菜鸟老警(The Rookie)第2季第10集台词本阅读、下载和单词统计

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[00:01]	No, but seriously, what is it like dating a celebrity?
[00:05]	Jackson: Awesome.
[00:06]	Yeah, he can always get a reservation,
[00:08]	and the parties are sick.
[00:09]	Reservations.
[00:11]	[ Laughs ]
[00:12]	Well, we’re happy that you’re happy.
[00:14]	Liar.
[00:15]	No!
[00:16]	No! No. I am.
[00:18]	It’s just — Aah!
[00:21]	Men suck!
[00:22]	Ouch. Okay, no.
[00:24]	The — The single men in LA suck.
[00:27]	Every time I go out on a date
[00:28]	and they find out that I’m a cop,
[00:29]	they just get scared off.
[00:31]	Uh, except for the freak who begged you
[00:33]	to pepper spray his junk.
[00:34]	Oh! Peter Pepper-balls.
[00:35]	Wow!
[00:37]	I told you that in confidence.
[00:39]	Look, those aren’t men. Those are boys, okay?
[00:41]	Real men are not afraid of strong women.
[00:43]	Also, I hate to be the bearer of bad news —
[00:46]	dating a civilian, bad idea.
[00:48]	I was told dating cops was a mistake.
[00:51]	What, am I supposed to join a nunnery?
[00:52]	Sister Officer Lucy Chen?
[00:54]	[ Laughter ]
[00:55]	Look, no, I’m saying that —
[00:57]	right now, end of shift means
[00:59]	leaving the job behind when you go home.
[01:01]	But in success, each one of you is gonna catch cases
[01:03]	that kick your ass,
[01:05]	that consume your every waking thought.
[01:08]	And non-cops won’t be able to identify.
[01:10]	Worse.
[01:10]	They’re gonna resent you
[01:12]	for caring more about the dead than the living.
[01:15]	Was your wife on the job?
[01:16]	No. No. She was an elementary school teacher.
[01:18]	Yeah, kept me sane. Totally sane.
[01:20]	[ Laughs ]
[01:22]	I don’t know what I did for her.
[01:23]	Made her laugh, I guess — on a good day.
[01:26]	Anyway, time for another round.
[01:28]	Hey, no, no, no. Uh, I got it. I got it.
[01:29]	Sorry.
[01:31]	Excuse me.
[01:33]	[ Singsong voice ] Sorry!
[01:35]	Excuse me?
[01:37]	Yeah, okay.
[01:38]	Pace yourself. It’s a marathon, not a sprint.
[01:41]	[ Chuckles ] Have you been waiting here long?
[01:42]	What month is it?
[01:44]	Ohh.
[01:46]	Maybe we should just hop the counter.
[01:48]	Yeah, I’m not much of a hopper,
[01:50]	but I am a rock star at creating diversion.
[01:52]	How do you feel about small fires?
[01:54]	Mm. Define “small.”
[01:57]	Caleb.
[01:58]	Lucy.
[01:59]	Nice to meet you.
[02:01]	What brings you out on a Wednesday night?
[02:03]	Uh, I’m just…hanging out with some friends from work.
[02:06]	Oh, looks like a fun group.
[02:08]	What do you do?
[02:09]	I, uh…
[02:10]	I-I work for the city.
[02:12]	Mm.
[02:13]	Let me guess — garbage man.
[02:15]	Sorry. Garbage person.
[02:17]	Yeah. Uh, actually, I prefer “sanitation goddess.”
[02:20]	[ Both laugh ]
[02:25]	Seriously?
[02:27]	What?
[02:28]	Uh, nothing. I —
[02:30]	[ Inhales deeply ]
[02:32]	[ Chuckles ] Sorry.
[02:34]	Is everything okay?
[02:36]	Sorry. I-It was really nice to meet you.
[02:39]	♪ I’m losing my mind ♪
[02:42]	♪ Feels like I’m losing my mind ♪
[02:43]	♪ Baby caught lonely, I’m losing my mind ♪
[02:47]	Hey. Stop. You’re under arrest.
[02:48]	[ Patrons gasp ]
[02:49]	[ Glass shatters ]
[02:51]	♪ Baby, caught lonely, I’m losing my mind ♪
[02:54]	Don’t move.
[02:58]	Surprise. I’m a cop.
[03:00]	♪ Whoa, oh, oh, oh, oh, oh, whoa, oh, oh ♪
[03:04]	♪ I’m gonna win for you like I know you want me to do ♪
[03:09]	[ Groans ]
[03:10]	Wesley: Hey.
[03:11]	Are you going to work?
[03:14]	Ah, figured it was time to get off the couch.
[03:16]	[ Sighs ]
[03:17]	The doctor said to take it easy. You sure you’re ready?
[03:20]	Yeah.
[03:21]	Yeah, the pills are working.
[03:23]	I haven’t had a panic attack since the first one.
[03:26]	I’m all good.
[03:27]	Okay. I just worry, you know?
[03:28]	I know.
[03:30]	But today is gonna be a great day.
[03:32]	Mm.
[03:33]	[ Chuckles ]
[03:35]	There’s coffee in the kitchen.
[03:37]	Let me take a quick shower, and I’ll walk out with you.
[03:38]	Okay.
[03:41]	♪ Oh, here we go again ♪ [ Buzzer, door opens ]
[03:43]	♪ Mm-mm-mm-mm-mm ♪
[03:46]	♪ Oh, here we go again ♪
[03:49]	♪ Mm-mm-mm-mm-mm ♪
[03:52]	♪ Let’s do it one more time, yeah ♪
[03:55]	♪ Mm-mm-mm-mm-mm ♪
[03:58]	Sgt. Grey: At 0500 this morning,
[04:01]	guards at Central California Women’s Facility
[04:04]	prepared prisoner 081316 for transport.
[04:08]	Rosalind Dyer, the most rare of unicorns —
[04:11]	a female serial killer.
[04:12]	For the last five years, she’s been on death row,
[04:15]	confined to an 11-by-8 cell.
[04:17]	Today, she’s coming to us.
