| 时间 | 英文 | 中文 |
|---|---|---|
| [00:00] | Previously on Genius. | |
| [00:02] | Wait a minute now, | |
| [00:03] | there was a pizza box on the piano. | |
| [00:06] | Sorry. | |
| [00:08] | It makes the piano sound different. | |
| [00:09] | Who’s this guy she’s with? | |
| [00:11] | It’s Ken Cunningham, he’s solid. | |
| [00:12] | I checked. | |
| [00:13] | You’re calling the shots; | |
| [00:15] | you’re making the arrangements. | |
| [00:16] | Sounds like you’re the producer too. | |
| [00:18] | Where’s my producer credit, Jerry? | |
| [00:19] | No artist gets producer credit. | |
| [00:21] | Not The Who, not The Stones, not even The Beatles. | |
| [00:23] | It just isn’t done. | |
| [00:24] | Powder blue! | |
| [00:26] | Reverend James is going to be our new choir director. | |
| [00:28] | I’ve heard a lot about you. | |
| [00:29] | I haven’t played too much since having the baby. | |
| [00:31] | It’s time to start playing again. | |
| [00:34] | King Curtis, when you play, | |
| [00:36] | you’re my second voice. | |
| [00:37] | Second voice to Aretha Franklin, | |
| [00:39] | I’ll take that. | |
| [00:40] | Keep your hands visible, sir. | |
| [00:41] | It’s because I’m CL Franklin. | |
| [00:42] | How much help do ya’ll need from me? | |
| [00:44] | You just got to flaunt your power, don’t you? | |
| [00:46] | Because I’m my mother’s daughter. | |
| [00:47] | Miss you, Mommy. | |
| [00:49] | I want to go live with Mommy in Buffalo. | |
| [00:51] | You’re not being fair! | |
| [00:52] | She waited too long to stand up for herself and | |
| [00:54] | it killed her. | |
| [00:55] | And I refuse to let that be me. | |
| [00:56] | You’re burning the candle at both ends. | |
| [00:58] | My advice is to slow down. | |
| [01:08] | – Love you. – Love you, too. | |
| [01:09] | No! No! | |
| [01:10] | You broke my heart. | |
| [01:11] | You said you we’re gonna help me. | |
| [01:13] | Stop that crying! | |
| [01:15] | Will you trust him? | |
| [01:24] | Hey, hey, hey, hey, hey. | |
| [01:26] | Hey, it’s all right. | |
| [01:28] | It’s all right, it’s just a bad dream. | |
| [01:29] | That’s all. | |
| [01:30] | Everything’s going to be okay. | |
| [01:34] | How many more am I going to have? | |
| [01:36] | Well, the doctor says it’s not uncommon, | |
| [01:39] | but you came here to get well and that’s what | |
| [01:40] | you’re going to do, just give it time. | |
| [01:44] | I keep, I keep dreaming about my mother and I can’t, | |
| [01:46] | I can’t get to her. | |
| [01:47] | I can’t, I can’t see her face. | |
| [01:49] | It’ll be 20 years this spring. | |
| [01:52] | And, well, with King Curtis dying I, | |
| [01:56] | I feel like I lost my way. | |
| [02:01] | I have to find a way to get back to myself. | |
| [02:04] | Now, listen. | |
| [02:05] | Don’t, don’t be so hard on yourself, sugar. | |
| [02:07] | Remember, you’ve been running hard for a really long time. | |
| [02:10] | It’s only right you have some feelings when you stop. | |
| [02:13] | How bout you get dressed. | |
| [02:14] | You want to get dressed, huh? | |
| [02:16] | You know your father will be here soon unless | |
| [02:19] | you need me to hold him off. | |
| [02:22] | I mean it’s only been a couple weeks and I know it | |
| [02:23] | takes a lot of energy from you. | |
| [02:25] | No, it’s all right. | |
| [02:26] | You sure? | |
| [02:27] | Mm-hmm, I don’t want him to worry. | |
| [02:29] | Look at you. | |
| [02:37] | Hey, baby. You eating all right? | |
| [02:43] | They, they got someone for you to talk to, | |
| [02:47] | you know, with the, the therapy and whatnot. | |
| [02:51] | Hey, I like that, that Ken fella. | |
| [02:55] | You done finally found a good one. | |
| [02:57] | Keep him. | |
| [02:59] | Why didn’t you let Momma take us? | |
| [03:03] | What, what? | |
| [03:04] | Why didn’t you let Momma take us? | |
| [03:07] | She, she, she didn’t want to take you, babe. | |
| [03:09] | That’s, that’s not true. | |
| [03:11] | Do you have any idea what the people would have said | |
| [03:13] | if the pastor’s wife took the, the children? | |
| [03:14] | So, you were worried about what people would say? | |
| [03:16] | What happened between your mom and I is none | |
| [03:18] | of your concern, baby. | |
| [03:19] | This is, is this what they’re teaching you here? | |
| [03:22] | This, oh, damnit. | |
| [03:26] | Come on, Retha. | |
| [03:27] | I’m not going in. | |
| [03:29] | What? Retha? | |
| [03:32] | Can you, can you, you take this inside and, | |
| [03:36] | and light a candle for King Curtis? | |
| [03:39] | I just need a minute. | |
| [03:41] | – Baby come… – Please? Please. | |
| [03:56] | Hallelujah. | |
| [03:58] | I’m going to put my trust in the Lord. | |
| [04:02] | Now I lay me down to sleep, | |
| [04:04] | I pray the Lord my soul to keep. | |
| [04:57] | Now, let’s go back! | |
| [04:59] | ♪ Now let us all. All go back ♪ | |
| [05:00] | ♪ Back to the old. Old landmark. ♪ | |
| [05:02] | ♪ Now let us all. All go back ♪ | |
| [05:04] | ♪ Back to the old. Old landmark. ♪ | |
| [05:06] | ♪ Let us all. Back to the old ♪ | |
| [05:08] | ♪ Old landmark ♪ | |
| [05:09] | ♪ Let us stay in the service of the Lord. ♪ | |
| [05:11] | ♪ Heal and pray ♪ | |
| [05:13] | ♪ Heal and pray. ♪ | |
| [05:14] | ♪ In the old. Old landmark ♪ | |
| [05:15] | ♪ Heal and pray, in the old ♪ | |
| [05:18] | ♪ Old landmark. ♪ | |
| [05:19] | ♪ Heal and pray, in the old ♪ | |
| [05:21] | ♪ Hear our prayer. ♪ | |
| [05:22] | ♪ Glory, glory. ♪ | |
