| 时间 | 英文 | 中文 |
|---|---|---|
| [00:00] | Previously on Genius. | |
| [00:02] | Well, Re, you wanted to meet the man who made my medallion? | |
| [00:04] | Ken Cunningham meet my sister Aretha Franklin. | |
| [00:06] | Pleasure to meet you. | |
| [00:07] | It’s an honor. | |
| [00:08] | I love you. | |
| [00:11] | I… | |
| [00:13] | This isn’t going to work if you keep shutting me out. | |
| [00:15] | I thought he was a preacher? | |
| [00:17] | Well, he loves Sunday morning and Saturday night. | |
| [00:20] | This is ridiculous. | |
| [00:21] | Oh, see, now you done planted that. | |
| [00:23] | Queen your sisters sing backup for you, | |
| [00:25] | do you plan on ever singing back up for them? | |
| [00:26] | We are family and we will always support each other. | |
| [00:29] | Any chance you’d write the liner notes? | |
| [00:32] | Carolyn asked you to write the liner notes in her | |
| [00:34] | new record but you ain’t got the time to empower her. | |
| [00:37] | When you heard Erma was recording “Preacher Man”, | |
| [00:39] | you went and released your own version to undercut her chances. | |
| [00:42] | How much help do ya’ll need from me? | |
| [00:44] | Jerry Wexler, he gets me. | |
| [00:47] | Let Aretha be Aretha. | |
| [00:50] | And Ms. Franklin, I do appreciate your trust. | |
| [00:53] | Well, shit, if you can’t trust Jerry Wexler. | |
| [01:02] | ♪ Sometimes you love me ♪ | |
| [01:05] | ♪ Like a good man ought to ♪ | |
| [01:09] | ♪ Sometimes you hurt me so bad ♪ | |
| [01:12] | ♪ My tears run like water ♪ | |
| [01:15] | Come on now girl. | |
| [01:16] | ♪ You get me out ♪ | |
| [01:19] | ♪ Right before your friends ♪ | |
| [01:23] | ♪ And then you disown me baby ♪ | |
| [01:26] | ♪ Until we’re alone again ♪ | |
| [01:30] | ♪ Your love is like a see saw ♪ | |
| [01:33] | ♪ Your love is like a see saw baby ♪ | |
| [01:37] | ♪ Your love is like a see saw ♪ | |
| [01:40] | ♪ Going up and down ♪ | |
| [01:42] | ♪ All around like a see saw ♪ | |
| [01:46] | ♪ Sometimes you tell me ♪ | |
| [01:49] | ♪ Your gonna be my sweet candy man ♪ | |
| [01:53] | ♪ And sometimes baby ♪ | |
| [01:56] | ♪ I don’t know where I stand ♪ | |
| [02:01] | ♪ You lift me up ♪ | |
| [02:03] | ♪ When I’m on the ground ♪ | |
| [02:05] | That’s right, sing it. | |
| [02:07] | That’s right, that’s my daughter. | |
| [02:09] | Oh, look here I done drank too much already. | |
| [02:15] | That’s my daughter. | |
| [02:16] | I taught the Queen of Soul everything she knows, | |
| [02:20] | especially them dance moves. | |
| [02:21] | Oh, let me see. | |
| [02:22] | Oh, you don’t believe I’m going to do it. | |
| [02:23] | Oh, all right. | |
| [02:26] | Look at that, come on, come on, come on. | |
| [02:28] | You can’t get that, you can’t get that, you can’t get that. | |
| [02:30] | Oh, yes you can. | |
| [02:34] | We going deep onto the floor. | |
| [02:36] | Oh. Look at you. | |
| [02:40] | What you working with? | |
| [02:41] | Oh, yeah. Oh my. | |
| [02:45] | Look at you. | |
| [02:48] | Yeah, right girl. | |
| [02:52] | Mm. Mm. Mm. | |
| [02:56] | You all continue, I’ll see ya’ll later. | |
| [02:59] | – Uh huh. – Bye now. | |
| [03:01] | Later. | |
| [03:03] | Allow me to introduce myself. | |
| [03:05] | My name is Fredia and everybody in Detroit knows | |
| [03:09] | the famous CL Franklin and his Million Dollar Voice. | |
| [03:13] | Haven’t I seen you at New Bethel? | |
| [03:15] | Last June, my pastor’s anniversary, front row, red dress. | |
| [03:21] | I can’t believe you remember me. | |
| [03:22] | You’s a little she-devil. | |
| [03:24] | What do you say we continue this conversation at my house? | |
| [03:28] | Well, I hear you have a lovely home. | |
| [03:30] | And I’d love to show you every inch of it. | |
| [03:33] | Well, what I was really hoping was that you’d | |
| [03:36] | pass my songs along to your daughter. | |
| [03:39] | She could use some new material and maybe one of the | |
| [03:41] | songs that I’ve written could be a big hit for her. | |
| [03:45] | How about I get to know you better and then I can pass | |
| [03:51] | on your music and give your songs my personal recommendation. | |
| [03:58] | You know, Aretha don’t do nothing without my say so. | |
| [04:02] | Well, all right then. | |
| [04:04] | Is that all right for you? | |
| [04:06] | Come on, lovely, because your love is like a seesaw. | |
| [04:10] | Up, down, all around. | |
| [04:14] | See saw. | |
| [04:15] | Woah! | |
| [04:21] | – Oh! – Ah! | |
| [04:28] | I knew you was too drunk to drive! | |
| [04:31] | Acting like you all that. | |
| [04:34] | It is a completely different story. | |
| [04:37] | Did you even call? | |
| [04:39] | Don’t (INAUDIBLE) from no punk! | |
| [04:46] | I just got out of control. | |
| [04:50] | Nobody got hurt. | |
| [04:52] | Nobody hurt. | |
| [05:02] | Oh, no. | |
| [05:56] | Cecil, how’s Daddy? | |
| [06:01] | ♪ Love and happiness ♪ | |
| [06:04] | Daddy’s going to be fine, | |
| [06:06] | okay, so stop worrying. | |
| [06:08] | Sure, maybe him wrecking a car get him to quit his foolishness. | |
| [06:11] | He’s out on bail now but he could have killed himself | |
| [06:13] | and somebody else. | |
| [06:14] | I hear you. | |
| [06:16] | Come on, let’s tackle these bills, okay? | |
| [06:19] | I hired someone to do all this. | |
| [06:21] | I ought to go over there and slap them upside the head | |
| [06:23] | for all that money I paid them. | |
| [06:26] | I’m here to help, for free. | |
| [06:29] | Thank you. | |
| [06:30] | Mm-hmm. Okay, first notice. | |