[04:19]	Now, before I get to assignment details,
[04:21]	I want to defer to Assistant District Attorney Del Monte
[04:24]	for background on Ms. Dyer.
[04:26]	Sean?
[04:27]	Thank you, Sergeant.
[04:29]	Good morning, everyone. Officers: Good morning.
[04:31]	My name is Sean Del Monte.
[04:33]	For those of you who are not familiar with this case,
[04:35]	in 2015, Rosalind Dyer was convicted
[04:38]	in the torture and mutilation killings of seven individuals.
[04:41]	But there’s evidence that the body count is much higher.
[04:45]	In three of those seven murders, the bodies were never recovered,
[04:48]	so now Dyer has agreed to show us the location
[04:50]	of those three victims.
[04:51]	Excuse me, sir. In exchange for what?
[04:53]	Well, her sentence will be commuted
[04:55]	from death to life without parole.
[04:56]	Why the hell are we cutting her that break?
[04:58]	Well, it’s not for her.
[04:59]	It’s for the families of those victims.
[05:00]	They’ve been waiting a long time for closure.
[05:03]	Yeah, what about the other families?
[05:04]	The ones that we promised the death penalty?
[05:05]	What do we tell them? ‘Cause they’re calling me.
[05:07]	Just tell them it’s above your pay grade, Detective.
[05:09]	Lopez: Why does she have to come here?
[05:10]	Can’t she just tell you where the bodies are?
[05:12]	She claims not to know their precise locations.
[05:14]	Griffith Park is over 4,000 acres.
[05:17]	Dyer says the only way she’ll be able to identify the dig sites
[05:19]	is by retracing her original footsteps.
[05:21]	Harper: Sounds like an excuse
[05:23]	to get out in the sun, relive her kills.
[05:25]	Maybe, but she knows if she doesn’t lead us
[05:27]	to all three bodies that the deal is off, so…
[05:29]	Okay, let’s get down to it.
[05:31]	First, the station needs to be locked down for her arrival.
[05:33]	Processing is officially closed for business.
[05:35]	All suspects in our holding cells
[05:37]	will be shipped to the Twin Towers.
[05:39]	This is so surreal. An honest-to-God serial killer?
[05:42]	The psychology is pretty fascinating —
[05:44]	well, biology, really.
[05:45]	Brain-scan research shows clear differences in the amygdala
[05:48]	and the supramarginal gyrus of a signature killer.
[05:51]	English?
[05:52]	They lack the ability to feel empathy.
[05:55]	There’s also data that suggests
[05:56]	some psychopaths could have a decreased sense of smell.
[05:59]	Making it easier for them to deal with dead bodies?
[06:01]	Man, the universe has a sick sense of humor.
[06:03]	Yeah, it’s like a whole kind of different species
[06:05]	than the normal riffraff we handle.
[06:07]	The meat and potato criminals.
[06:09]	What did we arrest you for?
[06:10]	I stole my neighbor’s sex doll.
[06:12]	Said with no shame at all.
[06:13]	A man has needs. Lucy: Right.
[06:15]	And they’re usually transactional in nature.
[06:18]	You’re horny, you steal a sex toy from your neighbor,
[06:21]	and then you get caught because no thought or planning
[06:23]	goes into the act.
[06:24]	Right. Only, with Rosalind,
[06:25]	the act that fulfilled the need was torture.
[06:28]	Man, woman, black, white —
[06:29]	each one scratched a different itch.
[06:31]	Damn. That girl is messed up.
[06:33]	I was in college when they found the first victims.
[06:36]	It was all anyone talked about —
[06:37]	that and “How could a woman be so barbaric?”
[06:41]	I worked one of the scenes.
[06:42]	Fourth victim — Lisa Cruz.
[06:45]	Homicide detectives warned me not to look at the body.
[06:47]	Should’ve listened. Oh, my God.
[06:49]	Lucy.
[06:50]	[ Chuckling ] Uh…hey.
[06:52]	Caleb, from the bar last night.
[06:53]	Yeah. Uh…
[06:55]	I hope this isn’t weird, but you left with your perp
[06:58]	before I had a chance to ask your number.
[07:00]	We don’t call them “perps.”
[07:01]	Right. Sorry.
[07:03]	Anyway, this is my info.
[07:06]	If you ever feel like waiting in vain for a drink,
[07:08]	give me a call.
[07:10]	[ Chuckles ]
[07:12]	You got a last name, there, Caleb?
[07:15]	Uh, yes, sir. Wright, with a “W.”
[07:17]	What do you do?
[07:19]	If you say “screenwriter,” you’re going in a cell.
[07:21]	I manage a medical supply company downtown.
[07:23]	I’m sorry about him. Things are a little crazy right now.
[07:26]	No problem. It was nice meeting you.
[07:28]	Officer.
[07:33]	[ Scoffs ]
[07:36]	What?
[07:37]	♪♪
[07:43]	Hey.
[07:45]	You okay?
[07:46]	That obvious?
[07:48]	You just seem a little…tight.
[07:51]	I led the task force that caught Rosalind.
[07:53]	For two years, we pulled on every desperate thread,
[07:57]	praying we wouldn’t have to stand over another mutilated body.
[07:59]	Can’t imagine how devastating that was for you.
[08:01]	Yeah.
[08:03]	So, you can see why I’m not so happy
[08:04]	that Rosalind demanded I come on this little field trip.
[08:07]	Any advice on how to deal with her?
[08:10]	Don’t try to figure her out.
[08:11]	‘Cause I’m not qualified?
[08:13]	Because therein lies the madness.
[08:15]	Is there any real rationale
[08:17]	why someone would take off a person’s hands?
[08:20]	Or pour boiling oil down someone’s throat?
[08:23]	We’ve all got this morbid curiosity to ask why.
[08:25]	Don’t.
[08:27]	You don’t want to know what’s in her head.
[08:29]	And you sure as hell don’t want her in yours.
[08:36]	You have an ETA?
[08:37]	Yeah.
[08:38]	Now.
[08:39]	[ Buzzer ]
[08:44]	Sergeant Grey? Yeah.
[08:47]	Sergeant Hernandez.
[08:48]	Her last meal was at 0600.