| [05:24] | ♪ Glory, oh, hey! ♪ | |
| [05:27] | ♪ Let us stay in the service of the Lord ♪ | |
| [05:28] | ♪ Whoa, let us all. All go back. ♪ | |
| [05:30] | ♪ All go back. Old landmark. ♪ | |
| [05:31] | ♪ Let us all. All go back ♪ | |
| [05:33] | ♪ Go back. Old landmark ♪ | |
| [05:35] | ♪ Let us all. All go back ♪ | |
| [05:37] | ♪ Go back. Old landmark ♪ | |
| [05:44] | Father, God, we come here today! | |
| [05:48] | Lord there is a, there’s a saint among us. | |
| [05:51] | Amen! | |
| [05:52] | Who may feel like they’ve been mistreated, | |
| [05:53] | Father, God. | |
| [05:55] | Not because they have done something wrong, Father, God. | |
| [05:58] | But because there’s something extremely right about them. | |
| [06:01] | Yeah! | |
| [06:02] | Isaiah 53:5 | |
| [06:04] | tells us the pierce in your side | |
| [06:07] | is from our transgressions. | |
| [06:09] | Yes! | |
| [06:10] | He was crushed for our iniquities. | |
| [06:13] | Yes! | |
| [06:14] | The punishment that brought us peace | |
| [06:17] | is on Him. | |
| [06:21] | By these wounds we are made whole, Father, God. | |
| [06:25] | God is working things out for you even if you don’t feel it. | |
| [06:30] | Have faith. Be faithful. | |
| [06:34] | For where there is faith, | |
| [06:35] | hope grows, and miracles blossom. | |
| [06:39] | Father, God, thank you! | |
| [06:42] | Thank you for this congregation! | |
| [06:44] | ♪ Come on and shout, shout, shout it ♪ | |
| [06:47] | ♪ Ho, you gotta shout it ♪ | |
| [06:50] | ♪ He healed you, you better run and shout ♪ | |
| [06:53] | ♪ He saved you, you better run and shout ♪ | |
| [06:56] | ♪ Shout, shout, shout, shout-shout-shout ♪ | |
| [06:58] | ♪ Shout, shout, shout, shout-shout-shout ♪ | |
| [06:59] | ♪ Glory, glory, glory, glory. ♪ | |
| [07:03] | ♪ Oh, oh, oh, oh, oh, shout it, shout it. ♪ | |
| [07:06] | ♪ Oh, oh, oh, oh, oh, shout it, shout it. ♪ | |
| [07:09] | ♪ Oh, oh, oh, oh, oh, shout it, shout it. ♪ | |
| [07:12] | ♪ Shout, shout, shout Shout-shout-shout-shout. ♪ | |
| [07:15] | ♪ Shout-shout-shout-shout-shout- shout-shout ♪ | |
| [07:18] | ♪ Glory, glory, glory, glory ♪ | ♪ |
| [07:25] | Lord ain’t gonna be waitin’ for you, | |
| [07:26] | but I will be. | |
| [07:29] | I knew it was you the moment you walked in here. | |
| [07:31] | That scarf and them glasses ain’t fooling nobody. | |
| [07:34] | You could come in here with a paper bag over your head, | |
| [07:36] | I’d know it was you. | |
| [07:37] | I wasn’t trying to hide from you now. | |
| [07:38] | You know you should have called me before | |
| [07:40] | you did that Andy Williams Show. | |
| [07:41] | Now, why I need to call you about Andy Williams? | |
| [07:43] | That terrible, red feather duster thing. | |
| [07:46] | I mean I could have saved you a whole mess of trouble. | |
| [07:48] | I stand by my red feather duster. | |
| [07:50] | Well, all right. | |
| [07:51] | I ain’t here to argue with the Queen. | |
| [07:53] | I hear you’re taking a break. | |
| [07:56] | You, you earn that vacation. | |
| [07:58] | It’s not that kind of time off. | |
| [08:08] | Are you okay, Re? | |
| [08:10] | I will be. | |
| [08:12] | I feel like I, I feel like I got lost. | |
| [08:15] | Maybe I, I got to where I was going, | |
| [08:19] | and it was nowhere I wanted to be. | |
| [08:20] | Well, you know, | |
| [08:21] | you always have a home in the House of God. | |
| [08:22] | I know, I know. | |
| [08:24] | I, I want to record a Gospel album. | |
| [08:27] | – Back to your roots. – Not exactly. | |
| [08:31] | I want to record it here with you, | |
| [08:34] | your choir, your church. | |
| [08:36] | Not your daddy’s church? | |
| [08:38] | No. | |
| [08:42] | Does he know about this yet? | |
| [08:43] | No. | |
| [08:45] | I want to find my own way and I can’t do that with | |
| [08:46] | my daddy around. | |
| [08:48] | He’s part of the reason I was pulled apart | |
| [08:50] | in the first place. | |
| [08:52] | I know. I was there, I saw it. | |
| [08:57] | Well, you know he ain’t going to take this laying down. | |
| [08:58] | That’s okay. It’s how it has to be. | |
| [09:03] | Okay. | |
| [09:05] | Let’s do it, let’s make a Gospel album. | |
| [09:07] | Well, all right. | |
| [09:08] | Mm-hmm. | |
| [09:09] | If you ready, I’m ready. | |
| [09:14] | Everyone, don’t forget to do your | |
| [09:15] | reading for tomorrow. | |
| [09:17] | And I’ve graded some of your essays. | |
| [09:19] | Do better next time, yes? | |
| [09:21] | See you tomorrow. | |
| [09:22] | Thank you, Ms. Lowrey. | |
| [09:24] | Oh, Aretha. Come here for a second. | |
| [09:27] | You did a beautiful job on your essay. | |
| [09:29] | Thank you, Mrs. Lowrey. | |
| [09:31] | I’m going to show it to Mrs. Drake this | |
| [09:32] | afternoon and propose that you be one of our | |
| [09:34] | ninth grade graduation speakers. | |
| [09:36] | Thank you, Mrs. Lowrey. | |
| [09:37] | You can maybe start with a little | |
| [09:39] | welcome to everyone. | |
| [09:40] | Like this? | |
| [09:42] | Good afternoon ladies and gentlemen. | |
| [09:44] | First of all, | |
| [09:45] | I’d like to congratulate my fellow graduates. | |
| [09:47] | Exactly. | |
| [09:48] | You know, I used to sing in the choir with | |
| [09:50] | your mother, Barbara. | |
| [09:52] | She was very smart, just like you. | |
| [09:54] | She would be so proud of the student that you’ve become. | |
| [09:58] | You’ll be a natural as one of our speakers. | |
