ] | |
[13:59] | [ Metal crunches, horns honking ] | |
[14:01] | What do we do? Let him go. | |
[14:03] | We got to get back to the station. | |
[14:04] | [ Tires squeal ] | |
[14:06] | [ Car door closes ] | |
[14:07] | [ Engine starts ] | |
[14:10] | [ Tires squeal ] | |
[14:13] | [ Indistinct conversations, gavel banging ] | |
[14:15] | Order! Order in my court! | |
[14:18] | Order! Order! | |
[14:20] | Everyone, be still! | |
[14:22] | Clearly, we can’t continue, given the missile alert. | |
[14:25] | Deputy, take the prisoners back to holding. | |
[14:26] | Let’s go. Come on. Screw that. There’s a nuke coming! | |
[14:29] | [ Indistinct shouting ] | |
[14:30] | Got anything? | |
[14:32] | The — The lines are already jammed. | |
[14:33] | [ Sighs ] People are panicking. | |
[14:34] | We got to help them out. Should we evacuate? | |
[14:36] | No. No. Um… | |
[14:38] | Hey, hey, everybody. Excuse me. | |
[14:41] | Everyone, if I can have your attention, please. | |
[14:43] | Uh, I’m Jessica Russo, Department of Homeland Security. | |
[14:46] | Now, I haven’t gotten in touch with my office, | |
[14:48] | but there is a good chance that this is not real. | |
[14:51] | That’s right. | That’s right. |
[14:53] | There was a false missile alert | |
[14:54] | out of Hawaii just last year. | |
[14:55] | [ Whispering indistinctly ] There’s no need to panic. | |
[14:57] | What if it’s not fake? | |
[14:59] | Well, then you got about 28 minutes | |
[15:00] | until you find out what Hell feels like. | |
[15:02] | Okay, that kind of talk isn’t helping anything. | |
[15:04] | The DHS has scenarios planned for this situation. | |
[15:08] | We have. Yes, we have. | |
[15:09] | And, um, the most likely target is downtown. | |
[15:14] | [ Indistinct shouting ] | |
[15:16] | Where we are. Jessica: Okay. Wait! | |
[15:17] | [ Gavel bangs ] Judge Stevens: Order. | |
[15:18] | Jessica: Wait! Wait! | |
[15:19] | The blast radius is likely between 10 to 15 miles. | |
[15:22] | And with an impact expected in 27 minutes, | |
[15:25] | there isn’t enough time to get far enough away, | |
[15:29] | which is why we need to get underground. | |
[15:31] | Judge, sir, i-is — | |
[15:33] | is there a bomb shelter in this building? | |
[15:34] | No, but the holding cells are downstairs. | |
[15:39] | Let’s go. I hate to break it to you, | |
[15:40] | but those cells leak when it rains. | |
[15:42] | They’re not gonna do squat in a nuclear attack. | |
[15:45] | Okay — [ Sighs ] | |
[15:46] | Deputy Nickerson: Now. Come on. Let’s go. | |
[15:47] | [ All shouting indistinctly ] | |
[15:52] | [ Dog barking ] | |
[15:54] | [ Cellphone beeps ] | |
[15:56] | [ Line ringing ] | |
[15:58] | Come on. Come on. | Come on. Come on. |
[16:01] | [ Exhales heavily ] | |
[16:02] | [ Line beeps ] | |
[16:05] | [ Exhales sharply ] Damn it. | |
[16:07] | [ Breathes deeply ] | |
[16:11] | Here goes nothing. | |
[16:13] | ♪♪ | |
[16:14] | [ Spray hissing ] | |
[16:15] | [ Dog whimpers ] | |
[16:17] | [ Dog barking ] | |
[16:20] | ♪♪ | |
[16:22] | [ Breathing deeply ] | |
[16:28] | [ Horns honking, sirens wailing ] | |
[16:31] | Sgt. Grey: Listen up. | |
[16:32] | LAPD has not been able to verify the alert is real. | |
[16:35] | However, real or not, | |
[16:37] | everyone in the city is panicking right now. | |
[16:39] | So I don’t care if you’ve been off the street for 20 years. | |
[16:41] | If you got a badge, get out there. | |
[16:43] | First priority — to secure sensitive targets. | |
[16:47] | Next, protect the community. | |
[16:49] | Ignore petty crimes. | |
[16:50] | Focus on people, not property. | |
[16:52] | Look, I know you’re scared. I’m scared, too. | |
[16:55] | But people out there are counting on us, | |
[16:57] | and we will help them. | |
[16:58] | Man: Yeah. | |
[16:59] | Okay, let’s get to work. | |
[17:01] | [ Indistinct conversations ] | |
[17:09] | What can I do? Stay here. | |
[17:11] | If this is real, there’s a place to seek shelter | |