[08:50]	Her last use of the bathroom was 47 minutes ago,
[08:54]	so you’re good for two more hours, but you will —
[08:55]	I’m sorry, I’m sorry. What is all this?
[08:57]	Eighth Amendment. Covers cruel and unusual punishment.
[08:59]	If she’s in your custody, the rules still apply.
[09:02]	Inmate bill of rights, including the update of SB-1146,
[09:04]	so you don’t get yourself sued.
[09:06]	[ Inhales deeply ]
[09:07]	Okay, what — what am I signing?
[09:08]	It’s a sworn affidavit
[09:10]	that states that I, Sergeant Antonio Hernandez,
[09:12]	California Department of Corrections,
[09:14]	hereby transfer Prisoner 081316
[09:17]	to the custody of Sergeant Wade Grey,
[09:18]	Los Angeles Police Department.
[09:20]	Thank you.
[09:21]	Okay! Bring her out!
[09:23]	♪♪
[09:26]	[ Whirring ]
[09:28]	♪♪
[09:31]	[ Whirring ]
[09:33]	♪♪
[09:43]	Hello, Nick.
[09:44]	Rosalind.
[09:47]	Are you gonna introduce me to your friends?
[09:48]	They got name tags. You got eyes.
[09:51]	That’s not very gracious, Nick,
[09:53]	after all that we’ve been through.
[09:55]	♪♪
[10:02]	♪♪
[10:08]	Ohh.
[10:09]	Thank you.
[10:10]	♪♪
[10:17]	Do you want us to leave the chair?
[10:21]	That requires more paperwork.
[10:23]	No.
[10:24]	She’ll be covering rough terrain.
[10:25]	She’ll have to walk.
[10:26]	Get her prepped.
[10:28]	We’re wheels up in 20.
[10:29]	[ Indistinct talking ]
[10:32]	Think all this is really necessary?
[10:34]	It’s gonna be a circus. Press is lined up outside.
[10:36]	Operational security is going to be crucial.
[10:41]	[ Car door opens, closes ]
[10:49]	[ Man on TV talking indistinctly ]
[10:50]	[ Cellphone chimes ]
[10:51]	♪♪
[10:57]	[ Cellphone vibrates ]
[11:01]	[ Pills rattle ]
[11:03]	♪♪
[11:10]	Bartender: Another one, sir?
[11:11]	Here you go.
[11:13]	Harper: Arms up, palms out.
[11:15]	They did this back at the prison.
[11:16]	And I’m doing it again.
[11:18]	Thorough. I appreciate that.
[11:21]	I once pulled every tooth out of the head
[11:23]	of a predatory anesthesiologist.
[11:26]	It’d have been easier to just take a hammer to him,
[11:28]	but a person should take pride in their work.
[11:30]	Don’t you think, Officer Nolan?
[11:33]	Ma’am, if you’re trying to shock me, you’re in for a disappointment.
[11:35]	Mm. I like a challenge.
[11:37]	How about it?
[11:38]	Should I take you to the good doctor’s body first, Sean?
[11:40]	As long as we get all three, the order doesn’t matter.
[11:43]	Ohhh.
[11:44]	Spoken like an uninspired civil servant.
[11:48]	Sean’s a yawn in a midrange suit.
[11:51]	Only made this deal ’cause he’s running for DA next year.
[11:53]	Harper: Hands up.
[12:00]	Expecting trouble?
[12:02]	Preparing for it.
[12:04]	We’re good to go.
[12:05]	Alright. Let’s move her out.
[12:07]	[ Engines rev, sirens wailing ]
[12:09]	♪♪
[12:11]	[ Indistinct talking ]
[12:14]	♪♪
[12:20]	[ Camera shutters clicking ]
[12:22]	♪ Have you ever been part of a criminal conspiracy? ♪
[12:27]	♪ It really is incredible fun ♪
[12:30]	♪ Once the boring paperwork is done ♪
[12:33]	♪ A man could get used to it ♪
[12:35]	♪♪
[12:39]	♪ Have you ever had posters… ♪
[12:41]	Bravo team, mission accomplished. Safe travels.
[12:43]	Copy that. You too.
[12:45]	Now for a nice, leisurely lap around Los Angeles.
[12:48]	♪ I found them all underneath the sink ♪
[12:50]	♪ Drunk and conferring ♪
[12:52]	♪♪
[12:55]	What are you doing? Nothing.
[12:57]	Get your head in the game.
[12:58]	Today’s the most dangerous day you’ve ever spent on the job.
[13:02]	♪ One drink for the limits of battleships ♪
[13:04]	♪ Two drinks for the limits of coal ♪
[13:07]	♪ Three drinks for the pilots ♪
[13:10]	Couldn’t ask for a nicer day for a hike.
[13:12]	♪ Two drinks for accountants ♪
[13:14]	♪♪
[13:18]	Dating anyone, Nick?
[13:21]	It’s been five years since Rebecca died.
[13:23]	Time to get back on that horse, don’t you think?
[13:27]	You must have needs.
[13:28]	That’s enough.
[13:29]	Ooh.
[13:31]	You have a protector here, Nick.
[13:34]	Officer Nolan has your back.
[13:36]	He must not know what you did to catch me.
[13:40]	♪ So far, so tame ♪
[13:43]	♪ Everybody has a lot of game ♪
[13:45]	Such a lovely day.
[13:47]	♪ But have you ever been to bed with Elaine? ♪
[13:50]	♪ One drink for the limits of battleships ♪
[13:52]	♪ Two drinks for the limits of coal ♪
[13:55]	♪ Three drinks for the pilots ♪
[13:58]	♪ One drink for the limits of battleships ♪
[14:00]	♪ Two drinks for accountants ♪
[14:05]	[ Engine shuts off ]
[14:10]	[ Helicopter blades whirring ]
[14:16]	♪♪
[14:21]	♪♪
[14:26]	Mm.
[14:27]	Shall we?
[14:29]	♪♪
[14:34]	[ Bird caws ]
[14:37]	Rosalind: I love this hike.
[14:39]	Sometimes, early in the morning,
[14:41]	you’ll see rabbits darting along the trail.