| [06:38] | Oh, jeez, final notice. | |
| [06:40] | Lots of bills, you helping everybody. | |
| [06:44] | First notice, first notice, first notice. | |
| [06:47] | Okay. | |
| [06:49] | All right, we got things for Daddy, me, Carolyn, Erma, | |
| [06:54] | things for Ken and the kids. | |
| [06:58] | You think I should do more commercial stuff? | |
| [07:01] | Not at all. Only ever sing what you want. | |
| [07:06] | ♪ Baby, love and happiness ♪ | |
| [07:09] | Now, I think we should call Jet. | |
| [07:11] | Tell ’em we have a story for ’em. | |
| [07:13] | You want to hear it? | |
| [07:15] | – Mm-hmm. | – Mm-hmm. |
| [07:16] | Cecil Franklin, the “Queen of Soul’s Hidden Asset.” | |
| [07:22] | Most valuable, hidden asset. | |
| [07:24] | Let’s, let’s, let’s just get Jet on the phone. | |
| [07:26] | You like that one? | |
| [07:28] | Oh, I think the number in the kitchen. | |
| [07:29] | You got a number? | |
| [07:30] | Let me, I got it, stay right there. | |
| [07:32] | We’ll get Jet to pay for the article, Jet pays bills. | |
| [07:35] | ♪ Yea, yea, you, you, you, you ♪ | |
| [07:41] | This one is a yes. | |
| [07:42] | Okay, a single maybe, huh? | |
| [07:44] | Could be the title cut. | |
| [07:45] | Yeah, sure. | |
| [07:48] | Let’s try this. | |
| [07:54] | Nope, no way. | |
| [07:57] | You, you only heard like four notes. | |
| [08:00] | Come on. None of these? | |
| [08:03] | I love you, Jerry, but I do not love disco. | |
| [08:05] | Oh, look at the charts. | |
| [08:07] | There’s no denying that’s where the music is. | |
| [08:09] | I mean if you want hits. | |
| [08:11] | Okay, doesn’t have to be a disco song, | |
| [08:14] | it’s going to be an Aretha song. | |
| [08:15] | Mm-hmm. | |
| [08:17] | I’m just saying there’s a lot of people out there coming up, | |
| [08:18] | nipping at your heels, and they’re all singing disco. | |
| [08:22] | I have worked very hard to get where I am and | |
| [08:24] | I’ve opened a lot of doors for a lot of singers. | |
| [08:25] | And I get it, if I want to be on top, | |
| [08:27] | I’ve got to think outside the box. | |
| [08:28] | But I, I cannot sing what I don’t feel. | |
| [08:31] | Okay, not for nothing but Ruth can get you a | |
| [08:33] | very nice Las Vegas booking. | |
| [08:35] | That’s not for me, Jerry. | |
| [08:36] | Las Vegas. | |
| [08:38] | Not for me and you know it, so stop. | |
| [08:39] | Okay, okay. | |
| [08:43] | So, we’re going to start recording in a month | |
| [08:46] | and it’ll come out in the fall, right? | |
| [08:47] | Uh, yeah, yeah. | |
| [08:51] | Tell you what, | |
| [08:52] | I’ll take this little thing right here | |
| [08:54] | and give it a listen again and see if I like it or not. | |
| [08:57] | – Okay. – What’s wrong? | |
| [09:04] | Well, I’ve been looking for a way to tell you this. | |
| [09:07] | You okay? | |
| [09:08] | Yeah, no, I’m fine. | |
| [09:10] | I, uh, | |
| [09:13] | I am leaving Atlantic. | |
| [09:15] | Nah, you kidding. | |
| [09:17] | No! No, they’re not treating me like a partner anymore, you know, | |
| [09:20] | it’s more about the money than the artist. | |
| [09:22] | So, I’m out. | |
| [09:26] | Ain’t that some shit. | |
| [09:28] | Now, you know I’ll always have your best interest at heart. | |
| [09:30] | Well, I know, I know. | |
| [09:32] | But when I first signed with Hammond at Columbia I, | |
| [09:35] | I thought I was going straight to the moon. | |
| [09:38] | I was singing beautiful songs, but I couldn’t chart to save my | |
| [09:40] | life and then you, you came and showed me something I couldn’t see for myself. | |
| [09:45] | Well. | |
| [09:48] | And what we did with “Respect”. | |
| [09:50] | And “Natural Woman” and “Chain of Fools”. | |
| [09:53] | – Mm-hmm. – And “Think”. | |
| [09:55] | All right. | |
| [09:56] | You changed music. | |
| [09:57] | Well now, we changed music. | |
| [10:01] | It’s not going to be the same without you over here. | |
| [10:02] | All right, all right. | |
| [10:04] | I’m, I’m leaving the company, not the planet. | |
| [10:06] | Okay? | |
| [10:07] | And unofficially I’ll always be on your team. | |
| [10:10] | And I’m only a phone call away. | |
| [10:12] | Well, maybe my things done too. | |
| [10:13] | Please. | |
| [10:15] | Who am I without you? | |
| [10:16] | You’re the Queen of Soul. | |
| [10:20] | How about we make one last record together? | |
| [10:25] | We’ll call it “You” and it’ll be your biggest hit ever. | |
| [10:40] | ♪ Gotta find me an angel ♪ | |
| [10:45] | ♪ To fly away with me ♪ | |
| [10:51] | ♪ Gotta find me an angel ♪ | |
| [10:56] | ♪ Oooo and set me free ♪ | |
| [11:02] | ♪ My heart’s without a home ♪ | |
| [11:07] | ♪ And I don’t want to be alone ♪ | |
| [11:12] | ♪ Gotta find me an angel ♪ | |
| [11:17] | ♪ In my life ♪ | |
| [11:22] | ♪ In my life ♪ | |
| [11:24] | Hey, Aretha. | |
| [11:25] | Hey, Daddy. | |
| [11:26] | You got a minute? | |
| [11:30] | Daddy, you missed a great party. | |
| [11:32] | I, I, I’ll make the next one. | |
| [11:34] | I, I, I want to know you going to be able to make my, | |
| [11:36] | my court date, yes or no. | |
| [11:39] | Well, well when is it? | |
| [11:40] | It’s next month, Aretha. | |
| [11:42] | Well, I’ll try. | |
| [11:44] | Everyone was here. | |
| [11:46] | Quincy, Stevie, Smokey. | |
| [11:48] | Jerry brought some of those rock and roll people, | |
| [11:50] | and Pops Staples was asking for you. | |
| [11:53] | Yeah, I called you. | |
| [11:55] | I want to know why you ain’t selling. | |
| [11:56] | And, and don’t try to pretend. | |