[17:12] | in the parking garage. | |
[17:14] | Stay with me. | |
[17:15] | I can’t. | |
[17:17] | I’m the guy that catches the nuke. | |
[17:18] | It’s actually a pretty prestigious assignment. | |
[17:21] | You’re an idiot. | |
[17:22] | Thanks. | |
[17:29] | The world could be ending. | |
[17:31] | I don’t think anybody’s gonna begrudge you a little PDA. | |
[17:34] | Come here. | |
[17:39] | I’ll see you later. You better. | |
[17:44] | Why is everyone running around, Mommy? We’re having a drill, | |
[17:46] | like we were having at school when I picked you up. | |
[17:48] | But then why does everyone look so scared? | |
[17:50] | Because they’re good actors, baby. | |
[17:52] | Detective, why aren’t you on the street? | |
[17:54] | ‘Cause I need to take care of my daughter. | |
[18:01] | Understood. | |
[18:03] | Hi, there. | |
[18:04] | I’m Sergeant Grey. | |
[18:06] | Lila. Nice to meet you, Lila. | |
[18:08] | Do you mind if I talk to your mom for a minute? | |
[18:09] | Sure. | |
[18:11] | Uh, go get a snack from the machine, baby. Okay? | |
[18:14] | Um, I can help her. | |
[18:16] | Thank you. Of course. | |
[18:20] | Is it real? | |
[18:22] | I don’t know. | |
[18:24] | Tell me — how was the traffic coming in? | |
[18:25] | Any chance for people to get clear? | |
[18:27] | No. | |
[18:29] | ♪♪ | |
[18:33] | [ Horns honking, sirens wailing ] | |
[18:35] | [ Helicopter blades whirring ] | |
[18:38] | [ Indistinct conversations ] | |
[18:43] | Why don’t you just let us go, man? | |
[18:44] | It’s the end of the world. | |
[18:46] | Give us a few minutes of freedom. | |
[18:47] | Don’t make us die in these chains. Shut up, Oscar. | |
[18:49] | You’re not getting out of those cuffs. We ain’t asking. | |
[18:51] | Back up. Back up. Right now. Right now. | |
[18:53] | [ Chains rattling ] | |
[18:55] | ♪♪ | |
[18:59] | Hey, um, I can’t get ahold of Angela. | |
[19:01] | Can I use your radio? Yeah. | |
[19:03] | [ Radio crackles ] | |
[19:04] | 7-Adam-07, go to channel 15. | |
[19:06] | Just turn the dial on top. Thank you. | |
[19:10] | Angela, it’s me. | |
[19:11] | Wesley? Hey, how’s it going? | |
[19:14] | Oh, you know, pretty good for the end of the world. | |
[19:16] | I’m bummed we’re gonna miss our reservation. | |
[19:18] | Look, we’re not. This is just a false alarm. | |
[19:21] | Okay? Yeah. | |
[19:23] | Hey. You alright? | |
[19:24] | There’s a bomb shelter at the public school | |
[19:25] | two blocks west, alright? Head there. | |
[19:27] | Where are you? | |
[19:28] | I’m at the courthouse with Nolan | |
[19:30] | and Jessica and a bunch of scared people. | |
[19:31] | Two blocks west. Head there. | |
[19:33] | Are you going down to the bomb shelter? | |
[19:36] | Judge Stevens said there isn’t one. | |
[19:38] | Criminal courthouse on Spring? Yeah. | |
[19:41] | There’s definitely a fallout shelter. | |
[19:43] | I was down there once as a rookie. | |
[19:44] | ♪♪ | |
[19:46] | Hey. | |
[19:48] | Nolan. | |
[19:50] | Angela says this place does have a bomb shelter. | |
[19:53] | Are you safe where you are? | |
[19:55] | [ Shouting, honking continues ] | |
[19:57] | Angela. Are you still there? | |
[20:00] | Yeah. I’m heading underground. | |
[20:04] | Okay. I love you. | |
[20:06] | Love you, too. | |
[20:08] | ♪♪ | |
[20:13] | The judge is gone. | |
[20:14] | So is the ADA, the — the bailiff, | |
[20:16] | and a bunch of other people from the gallery. | |
[20:18] | What’s happening? | |
[20:22] | The judge lied to us about the bomb shelter. | |
[20:24] | ♪♪ | |
[20:30] | Whoa, whoa, whoa! Wait! Wait! Wait! Wait! | |
[20:31] | Step back. What are you doing? | |
[20:32] | What I have to. | |
[20:39] | -Back up. I’m closing this door. -And what about the rest of us? | |
[20:42] | If she’s right about the nuke, then this is ground zero. | |
[20:45] | Won’t be safe to go outside for weeks. | |
[20:47] | We don’t have the supplies in here for all of you. | |