| [10:00] | Thank you, Mrs. Lowrey. | |
| [10:01] | Sorry, I’ve gotta run, | |
| [10:03] | I’m going to be late for choir practice. | |
| [10:05] | Okay. Keep practicing. | |
| [10:07] | ♪ Back to the old landmark ♪ | |
| [10:09] | ♪ Old landmark ♪ | |
| [10:10] | No, no, no, no, no, no. | |
| [10:11] | Come on Rufus, what ya doing back there, huh? | |
| [10:15] | Naomi, you’re making the altos look bad. | |
| [10:17] | Hey, hey, hey, Ruth, | |
| [10:18] | you ain’t even open up your mouth. | |
| [10:19] | From the top, let’s go. | |
| [10:26] | ♪ Now let us all ♪ | |
| [10:27] | ♪ All go back ♪ | |
| [10:28] | ♪ Back to the old landmark ♪ | |
| [10:29] | ♪ Old landmark ♪ | |
| [10:31] | ♪ Let us all go back ♪ | |
| [10:32] | ♪ All go back. ♪ | |
| [10:33] | ♪ To the old landmark. ♪ | |
| [10:34] | ♪ Old landmark ♪ | |
| [10:36] | ♪ Now let us all ♪ | |
| [10:37] | ♪ All go back ♪ | |
| [10:38] | ♪ Old landmark ♪ | |
| [10:40] | ♪ And we’ll stay in the service of the Lord ♪ | ♪ |
| [10:44] | Yes, hey, hey, hey. All right now, all right now. | |
| [10:46] | All right now, Re, this is what I need you to do. | |
| [10:47] | I need you to come in after the second bar, right, | |
| [10:49] | I need you to sing out loud throughout the bridge, okay? | |
| [10:53] | Reverend Brother Cleveland, if, if, | |
| [10:55] | if my daughter needs any instruction, | |
| [10:57] | she’ll get it from me, not from you. | |
| [10:59] | Understood? | |
| [11:00] | Yeah, I get it. | |
| [11:03] | Reverend Franklin, I’m just trying to. | |
| [11:04] | Aretha’s voice is a gift from the Lord. | |
| [11:06] | The less we do with it, the better. | |
| [11:10] | Now, if you were wise CL, | |
| [11:11] | you’d remember the heavenly source of Aretha’s gift | |
| [11:13] | yourself from time to time. | |
| [11:15] | – Mm-hmm. | – Mm-hmm. |
| [11:17] | Let’s go from the top. | |
| [11:21] | Pow! Pop! | |
| [11:23] | It’s a great idea, right? | |
| [11:25] | And, and James has been kind enough to let us | |
| [11:27] | have his church. | |
| [11:30] | Yeah, absolutely. | |
| [11:32] | So, what’s that look? | |
| [11:35] | Well, the acoustics in here are not the best. | |
| [11:37] | I’ve been here plenty of times and listen | |
| [11:39] | to the choir without any problems. | |
| [11:40] | Okay. | |
| [11:41] | Well, a bigger issue is the size. | |
| [11:43] | I mean how many people can fit in here; 30, 40, max? | |
| [11:46] | Well, James and I were thinking of maybe doing | |
| [11:48] | this over two nights. | |
| [11:49] | Okay, so now we’re up to 80. | |
| [11:50] | I mean I’m concerned about the scope. | |
| [11:53] | I mean do you really want to go from playing huge | |
| [11:55] | amphitheaters to recording a bunch of old-time Gospel songs | |
| [11:58] | in a place the size of my living room? | |
| [12:01] | Old-time? | |
| [12:02] | I’m going to be singing popular songs and weaving it | |
| [12:04] | with Gospel music in a way that you’ve | |
| [12:06] | never heard before. | |
| [12:07] | I know, I know. | |
| [12:08] | I, I just don’t want us to be moving backwards is all. | |
| [12:11] | Well, maybe sometimes you’ve got to move backwards to move forwards. | |
| [12:15] | Listen, I even got the cover on press. | |
| [12:17] | – Another one of Ken’s? – Mm-hmm. | |
| [12:19] | People love what he did for the cover of Greatest Hits. | |
| [12:20] | Check it out. | |
| [12:22] | Oh. That’s great, that’s beautiful. | |
| [12:25] | Okay. | |
| [12:27] | Listen, I, I know that The Rolling Stones | |
| [12:30] | didn’t get producer credit on their album and | |
| [12:31] | I know that The Beatles | |
| [12:33] | didn’t either but that is not my concern. | |
| [12:36] | I’m going to produce this album, | |
| [12:38] | it’s the only way it can happen. | |
| [12:42] | I can see it now, Jerry. | |
| [12:43] | It’s beautiful and I’m going to call it Amazing Grace. | |
| [12:49] | Aretha… | |
| [12:55] | Then that’s how we’ll do it. | |
| [12:58] | Good, all right. | |
| [13:01] | – All right? All right. – All right. | |
| [13:03] | Mm-hmm. | |
| [13:11] | ♪ I’m climbing ♪ | |
| [13:12] | ♪ Climbing ♪ | |
| [13:14] | ♪ Oh. Lord ♪ | |
| [13:15] | ♪ Climbing. ♪ | |
| [13:16] | ♪ Every day ♪ | |
| [13:17] | ♪ Climbing ♪ | |
| [13:18] | ♪ Oh, I’m climbing. ♪ | |
| [13:19] | ♪ I’m climbing ♪ | |
| [13:20] | ♪ High mountains ♪ | |
| [13:21] | ♪ High mountains ♪ | |
| [13:22] | ♪ Trying to get home. ♪ | |
| [13:23] | ♪ Trying to get home. ♪ | |
| [13:26] | ♪ I’m going up the side of the mountain ♪ | |
| [13:29] | ♪ All the way home ♪ | |
| [13:30] | ♪ Trying to get home. ♪ | |
| [13:32] | ♪ I’m going up the side of the mountain ♪ | |
| [13:37] | ♪ All the way home ♪ | |
| [13:39] | ♪ Trying to get home. ♪ | |
| [13:40] | ♪ I’m going up the side of the mountain ♪ | |
| [13:44] | ♪ Meet my Jesus ♪ | |
| [13:46] | ♪ All the way home ♪ | |
| [13:47] | ♪ Climbing ♪ | |
| [13:48] | ♪ I’m going up. ♪ | |
| [13:49] | ♪ Hey-hey-hey ♪ | |
| [13:51] | ♪ Climbing higher ♪ | |
| [13:52] | ♪ Climbing, yeah ♪ | |
| [13:54] | ♪ Climbing higher ♪ | |
| [13:56] | ♪ Higher ♪ | |
| [13:57] | ♪ Yeah-yeah ♪ | |
| [13:58] | ♪ Climbing higher ♪ | |
| [13:59] | ♪ Higher ♪ | |
| [14:00] | ♪ Climbing higher, woop. ♪ | |
| [14:02] | ♪ Going up ♪ | |
| [14:03] | ♪ Climbing higher, woop ♪ | |
| [14:05] | ♪ Hey, meet my Jesus ♪ | |
| [14:07] | ♪ Climbing higher, woop ♪ | |
| [14:10] | ♪ Higher ♪ | |
| [14:11] | ♪ Climbing higher. ♪ | |
| [14:12] | ♪ Yeah ♪ | |
| [14:14] | ♪ Climbing higher. ♪ | |