[14:44]	And, of course, the coyotes come out at night.
[14:47]	How did you carry a body all the way up here?
[14:51]	Oh, he was still alive at this point.
[14:53]	Thought we were going on a picnic.
[14:55]	There was a moment, as we got deeper in the woods,
[14:57]	when he showed just a sliver of fear,
[14:59]	but then he remembered he was a man
[15:01]	and didn’t have to worry about things like that.
[15:03]	Adam Team, we are now headed…
[15:05]	31 degrees northeast.
[15:07]	Hey, how much further?
[15:10]	A ways.
[15:12]	[ Birds chirping ]
[15:20]	She’s enjoying this.
[15:22]	Well, as long as three families get closure today,
[15:24]	I don’t care what she feels.
[15:26]	Ah, you mean as long as you get your photo op?
[15:29]	Man, why are you so determined to think the worst of me?
[15:32]	You chose to ignore her other murders.
[15:34]	We didn’t have enough evidence to convict.
[15:37]	You understand? We went with our strongest case.
[15:39]	Yeah, and you cast those other victims aside.
[15:41]	So those families may never get any closure.
[15:46]	It’s up this way.
[15:53]	Okay, so, you’ve met the monster.
[15:55]	Is she less scary in the light of day?
[15:57]	Not really.
[16:00]	You think she’ll try to escape?
[16:02]	I hope so. It’d be suicide.
[16:04]	She wouldn’t make it 10 feet.
[16:05]	She’s smart.
[16:06]	I mean, to have killed for that long, undetected.
[16:09]	Maybe there’s a play we’re not seeing.
[16:10]	Yeah, to jerk around the police,
[16:13]	feel like she’s in control again — that’s her play.
[16:15]	We should take a break. It’s gonna be a long day.
[16:18]	We wouldn’t want to burn out too early.
[16:23]	We’re gonna hold here. All units stand by.
[16:30]	Uh…
[16:32]	Armstrong, I’m gonna take off her cuffs —
[16:34]	just one, just for water.
[16:35]	Got it.
[16:40]	Thank you, Officer Nolan.
[16:42]	You’re very sweet.
[16:43]	Don’t take it personally.
[16:44]	Just wouldn’t want to get
[16:46]	a cruel and unusual punishment charge lodged against me.
[16:48]	That’d be ironic, huh?
[16:50]	Me accusing someone else of being cruel.
[16:52]	And I could teach a master class on unusual punishments.
[16:56]	[ Rustling ]
[17:01]	What?
[17:02]	I thought I saw movement.
[17:03]	Do we have any other personnel in the woods with us today?
[17:05]	No.	No.
[17:08]	[ Gunshot ]
[17:09]	[ Grunts ]
[17:12]	Ow!
[17:13]	[ Gunshots ]
[17:16]	Ow! I’m hit! Flank him. Yeah, yeah, yeah.
[17:18]	♪♪
[17:26]	Let me see. Let me see! I can’t see. I can’t see.
[17:27]	Let me see! Move your hand.
[17:28]	You just caught some shrapnel. It’s just blood in your eye.
[17:30]	♪♪
[17:35]	Tim: Drop the gun!
[17:36]	Drop the gun!
[17:38]	Put it down on the ground now!
[17:41]	Hands up in the air!
[17:43]	Hands behind your head! Interlock your fingers!
[17:47]	Who else is with you?
[17:48]	Nobody.
[17:49]	Are you trying to free Rosalind?
[17:51]	Free her?
[17:52]	I’m trying to kill her.
[17:54]	She murdered my wife.
[17:55]	♪♪
[17:58]	[ Sirens wailing, camera shutters clicking ]
[18:01]	[ Helicopter blades whirring ]
[18:04]	♪♪
[18:09]	[ Tires screech, car door opens, closes ]
[18:12]	Hey. What the hell happened?
[18:14]	Peter’s wife was Rosalind’s third official victim.
[18:17]	We only found half her body.
[18:20]	In the years since, I have been to this man’s house
[18:22]	more times than I can count —
[18:23]	dinners, kids’ birthday parties.
[18:26]	Crimes like this, you get close to people, and —
[18:28]	[ Groans ]
[18:29]	First, they lose their mother, and now this.
[18:33]	Even now, she’s still destroying people’s lives.
[18:37]	Look, maybe we should pull the plug.
[18:38]	No way. I agree with the sarge.
[18:40]	I don’t care. We have a job to do.
[18:42]	Listen to me, Sergeant, if you pull the plug now,
[18:44]	we’re gonna have to go through this whole operation
[18:46]	all over again in a week, maybe a month’s time,
[18:49]	and then, this circus will be twice as big next time.
[18:51]	He’s right. We’re here. We should just get it done.
[18:53]	♪♪
[18:59]	Rosalind: Penny for your thoughts.
[19:02]	Well, I was just thinking about how you saved my life.
[19:04]	I’ve literally peeled a woman’s face off,
[19:06]	and yet, you put your body between me and a bullet.
[19:09]	Why?
[19:10]	It’s my job. I don’t get to choose who I save.
[19:12]	Oh, it’s funny.
[19:13]	People look at me like I’m an alien,
[19:15]	but it goes both ways.
[19:17]	You don’t do sadism, I don’t do selfless.
[19:19]	Ah. We’re here.
[19:22]	I buried him at the base of that tree.
[19:24]	[ Bird caws ]
[19:26]	I gave him a paralytic.
[19:28]	Put it in his iced tea.
[19:31]	And we watched the sun set as I took off his hands and feet.
[19:36]	[ Sighs ] It was such a special day.
[19:39]	Do you know why, Nick?
[19:41]	No. And I don’t want to.
[19:42]	It was the first day that you and I met.
[19:45]	Ohhhh.
[19:47]	You had no idea
[19:48]	when you came to my office that morning
[19:50]	that I was the one you were looking for.
[19:52]	I thought for sure at first you were onto me,
[19:54]	but I could see in your eyes you had no clue.
[19:58]	So…
[20:00]	I came up here to celebrate.
[20:02]	Got something.
[20:03]	♪♪
[20:07]	No hands.
[20:08]	It’s him.