[20:49] | So you’re gonna kill a cop and all these others | |
[20:51] | just to save yourselves? | |
[20:52] | And the rest of you — you’re all good with that?! | |
[20:54] | I’m not gonna tell you again. | |
[20:56] | Back up so I can close this door. | |
[20:58] | Okay. Okay, fine. You win. I give up. | |
[21:00] | [ People gasp ] | |
[21:02] | Pretty cool, right? | |
[21:04] | They taught me that at the Academy. | |
[21:07] | Come on. | |
[21:08] | You’re making a big mistake. | |
[21:10] | And you’re under arrest. Sit down right there. | |
[21:11] | Get cozy. | |
[21:13] | Here we go. Come in. | |
[21:15] | Hands. | |
[21:18] | No, no, no! Not him! | |
[21:19] | Hey. They’re human beings with rights. | |
[21:21] | He killed our boy in cold blood. | |
[21:23] | Aw. You better back up, mami, | |
[21:26] | or you’ll be next. You — | |
[21:27] | -Get off me! -Okay. Alright. Alright. | |
[21:29] | -Hey. Take it easy. -Hey, hey, hey! | |
[21:30] | Alright, we’re not leaving anyone outside, okay? | |
[21:32] | So everyone back up. Here we go. Come on. | |
[21:34] | Jessica: Back up. Let’s get these prisoners over to the back here. | |
[21:35] | We can segregate them on the benches. | |
[21:37] | Here. Take that. | |
[21:39] | Folks, in this way. Keep moving. | |
[21:42] | Go ahead and sit down, sir. | |
[21:45] | Nolan: Is that everyone? Thank you. | |
[21:47] | Alright. | |
[21:48] | [ Grunts ] | |
[21:50] | Be a lot more comfortable without this chain, you know? | |
[21:53] | We can keep the cuffs on. Don’t push your luck, Oscar. | |
[21:55] | Ah, that’s all I know how to do. | |
[21:57] | [ Door closes ] | |
[21:59] | [ Lock engages ] | |
[22:00] | ♪♪ | |
[22:02] | [ Breathing heavily ] | |
[22:05] | ♪♪ | |
[22:18] | There’s barely any air moving in here at all. | |
[22:20] | Well, the judge was right about one thing. | |
[22:22] | With this many people in here, | |
[22:24] | these supplies won’t even last a week. | |
[22:25] | I’m surprised we haven’t gotten an update. | |
[22:28] | Control, 7-Adam-15. Come in. | |
[22:32] | Control? | |
[22:34] | No bars. Alright. | |
[22:37] | So, we know radio frequencies and mobile signals | |
[22:40] | are blocked by the shelter. | |
[22:42] | Let’s hope it does as well against radiation. | |
[22:50] | [ Clack ] | |
[22:52] | This thing hasn’t worked since the Reagan administration. | |
[22:57] | So, now all we can do is wait. | |
[22:59] | [ Sighs ] | |
[23:01] | [ Sirens wailing ] | |
[23:05] | 13 minutes. | |
[23:07] | Stop checking the time. | |
[23:08] | Are you serious? | |
[23:09] | We’re about to be burned up by a giant fireball. | |
[23:11] | “A,” no, we’re not. It’s a false alarm. | |
[23:13] | And, “B,” counting down the minutes | |
[23:14] | wouldn’t accomplish anything, even if it was real. | |
[23:16] | So, what, you just want me to think about something else? | |
[23:19] | Pretty much. Can’t be done. | |
[23:20] | Really? | |
[23:23] | Okay. | |
[23:25] | How would you sabotage that wedding? | |
[23:26] | What? | |
[23:28] | Don’t tell me you didn’t lie awake all night | |
[23:29] | fantasizing about it. I — I didn’t. | |
[23:32] | Lying to me in your last moments on Earth is a bad look. | |
[23:35] | You said it was a false alarm. | |
[23:37] | Fine. | |
[23:39] | I’d cancel the rehearsal dinner, | |
[23:41] | change the registry to a bondage Web store, | |
[23:43] | pay a gang of clowns to storm their wedding, | |
[23:45] | and hire a chopper to fly over their outdoor reception, | |
[23:49] | see how well their wedding cake stands up | |
[23:50] | to the rotor wash of a Sikorsky helicopter. | |
[23:52] | Didn’t think about it, huh? | |
[23:53] | [ Sighs ] | |
[23:55] | How is revenge what we’re focusing on right now? | |
[23:57] | It’s tangible, okay? You can hold on to it. | |
[24:01] | Imminent nuclear death is totally unrelatable. | |
[24:03] | Now, speaking of revenge, | |
[24:05] | I have a friend at USC who studies cockroaches. | |