| [14:15] | ♪ Higher, yeah-yeah. ♪ | |
| [14:17] | ♪ Climbing higher, woop ♪ | |
| [14:18] | ♪ Higher, yeah. ♪ | |
| [14:20] | ♪ Climbing higher ♪ | |
| [14:22] | ♪ Higher, yeah. ♪ | |
| [14:24] | ♪ Climbing higher ♪ | |
| [14:25] | ♪ Higher, yeah. ♪ | |
| [14:27] | ♪ Climbing higher ♪ | |
| [14:28] | ♪ Higher, yeah. ♪ | |
| [14:30] | ♪ Climbing higher woop ♪ | |
| [14:32] | ♪ Climbing higher ♪ | |
| [14:35] | ♪ Climbing higher woop ♪ | |
| [14:38] | ♪ Climbing higher ♪ | |
| [14:40] | ♪ Climbing! ♪ | |
| [14:41] | ♪ I’m climbing higher mountains ♪ | |
| [14:43] | ♪ All the way home ♪ | |
| [14:44] | ♪ Trying to get home. ♪ | |
| [14:48] | ♪ Home… ♪ | |
| [14:51] | ♪ Home… ♪ | |
| [14:59] | Yes! | |
| [15:04] | Everybody take a break, thank you. | |
| [15:06] | Thank you. | |
| [15:09] | It’s great guys, great. | |
| [15:11] | That’s great. Really, really good. | |
| [15:14] | I think we need a bigger church. | |
| [15:16] | I’m just a little concerned about the impact. | |
| [15:19] | I want you to check out New Zion in Pasadena. | |
| [15:22] | Big, beautiful church, seats about 1,000. | |
| [15:24] | Tell me what you’re thinking. | |
| [15:26] | Okay, ready for this? | |
| [15:28] | I think we should make a documentary of the show. | |
| [15:31] | It’s going to be epic, why not film it? | |
| [15:33] | The Rolling Stones did it, | |
| [15:34] | James Brown, Elvis Presley. | |
| [15:36] | You want to make inroads on your acting career, | |
| [15:38] | this’ll put you on the map. | |
| [15:39] | It’s not really what I had in mind. | |
| [15:41] | Yeah, she really wants to have | |
| [15:42] | a church service. | |
| [15:43] | It’s still going to be, just bigger and better. | |
| [15:45] | And, and, and this way think about how many more people you | |
| [15:48] | can take to church. | |
| [15:50] | Impact. | |
| [15:54] | It’s about what you want, Re. | |
| [15:57] | This is for you. | |
| [15:59] | You’ll still call all the shots. | |
| [16:02] | If we’re gonna do this, | |
| [16:03] | I want to do it in the community. | |
| [16:05] | What about we do it in Watts? | |
| [16:08] | New Temple Missionary. | |
| [16:09] | How many does it seat? | |
| [16:11] | Excuse me, Reverend. | |
| [16:12] | Ms. Franklin, your sister Erma’s on the line. | |
| [16:14] | She said she’s been trying to reach you. | |
| [16:16] | Tell her I’ll get back to her. | |
| [16:22] | Take a look at New Temple? | |
| [16:24] | I’m on my way. | |
| [16:27] | They sanctified up there at New Temple. | |
| [16:44] | ♪ May-ay-be ♪ | |
| [16:46] | ♪ If I pray every night ♪ | |
| [16:51] | ♪ You’ll come back to me ♪ | |
| [16:57] | ♪ And may-ay-be ♪ | |
| [17:01] | ♪ If I cried everyday ♪ | |
| [17:05] | ♪ You’d come back to stay ♪ | |
| [17:10] | ♪ Oh-oh-oh-oh-oh, maybe ♪ | |
| [17:17] | You okay, Re? | |
| [17:18] | What’s going on in here? | |
| [17:19] | Girls, we’re going to be late for church. | |
| [17:24] | You all right little Re? | |
| [17:25] | Yeah, I’m coming. | |
| [17:42] | These are the stages, right. | |
| [17:43] | From what you told me; this picture right here | |
| [17:47] | is probably where you are. | |
| [17:49] | Three months pregnant. | |
| [17:51] | I’m going to have another baby. | |
| [17:55] | I wish my mother was here. | |
| [17:56] | I know you do. | |
| [17:59] | On that circuit this summer, | |
| [18:03] | girl, you were running wild. | |
| [18:06] | Which one of those boys did that to you? | |
| [18:11] | Never mind, I should of did a better job of | |
| [18:13] | looking out for you. | |
| [18:16] | Your father should have did a better job | |
| [18:18] | looking out for you. | |
| [18:19] | Daddy’s going to be so ashamed of me. | |
| [18:22] | Just don’t tell him until you have to, okay? | |
| [18:25] | And remember he’s your father, not God. | |
| [18:31] | It’s going to be all right, Re. | |
| [18:36] | ♪ Holy ♪ | |
| [18:40] | ♪ Holy ♪ | |
| [18:45] | ♪ Holy ♪ | |
| [18:50] | ♪ Holy ♪ | |
| [18:55] | Next thing you know we’ll be doing | |
| [18:57] | “Heard it Through the Grapevine”. | |
| [18:58] | Yes, this is a Marvin Gaye song. | |
| [19:00] | As you know, he is the son of a sanctified minister. | |
| [19:02] | I don’t see how this is the Lords music, Ms. Franklin. | |
| [19:05] | All music is God’s music. | |
| [19:07] | We are sharing the gift he gave us. | |
| [19:08] | All right, everybody, take ten. | |
| [19:11] | And if anybody feels like this is beneath them, | |
| [19:13] | I have 100 people ready to take your place. | |
| [19:19] | I don’t blame them. | |
| [19:20] | We promised them a church service and I don’t want to | |
| [19:21] | lose sight of that. | |
| [19:25] | Okay, couple of things. | |
| [19:26] | Great news. | |
| [19:27] | Joe Boyd at Warner Brothers got Sydney Pollack | |
| [19:30] | to direct the film. | |
| [19:31] | Who’s that? | |
| [19:32] | He’s a big director. | |
| [19:33] | He’s shooting Streisand and Redford’s next movie, | |
| [19:35] | nominated for an Oscar two years ago. | |
| [19:36] | This is monumental for us. | |
| [19:38] | What else? | |
| [19:40] | Right. | |
| [19:42] | Your father called me; he’s upset. | |
| [19:46] | Wants us to record the album at New Bethel. | |
| [19:48] | No. | |
| [19:50] | I know it’s a big pivot, | |
| [19:52] | but I don’t think it’s a bad idea. | |
| [19:54] | She said no. | |
| [19:55] | That’s probably why my sister called and now | |
| [19:56] | he calls you. | |
| [19:58] | Look, I don’t know what’s going on between you | |