[20:10]	♪♪
[20:14]	Holy God!
[20:17]	There’s another body.
[20:19]	And it’s much fresher.
[20:21]	Six months, nine tops.
[20:23]	♪♪
[20:27]	Don’t look at me.
[20:28]	I’ve been in prison for the last five years.
[20:30]	♪♪
[20:34]	How is this possible? The only person that knew
[20:37]	Rosalind buried a body in that spot is her,
[20:38]	and she’s been on death row for four years.
[20:40]	Armstrong: Maybe she was working with someone from back in the day,
[20:42]	someone we missed.
[20:43]	Harper: Or she inspired a new killer.
[20:45]	And she just so happened to find the dig spot
[20:47]	in the middle of a state park?
[20:48]	I don’t think so. They’ve got to be working together.
[20:50]	But how? All contact between her and the world
[20:52]	is heavily monitored.
[20:54]	Let’s ask her.
[20:55]	N-Not yet.
[20:56]	This was coordinated from the beginning.
[20:58]	She’s been playing us since she made the deal with Del Monte.
[21:00]	You know her better than anyone else.
[21:01]	What’s the play here?
[21:02]	She wants attention.
[21:04]	[ Cellphone vibrating ] So let’s not give it to her
[21:06]	till we find out everything we can about that second body.
[21:08]	Excuse me.
[21:09]	[ Cellphone beeps ]
[21:10]	Hey, what’s up?
[21:12]	[ Sighs ] Thank God you’re okay.
[21:14]	What? Yeah, I’m fine. Why?
[21:16]	A-A cop was shot? They said a cop was shot.
[21:18]	No, it was the ADA. But he’s okay.
[21:21]	[ Sighs ]
[21:22]	Calm down. I know it’s scary. I should’ve called you.
[21:24]	No. No, no, no.
[21:25]	Yeah, I just — I, uh…
[21:28]	I just panicked a little.
[21:30]	I mean, I-I’m watching the TV, and they say a cop was shot,
[21:32]	but t-they didn’t say who, so —
[21:34]	Watching TV? Aren’t you at the office?
[21:37]	Yeah. I-I have one here. [ Car horn blares ]
[21:40]	Uh, s-sorry. The window’s open.
[21:42]	I’m just…
[21:44]	really glad that you’re okay.
[21:46]	I’m sorry I didn’t call you sooner.
[21:47]	No, it’s okay.
[21:48]	Um…look, a client just walked in.
[21:50]	I got to go, okay? Bye.
[21:54]	[ Dog whining ]
[21:56]	[ Elevator bell chimes ]
[21:59]	What are you doing?
[22:00]	N-Nothing.
[22:01]	[ Elevator bell chimes ]
[22:02]	Oh.
[22:03]	10 bucks that isn’t even his dog.
[22:06]	It’s been an awful day.
[22:08]	Can’t I just enjoy a cute puppy?
[22:10]	[ Elevator bell chimes ]
[22:12]	This is your first decomp, right?
[22:14]	Uh, yeah.
[22:15]	[ Elevator bell dings ]
[22:17]	Hope you had a light breakfast.
[22:22]	Solomon. [ Sighs ]
[22:24]	Hey, Bradford. This your mess?
[22:25]	Yeah, for now.
[22:27]	You good? Yeah.
[22:30]	Just got them up on the table, so don’t expect much.
[22:32]	Eh, we’re on a clock.
[22:33]	We need to ID the newer body ASAP.
[22:36]	What are the odds of pulling a print with a mobile scanner?
[22:38]	Zero. Meat’s falling off the bone here.
[22:40]	And I might be able to rehydrate the skin enough [ Camera clicking ]
[22:42]	to pull a print, but it’ll take me a few hours.
[22:44]	Alright, well, as quickly as possible.
[22:46]	Is there anything you can show us while we’re here?
[22:49]	Very different dispositions between the two victims.
[22:52]	They didn’t even bring me the hands and feet for the older one.
[22:54]	Any idea where they are?
[22:55]	Uh, she didn’t say.
[22:56]	Well, the newer victim doesn’t appear to have
[22:58]	any visible premortem mutilations.
[23:00]	[ Camera clicking ] Tim: Well, we know she was killed by someone different.
[23:02]	Any guess how she died?
[23:04]	Dr. Lowell: Asphyxiation, most likely.
[23:05]	You see the petechiae around the face?
[23:07]	She was strangled?
[23:08]	I don’t think so. No ligature marks.
[23:10]	The face has intradermal hemorrhage,
[23:13]	as if she was screaming for hours.
[23:15]	Plus, all of her nails are busted.
[23:17]	She was trying to claw herself out of someplace
[23:19]	before she ran out of air.
[23:21]	What’s that?
[23:22]	What? Right there.
[23:24]	Huh.
[23:25]	That looks like it was fresh when she went into the ground.
[23:29]	[ Camera clicks ] Are you saying she was tattooed right before she died?
[23:31]	Well, I’d have to do a proper examination, but it looks likely.
[23:34]	Okay, DOD6819.
[23:38]	The numbers could be a date.
[23:40]	June 8, 2019?
[23:42]	That would be…
[23:44]	six months ago tomorrow.
[23:45]	What’s “DOD”?
[23:48]	“Day of Death.”
[23:51]	Nolan: I don’t think I’ve ever been as calm as she looks right now.
[23:54]	That’s what not having a conscience gets you.
[23:58]	Anything?
[24:00]	Well, the warden’s having her cell taken down to the studs,
[24:02]	but so far, nothing.
[24:03]	And she hasn’t had a single visit in there
[24:05]	other than her lawyer since she’s been inside.
[24:07]	Well, who’s the lawyer? Could they have been acting as a go-between?
[24:09]	No. I know this guy. He’s a straight shooter.
[24:12]	There’s no way he’d be involved with something like this.
[24:14]	So, we’re nowhere.
[24:15]	Rosalind’s been working on this for at least a year.
[24:18]	She’s too smart to leave behind any obvious bread crumbs.
[24:20]	So, we take a run at her.
[24:22]	No.
[24:23]	I take a run at her.