| [11:58] | I know the critics don’t like it and the folks | |
| [12:00] | ain’t buying it. | |
| [12:01] | I’m worried about you, Aretha. | |
| [12:05] | I’m, I’m going to talk to you later, okay? | |
| [12:09] | Oh, you don’t want to talk to me now. | |
| [12:11] | Daddy, I got to go. | |
| [12:13] | Make my court date, now, in a month. | |
| [12:15] | Love you. | |
| [12:23] | ♪ So I’ll just go on ♪ | |
| [12:28] | ♪ Hoping that I find me someone ♪ | |
| [12:33] | ♪ Gotta find me an angel ♪ | |
| [12:38] | ♪ In my life ♪ | |
| [12:44] | ♪ In my life ♪ | |
| [12:51] | You all sound great singing; you should record it. | |
| [12:53] | Thank you, we might just do that. | |
| [12:55] | Your albums going to see a nice bump next month | |
| [12:57] | after the Grammy nominations come out. | |
| [12:58] | Let’s hope. | |
| [13:00] | So, what’d Daddy want? | |
| [13:03] | For me to come to his court date. | |
| [13:05] | – You jiving? – I am not. | |
| [13:08] | – You going? – I don’t know. | |
| [13:14] | Sis, you threw a great party. | |
| [13:17] | Mm-hmm, them music folks showed up and film too. | |
| [13:20] | Gordon Parks. | |
| [13:21] | Mm-hmm, Shaft and the Learning Tree now. | |
| [13:25] | That brother got it going on. | |
| [13:27] | I hear his next picture going to be about Bessie Smith. | |
| [13:30] | Sounds like a role for me. | |
| [13:33] | Except you don’t have the acting experience. | |
| [13:35] | Well, I’ll take some acting lessons. | |
| [13:39] | – Mm-hmm. – You tell them, baby. | |
| [13:44] | ♪ This will be an everlasting love ♪ | |
| [13:47] | ♪ This will be the one.. ♪ | |
| [13:49] | Now, see, I know what Natalie’s trying to do but | |
| [13:51] | she doesn’t have the ability or the equipment to do it. | |
| [13:58] | She got a pretty voice though. | |
| [14:02] | Can you change the station? | |
| [14:04] | I want to listen to something else. | |
| [14:06] | Listen, sugar. Don’t worry. | |
| [14:08] | Everybody loves you. | |
| [14:10] | I should be back in L.A. getting ready for that audition. | |
| [14:12] | They know they have a singer, | |
| [14:14] | but I want them to know that I can act, too. | |
| [14:15] | You were born to play Bessie Smith. | |
| [14:17] | I’ll even run lines with you if you want to. | |
| [14:19] | Maybe. | |
| [14:21] | Ruth is getting together a list of some acting classes I could take. | |
| [14:27] | ♪ Baby ♪ | |
| [14:31] | ♪ You’re all I need ♪ | |
| [14:35] | – Oh, Daddy. – Come on. | |
| [14:42] | You’ve been here before. | |
| [14:43] | We’ve done this before. | |
| [14:45] | Reverend Franklin, we have some questions. | |
| [14:46] | I don’t know why so many of you. | |
| [14:49] | Aretha, Aretha Franklin. | |
| [14:50] | Ms. Franklin. | |
| [14:51] | Remind me why I’m doing this again. | |
| [14:53] | Because Aretha Franklin loves her father, sugar. | |
| [14:56] | Come on. | |
| [14:58] | Ms. Franklin. Ms. Franklin. | |
| [15:00] | There’s my baby. Hey, baby. | |
| [15:01] | Reverend Franklin, your recent car accident, | |
| [15:03] | will you give us your side of the story? | |
| [15:05] | Well, anybody who’s ever been behind a wheel knows that accidents happen. | |
| [15:09] | You were charged with drinking and driving, Reverend Franklin. | |
| [15:12] | What kind of example are you setting? | |
| [15:13] | Oh, I expect to be cleared from those charges. | |
| [15:15] | But Reverend Franklin, | |
| [15:17] | the young woman that was in the car with you, was she your girlfriend? | |
| [15:18] | I would hope that you all would join me at my pastor’s | |
| [15:21] | anniversary celebration this coming summer. | |
| [15:23] | I’ve carried New Bethel and Detroit a long, long way. | |
| [15:27] | And I’ve said all I’m going to say on the subject. | |
| [15:29] | Reverend? Ms. Franklin. | |
| [15:30] | Are you going to attend the Grammy’s seeing as | |
| [15:32] | how you did not receive a nomination this year? | |
| [15:34] | I’m not here to talk about the Grammy’s but I’ll let | |
| [15:36] | you in on a little secret, I have recently accepted a | |
| [15:39] | starring role in a major feature film. | |
| [15:44] | What was that about, sugar? | |
| [15:46] | Let’s hope we get that movie. | |
| [15:52] | – Have a good day. – Bye. | |
| [16:04] | You’re late. | |
| [16:06] | Better to be late at heaven’s gate than to arrive in hell on time. | |
| [16:13] | Did you come up with that by yourself? | |
| [16:14] | Maybe. | |
| [16:17] | Are you ready to dive right in? | |
| [16:18] | – Yes. – Yeah? | |
| [16:20] | – Yeah. – So, tell me this. | |
| [16:22] | Have you ever tried the trust exercise? | |
| [16:25] | Maybe. | |
| [16:27] | I mean it depends on who I’m with. | |
| [16:28] | Oh, well, look. It’s really easy. | |
| [16:32] | All you have to do is turn away from me, | |
| [16:34] | fall back into my arms. | |
| [16:35] | But you have to trust that I’ll catch you. | |
| [16:38] | With all due respect, Mr. Glynn Turman, | |
| [16:39] | I don’t think so. | |
| [16:40] | Come on, I got you. I promise. | |
| [16:42] | You see as actors and artists we have to keep ourselves open | |
| [16:45] | and vulnerable because trust is the most important thing we have. | |
| [16:49] | You are going to have a lot of lawyers on your case if you let me fall. | |
| [16:53] | Well, you know what, I trust you on that. | |
| [16:54] | So, I won’t let you fall. | |
| [16:56] | Let’s try it. | |
| [16:58] | – Okay. – Yeah? | |
| [16:59] | – All right. – You ready? | |
| [17:01] | – Mm-hmm. – One. | |
| [17:03] | – Mm-hmm. – Two. | |
| [17:04] | – Mm-hmm. – Three. | |