| [20:00] | and your father, Aretha. | |
| [20:01] | But as your producing partner I have to tell you | |
| [20:05] | that recording this at New Bethel is a good idea. | |
| [20:08] | Okay, from a marketing perspective it’s a home run. | |
| [20:11] | The acoustics are fantastic. | |
| [20:12] | The acoustics, I know what the acoustics are | |
| [20:15] | like at New Bethel, Jerry. | |
| [20:17] | I recorded my first record there and I don’t care. | |
| [20:20] | I’m not recording this album there. | |
| [20:26] | Stay the course. | |
| [20:28] | You hear me? | |
| [20:33] | Re! Wait up! Re! | |
| [20:36] | Where are you going? | |
| [20:37] | Re, hold up, just wait a minute. | |
| [20:40] | I, I, I’m done. This isn’t working. | |
| [20:42] | I need to go back to New York tonight. | |
| [20:44] | Come on, sugar. You’ve got to at least sleep… | |
| [20:45] | I don’t want to sleep on it. | |
| [20:47] | I don’t need to sleep on it. | |
| [20:48] | I can’t record this album at his church. | |
| [20:50] | I, I, I’ve done that once. | |
| [20:53] | First of all, no one can force you to record at | |
| [20:55] | New Bethel or anywhere else for that matter. | |
| [20:58] | As far as I’m concerned, you don’t have to record it | |
| [20:59] | at a church at all. | |
| [21:00] | This is about your personal relationship with God. | |
| [21:03] | I don’t know what it’s about anymore. | |
| [21:04] | I’ll tell you what it’s about. | |
| [21:05] | It’s about your father calling Jerry, that’s it. | |
| [21:09] | Why do you keep giving him your power? | |
| [21:13] | I, I just. | |
| [21:14] | This isn’t going to work if you keep shutting me out. | |
| [21:17] | I, I love my father. | |
| [21:19] | He made me who I am but this, | |
| [21:21] | this was supposed to be for me. | |
| [21:24] | And he took that away. | |
| [21:33] | ♪ Feelings gone ♪ | |
| [21:36] | Hey, I’m, I’m sorry. | |
| [21:38] | Ken’s pulling the car around. | |
| [21:39] | I’m just getting my things. | |
| [21:40] | I screwed up. | |
| [21:41] | I appreciate you saying that. | |
| [21:43] | I’m so sorry I wasted your time. | |
| [21:44] | I really should have known better. | |
| [21:46] | Aretha, wait, wait, wait, wait, wait, wait. | |
| [21:50] | You know, a lot of people ask me what my job is. | |
| [21:54] | What does a producer do anyway? | |
| [21:57] | And, and for the longest time I never knew exactly | |
| [21:59] | how to answer that, you know, | |
| [22:00] | because it’s different with every artist. | |
| [22:02] | You know, sometimes I’ve got to build a road so they can | |
| [22:05] | drive on it and sometimes I just got to point them | |
| [22:09] | in the right direction. | |
| [22:10] | But the number one thing that I always | |
| [22:12] | got to make sure to do, no matter who it is; | |
| [22:15] | do not get in the way. | |
| [22:20] | You know who taught me that? | |
| [22:22] | Me. | |
| [22:24] | That’s right. | |
| [22:25] | And I got in the way and I’m sorry for that. | |
| [22:27] | You’re producing this record, too, and, | |
| [22:29] | and maybe I should have helped that happen before now. | |
| [22:32] | But I didn’t because I’m a Neanderthal. | |
| [22:39] | But you’re brilliant. | |
| [22:41] | You came out here, you kicked the door down, | |
| [22:43] | and you’re making the opportunity for yourself. | |
| [22:45] | And I’m here to help you. | |
| [22:47] | So, don’t, don’t turn back now. | |
| [22:51] | Thank you. | |
| [22:53] | But you can’t help my father and he won’t be satisfied | |
| [22:56] | until he takes over this whole thing. | |
| [22:58] | So, I… | |
| [23:01] | I’m done. | |
| [23:03] | ♪ Free ♪ | |
| [23:05] | ♪ I’m free, I’m free, I’m free, I’m free ♪ | |
| [23:07] | ♪ Hey, yeah ♪ | |
| [23:11] | ♪ Free at last ♪ | |
| [23:30] | I really wish you didn’t have to leave | |
| [23:32] | but thank you for coming to say goodbye. | |
| [23:36] | Why don’t we go inside? | |
| [23:39] | I know everyone would love to see you before you leave, | |
| [23:41] | let them say they goodbye. | |
| [23:44] | Come on. | |
| [23:45] | Maybe just for a moment. | |
| [23:49] | I’ll be right back, baby. | |
| [23:50] | Take your time, sugar. | |
| [23:52] | ♪ Lead me on ♪ | |
| [23:54] | ♪ To the light ♪ | |
| [23:55] | ♪ To the light and ♪ | |
| [23:57] | ♪ Take my hand ♪ | |
| [24:00] | ♪ Precious Lord ♪ | |
| [24:02] | ♪ Precious Lord ♪ | |
| [24:03] | ♪ Lead me on ♪ | |
| [24:11] | ♪ When my way groweth drear ♪ | |
| [24:16] | You can’t just out sing them, | |
| [24:18] | you’ve got to outshine them, too. | |
| [24:19] | ♪ Precious Lord, linger near ♪ | |
| [24:24] | ♪ When my light is almost gone ♪ | |
| [24:31] | – Love you. – Love you too. | |
| [24:38] | ♪ Hear my cry ♪ | |
| [24:41] | ♪ Lord, hear my call ♪ | |
| [24:45] | ♪ Hold my hand ♪ | |
| [24:48] | ♪ Lest I fall ♪ | |
| [24:51] | ♪ And take my hand ♪ | |
| [24:54] | They sound good. | |
| [24:56] | Real good. | |
| [24:57] | Welcome back, Ms. Franklin. | |
| [24:59] | I never left. | |
| [25:02] | ♪ Oh ♪ | |
| [25:06] | Let’s take it from the top one more time. | |
| [25:13] | ♪ Climbing higher mountains ♪ | |
| [25:16] | ♪ Trying to get ♪ | |
| [25:18] | Chuck, Chuck, Chuck I know you have a problem but | |
| [25:21] | you speeding up a little bit, keep it real steady for me. | |
| [25:23] | Yes, ma’am. | |
| [25:27] | Hold on, one second. | |
| [25:29] | ♪ Climbing higher mountains ♪ | |
| [25:33] | ♪ Trying to get home ♪ | |