[24:25]	[ Humming ]
[24:30]	[ Slow-clapping ] [ Humming stops ]
[24:35]	Enjoying yourself?
[24:36]	Well…
[24:38]	the real fun is yet to come.
[24:40]	♪♪
[24:43]	Oh, no, no.
[24:45]	I don’t want to talk to you.
[24:50]	I want the Boy Scout.
[24:53]	Officer Nolan…
[24:56]	come on in.
[25:05]	Here I am, as requested.
[25:07]	You don’t sound very confident.
[25:13]	You do.
[25:18]	You know the best part about getting caught?
[25:22]	Getting to relive every detail with Nick.
[25:25]	[ Gasps ]
[25:27]	I didn’t expect that.
[25:28]	How much I’d enjoy sharing my…experiences,
[25:33]	seeing how they horrified people.
[25:36]	Oh, don’t get me wrong.
[25:37]	It didn’t get me as high as the murders themselves.
[25:39]	Those lasted me months.
[25:40]	Who killed the woman in the grave?
[25:42]	Oh, and the trial. God, I loved the trial.
[25:44]	[ Breathes deeply ]
[25:46]	Cops are jaded.
[25:47]	You really have to work to see the shock
[25:48]	behind the wall they put up.
[25:49]	But the jury — oof.
[25:52]	Oh.
[25:54]	And the families.
[25:55]	Mm.
[25:57]	I ate their pain like a five-star meal.
[26:01]	Where are you going?
[26:03]	Back to work.
[26:04]	You have someone give me a shout
[26:06]	when you’re done pleasuring yourself.
[26:08]	Wait.
[26:12]	[ Breathes deeply ]
[26:14]	Tell me about the body we found.
[26:16]	I could only see her face before you took me back to the van.
[26:19]	How did she die?
[26:24]	Visual autopsy showed that she suffocated to death —
[26:27]	most likely in some kind of a container.
[26:29]	Her face showed sign of intradermal hemorrhage.
[26:31]	Stupid girl.
[26:33]	Wasting all that air screaming.
[26:35]	She probably shortened her life by an hour.
[26:37]	What about her hands? Was she trying to free herself?
[26:39]	Yes.
[26:40]	Yes, I imagine the last few hours of her life
[26:42]	were truly awful.
[26:44]	Now, I’ve shared something with you.
[26:46]	According to the movies, it’s your turn to share something with me.
[26:48]	So, who killed that woman?
[26:50]	Slow down, Officer Nolan.
[26:51]	We’re still in the foreplay stage.
[26:53]	Well, then, tease me with something.
[26:54]	How did the killer know how to find your burial site?
[26:56]	[ Chains rattle ]
[26:58]	Because I told them.
[26:59]	♪♪
[27:04]	What about you?
[27:07]	What would you do if you were trapped like that girl?
[27:11]	Consume the air as fast as possible
[27:13]	and get it over with
[27:14]	or hold on?
[27:16]	I’d hold on — as long as I could.
[27:19]	You’d only be making it harder on yourself.
[27:21]	I’d be giving my friends a chance —
[27:23]	the best possible chance of finding me in time.
[27:26]	Maybe that’s the difference.
[27:28]	Between?
[27:30]	You…and me.
[27:35]	I’ve always known, ever since I was little,
[27:40]	no one was coming to save me.
[27:43]	Is that why you’re so good?
[27:46]	“Yes, ma’am. No, ma’am. Serve and protect, ma’am.”
[27:49]	I’m good because my brain’s not broken.
[27:52]	Now, are you gonna give us something real,
[27:53]	or are we shipping you back to prison?
[27:55]	Because I’m good either way.
[27:57]	Are you?
[27:58]	[ Breathes deeply ]
[28:02]	Okay.
[28:04]	I’ll take you to the second grave.
[28:06]	Okay.
[28:08]	You think we’re gonna find another body in there?
[28:11]	I know you will.
[28:13]	I just need you to do one thing for me first.
[28:16]	And what’s that?
[28:18]	Ask Armstrong if I was worth it.
[28:22]	Nolan: You don’t have to answer.
[28:23]	I could just tell her you said, “No, it wasn’t worth it at all.”
[28:27]	Nah, she’ll know you’re lying.
[28:28]	I doubt it. I don’t even know what I’m lying about.
[28:31]	[ Sighs ] Sh–
[28:33]	She’s talking about when I caught her.
[28:37]	Five years ago.
[28:38]	About the time your wife died.
[28:39]	Yeah, Rebecca was — she was sick for over a year.
[28:43]	I should’ve taken a leave.
[28:44]	I was about to — or, you know…
[28:48]	at least, I tell myself I was.
[28:49]	And then you caught the case?
[28:51]	Look, they’d already found a few bodies.
[28:53]	A task force was put together with the FBI.
[28:55]	They asked me to run our side.
[28:57]	I… should’ve said “no.”
[29:00]	Come on, Nick. No way you could’ve known the toll it was gonna take.
[29:02]	But I did.
[29:04]	Deep down, I — I did.
[29:07]	I-I-I knew I’d barely leave the office.
[29:10]	I knew that every time I tried,
[29:12]	another theory would pop into my head
[29:14]	and I’d have to stay and run it down.
[29:16]	Every time I had a few days off, another body would pop up.
[29:19]	And how could I walk away when all these grieving families
[29:22]	called me every day, wanting answers?
[29:24]	Any detective would have done the same.
[29:26]	No!
[29:27]	Nolan!
[29:29]	Don’t let me off that easy! Don’t!
[29:31]	My wife was dying! I wasn’t there!
[29:35]	The day she died, I —
[29:44]	I wasn’t there, so there’s no excusing that.
[29:49]	So, what do you want me to tell Rosalind?
[29:51]	♪♪
[29:57]	[ Buzzer ]
[30:00]	Hey.
[30:06]	Catching you…
[30:08]	was worth everything it cost me.
[30:10]	♪♪
[30:15]	♪♪
[30:20]	Armstrong: Looks like she was killed more recently than the last one.
[30:23]	Yeah, three months ago, maybe four.
[30:25]	Check for the tattoo on her ribs.