| [17:07] | – No. – Okay. | |
| [17:10] | Let’s try it one more time. | |
| [17:11] | It’s okay. | |
| [17:12] | I’m right here, partner in crime. | |
| [17:15] | – You ready? – Mm-hmm. | |
| [17:16] | One, two, three. | |
| [17:21] | It’s okay. | |
| [17:22] | I wasn’t ready, it’s my fault. | |
| [17:24] | No, no, it’s okay. Listen… | |
| [17:26] | It’s okay to be afraid, okay? | |
| [17:28] | – Mm-hmm. – All right. | |
| [17:29] | – Okay. – Let’s try it again. | |
| [17:31] | Let’s count together. | |
| [17:32] | Okay, all right. | |
| [17:33] | – And a one. – One. | |
| [17:35] | – Two. | – Two. |
| [17:36] | – Three. | – Three. |
| [17:39] | – How was that? – Mm-hmm. | |
| [17:49] | Of course. | |
| [17:51] | Bessie was a woman who’s surrounded | |
| [17:53] | by men who are calling the shots. | |
| [17:54] | I can relate to that. | |
| [17:56] | You’d be perfect for the part. | |
| [17:58] | Thank you for helping me prepare. | |
| [18:01] | It’s my pleasure, really. | |
| [18:08] | Let’s give it another go. | |
| [18:11] | Okay. | |
| [18:13] | “I’m not looking for a husband, you heard me. | |
| [18:17] | I’m still young and I ain’t done running around.” | |
| [18:20] | It’s good. | |
| [18:22] | But remember when Bessie is talking to those folks she | |
| [18:25] | is fierce but she’s also fragile, right. | |
| [18:29] | But she’s hiding it because she’s tough. | |
| [18:31] | True. But things didn’t always go her way. | |
| [18:36] | And sometimes she even made mistakes. | |
| [18:38] | You see, you’ve got to play all of her angles, | |
| [18:41] | keep your heart open like you do when you sing. | |
| [18:45] | You think they’re going to pick me for this part? | |
| [18:47] | They better or they’re going to be hearing from me. | |
| [18:53] | The camera’s going to love you, really. | |
| [19:01] | ♪ I was sittin’ at home ♪ | |
| [19:03] | You got a crush on your acting teacher. | |
| [19:05] | I do not, I promise. | |
| [19:07] | Glynn is a, a good coach. | |
| [19:09] | He is a movie star who loves to share the craft. | |
| [19:12] | And if I’m going to be a real actress, I need a real mentor. | |
| [19:15] | The man you already got is a good man, okay? | |
| [19:17] | I, I’m not falling for my acting teacher, I promise. | |
| [19:21] | You audition yet? | |
| [19:22] | Yeah, I’m waiting to hear back. | |
| [19:24] | In the meantime, I’m going to take a few more acting lessons | |
| [19:27] | and I wanted to lose a little weight. | |
| [19:29] | You look good, sis. | |
| [19:30] | I mean we gotta look good, sound good, smile, dress good. | |
| [19:35] | Can’t go out with no makeup on. | |
| [19:39] | It’s some bullshit. | |
| [19:40] | I know. Can I get a witness. | |
| [19:42] | What are you up to? | |
| [19:45] | I’ve been invited back in the studio. | |
| [19:47] | On some background work? | |
| [19:48] | The lead vocals on a re-record for Curtis Mayfield. | |
| [19:51] | Oh, the Gentle Giant asked you to come in? | |
| [19:53] | Yeah, can you believe it? | |
| [19:55] | Feels good to be singing leads for somebody at the top of his game. | |
| [19:59] | He, he wrote the songs for that movie, that’s what this is for. | |
| [20:01] | For “Sparkle”? | |
| [20:03] | Yeah. | |
| [20:04] | I thought it was done already. | |
| [20:05] | He’s not happy with the sound, | |
| [20:07] | thinks I can sing it better. | |
| [20:09] | Oh, man, I think my solo career might finally be getting some traction. | |
| [20:13] | Well, I’m happy for you, sis. | |
| [20:14] | – Thanks. – Good for you. | |
| [20:17] | Well, come on, it’s Hollywood and every season is swimsuit season. | |
| [20:23] | ♪ Hang on in there ♪ | |
| [20:24] | ♪ Ya’ll and let it roll ♪ | |
| [20:26] | ♪ Oh, hang on in there now ♪ | |
| [20:29] | ♪ Hang on in there ♪ | |
| [20:30] | ♪ You got to do it together ♪ | |
| [20:33] | I’m glad we’re figuring out a way to make this happen. | |
| [20:35] | You, uh, finally gonna say yes? | |
| [20:37] | Curtis, I wasn’t playing hard to get. | |
| [20:39] | I, I was actually busy. | |
| [20:41] | You making a new album? | |
| [20:43] | Oh, well, I was hoping to have a few film projects in the works but… | |
| [20:46] | Yeah, I saw you were auditioning. | |
| [20:48] | Let’s just say that nothings quite come together yet. | |
| [20:52] | Well, this project there’s no doubt that the | |
| [20:55] | Queen of Soul would make for a very welcome addition. | |
| [20:58] | And I’m looking for a new producer so this | |
| [21:00] | might give me an opportunity to try you out. | |
| [21:02] | Two birds, one stone. | |
| [21:04] | You talked it over with Carolyn? | |
| [21:06] | Not yet but she’ll understand. | |
| [21:09] | Well, right on. Let’s go. | |
| [21:12] | All right. Bye, bye. | |
| [21:16] | You didn’t waste no time, did you? | |
| [21:18] | I guess you want more money and fame, huh? | |
| [21:23] | I saw you work really hard and you didn’t get the Bessie Smith role. | |
| [21:28] | Curtis says that “Sparkle” needs some real sparkle. | |
| [21:31] | But he wanted Carolyn for the project. | |
| [21:34] | Well, he asked me first and I was busy working on my new album. | |
| [21:38] | That’s your sister, how could you do that to her? | |
| [21:40] | This is not about Carolyn but, yes, I know. | |
| [21:42] | It could hurt her. | |
| [21:46] | Okay, look… | |
| [21:52] | You’re the best woman I’ve ever known, | |
| [21:55] | and I love you more than I’ve loved anything in my life. | |
| [21:59] | But the way you’re going about things, | |
| [22:00] | I don’t understand. | |