[24:07] | I’m sure he could loan you a few hundred | |
[24:09] | to release at the wedding. | |
[24:10] | [ Radio beeps, crackles ] | |
[24:11] | [ Radio chatter ] | |
[24:14] | [ Indistinct conversations, telephone ringing ] | |
[24:21] | Mommy, what’s really going on? | |
[24:24] | I told you, honey. It’s a drill. | |
[24:25] | Please don’t lie. | |
[24:28] | Daddy says that’s why we can’t see you anymore. | |
[24:31] | Don’t you want to tell the truth? | |
[24:36] | Of course I do, honey. I — | |
[24:38] | I just — | |
[24:41] | My previous job, I had to lie a lot… | |
[24:44] | to fool criminals, so… | |
[24:46] | Why do you want to fool me? | |
[24:48] | Are you mad at me? | |
[24:49] | Of course not. No, honey. | |
[24:51] | I, um — I love you. | |
[24:56] | I’ll make you a deal. | |
[24:57] | I’ll stop sleeping with a night light | |
[24:59] | if you tell the truth, okay? | |
[25:01] | Okay. | |
[25:03] | ♪♪ | |
[25:08] | [ Breathes deeply ] | |
[25:12] | [ Indistinct conversations ] | |
[25:26] | [ Whispering indistinctly ] | |
[25:33] | And here I thought the most stressful part of my day | |
[25:35] | would be going to court. | |
[25:36] | At least we’re together. | |
[25:38] | Yeah. | |
[25:43] | Thank you for coming to support me. | |
[25:44] | You’re welcome. | |
[25:53] | Can I, um — [ Chuckles ] | |
[25:55] | Can I confess something? | |
[25:57] | You were already here for a meeting. | |
[25:59] | You knew? | |
[26:00] | Yeah, but it didn’t matter. | |
[26:01] | ♪♪ | |
[26:08] | [ Panting ] 10 minutes. | |
[26:10] | We still have time to get to the fallout shelter | |
[26:11] | at the courthouse, hook up with Wesley. | |
[26:14] | [ Woman shouting indistinctly ] Yeah, maybe we should, just to be safe. | |
[26:16] | All: All hail Children of the Stars. | |
[26:19] | Aurora: The worthy will ascend into the heavens! | |
[26:21] | All: All hail Children of the Stars. We are not going to the shelter, are we? | |
[26:24] | Aurora: We will wait for your arrival, Noon Star Harvesters. | |
[26:26] | All: All hail Children of the Stars. | |
[26:31] | Aurora: Today the saviors will gather our souls. | |
[26:34] | All: All hail Children of the Stars. | |
[26:36] | Aurora: The worthy will ascend into the heavens. | |
[26:38] | All: All hail Children of the Stars. Hey! | |
[26:41] | Aurora: We await your arrival… How about you come down from there? | |
[26:43] | …Noon Star Harvesters. | |
[26:45] | All: All hail Children of the Stars. No. | |
[26:46] | It’s almost our time, but there’s nothing to fear. | |
[26:48] | This was all prophesized — | |
[26:49] | “Like a clarion call, | |
[26:50] | word shall spread of Our Saviors From Above. | |
[26:52] | Heed ye the Noon Star Harvesters, | |
[26:54] | for they shall descend from the heavens | |
[26:56] | so The Worthy can ascend.” | |
[26:57] | So sayeth The Prophet Jedediah. | |
[27:00] | All: All hail Children of the Stars. | |
[27:02] | Okay. So, you’re saying the missile — Isn’t a missile. | |
[27:05] | It is a cloak behind which our saviors will come to us, | |
[27:07] | and we will step out to meet them at the appointed time, | |
[27:09] | ascending into their interstellar embrace. | |
[27:12] | All: All hail Children of the Stars. | |
[27:17] | Today the Saviors will… | |
[27:18] | So, they’re clearly crazy. Can we go now? | |
[27:20] | All: All hail Children of the Stars. You can. | |
[27:23] | But I’m not leaving until I get them down off that ledge. | |
[27:25] | All hail Children of the Stars. Yeah, but if the missile’s real, it won’t matter if they jump. | |
[27:27] | And if it’s not? | |
[27:29] | Aurora: We wait for your arrival, Noon Star Harvesters. | |
[27:31] | All: All hail Children of the Stars. | |
[27:34] | Today the Saviors will gather our souls. Okay. | |
[27:36] | I mean, but they’re true believers. | |
[27:38] | How are we gonna get through to them in nine minutes? | |
[27:40] | I’m open to suggestions. | |