| [25:37] | ♪ Climbing higher mountains ♪ | |
| [25:40] | ♪ Trying to get home ♪ | |
| [25:52] | Mr. Pollack, it’s nice to meet you. | |
| [25:54] | It’s an honor to have you onboard. | |
| [25:56] | The honor is mine, I’m a huge fan. | |
| [25:58] | Now, Reverend Cleveland gave me a tentative list | |
| [26:00] | of the songs but I was wondering if we could | |
| [26:02] | do a cue to cue so we can get an idea of | |
| [26:04] | where you’re going to be during the performance. | |
| [26:06] | I’m sure Jerry told you this is more of a church | |
| [26:08] | service than a concert so if we move at all, | |
| [26:10] | it’ll be because the spirit moves us. | |
| [26:11] | Excuse me, Sydney. | |
| [26:13] | Can we get some seats removed from the center of the church? | |
| [26:14] | We need a holding space for the rig. | |
| [26:16] | Oh, no, no, no, baby. That won’t do. | |
| [26:17] | Praise first, production second. | |
| [26:20] | Jerry. | |
| [26:23] | You should know that Aretha’s producing this album | |
| [26:26] | too so we’re going to defer to her on this. | |
| [26:29] | – Copy that. – You all right? | |
| [26:32] | – Yes, ma’am. – Thank you. | |
| [26:34] | Walk that aisle, tell me if I’m lined up. | |
| [26:36] | Thank you, Jerry. | |
| [26:38] | What if we put “How I Got Over” after | |
| [26:40] | “Holy, Holy”? | |
| [26:41] | Where we going to put “Precious Memory”? | |
| [26:43] | Well, we could put it… | |
| [26:46] | Dammit! | |
| [26:48] | I’m guessing this ain’t the healing vibe | |
| [26:49] | you had in mind. | |
| [26:52] | You holding up okay? | |
| [26:54] | Yeah. | |
| [26:57] | Blessed is the man that remains | |
| [27:00] | steadfast under trial. | |
| [27:02] | For when he has stood the test, | |
| [27:05] | he shall receive the crown of life. | |
| [27:08] | For the Lord has promised those that love Him. | |
| [27:11] | James Chapter 1, Verse 12. | |
| [27:13] | – Amen. | – Amen. |
| [27:58] | Doors are open, doors are open. | |
| [28:00] | I’m on my way. | |
| [28:03] | Okay, they’re coming in guys. | |
| [28:22] | I’d like to say good evening to everybody. | |
| [28:25] | Good evening. | |
| [28:27] | I’d like to thank you for coming out | |
| [28:28] | to the first religious recording of the Lady of Soul, | |
| [28:31] | Ms. Aretha Franklin. | |
| [28:36] | Many of you have not had the | |
| [28:38] | opportunity to hear Aretha sing Gospel. | |
| [28:41] | Tonight, you’re in for a thrill | |
| [28:43] | Yeah baby, she can sing anything. | |
| [28:45] | She can sing, “Three Blind Mice”, anything. | |
| [28:50] | I’d like you to be mindful that this is a church and | |
| [28:53] | we’re here for a religious service. | |
| [28:57] | And whatever you hear tonight, | |
| [28:58] | just remember tomorrow night’s going to even be better | |
| [29:07] | ♪ Amen ♪ | |
| [29:10] | Will you please receive the | |
| [29:11] | Southern California Community Choir. | |
| [29:16] | ♪ We are on our way ♪ | |
| [29:21] | ♪ We’re on our journey home ♪ | |
| [29:28] | ♪ When we get to glory ♪ | |
| [29:33] | ♪ We will shout ♪ | |
| [29:36] | ♪ And tell the story ♪ | |
| [29:39] | ♪ How we made it over ♪ | |
| [29:45] | ♪ We’re on our journey ♪ | |
| [29:48] | ♪ Home ♪ | |
| [29:59] | She is known by many names and deservedly so | |
| [30:02] | earned every title. | |
| [30:04] | But I call her my sister, Aretha Franklin. | |
| [30:13] | Aretha! | |
| [30:36] | Now, as you know this is a recording session. | |
| [30:40] | And if things should happen, | |
| [30:42] | we should have to take it over, | |
| [30:44] | you understand. | |
| [30:46] | If you said amen the first time, | |
| [30:48] | I’m going to need to you say amen a second time. | |
| [30:50] | Amen? | |
| [30:51] | Amen. | |
| [30:52] | Amen. Amen | |
| [31:00] | ♪ This little light of mine ♪ | |
| [31:03] | ♪ I’m gonna let it shine ♪ | |
| [31:05] | ♪ This little light of mine ♪ | |
| [31:07] | ♪ I’m gonna let it shine ♪ | ♪ |
| [31:09] | Aretha Louise, I want to talk to you, baby. | |
| [31:18] | You got something that you want to tell me? | |
| [31:21] | How long did you think you could keep that from me? | |
| [31:24] | I had to find out about it from your sister, Erma. | |
| [31:27] | I was going to tell you, Daddy. | |
| [31:29] | You going to have two babies now, is that right? | |
| [31:30] | You going to have two babies. What you going to do? | |
| [31:32] | You going to take two babies on the road with you, | |
| [31:33] | is that what you going to do? | |
| [31:34] | I’m sorry, Daddy. | |
| [31:38] | Did you know? | |
| [31:41] | I’m-a ask you again. | |
| [31:43] | Did you know? Did you know? | |
| [31:47] | I want you to get out my church. | |
| [31:49] | I done extended my hospitality as long as I can. | |
| [31:53] | I can’t allow you to be up underneath my roof no more. | |
| [31:56] | Daddy, no! | |
| [31:57] | Get yourself out of my house. | |
| [31:58] | It’s my fault! | |
| [31:59] | You need to take better care of your kids. | |
| [32:01] | You take your bags and get yourself out of my house. | |
| [32:03] | He didn’t do anything! | |
| [32:05] | One day you going to fly out of this cage, | |
| [32:08] | little bird. | |
| [32:10] | Be good till then, all right? | |
| [32:14] | Go on now. | |
| [32:17] | ♪ A… ♪ | |
| [32:23] | ♪ Ma… ♪ | |
| [32:29] | ♪ Zing ♪ | |
| [32:36] | ♪ Amazing grace ♪ | |
| [32:42] | ♪ How sweet ♪ | |
| [32:49] | ♪ The… ♪ | |
| [32:54] | ♪ Sound ♪ | |
| [32:59] | ♪ That ♪ | |