| [22:04] | What are you willing to lose to gain the world? | |
| [22:08] | You know, just it, it just feels… | |
| [22:14] | It’s like we’re moving in two separate directions, honey. | |
| [22:22] | Maybe it’s for the best. | |
| [22:24] | Well, may… | |
| [22:40] | ♪ People out there can understand ♪ | |
| [22:43] | ♪ I’m givin’ him somethin’ that he can feel ♪ | |
| [22:47] | Okay. | |
| [22:48] | That, that sounded really beautiful. | |
| [22:50] | Let’s do it again and this time we’re going to do it with, | |
| [22:53] | without the riffs over the vamp at the end. | |
| [22:55] | That’s just how I’m feeling it. | |
| [22:57] | Feels to me like you just giving some flash | |
| [23:00] | instead of going deeper. | |
| [23:02] | It’s like you’re holding back. | |
| [23:03] | Curtis, I’m just hearing it different. | |
| [23:06] | Okay. | |
| [23:07] | Let’s just do another take where you just let loose and | |
| [23:11] | go all out. | |
| [23:12] | What we got is great already, | |
| [23:14] | one more go isn’t going to improve on it. | |
| [23:17] | You know, folks say these days that | |
| [23:19] | Ms. Franklin only does two takes. | |
| [23:22] | I can’t believe that to be true. | |
| [23:25] | You move people. | |
| [23:27] | You, you go places they can’t. | |
| [23:30] | You take the heaviness of life and you make it beautiful. | |
| [23:38] | We need that. | |
| [23:44] | Okay. | |
| [23:46] | All right. | |
| [23:47] | Let’s try it again. | |
| [23:50] | All right. | |
| [23:52] | All right, standby for playback. | |
| [24:31] | ♪ Shoo doo ♪ | |
| [24:33] | ♪ Shooo dooo ♪ | |
| [24:35] | ♪ Shoo doo ♪ | |
| [24:36] | ♪ Shoo doo ooo ooo ♪ | |
| [24:38] | ♪ Shoo doo ♪ | |
| [24:40] | ♪ Ah, shoo doo doo ♪ | |
| [24:41] | ♪ Oh ♪ | |
| [24:45] | ♪ Many say that I’m too young ♪ | |
| [24:50] | ♪ To let you know just where ♪ | |
| [24:52] | ♪ To let you know just where I’m coming from ♪ | |
| [24:57] | ♪ Oh ♪ | |
| [24:59] | ♪ But you will see that it’s just a matter ♪ | |
| [25:04] | ♪ My love will surely ♪ | |
| [25:06] | ♪ My love will surely make you mine ♪ | |
| [25:10] | ♪ Oh ♪ | |
| [25:12] | ♪ Living in a world of ghetto life ♪ | |
| [25:16] | ♪ Everybody around seems so uptight ♪ | |
| [25:19] | ♪ But nothing’s wrong ♪ | |
| [25:21] | ♪ It’s alright ♪ | |
| [25:23] | ♪ My man, my man ♪ | |
| [25:26] | ♪ I like the kinds of ways we have our fun ♪ | |
| [25:30] | ♪ His loving way sends me on and on ♪ | |
| [25:33] | ♪ Yea hey with my man ♪ | |
| [25:35] | ♪ People out there can understand ♪ | |
| [25:39] | ♪ I’m givin’ him something he can feel ♪ | |
| [25:43] | ♪ Ah, ah, oh ♪ | |
| [25:44] | ♪ To let you know my love is real ♪ | |
| [25:50] | ♪ Hey, ah, ah, ah, ah, ah, ah ♪ | |
| [25:52] | ♪ I’m givin’ him something he can feel ♪ | |
| [25:56] | ♪ Yes I am baby ♪ | |
| [25:58] | ♪ To let you know ♪ | |
| [26:01] | ♪ My love is real ♪ | |
| [26:03] | ♪ Ooo-oo-oo ♪ | |
| [26:06] | ♪ I’m givin’ him somethin’ he can feel ♪ | |
| [26:19] | Momma keep trying to make me do it, | |
| [26:20] | I don’t want to. | |
| [26:27] | Glad you could make it home. | |
| [26:28] | It’s nice to spend some time with family. | |
| [26:31] | How are you and Carolyn? | |
| [26:33] | I tried to call but she didn’t answer. | |
| [26:36] | I guess she’s not speaking to me. | |
| [26:38] | With good reason, seems like. | |
| [26:49] | Come on. | |
| [26:55] | – Happy birthday. – Happy birthday! | |
| [27:04] | I’m graduating this year. | |
| [27:06] | Yes, sir, yes sir, thank you so much. | |
| [27:10] | Yes, sir. | |
| [27:12] | Isn’t that nice? | |
| [27:13] | Oh, look at this. | |
| [27:15] | Look at that. | |
| [27:19] | ♪ This is the house that Jack built, ya’ll ♪ | |
| [27:22] | ♪ Remember this house ♪ | |
| [27:26] | ♪ This was the land that he worked by hand ♪ | |
| [27:29] | ♪ It was the dream of an upright man ♪ | |
| [27:31] | ♪ There was the room that was filled with love ♪ | |
| [27:33] | ♪ It was a love that I was proud of ♪ | |
| [27:36] | ♪ This was a life of a love that he planned ♪ | |
| [27:39] | ♪ On the love, the same old love ♪ | |
| [27:41] | ♪ In the house that Jack built ♪ | |
| [27:43] | ♪ The house that Jack built ♪ | |
| [27:44] | ♪ Remember this house ♪ | |
| [27:45] | ♪ Please forgive me ♪ | |
| [27:47] | ♪ There was the fence that held our love ♪ | |
| [27:49] | ♪ Yes it was ♪ | |
| [27:50] | ♪ That was the gate that he walked out of ♪ | |
| [27:52] | ♪ This is the heart that is turned to stone ♪ | |
| [27:54] | ♪ Yes it was ♪ | |
| [27:56] | ♪ This was the house, but it ain’t no home ♪ | |
| [27:57] | ♪ This is the love that I once had ♪ | |
| [28:00] | ♪ In a dream that I thought was love ♪ | |
| [28:02] | ♪ In the house that Jack built ♪ | |
| [28:04] | ♪ The house that Jack built ♪ | |
| [28:05] | ♪ I’m gon’ remember this house ♪ | |
| [28:06] | ♪ Oh, what’s the use in crying? ♪ | |
| [28:13] | ♪ You know I brought it on myself ♪ | |
| [28:15] | ♪ There’s no denying ♪ | |
| [28:18] | ♪ But it seems awful funny ♪ | |
| [28:22] | ♪ That I didn’t understand ♪ | |
| [28:25] | Come on, Carolyn, don’t be a wallflower. | |
| [28:28] | No thanks, Big Mamma. | |
| [28:29] | I’m fine where I’m at. | |
| [28:31] | Carolyn ain’t been happy since Re stole her “Sparkle”. | |
| [28:33] | Oh, come on. Stop all that nonsense. | |
| [28:35] | Come on, baby. | |
| [28:36] | No, Daddy. It’s true. | |
| [28:38] | Re went and took the last chance I had at making something of myself. | |
| [28:40] | Oh, come on now. | |
| [28:42] | It’s my birthday and I don’t want this nonsense on my special day. | |