[27:42] | All: All hail Children of the Stars. | |
[27:45] | [ Gunshot ] Amari: Get out of here! | |
[27:46] | Put — Put it down! | |
[27:47] | Get — Get out! Get out! | |
[27:49] | Put it down! Put it down! | |
[27:50] | [ Gunshot ] | |
[27:53] | Amari, it’s Tim! Amari: Bradford?! | |
[27:56] | Yeah. You alright? | |
[27:58] | Yeah, but Lewis took a bottle to the head. | |
[28:00] | Alright, just put down the shotgun. | |
[28:02] | They’re robbing me. I got to protect my store. | |
[28:04] | We’re here now, so put it down. | |
[28:06] | [ Glass crunching ] | |
[28:07] | Put it on the counter. Put it down. | |
[28:09] | Okay. O-Okay. Alright. | |
[28:11] | Now we’re coming in. | |
[28:14] | Check him out. | |
[28:17] | Hey. Let me see. Ohh. | |
[28:20] | Okay, you’re gonna need stitches, | |
[28:21] | but it’s nothing life-threatening. | |
[28:22] | Keep pressure on it. | |
[28:24] | Why don’t you take him around the corner to your house? | |
[28:25] | No, I-I-I can’t leave my store. | |
[28:27] | It’s just stuff, Amari. The missile is coming, alright? | |
[28:29] | You should be with your family. | |
[28:30] | Yeah, but if it’s not, I’ll lose everything. | |
[28:32] | [ Scoffs ] No wonder you need counseling. | |
[28:33] | What the hell is that supposed to mean? | |
[28:35] | It means that nothing is more important | |
[28:36] | than the people you love, and they need you right now. | |
[28:40] | We’ll take care of your shop. | |
[28:41] | [ Sirens wailing, horns honking ] | |
[28:43] | O-Okay. | |
[28:45] | Alright, come on. Let’s get him up. Okay. | |
[28:46] | You’re right. [ Groans ] | You’re right. |
[28:49] | Thank you. Let’s go. Come on. | |
[28:56] | Busted. | |
[28:58] | How much time we got left? | |
[29:03] | Enough. | |
[29:04] | [ Cork squeaks ] | |
[29:06] | [ Scoffs ] | |
[29:08] | Uh, I’m not a whiskey girl. | |
[29:12] | [ Sirens wail in distance ] | |
[29:17] | To the end of the world. | |
[29:19] | Whenever that may be. | |
[29:21] | [ Bottles clink ] | |
[29:24] | This shelter was built in the ’50s. | |
[29:27] | Now, nukes are 10 times as powerful today. | |
[29:30] | Odds are good that this building collapses when the blast hits. | |
[29:33] | Shut up, Oscar. | |
[29:34] | It’s basic science, my man. | |
[29:36] | Try not to sound so happy about it. | |
[29:38] | What can I say? I’m a happy guy. | |
[29:39] | Not like mami over here. | |
[29:41] | [ Chuckles ] So sad. | |
[29:43] | Don’t you laugh at our grief. | |
[29:45] | He’s trying to provoke you. Don’t let him. | |
[29:47] | Oscar: You got me all wrong, Counselor. | |
[29:49] | What we have here is a cathartic opportunity. | |
[29:53] | Two paths — forgiveness or revenge. | |
[29:57] | Oh, three, three paths. | |
[29:59] | I forgot. I forgot about the missile. [ Chuckles ] | |
[30:02] | Oh, I ain’t looking for forgiveness. | |
[30:04] | And little papi over there | |
[30:05] | can try for revenge if he likes. | |
[30:08] | But he’ll just end up in the ground like his kid. | |
[30:10] | You — | |
[30:10] | Come here! | |
[30:12] | [ Indistinct shouting ] | |
[30:13] | How dare you! | |
[30:14] | Sit down. Shut up. | |
[30:15] | Wesley: Sit down now. Sit down. | |
[30:17] | It’s okay. He’s not worth it. | |
[30:19] | Nolan: One more word out of any of them, | |
[30:20] | we’re gagging them all. Happy to. | |
[30:21] | One more word. | |
[30:26] | You okay? | |
[30:28] | No. | |
[30:30] | ♪♪ | |
[30:39] | Aurora: Today the Saviors will gather our souls. | |
[30:43] | All: All hail Children of the Stars. | |
[30:45] | Aurora: The worthy will ascend into the heavens. | |
[30:47] | All: All hail Children of the Stars. Excuse me. | |
[30:48] | I hate to interrupt. | |
[30:50] | I just have a question. | |
[30:51] | The time for questions is done. | |
[30:53] | Totally. I just — | |
[30:56] | Whoa. Whoa, whoa, whoa, whoa! Wait. Wait. Wait. Wait. Hold on. | |
[30:58] | Hold on. Who’s Jedediah? | |
[31:00] | You mentioned him earlier. | |