[30:31]	Armstrong: Day of Death — September 8th.
[30:33]	That’s three months ago to the day.
[30:35]	The first body we found was killed
[30:36]	exactly three months before that.
[30:38]	Del Monte: So, if the pattern continues…
[30:40]	Someone’s getting killed today.
[30:45]	Nolan: Your friend already has their victim, don’t they?
[30:47]	Duh.
[30:48]	That clearly is a ritual that must be followed.
[30:50]	Tell us who it is.
[30:52]	Why on Earth would I do that, Nicholas?
[30:55]	These women are my victims as much as the killer’s.
[30:59]	And now they have another one, and I will savor every second
[31:03]	of your futile race to save her.
[31:04]	♪♪
[31:10]	[ Door locks ]
[31:12]	We’ve got less than 24 hours to save this girl.
[31:14]	What is the plan?
[31:16]	Sgt. Grey: You and Nolan meet the body at the morgue.
[31:18]	We need an ID on both bodies.
[31:19]	If we can connect the first two victims,
[31:21]	we might be able to predict the third.
[31:22]	That’s a Hail Mary.
[31:23]	You have a better idea?
[31:25]	I’m going to the prison, turn it upside down.
[31:26]	That’s where she planned this whole thing.
[31:28]	It’s our best shot to get some evidence.
[31:30]	Alright. I’ll have Bradford and Chen meet you there.
[31:32]	You — the morgue.
[31:34]	Hey, we need to pull a fingerprint.
[31:36]	Well, let’s see what I have to work with.
[31:42]	Oh, that’s doable.
[31:44]	She’s in better shape than the last one.
[31:45]	Huh. What is it?
[31:47]	There’s a slight discoloration under what’s left of her nails.
[31:50]	Saw it in the first victim’s, as well.
[31:52]	Took a swab.
[31:53]	And?
[31:55]	It’s a microbe strain
[31:57]	indigenous to animals in Africa and Asia.
[31:59]	So, does that mean both victims flew internationally?
[32:03]	Unlikely.
[32:04]	For the microbe to remain present on the victim’s hand,
[32:07]	they would’ve had to come in contact right before they died.
[32:09]	When they were killed.
[32:10]	Is there somewhere in LA they could’ve been exposed?
[32:14]	The zoo.
[32:16]	You think our guy was tattooing and suffocating his victims
[32:18]	in one of the most heavily trafficked attractions
[32:20]	in the city?
[32:21]	No, um, not that one. The old zoo.
[32:23]	The one they shut down in the ’60s.
[32:25]	I found it when I was first exploring LA.
[32:27]	It’s abandoned, it’s isolated.
[32:29]	And it’s close to the two burial sites.
[32:31]	Is it possible those microbes can still exist
[32:33]	in the soil there?
[32:34]	Yes.
[32:35]	♪♪
[32:38]	I don’t know what you think you’re gonna find.
[32:40]	We’ve tossed Rosalind’s cell top to bottom,
[32:43]	searched every item in there.
[32:45]	Hey, you never know. Sometimes a fresh set of eyes can help.
[32:50]	This is a dead end.
[32:53]	Yeah.
[33:07]	W-W-Where are the books?
[33:09]	What? The — The books.
[33:10]	Rosalind was a voracious reader. There would be books.
[33:13]	She sent them back to the library a couple days ago.
[33:15]	Right before she came to us.
[33:16]	She knew we’d search her things.
[33:18]	I need to see every book she checked out in the last…
[33:20]	six months.
[33:21]	♪♪
[33:27]	♪♪
[33:33]	Uh…I got something.
[33:36]	Armstrong: It’s code.
[33:37]	A simple substitution cypher.
[33:39]	That number in the corner, I bet, is a page in the book.
[33:43]	Is that a signature line?
[33:45]	Um…
[33:47]	♪♪
[33:56]	I got him.
[33:57]	Bryan Coleman.
[34:00]	-Freeze! LAPD! -Go, go, go!
[34:03]	Officer: I got eyes!
[34:05]	Officer #2: Hallway clear.
[34:07]	Officer #3: [ Distorted ] Kitchen’s clear.
[34:09]	[ Indistinct distorted voices ]
[34:13]	Who is that? The next victim?
[34:17]	No.
[34:21]	It’s my wife.
[34:24]	Rosalind put the letter in the book
[34:27]	for me to find…
[34:30]	to torture me.
[34:31]	She’s been a step ahead of us the whole time.
[34:35]	[ Car door opens, closes ]
[34:40]	7-Adam-15, show us Code 6 at the old Los Angeles Zoo.
[34:44]	[ Bird caws ]
[34:46]	[ Gate creaks ]
[34:48]	♪♪
[34:52]	So, what? We do a sweep, look for microbes?
[34:55]	Yeah, something like that.
[34:57]	Oh.
[34:58]	Well, that’s not creepy at all.
[35:00]	Does have a Ted Kaczynski vibe.
[35:02]	I’ll go around back. Count to five and then breach.
[35:05]	And whatever you do, do not shoot me.
[35:07]	Count to five, breach, don’t shoot you.
[35:09]	Copy.
[35:13]	Five, four, three, two…
[35:17]	one.
[35:18]	♪♪
[35:27]	♪♪
[35:36]	♪♪
[35:45]	♪♪
[35:54]	Nolan, I found her!
[35:55]	[ Groans ]
[35:56]	She’s alive!
[35:57]	♪♪
[36:02]	Is she okay?
[36:04]	Yeah. Go.
[36:05]	[ Radio beeps ]
[36:06]	7-Adam-15, I need an RA, Code 3 at the old LA Zoo.
[36:10]	Alert the watch commander and Detective Armstrong.
[36:12]	We have found our next victim, and she is alive.
[36:15]	This is where he suffocated them.
[36:18]	♪♪
[36:21]	Harper.
[36:23]	Got this? Yeah, yeah. Go, go.
[36:25]	7-Adam-15, in pursuit of suspect.
[36:26]	Requesting airship and backup.