| [28:44] | Aretha, go over there an apologize to your sister. | |
| [28:47] | For what? | |
| [28:49] | Curtis asked me to sing it first and I just did it when my schedule cleared up. | |
| [28:50] | You mean when you didn’t get the part in the movie? | |
| [28:52] | You went and stole my songs! | |
| [28:54] | Oh, but you got yourself a hit and another Grammy nomination. | |
| [28:57] | I hope you’re happy. | |
| [28:58] | Okay, girls, that’s water under the bridge. | |
| [29:00] | I had a chance to revive my career. | |
| [29:01] | He wanted the best singer. | |
| [29:02] | Carolyn, Carolyn! | |
| [29:04] | I should run this down your throat. | |
| [29:05] | Go on and try. | |
| [29:08] | How could you do a thing like that to me? | |
| [29:09] | Come on, quit it. Both of you. | |
| [29:11] | Listen to your grandmother, now. | |
| [29:12] | Carolyn, let it go. | |
| [29:14] | It was my shot and you stole it from me! | |
| [29:16] | – Carolyn! – Daddy! | |
| [29:17] | You just going to keep on taking her side like that? | |
| [29:19] | Oh, you and Daddy, you’re two of a kind. | |
| [29:22] | You think you’re so blessed to be Daddy’s favorite. | |
| [29:24] | But you better watch how you step; | |
| [29:27] | cause you’re going to end up just like him. | |
| [29:29] | Oh, come on, stop it. | |
| [29:42] | The 19th annual Grammy awards welcomes the | |
| [29:44] | Queen of Soul, Ms. Aretha Franklin. | |
| [29:47] | Ms. Franklin, how does it feel to be here tonight? | |
| [29:49] | It feels absolutely wonderful. | |
| [29:51] | I’m so glad to be here with my brother Cecil and my son. | |
| [29:53] | And there’s Glynn Turman, | |
| [29:55] | recent start of the hit film, Cooley High. | |
| [29:57] | Ms. Franklin, could we get a picture with you and Mr. Turman? | |
| [30:01] | Well, sure. | |
| [30:19] | Ms. Franklin, before we let you go a big | |
| [30:20] | congratulations for Sparkle. | |
| [30:22] | Is your family watching tonight from Detroit? | |
| [30:24] | They sure are. I love you, Daddy. | |
| [30:27] | Hey! | |
| [30:28] | Hey, hey, hey, come on in. | |
| [30:30] | Did I miss it? | |
| [30:31] | No, you just made it, come on. | |
| [30:32] | Now, how come she didn’t go down the red carpet | |
| [30:34] | with that Glynn Turman fellow? | |
| [30:35] | Big Ma, they taking it slow. | |
| [30:36] | They don’t need everybody in they business. | |
| [30:37] | Hey, Daddy. Do you want her to win? | |
| [30:40] | On the fence. | |
| [30:41] | Oh, now, none of that. | |
| [30:43] | Quiet down, now. Here it is. | |
| [30:44] | Just joking, Big Momma. | |
| [30:47] | ♪ I think you’ll understand ♪ | |
| [30:49] | ♪ I’m givin’ him something he can feel ♪ | |
| [30:52] | Aretha might win it, you know, she’s got ten of them | |
| [30:54] | Wow! “Something He Can Feel”. | |
| [30:55] | Oh, look how pretty she looks. | |
| [30:57] | Doesn’t she look pretty? | |
| [30:59] | Hush now, quiet. | |
| [31:00] | And the winner is… | |
| [31:02] | – Aretha Franklin! – Daddy. | |
| [31:05] | Natalie Cole, “Sophisticated Lady”. | |
| [31:08] | – Oh. – Now, that’s some shit. | |
| [31:10] | Oh, my God. | |
| [31:11] | You got robbed, baby girl, you got robbed. | |
| [31:13] | Hers was the best song. | |
| [31:14] | And it was sung the best. | |
| [31:15] | She should have won. | |
| [31:17] | How come I’m mad that she didn’t win? | |
| [31:19] | Because she’s your sister and I know she can be | |
| [31:21] | difficult at sometimes but she still loves you | |
| [31:23] | and you still love her. | |
| [31:53] | There you are. | |
| [31:57] | Where’s your family? | |
| [31:58] | I told them they didn’t have to stay. | |
| [32:02] | Well, you know, I’m proud to be with you, | |
| [32:05] | even if I’m just your official shoulder to cry on. | |
| [32:09] | Everything I did to get this, | |
| [32:12] | I lost to some folks who can’t even sing nearly as good as me. | |
| [32:17] | I mean they look good; I give them that. | |
| [32:19] | But they don’t have anything else. | |
| [32:23] | My label doesn’t support me because if they did I, | |
| [32:26] | I would have won. | |
| [32:29] | And… | |
| [32:31] | What? | |
| [32:36] | All that work. | |
| [32:38] | I worked like a dog and for what? | |
| [32:40] | Nothing. | |
| [32:43] | All they do is take me for granted. | |
| [32:44] | Listen, you’re beautiful. You know that? | |
| [32:49] | Your songs are beautiful. | |
| [32:52] | Yeah, some shit went down tonight but don’t let that make you doubt yourself. | |
| [32:57] | Jerry left Atlantic and I still have two years left. | |
| [33:01] | I don’t think I have anything else to give. | |
| [33:04] | I’m done. | |
| [33:08] | I hear you. | |
| [33:10] | And, you know, I can’t count how many times this showbiz | |
| [33:12] | thing has knocked me down and counted me out. | |
| [33:16] | But then I get up, I go for another round, and I win. | |
| [33:23] | Yeah. | |
| [33:25] | You know, I heard someone say that Aretha Franklin is a has been. | |
| [33:29] | No, no, no they didn’t. | |
| [33:31] | You tell me who said that and I’m going to go talk to them. | |
| [33:32] | No, I’m just going to have some words with them, talk to them. | |
| [33:34] | Come on, stop it, come on. | |
| [33:37] | You see, there’s your smile. | |
| [33:39] | You see, the world is full of naysayers. | |
| [33:42] | I’ve got to remind them that the Queen, | |
| [33:44] | in addition to her beauty, | |
| [33:47] | possesses talent, tenacity, and longevity. | |
| [33:53] | I’ve got to remind them that though they can’t sing their way | |