[31:01] | He is the prophet | |
[31:02] | who helped us cast away our earthly possessions | |
[31:05] | and see the truth. | |
[31:09] | About the aliens? | |
[31:11] | They’re not aliens. | |
[31:12] | They’re spirits from another universe. | |
[31:15] | And where is he? Jedediah. | |
[31:17] | He’s joining us in the heavens. | |
[31:19] | Does that mean he’s on another rooftop? | |
[31:20] | No. This is the one true spot, | |
[31:22] | where — where the chosen will ascend. | |
[31:23] | And yet he’s not here. | |
[31:25] | [ Helicopter blades whirring ] | |
[31:27] | What’s your name? | |
[31:30] | Aurora. | |
[31:31] | How old are you, Aurora? | |
[31:32] | 19. | |
[31:36] | It is the age of the chosen. | |
[31:37] | Aren’t you scared? | |
[31:39] | [ Voice breaking ] No, I’m at peace. It’s just… | |
[31:43] | …I don’t like heights. | |
[31:45] | I don’t blame you. It’s a long way down. | |
[31:47] | So why do you have to step off the roof to ascend? | |
[31:52] | ‘Cause that’s the way it must be. Why? | |
[31:54] | The spirits love you. Oh, yes. | |
[31:56] | And they’re traveling all this way to save you. | |
[31:58] | Do you think they really care how you meet them, | |
[32:00] | as long as you do it with open arms? | |
[32:02] | ♪♪ | |
[32:06] | It is a test to our faith. | |
[32:08] | There is no doubt you have faith, all of you. | |
[32:10] | So come down now, | |
[32:13] | and we’ll wait for them together on solid ground. | |
[32:15] | ♪♪ | |
[32:20] | I promise it’ll be okay. | |
[32:21] | ♪♪ | |
[32:27] | ♪♪ | |
[32:34] | [ Radio crackles ] Sgt. Grey: Attention, all units. | |
[32:36] | Missile alert is a false alarm. | |
[32:38] | I repeat — the alert is a false alarm. Oh, thank God. | |
[32:40] | What does — What does that mean? | |
[32:41] | It means they’re not coming. | |
[32:44] | [ Telephone ringing ] | |
[32:49] | The danger’s over. Okay? | |
[32:51] | Okay. | |
[32:52] | Does that mean Daddy’ll be here soon? | |
[32:57] | Yeah. Yeah. Woman: I know, right? | |
[32:59] | -Crazy today. -This was unbelievable. | |
[33:01] | Oh, you know what? | |
[33:02] | Honey, I will be right back. | |
[33:05] | Hey. Hi. | |
[33:07] | Um [Chuckles] thanks for watching my kid. | |
[33:10] | Oh, my pleasure. | |
[33:11] | She’s super cute. | |
[33:12] | Thanks. | |
[33:13] | Uh, hey, listen. | |
[33:14] | You work for Social Services, right? | |
[33:16] | I do. | |
[33:18] | Can I ask you a theoretical question? | |
[33:20] | Sure. | |
[33:21] | Okay, say, uh, there’s a divorced couple | |
[33:24] | and, uh, the dad has sole custody | |
[33:26] | and the mom has supervised visitations | |
[33:28] | and an emergency comes up | |
[33:31] | and she can’t get in touch with him — | |
[33:34] | So she picks her super cute daughter up from school | |
[33:37] | to keep her safe. | |
[33:38] | Yeah. | |
[33:40] | Is that bad? | |
[33:43] | To the court, it’s not good. | |
[33:45] | You know that technically it’s a parental abduction. | |
[33:49] | Yeah, but even given the circumstances? | |
[33:51] | I’m not saying a judge wouldn’t take it into consideration, | |
[33:54] | but if the factors that led to the visitation restrictions | |
[33:57] | are serious enough, | |
[33:58] | it won’t matter. | |
[34:00] | You could lose all access to her. | |
[34:04] | Sgt. Grey: Harper, have you heard from Nolan? | |
[34:06] | He’s the only cop that hasn’t checked in. | |
[34:08] | What? | |
[34:09] | Officer Nolan. Your rookie? | |
[34:11] | Have you heard from him? | |
[34:14] | No, sir, I-I haven’t talked to him since this morning. | |
[34:17] | ♪♪ | |
[34:25] | One minute. | |
[34:28] | Will we know when it hits? | |
[34:30] | Yeah. We’ll feel the shock wave and likely some heat. | |
[34:34] | Hopefully not too much heat. | |
[34:35] | [ Handcuff clicks ] | |
[34:37] | [ Metal clicking ] | |
[34:38] | ♪♪ | |
[34:43] | 30 seconds. | |
[34:45] | ♪♪ | |
[34:50] | [ Handcuffs click ] | |