[36:28]	♪♪
[36:31]	[ Metal scrapes ]
[36:33]	♪♪
[36:41]	♪♪
[36:44]	[ Metal scrapes ]
[36:46]	[ Metal clangs ]
[36:47]	♪♪
[36:55]	[ Water dripping ]
[36:56]	♪♪
[37:03]	♪♪
[37:10]	♪♪
[37:17]	[ Grunts ]
[37:18]	♪♪
[37:27]	♪♪
[37:36]	♪♪
[37:44]	Harper: Nolan!
[37:48]	[ Gasps, breathing heavily ]
[37:50]	You okay?
[37:51]	[ Coughs ] I’m okay! Go!
[37:52]	[ Door creaks ]
[37:54]	[ Coughs ]
[37:55]	♪♪
[38:00]	[ Both grunt ]
[38:01]	♪♪
[38:07]	Sgt. Grey: So, the good news first.
[38:09]	Nora Valdez — the woman Harper and Nolan rescued —
[38:13]	she’s gonna be okay.
[38:14]	What about Bryan Coleman?
[38:18]	Still no sign of him yet.
[38:20]	But his face is everywhere.
[38:22]	And the FBI is stepping in to help with our investigation,
[38:25]	so it’s just a matter of time before we get him.
[38:26]	What do we do now?
[38:28]	You go home, Officer Chen.
[38:32]	And don’t think for a moment you failed.
[38:34]	A woman’s alive because each one of you
[38:36]	gave your all during the last 36 hours.
[38:38]	Sergeant Grey’s right.
[38:41]	You should each be proud of the work you did today.
[38:43]	Alright, that’s it.
[38:48]	If I can be wheels up in the next 10 minutes,
[38:50]	I might beat the afternoon traffic,
[38:52]	which means I will be in bed within the next hour.
[38:54]	That’s a mistake.
[38:55]	What? Why?
[38:58]	Look, after working a hardcore assignment like this,
[39:00]	you need to go blow off some steam after shift —
[39:02]	you know, give your brain a different focus.
[39:05]	It’s the only way you have a fighting chance of actually sleeping.
[39:07]	Trust me.
[39:08]	So…
[39:10]	as my training officer,
[39:12]	you’re saying that I should go get a drink?
[39:14]	A strong one.
[39:15]	Maybe even with another human.
[39:17]	Hmm.
[39:19]	You alright?
[39:21]	Not even close.
[39:24]	Well, I’m not going anywhere until you are.
[39:25]	♪ We lit up the sky, you and I did ♪
[39:28]	♪ Now the stars are falling, the stars are falling ♪
[39:30]	Wesley?
[39:31]	♪ Down on my head ♪
[39:33]	Wesley.
[39:34]	♪ Now I know ♪
[39:36]	Wesley.
[39:37]	Wesley!
[39:38]	Wake up!
[39:40]	Wake up!
[39:42]	Wake up! Come on!
[39:43]	[ Gasps ]
[39:45]	Hey. Hey, hey, hey.
[39:47]	What the hell were you thinking?
[39:48]	Huh?
[39:49]	You mixed anxiety meds and alcohol.
[39:50]	Are you trying to kill yourself?
[39:54]	Uh…I don’t — I don’t…know.
[39:58]	[ Breathes shakily ]
[40:01]	I’m so glad you called.
[40:03]	Yeah. Me too.
[40:05]	Look…
[40:06]	I’m sorry if I’m a little rough around the edges.
[40:09]	It’s been a really long two days.
[40:11]	[ Inhales sharply ]
[40:12]	Yeah, I might’ve seen some news stories.
[40:15]	Yeah.
[40:16]	God, it’s been so intense.
[40:20]	Well, I am here to distract you,
[40:22]	which means work talk is officially off-limits.
[40:25]	Okay. So, what should we talk about?
[40:28]	Me, obviously.
[40:29]	[ Chuckling ] Okay. Good. Cheers.
[40:30]	Cheers. Cheers to you.
[40:32]	To me. [ Laughs ]
[40:35]	I miss her.
[40:37]	Rosalind?
[40:40]	My wife.
[40:43]	Yeah, you have to forgive yourself for that.
[40:46]	I know that’s easier said than done,
[40:48]	but you had a lot of great years —
[40:51]	and…one really bad one.
[40:54]	Unfortunately, it was the last one,
[40:55]	so that becomes the lens through which you look
[40:57]	at the rest of your relationship.
[40:59]	It’s not a lens.
[41:02]	And Rosalind knew it —
[41:03]	knew exactly which button to push to destroy me.
[41:06]	Which is why you need to learn to let that go.
[41:10]	Because you don’t want that woman in your head anymore.
[41:14]	No, I don’t.
[41:16]	Crime scene unit just found a body —
[41:18]	buried under that cabin at the old zoo.
[41:20]	Another victim?
[41:22]	Not exactly.
[41:24]	Fingerprints match Bryan Coleman.
[41:26]	If Bryan was already dead,
[41:28]	who the hell tried to kill me?
[41:31]	[ Dance music plays ]
[41:33]	[ Laughs ]
[41:35]	♪ Now the stars are falling ♪
[41:36]	♪ The stars are falling down on my head ♪
[41:39]	I should call an Uber.
[41:41]	Y-You don’t think that they would tow my car, right?
[41:44]	No. The bar’s used to it.
[41:46]	[ Laughs ] Ohh!
[41:47]	Oh! [ Chuckling ] Sorry.
[41:48]	Okay.
[41:49]	Well, if you can’t tell,
[41:51]	I had a — I had a really good time.
[41:55]	Me too — unfortunately.
[41:57]	[ Chuckles ] Why? You wanted to have a bad time?
[41:59]	Might make this next part a little easier.
[42:01]	[ Laughing ] What?
[42:02]	[ Chuckles ]
[42:03]	[ Car alarm chirps ]
[42:04]	Whoop! [ Laughs ]
[42:06]	[ Music slows, distorts ]
[42:09]	You put something in my drink.
[42:10]	Shh, shh, shh, shh, shh. Shh, shh, shh, shh.
[42:12]	[ Muffled screaming ]
[42:29]	♪♪
[42:34]	♪♪
[42:42]	♪♪
[42:54]	♪♪
[42:58]	Damn it!
[42:59]	♪♪

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