| [33:55] | out of a paper bag, Ms. Franklin can sing circles around them in her sleep. | |
| [33:59] | Well, she can. | |
| [34:00] | Without even trying, okay. | |
| [34:04] | Now, what do you say you and I we go up there and we say hey to some folks? | |
| [34:13] | Sounds like a plan. | |
| [34:14] | Mm-hmm. Madame. | |
| [34:23] | Enjoy yourself tonight. | |
| [34:24] | I will, thank you. | |
| [34:26] | Clive Davis. | |
| [34:28] | How you doing, man? | |
| [34:29] | Oh, good to see you, Glynn. | |
| [34:31] | It’s always great to see you, Ms. Franklin. | |
| [34:36] | I’ll be back in a bit. | |
| [34:39] | Take care. | |
| [34:41] | Fun night, huh? | |
| [34:44] | Oh, and congratulations on your new launch of Arista Records. | |
| [34:47] | We have had a good first few years. | |
| [34:54] | You are a legend; | |
| [34:55] | one Grammy more or less won’t change that. | |
| [34:58] | You and your music are going to live forever, I promise you. | |
| [35:02] | I’ve heard how much you love the artists. | |
| [35:04] | They are the reason I get out of bed every day. | |
| [35:08] | Ms. Franklin, I hope our paths cross again. | |
| [35:14] | Enjoy yourself. | |
| [35:28] | Glynn is at the altar and he looks very handsome. | |
| [35:32] | Ooh, and gathered to witness you walk down the aisle, | |
| [35:35] | you’ve got everybody who’s anybody. | |
| [35:38] | Re, they’re saying this is the most exciting wedding of the year, girl. | |
| [35:41] | But now I’m nervous. | |
| [35:43] | Oh, you should be because marriage is a serious business. | |
| [35:46] | Well, and lucky you got a deal on the pastor marrying you. | |
| [35:50] | Daddy says the deacon wanted to charge us double for using the church. | |
| [35:52] | What! | |
| [35:54] | Oh Lord, your first marriage was in Ohio | |
| [35:55] | with the Justice of the Peace. | |
| [35:57] | Oh, Daddy had a fit. | |
| [35:59] | Come on, ya’ll. | |
| [36:01] | Keep it on the good foot, else Re’s going to change her mind and jet. | |
| [36:02] | Re ain’t going nowhere because Glynn Turman is fine. | |
| [36:05] | He is a beautiful man and I love him. | |
| [36:09] | I might not be the easiest person to be with, | |
| [36:10] | but he lets me lean on him and I let him lean on me. | |
| [36:14] | And that love you have for him will carry you through. | |
| [36:20] | I’m sorry. | |
| [36:24] | I was wrong for what I did to you. | |
| [36:26] | It’s nothing. | |
| [36:27] | It’s like Big Ma said, it’s water under the bridge. | |
| [36:29] | No, no. | |
| [36:30] | You deserve an apology and I need to give it. | |
| [36:32] | I’m sorry, really, I am. | |
| [36:38] | I hated you for it, but not anymore. | |
| [36:48] | Now, go on, we not supposed to cry until after the wedding. | |
| [36:50] | – Right, right. – That’s our music. | |
| [36:52] | Oh, okay. Congratulations. | |
| [36:56] | I love you. | |
| [36:57] | I love you. | |
| [37:00] | You look beautiful. | |
| [37:07] | Ooh, ooh. | |
| [37:09] | You are sure you don’t want me to walk you down the aisle? | |
| [37:13] | You’re okay with Cecil. | |
| [37:14] | Daddy, you can’t do everything. | |
| [37:16] | How you going to walk me down the aisle and marry us? | |
| [37:19] | You all right? | |
| [37:21] | It’s a blessed, blessed day. | |
| [37:24] | ♪ Isn’t she precious? ♪ | |
| [37:25] | ♪ Less than one minute old ♪ | |
| [37:30] | ♪ I never thought through love would be ♪ | |
| [37:34] | – You look beautiful, sis. – Thank you. | |
| [37:37] | ♪ But isn’t she lovely made from love? ♪ | |
| [37:49] | Ahh. | |
| [37:51] | Yeah, your father has polyps on his vocal cords. | |
| [37:55] | Typically, they’re caused by overuse of the voice. | |
| [37:57] | Too much preaching, doc. | |
| [37:59] | What’s the proper course of treatment? | |
| [38:00] | Vocal rest is critical to the healing process. | |
| [38:03] | Well, for how long? | |
| [38:04] | Couple of months. | |
| [38:06] | I’ve got my pastor’s anniversary coming up in June, | |
| [38:08] | that’s two months from now. | |
| [38:10] | Well, you might want to get a substitute. | |
| [38:12] | I have celebrated and been celebrated every year at | |
| [38:15] | New Bethel since 1946, rain or shine. | |
| [38:18] | Now, obviously you don’t know what you’re talking about | |
| [38:21] | because it’s absolutely ridiculous to think that | |
| [38:24] | I’m going to sit it out. | |
| [38:26] | The congregation is expecting him to preach. | |
| [38:30] | You need rest. | |
| [38:33] | And real healing will require lifestyle changes, | |
| [38:35] | you need to stop smoking and drinking. | |
| [38:37] | Ya’ll making more of this than it really is. | |
| [38:39] | And the way things look, you’ve been drinking way too much. | |
| [38:42] | Whiskey warms my vocal cords. | |
| [38:45] | Mm-hmm. | |
| [38:46] | Reverend Franklin, | |
| [38:49] | you could potentially lose your voice, | |
| [38:52] | permanently. | |
| [38:56] | I hope you’ll take my advice. | |
| [38:57] | This’ll clear up in no time, doc. | |
| [38:59] | Daddy, the doctor knows what he’s talking about. | |
| [39:01] | I’m on top of my game, baby. | |
| [39:02] | They don’t call me the Million Dollar Voice for nothing. | |
| [39:04] | Just promise me that you are going to get a little rest. | |
| [39:08] | Promise me. | |
| [39:11] | Doc told me not to talk. | |
| [39:32] | Oh, thank you so much. | |
| [39:33] | Thanks for coming. | |
| [39:34] | Absolutely. | |
| [39:35] | Checking up on me? | |
| [39:37] | No, no. | |
| [39:39] | I was in town, in town on business. | |
| [39:42] | And, you know, had a venue I had to look at, so. | |