[34:52] | ♪♪ | |
[34:57] | ♪♪ | |
[34:59] | [ People shouting ] | |
[35:04] | [ Shouting continues ] | |
[35:05] | [ Gunshots ] | |
[35:08] | [ Gasps ] | |
[35:11] | [ Whimpers ] | |
[35:13] | [ Bullet ricochets, people scream ] | |
[35:14] | [ Gunshot ] | |
[35:16] | [ Woman breathing heavily ] | |
[35:18] | [ Gunshot ] | |
[35:19] | [ People screaming ] | |
[35:22] | Ohh! [ Groaning ] | |
[35:24] | [ Handcuffs clicking ] | |
[35:26] | Prisoner secured! | |
[35:27] | Nolan. | |
[35:31] | Everybody, be calm. | |
[35:33] | ♪♪ | |
[35:35] | Thanks for the diversion, buddy. [ Groaning ] | |
[35:38] | Let the judge go. Sure I will, | |
[35:39] | just as soon as I’m outside. | |
[35:41] | What about the missile? Well, if it’s real, | |
[35:43] | I’m not gonna feel it anyways. | |
[35:44] | I’m just gonna wink right out of existence. | |
[35:46] | I don’t want to spend the rest of my days in solitary. | |
[35:48] | If you even twitch, I’m gonna cut your carotid. | |
[35:50] | ♪♪ | |
[35:54] | No! Don’t open it! | |
[35:56] | [ Door squeaks ] | |
[35:59] | [ People shouting ] | |
[36:04] | Hey. | |
[36:06] | Ugh! | |
[36:07] | [ People shout ] | |
[36:09] | Looks like you’ll be spending some time in solitary after all. | |
[36:11] | [ Handcuffs clicking ] | |
[36:13] | So, no missile? False alarm. | |
[36:15] | Heat wave caused a malfunction at Edwards Air Force Base. | |
[36:17] | ♪♪ | |
[36:21] | Where’s Wesley? | |
[36:23] | I don’t know. He was just here. | |
[36:25] | ♪♪ | |
[36:32] | ♪♪ | |
[36:38] | Wesley. | |
[36:42] | Oh, my God. | |
[36:44] | Get an ambulance! | |
[36:45] | Oh, my God. It’s okay, baby. | |
[36:47] | I’m here. I’m here. I’m here. Stay with me. Stay with me. | |
[36:54] | 35-year-old male in hypovolemic shock, | |
[36:56] | stab wound to the left chest, possible pneumothorax. | |
[36:58] | Doctor: Alert the O.R. This guy’s jumping the line. | |
[37:02] | Nurse Lisa: We’ve got him from here. Is he gonna be okay? | |
[37:04] | It depends on the extent of the internal damage, | |
[37:06] | but we’re gonna do everything we can. | |
[37:07] | Sorry. I’ve gotta go. | |
[37:09] | [ P.A. system chatter ] | |
[37:11] | ♪♪ | |
[37:15] | [ Door buzzes ] | |
[37:16] | You can’t really blame a guy for trying. | |
[37:19] | To commit a felony? | |
[37:20] | It’s literally what I do for a living. | |
[37:22] | Was it all just a game to you? | |
[37:24] | Did you feel any fear at all? | |
[37:26] | Honestly? No. | |
[37:27] | [ Handcuffs click ] | |
[37:28] | Guys like me are wired differently. | |
[37:30] | I don’t really do fear or anxiety. | |
[37:33] | On the flip side, I have really poor impulse control. | |
[37:35] | He, you think I could get a soda? | |
[37:37] | No. Donovan: Is my daughter here? | |
[37:39] | Where’s my daughter? Where is she? Lila! | |
[37:43] | What’s going on? My daughter — Lila. | |
[37:45] | Please tell me she’s here. | |
[37:46] | Daddy! | |
[37:47] | Oh, God. | |
[37:48] | [ Sighs ] | |
[37:50] | Are you okay, baby? Yeah. | |
[37:52] | Mommy picked me up at school ’cause of the missile, | |
[37:54] | but it’s not real. | |
[37:55] | I-I was trying to get in touch with you — | |
[37:57] | You had no right! | |
[37:58] | I showed up, and she was gone. | |
[38:00] | The school was closed. I had no idea where she was! | |
[38:02] | Sir, I understand your fear, but your child was safe here. | |
[38:04] | Donovan: Y-You don’t understand. | |
[38:05] | She has no custody rights. She kidnapped my kid. | |
[38:08] | I did not — No, no, no, no. I want her arrested. | |
[38:11] | Daddy, no. | |
[38:14] | Sir, with all due respect, I think you’re overreacting. | |
[38:16] | I’m what? When you consider everything that happened — | |
[38:19] | I-I don’t care. This is the last straw. | |
[38:21] | She said things had changed, that she had changed, | |
[38:22] | but it was just another lie. No, it wasn’t. | |
[38:26] | How the hell would you know? | |
[38:27] | Because she’s here, | |
