| 时间 | 英文 | 中文 |
|---|---|---|
| [00:00] | Previously, on “The Girlfriend Experience”… | |
| [00:02] | Do you know how to use your tongue, Paul? | |
| [00:04] | Let me show you. | |
| [00:06] | Not so fast. | |
| [00:07] | He responded positively to me | |
| [00:09] | putting him in a submissive position. | |
| [00:11] | On your knees. | |
| [00:13] | He came twice | |
| [00:14] | and seemed surprised by his own body. | |
| [00:17] | The water molecules | |
| [00:18] | along your father’s white matter tracts… | |
| [00:20] | There’s an increased activity. | |
| [00:22] | Nobody really knows | |
| [00:23] | what’s going on inside anybody’s head. | |
| [00:25] | Won’t take you long to figure it out. | |
| [00:27] | That’d be sloppy hiring if it did. | |
| [00:29] | What’s your pitch? | |
| [00:31] | When given a choice, | |
| [00:32] | people essentially want a mirror. | |
| [00:34] | You’ve got my attention. | |
| [00:36] | Because we don’t do sloppy hiring. | |
| [00:39] | It’s definitely the fastest way for me to get off. | |
| [00:41] | Boy or girl. I want variety. | |
| [00:44] | It’s not about what they want… | |
| [00:46] | It has to be a good handful. | |
| [00:47] | But how they’re feeling about it in the moment. | |
| [00:50] | You can either give it to me or you can’t. | |
| [00:52] | The object of desire is a foil. | |
| [00:55] | It doesn’t actually exist. | |
| [02:50] | – Dodgers are on the board. – Posey, | |
| [02:51] | Posey! Right up my fucking ass! | |
| [03:03] | Cassie? | |
| [03:06] | Brett. | |
| [03:08] | Ah, long day curating at the Met? | |
| [03:12] | Come on in. | |
| [03:19] | Nice place. | |
| [03:21] | You rent it out as a college dorm? | |
| [03:24] | What? | |
| [03:25] | Oh. | |
| [03:27] | Uh, it’s my manager’s. | |
| [03:28] | He lets me crash here where I get sick of Chicago. | |
| [03:31] | And American chicks. | |
| [03:32] | You want a beer? | |
| [03:34] | Bloody love one. | |
| [03:36] | *THE GIRLFRIEND EXPERIENCE* Season 03 Episode 03 | |
| [03:38] | Episode Title: “Deepfake” Aired on: May 09, 2021 | |
| [03:40] | Pimply fag in Jersey prints analysis, | |
| [03:43] | averages over time. | |
| [03:44] | Plus my personal knowledge of the guys, like… | |
| [03:46] | Like Corey, right? | |
| [03:48] | Fuckin’ love Corey. | |
| [03:49] | I’d party till the sun comes up with Corey, | |
| [03:52] | but would I bet on the guy? | |
| [03:53] | No fuckin’ way, man. UCL’s fucked to shit. | |
| [03:58] | Baseball player? | |
| [04:00] | Mm. | |
| [04:01] | With a fantasy baseball team? | |
| [04:03] | Math and money if you know your shit. | |
| [04:05] | You know, a lot of the guys do it. | |
| [04:08] | Kasabian’s on mine, I’m on his. | |
| [04:10] | You know, till I fucked my shoulder up. | |
| [04:12] | You eat all the rice? | |
| [04:15] | Oh. | |
| [04:17] | So what about you, Princess Kate, huh? | |
| [04:18] | What gets you all hot and bothered? | |
| [04:20] | Cricket? Soccer? | |
| [04:22] | I like baseball. | |
| [04:24] | No, you don’t. | |
| [04:25] | You don’t have any baseball out here, man. | |
| [04:27] | Fuck baseball. | |
| [04:29] | I really do like it, though. | |
| [04:31] | Bullshit, you do. | |
| [04:33] | What you know about baseball? All prim and proper and shit. | |
| [04:35] | You got a fuckin’ napkin in your lap. | |
| [04:38] | Come on. Don’t be polite. | |
| [04:40] | I don’t want you to like baseball. | |
| [04:44] | Okay. | |
| [04:46] | I don’t like it, then. | |
| [04:48] | Well, now you’re just doing what you’re told. | |
| [04:51] | A’ight, a’ight, man. | |
| [04:52] | If you like it, you like it. | |
| [04:54] | That’s the thing with you Brits, man. | |