| [39:46] | Checking up on me. | |
| [39:49] | All right. So, how’s, how’s your dad doing? | |
| [39:54] | Headstrong as always. | |
| [39:57] | And how’s Glynn doing? | |
| [39:58] | Good? He’s good? | |
| [40:00] | I finally found my Mr. Right. | |
| [40:01] | Well deserved. | |
| [40:03] | I auditioned for that Blues Brother’s film and got the part. | |
| [40:06] | I heard. Dreams come true, huh? | |
| [40:08] | I mean it’s a small cameo part but it, yeah, it’s exciting. | |
| [40:17] | Is everything okay? | |
| [40:19] | Well, my contract with Atlantic is up in about a year. | |
| [40:25] | Do you got anybody in your corner? | |
| [40:28] | Not like you. | |
| [40:30] | You remember when we would listen to a recording and you | |
| [40:32] | would say feels good today but let’s see how it feels in the morning? | |
| [40:35] | Yeah, sure. | |
| [40:37] | Nothing I’m recording is passing that test. | |
| [40:42] | So, what are you going to do? | |
| [40:45] | Think I’m gonna do something new. | |
| [40:51] | You going to let me in on your secret? | |
| [40:54] | It’s not a secret. | |
| [40:55] | Ruth is booking me a gig head lining in Las Vegas. | |
| [41:05] | Interesting. | |
| [41:07] | And I will be singing a show full of disco songs. | |
| [41:16] | Don’t you say it. | |
| [41:17] | Do not say I told you so. | |
| [41:20] | I’m not. | |
| [41:22] | Are you laughing at me? | |
| [41:23] | I’m not laughing at you, I. | |
| [41:27] | You’re laughing at me. You think I sold out? | |
| [41:29] | No, absolutely not. | |
| [41:30] | No, no, no, you’re an artist. | |
| [41:32] | Okay, you’re experimenting. | |
| [41:34] | You’re, you’re pushing yourself like you always do. | |
| [41:36] | You know, if you weren’t afraid to try new things, | |
| [41:38] | you’d still be singing gospel music in a church. | |
| [41:41] | You know, you change with the times, | |
| [41:43] | but you always find a way to remain true to yourself. | |
| [41:48] | That’s part of your brilliance. | |
| [41:51] | You know, I guess I’m going to have to find a new nickname for | |
| [41:56] | you because Our Lady of Mysterious Sorrows | |
| [42:00] | doesn’t really apply anymore because you’re happy. | |
| [42:06] | – Yeah. | – Yeah. |
| [42:11] | I’ll do it then. | |
| [42:12] | Yeah, do it. Good, yes. | |
| [42:15] | Just, just keep going. Okay? | |
| [42:23] | Yeah. | |
| [42:25] | Is that a deal, Ms. Franklin? | |
| [42:28] | That is a deal, Mr. Wexler. | |
| [42:30] | All right, let’s celebrate with some of this world-famous cake. | |
| [42:35] | Well, I hope you like it. | |
| [42:36] | It’s my, my grandmamma’s recipe. | |
| [42:38] | Mmm, woah, that’s really good. | |
| [42:41] | What store did this come from? | |
| [42:42] | Now, you know that it was not a store bought. | |
| [42:45] | What store did your grandmother get it at? | |
| [42:47] | I’m kidding. | |
| [42:57] | Ladies and gentlemen, put your hands together. | |
| [43:00] | The Queen of Soul. | |
| [43:10] | That was really good, so good… | |
| [43:13] | Ooh. you’ve got a crowd out there who loves you. | |
| [43:16] | – And you look good. – Mm-hmm. | |
| [43:17] | You look like you’re having fun. | |
| [43:19] | I am. I feel good. | |
| [43:21] | Nice. | |
| [43:22] | Right on. | |
| [44:54] | Are you all ready for some more? | |
| [44:56] | I can’t hear you. | |
| [44:58] | Are you ready for some more? | |
| [45:01] | Well, then give it up for your Queen of Soul, | |
| [45:05] | Aretha Franklin. | |
| [45:15] | Hm. | |
| [45:22] | Yea. | |
| [45:27] | Nice. | |
| [45:30] | Okay. | |
| [46:33] | ♪ Yea ♪ | |
| [46:37] | ♪ Oh ♪ | |
| [46:42] | ♪ Bum, bum, bum, boy ♪ | |
| [46:47] | ♪ Why don’t I shake it ♪ | |
| [46:50] | ♪ Don’t get mad and get flaky ♪ | |
| [46:54] | ♪ ‘Cause this dance you don’t know ♪ | |
| [46:58] | ♪ Let Aretha show you how it goes ♪ | |
| [47:02] | ♪ So just spread your feet out ♪ | |
| [47:05] | ♪ Move your hands all about ♪ | |
| [47:10] | ♪ Bend over, big rover ♪ | |
| [47:13] | ♪ We’re gonna tear the joint up ♪ | |
| [47:17] | ♪ And we’re gonna jump ♪ | |
| [47:20] | ♪ We’re gonna shake a little fun ♪ | |
| [47:22] | ♪ You’re doin’ fine ♪ | |
| [47:24] | ♪ Hey baby you’re right on time ♪ | |
| [47:26] | ♪ There’s a bump ♪ | |
| [47:28] | ♪ And I hope your mama don’t call ♪ | |
| [47:29] | ♪ Jump ♪ | |
| [47:32] | Man, you’ve got to give it to her. | |
| [47:34] | She doesn’t give up. | |
| [47:36] | Amen, brother, right here. | |
| [47:38] | ♪ ‘Cause your movement just sets me free ♪ | |
| [48:02] | Who’s there? | |
| [48:07] | ♪ Love the way you party hard now ♪ | |
| [48:11] | ♪ I don’t want nothin’ to tear us apart ♪ | |
| [48:15] | ♪ Yea you’re doin’ fine, yea ♪ | |
| [48:19] | ♪ Oh, my baby ’bout to shake a leg ♪ | |
| [48:23] | ♪ And there’s one thing I need to know ♪ | |
| [48:27] | ♪ If you love me baby tell me so ♪ | |
| [48:30] | ♪ Hey and then we’re gonna jump ♪ | |
| [48:33] | ♪ We’re gonna shake a little fun ♪ | |
| [48:35] | ♪ You’re doin’ fine ♪ | |
| [48:36] | ♪ Baby you’re right on time ♪ | |
| [48:38] | ♪ There’s a bump ♪ | |
| [48:40] | ♪ And I hope my daddy don’t call ♪ | |
| [48:42] | ♪ Ooo, ooo, ooo ♪ | |
| [48:45] | ♪ We’re gonna keep it in the groove ♪ | |
| [48:48] | ♪ Yea ♪ | |
| [48:50] | ♪ Do it baby, do it baby ♪ | |
| [48:53] | ♪ Ooo ♪ | |
| [48:54] | ♪ Bum, bum, bum, bum, bum, bum, boy ♪ | |
| [48:57] | ♪ Hey, ey, ey ♪ | |
| [49:04] | ♪ Jump up, jump up, jumpin’, jump, jump, jumpin’ ♪ | |
| [49:07] | ♪ Jumpin’, jumpin’ ♪ | |
| [49:18] | Aretha! Aretha! Aretha! Aretha! |