[38:29] | back in uniform, training me. | |
[38:32] | I couldn’t figure out why until just this moment. | |
[38:34] | I mean, she had a golden ticket. | |
[38:36] | She could have gone anywhere in the department, | |
[38:37] | anywhere she wanted. | |
[38:39] | So, why the hell would she get back in blues | |
[38:41] | and spend her days training a guy like me? | |
[38:42] | I knew whatever the reason was, it had to be primal, | |
[38:46] | powerful enough to…overcome her inherent arrogance. | |
[38:52] | And now I see your daughter, and I see exactly why | |
[38:56] | she’s willing to sacrifice what she does best | |
[38:58] | for the person she loves the most. | |
[39:00] | Lila: Please, Daddy. | |
[39:02] | I made her promise — no more lying. | |
[39:04] | [ Sighs ] | |
[39:07] | It’s true. | |
[39:12] | I’m trying here, Don. | |
[39:14] | I have been lost, | |
[39:16] | and I am trying to find my way back. | |
[39:20] | And I am gonna make mistakes. | |
[39:21] | [ Sniffles ] | |
[39:23] | And I’m gonna fall on my face a lot. | |
[39:24] | But when that alert came in, | |
[39:26] | the only thing I could think about | |
[39:28] | was making sure that she was safe. | |
[39:30] | That is the only thing that matters to me now. | |
[39:42] | Okay. | |
[39:43] | Okay. | |
[39:46] | Let’s go home. | |
[39:53] | Go hug your mama. | |
[39:58] | [ Butch Walker’s “When Canyons Ruled The City” plays ] | |
[39:59] | [ Sighs deeply ] | |
[40:01] | ♪♪ | |
[40:06] | [ Sniffles ] | |
[40:09] | I love you, cutie. Okay? | |
[40:12] | ♪ Laurel was a girl I knew, made of dirt and stone ♪ | |
[40:16] | ♪ Pretty, hip in younger years ♪ [ Clears throat ] | |
[40:18] | ♪ But now she sits alone ♪ | |
[40:19] | ♪ With a hundred thousand architectural disasters ♪ | |
[40:22] | ♪ That she calls home ♪ Thanks. | |
[40:25] | Seems like a great kid. | |
[40:27] | Yeah. She is. | |
[40:30] | ♪ She tried to get the credit ♪ | |
[40:32] | ♪ Sometimes more than she deserved ♪ | |
[40:34] | ♪ Like those cheesy ’80s movies ♪ | |
[40:36] | ♪ Epitomizing all things we’d come to know ♪ | |
[40:38] | Hey. Sure I can’t get you something? | |
[40:41] | I’m fine. | |
[40:42] | What’s taking so long? | |
[40:45] | So, do you want me to talk to my buddy | |
[40:47] | about the cockroaches? [ Chuckles ] | |
[40:48] | No, thanks. | |
[40:50] | After today, I’ve decided that I’m okay with the wedding. | |
[40:53] | I know they seem really happy. | |
[40:55] | And truth be told, I was only with him | |
[40:56] | because I couldn’t afford to move out. | |
[40:58] | And she knew that, so… | |
[41:00] | Does that mean we’re going to the wedding? | |
[41:02] | No, but I might get them a present. | |
[41:06] | With a roach in it? Maybe. [ Chuckles ] | |
[41:08] | You are a bad influence. | |
[41:10] | Love you, too. Bye. | |
[41:12] | So, Henry says hello | |
[41:15] | and that I should move the hell out of Los Angeles. [ Chuckles ] | |
[41:18] | That’s a smart kid. What’d you tell him? | |
[41:20] | That there was never any real danger | |
[41:21] | because you had my back. | |
[41:23] | And your front. | |
[41:24] | [ Elevator bell dings ] | |
[41:27] | Hey. Harper: Hey. | |
[41:29] | I hope it’s okay that I’m here. | |
[41:31] | [ Clears throat ] Yeah. | |
[41:32] | How’s Wesley? | |
[41:33] | We’re waiting to find out. Join us. | |
[41:35] | ♪♪ | |
[41:40] | Is he okay? | |
[41:42] | The surgery went well. | |
[41:43] | The doctor repaired his lung. | |
[41:45] | As long as there are no complications, | |
[41:47] | he should make a full recovery. Thank you. | |
[41:49] | They’ll move him into ICU in a few hours. | |
[41:51] | I’ll come get you so you can see him. | |
[41:53] | ♪♪ | |
[41:56] | He’s gonna be okay. [ Chuckles ] | |
[41:57] | ♪♪ | |
[42:01] | [ Laughs ] | |
[42:02] | ♪♪ | |
[42:06] | [ Sighs ] | |
[42:07] | [ Laughs ] | |
[42:09] | ♪♪ | |
[42:12] | [ Chuckles ] | |
[42:19] | ♪♪ | |
[42:28] | ♪♪ | |
[42:38] | ♪♪ |