| [33:03] | ♪ That saved ♪ | |
| [33:09] | ♪ A wretch ♪ | |
| [33:14] | ♪ Like me… ♪ | |
| [33:25] | ♪ I, I once… ♪ | ♪ |
| [33:35] | Sing Aretha! | |
| [33:37] | ♪ Was lost ♪ | |
| [33:44] | ♪ But now ♪ | |
| [33:49] | ♪ I’m ♪ | |
| [33:53] | ♪ I’m found ♪ | |
| [34:00] | ♪ Was ♪ | |
| [34:04] | ♪ Was blind ♪ | |
| [34:10] | ♪ But now… ♪ | |
| [34:15] | ♪ Now I, I see… ♪ | |
| [34:27] | Sing it! | |
| [34:29] | ♪ It was ♪ | |
| [34:32] | ♪ It was ♪ | |
| [34:34] | ♪ I want the world to know that it was ♪ | |
| [34:37] | ♪ It was ♪ | |
| [34:39] | ♪ It was ♪ | |
| [34:42] | ♪ It was ♪ | |
| [34:43] | ♪ Grace, y’all ♪ | |
| [34:48] | ♪ Woo-ooh-ooh ♪ | |
| [34:50] | ♪ It was grace Lord ♪ | |
| [34:53] | ♪ Oh Lord ♪ | |
| [34:56] | ♪ That hath brought me so safe ♪ | |
| [34:59] | ♪ So safe ♪ | |
| [35:01] | ♪ So safe ♪ | |
| [35:04] | ♪ So safe ♪ | |
| [35:06] | ♪ So safe ♪ | |
| [35:07] | ♪ So, so, so safe ♪ | |
| [35:10] | ♪ That’s why ♪ | |
| [35:14] | ♪ And it won’t be nothin but that same Grace ♪ | |
| [35:22] | ♪ That’s gonna lead me right ♪ | |
| [35:28] | ♪ I know that it won’t ♪ | |
| [35:30] | ♪ That’s gonna lead me right. ♪ | |
| [35:35] | ♪ Right on ♪ ♪ | |
| [35:38] | Right on. | |
| [35:39] | ♪ Right on. ♪ | |
| [35:42] | ♪ Right on ♪ | |
| [35:45] | ♪ Oh, right on, right on. ♪ | |
| [35:49] | ♪ Right on ♪ | |
| [35:54] | ♪ Oh, yeah ♪ ♪ | |
| [36:28] | Thank you, thank you very much. | |
| [36:32] | Boy, you brought the house down but | |
| [36:34] | listen, listen, listen. | |
| [36:35] | Sydney is losing his mind, all right. | |
| [36:37] | His crew can’t shoot around the people in the aisle. | |
| [36:39] | So, he’s going to bring a couple more guys and | |
| [36:41] | some more equipment tomorrow. | |
| [36:42] | Oh, no, no. | |
| [36:43] | Absolutely not. That’s impossible. | |
| [36:45] | Do they even know what they’re doing? | |
| [36:47] | I don’t even see that little clapper thing which usually | |
| [36:49] | they use when I sing on TV | |
| [36:51] | It’s Sydney Pollack. I think he’s got it covered. | |
| [36:54] | I don’t care if it’s Sydney Pollack. | |
| [36:56] | All right, I’ll follow up. | |
| [36:57] | – Thank you. – I’ll follow up. | |
| [36:59] | Goodnight. | |
| [37:00] | I just got off the phone with Daddy and | |
| [37:01] | told him how great you were. | |
| [37:02] | And guess what he said? | |
| [37:03] | You didn’t call to invite him. | |
| [37:05] | I forgot. | |
| [37:07] | Well, he’s coming tomorrow night. | |
| [37:11] | Come on, sugar. Let’s, let’s get you home. | |
| [37:13] | Alright now, Re. | |
| [37:43] | Let me help you with your dress, Re. | |
| [37:46] | I’ll finish it by myself. | |
| [37:47] | – You sure? – Yeah. | |
| [37:54] | – You okay, Re? – Mm-hmm. | |
| [37:58] | You know it’d be worse if he wasn’t coming. | |
| [38:00] | Mm-hmm. | |
| [38:22] | Ladies and gentlemen, | |
| [38:23] | we have a legend in God’s house tonight. | |
| [38:25] | One of the people who inspired Aretha, | |
| [38:27] | a great Gospel singer herself. | |
| [38:29] | Ladies and gentlemen, | |
| [38:30] | Sister Clara Ward. | |
| [38:39] | And now we want to present the man who | |
| [38:42] | made this one here possible, | |
| [38:44] | her father, the Reverend CL Franklin | |
| [38:48] | from Detroit, Michigan. | |
| [38:55] | Yes, sir. Yes, sir. Yes, sir. Yes, sir. | |
| [39:02] | Yes, how are you? | |
| [39:04] | How are you people? | |
| [39:05] | Yes. | |
| [39:22] | Bear with us for one more second. | |
| [39:24] | We’ve got a cup of water that spilled on a great deal of electrical wires. | |
| [39:28] | Can you hear this microphone? | |
| [39:30] | Yeah. | |
| [39:31] | Okay, you can. | |
| [39:32] | It’s a beautiful service. | |
| [39:36] | You didn’t have to come all the way from home | |
| [39:38] | just for this, Daddy. | |
| [39:39] | You really think you can keep me away? | |
| [39:44] | All right let’s give the technician a | |
| [39:45] | big hand for fixing the difficulties. | |
| [39:47] | And now let’s get back to church. | |
| [39:55] | – You okay? – Mm-hmm. | |
| [39:57] | All right, all right. | |
| [39:59] | We going to do a little song we borrowed from | |
| [40:00] | Reverend CL Franklin. | |
| [40:01] | One of his old numbers, a little song called | |
| [40:03] | “Climbing Higher Mountains” | |
| [40:05] | trying to get home. | |
| [40:10] | Amen. | |
| [40:25] | Wait a minute | |
| [40:39] | We’ll start again. | |
| [40:50] | ♪ I’m climbing ♪ | |
| [40:52] | ♪ I’m climbing ♪ | |
| [40:53] | ♪ Higher mountains ♪ | |
| [40:54] | ♪ Higher mountains ♪ | |
| [40:55] | ♪ Trying to get home ♪ | |
| [40:56] | ♪ Trying to get home ♪ | |
| [40:57] | ♪ I’m climbing ♪ | |
| [40:59] | ♪ I’m climbing ♪ | |
| [41:00] | ♪ Higher mountains ♪ | |
| [41:01] | ♪ Higher mountains ♪ | |
| [41:02] | ♪ Trying to get home ♪ | |
| [41:03] | ♪ Trying to get home ♪ | |
| [41:06] | ♪ I’m climbing ♪ | |
| [41:08] | ♪ Higher mountains ♪ | |
| [41:09] | ♪ Climbing ♪ | |
| [41:10] | ♪ Whoa climbing ♪ | |
| [41:11] | ♪ Everyday ♪ | |
| [41:13] | ♪ Oh, I’m climbing ♪ | |
| [41:15] | ♪ Higher mountains ♪ | |
| [41:17] | ♪ Trying to get home ♪ | |
| [41:21] | ♪ Well my road, been a little rocky ♪ | |
| [41:25] | ♪ All the way home ♪ | |
| [41:26] | ♪ Trying to get home ♪ | |
| [41:29] | ♪ Well my roads, been a little rocky ♪ | |
| [41:33] | ♪ On my way home ♪ | |
| [41:34] | ♪ Trying to get home ♪ | |
| [41:36] | ♪ Well my roads, been a little rocky ♪ | |
| [41:40] | ♪ Goin up a mountain, goin on up the mountain ♪ | |
| [41:44] | ♪ Well my roads, been a little rocky ♪ | |
| [41:47] | ♪ All the way home ♪ | |
| [41:49] | ♪ Trying to get home ♪ | |
| [41:51] | Well, of course we want Aretha to graduate | |
| [41:53] | with her class. | |
| [41:56] | But Mrs. Lowrey, can you tell me how she’s going to | |
| [41:58] | keep up with her schooling, study for her tests, | |
| [42:01] | and take care of one baby at home and another | |
| [42:02] | one on the way? | |
| [42:04] | And, you know, she’s, she’s singing in my choir, too. | |
| [42:08] | Mr. Franklin, all due respect, | |
| [42:10] | Aretha is so much more than just a singer. | |
| [42:13] | She is a gifted student. | |
| [42:15] | More than a singer? | |
| [42:18] | Mrs. Lowrey, have you seen Aretha sing? | |
| [42:21] | Of course. | |
| [42:22] | I just, it is so important for our | |
| [42:25] | young women to stay in school. | |
| [42:27] | It is their path to self-reliance. | |
| [42:29] | In my humble opinion, | |
| [42:31] | self-reliance is an overrated notion. | |
| [42:35] | We must rely on our God for our guidance. | |
| [42:38] | Indeed. | |
| [42:40] | But I believe the Lord smiles on learning. | |
| [42:43] | “Study to show thyself approved unto God. | |
| [42:47] | A workman that needeth not to be ashamed.” | |
| [42:50] | Timothy 2:15. | |
| [42:51] | Now, I’ve made a list of all the work that Aretha | |
| [42:54] | needs to complete for graduation. | |
| [42:57] | And I would be more than happy to spend as much | |
| [42:58] | extra time with her as she needs. | |
| [43:00] | Please, she has so much potential. | |
| [43:04] | We gonna see what God is going to do and then | |
| [43:08] | we’ll get back to you. | |
| [43:10] | Okay. | |
| [43:15] | Let me see that. | |
| [43:19] | No, I don’t think this is going to work. | |
| [43:23] | It’s okay, baby. | |
| [43:24] | I have something else for you. | |
| [43:26] | Going back on tour? | |
| [43:27] | Oh, no, no, no. | |
| [43:29] | Even better, you have better things waiting for you! | |
| [43:37] | Now, I think that Reverend Cleveland picked | |
| [43:41] | a bad time for me to make a talk. | |
| [43:46] | Behind all the spirit and enthusiasm that Aretha | |
| [43:51] | has engendered here tonight. | |
| [43:53] | Yes! | |
| [43:56] | Yes, sir. Yes, sir. | |
| [43:57] | You all were overwhelmed with the magnificent | |
| [44:00] | gift of her voice. | |
| [44:06] | But I couldn’t help but remember the first time | |
| [44:10] | I took her with me on the road to sing Gospel. | |
| [44:17] | You all were crying, you all were moved, | |
| [44:23] | but as her father I was about to bust wide open. | |
| [44:31] | My, my, my. | |
| [44:33] | Not only because Aretha is my daughter. | |
| [44:38] | I wouldn’t be all right upstairs if I didn’t appreciate that. | |
| [44:45] | But I saw with pride that Aretha is not only | |
| [44:51] | just my daughter, | |
| [44:54] | but Aretha is just a stone singer. | |
| [45:07] | God bless you. | |
| [45:15] | You can do this. | |
| [45:20] | Now, the first time we heard Aretha Franklin | |
| [45:23] | many years ago, we heard her sing this song. | |
| [45:30] | I have heard of a land that we shall | |
| [45:33] | “Never Grow Old”. | |
| [45:34] | Yes, sir. | |
| [45:45] | ♪ I had… ♪ | |
| [45:54] | ♪ Heard ♪ | |
| [46:05] | ♪ Of a land ♪ | |
| [46:18] | ♪ On far ♪ ♪ | |
| [46:26] | – All right, now. – Yes, hallelujah. | |
| [46:30] | ♪ Far away strand ♪ | |
| [46:35] | Yes, sir. | |
| [46:41] | ♪ This a beauti… ♪ | |
| [46:54] | ♪ …Ful home ♪ | |
| [47:03] | ♪ Of the soul ♪ | |
| [47:05] | Yes, Lord. Ha-ha! | |
| [47:09] | She’s may she had to leave school to do it, | |
| [47:12] | but I believe Aretha may have found her higher calling. | |
| [47:17] | ♪ Built by Jesus ♪ | |
| [47:24] | ♪ On high ♪ | |
| [47:27] | Yes, sir. | |
| [47:33] | ♪ There, there we’ll never ♪ | |
| [47:43] | ♪ Never will die ♪ | |
| [47:47] | – Woo! – Yes! | |
| [47:54] | ♪ This is a land where ♪ | |
| [47:56] | – Woo, yes, come on. – Praise him. | |
| [48:02] | ♪ Never… ♪ | |
| [48:04] | Alright! | |
| [48:08] | ♪ Grow… ♪ | |
| [48:14] | ♪ Grow old ♪ | |
| [48:22] | ♪ We’ll, we’ll never… ♪ | |
| [48:26] | Sing Aretha! | |
| [48:28] | ♪ Can I get you to help me say that ♪ | |
| [48:30] | ♪ We’ll never ♪ | |
| [48:33] | Never! | |
| [48:35] | ♪ Never grow old ♪ | |
| [48:43] | ♪ Old, we’ll never ♪ | |
| [48:47] | Sing it! Yes, Lord! | |
| [48:50] | ♪ Never ♪ | |
| [48:54] | ♪ Never grow old ♪ | |
| [48:58] | Come on, Re! | |
| [48:59] | ♪ When you get through doing down here ♪ | |
| [49:02] | ♪ There is a land ♪ | |
| [49:03] | Woo, Jesus! | |
| [49:06] | ♪ He done laid out a land ♪ | |
| [49:11] | ♪ Oh, Lord ♪ | |
| [49:14] | ♪ Where we’ll never ♪ | |
| [49:16] | Never! | |
| [49:17] | ♪ We’ll never ♪ | |
| [49:19] | Never! | |
| [49:20] | ♪ Never ♪ | |
| [49:21] | Never! | |
| [49:22] | ♪ We’ll never ♪ | |
| [49:24] | ♪ Grow old ♪ | |
| [49:35] | ♪ Mmmm-mmm-mm-mm ♪ | |
| [49:51] | Amen! | |
| [50:15] | ♪ Because the Lord is my shepherd ♪ | |
| [50:21] | ♪ I have every-thing I need ♪ | |
| [50:27] | ♪ He’s gonna help me rest in the meadow’s grass ♪ | |
| [50:32] | ♪ And he’s gonna lead me beside the quiet streams ♪ | |
| [50:38] | ♪ He’s restoring my failing health. ♪ | |
| [50:44] | ♪ Lord’s gonna help me do what honors Him the most. ♪ | |
| [50:49] | ♪ Safe. ♪ | |
| [50:52] | ♪ You’re safe ♪ | |
| [50:55] | ♪ Everyone of us is safe ♪ | |
| [50:59] | ♪ We’re safe ♪ |