| [04:56] | Y’all ain’t got no confrontation in your society. | |
| [04:59] | All just all upright and agreeable. | |
| [05:01] | Afraid to fuck shit up. | |
| [05:08] | Seems to have worked for us so far. | |
| [05:10] | Yeah. | |
| [05:11] | But you’ll never be a world power again. | |
| [05:14] | You know what happens to a stick in a windstorm? | |
| [05:17] | It cracks. Can’t handle it. | |
| [05:20] | Too stiff to withstand the change in the air. | |
| [05:22] | Reeds, on the other hand… | |
| [05:27] | And that’s you? | |
| [05:30] | Floppy reed? | |
| [05:36] | When I need to be. | |
| [05:51] | Pitch on the way… | |
| [05:54] | he chops one down the third base line. | |
| [05:57] | Fair ball!! | |
| [05:59] | Okay, turn around, turn around. | |
| [06:01] | – Yeah? – Yeah. | |
| [06:02] | Okay. | |
| [06:04] | What are you doing? | |
| [06:06] | – I wanna feel you. – No, not without a rubber. | |
| [06:08] | Oh, come on, babe. I can’t feel anything. | |
| [06:10] | I don’t believe you. | |
| [06:12] | – Try making me mad. – I’m mad for you. | |
| [06:14] | No, no, no, not… not… Not English mad. | |
| [06:17] | Get pissy with me. Let me have it. | |
| [06:19] | You want me to make you angry, | |
| [06:21] | – No, not angry. Mad, okay? – big boy? | |
| [06:25] | Let’s fight and make things better. | |
| [06:32] | I’ll be right back. | |
| [06:34] | – What? – Hold on. | |
| [06:38] | Oh, fuck. | |
| [06:41] | Come on. | |
| [06:44] | Real girls give shit. | |
| [07:13] | I just want to say it was really rude of you | |
| [07:15] | having the game on like that when I arrived. | |
| [07:18] | Oh, yeah? | |
| [07:25] | It was a shitty way to meet someone. | |
| [07:29] | Yeah, I don’t believe you. | |
| [07:38] | Hey, I was watching that. | |
| [07:40] | And do you have any idea how much of a turn-off that is? | |
| [07:42] | I came over here tonight for a date, | |
| [07:44] | not to babysit some benched man-child | |
| [07:47] | wanking off to a make-believe game. | |
| [07:53] | Yeah, I don’t feel anything. | |
| [08:04] | Do you think because somebody paid you a bit of money | |
| [08:06] | to run around in circles trying to catch a ball | |
| [08:08] | gives you some sort of authority on world politics? | |
| [08:13] | The U.K. may be on the decline, but so is the U.S., | |
| [08:15] | given your lazy choice of words. | |
| [08:18] | Nobody says “fag” anymore, Brett. | |
| [08:20] | Come on. It really gives you away. | |
| [08:26] | Call me when you grow the fuck up. | |
| [08:31] | – You think I’m joking? – Hey, hey, hey. | |
| [08:34] | – Let go of me. – Don’t… don’t fucking | |
| [08:35] | – walk out of that door. – I said let go. | |
| [08:36] | It’s fucking over | |
| [08:37] | – if you walk out that fucking door. – Fucking let go! | |
| [08:42] | What the fuck is this, huh? | |
| [08:45] | You were… You were recording us, huh? | |
| [08:48] | That’s illegal. | |
| [08:50] | I just turned it on. | |
| [08:52] | What the fuck for, huh? Blackmail? | |
| [08:54] | Jesus fucking Christ. | |
| [08:56] | God, Cassie, what is wrong with you? | |
| [09:00] | What? | |
| [09:07] | You mad now? | |
| [09:10] | What? | |
| [09:13] | – Mad now? – Uh… | |
| [09:17] | Oh, you fucking bitch. | |
| [09:26] | Don’t ever do that to me again. | |
| [09:50] | Nobody thought she could pull it off. | |
| [09:53] | There we all stood waiting, | |
| [09:55] | freezing our bloody knickers off, eyes on the sea, | |
| [09:59] | when lo and behold to my astonishment, | |
| [10:02] | she emerged. | |
| [10:05] | We all leapt and yelled and cheered, | |
| [10:08] | arms around each other. | |
| [10:10] | Best day of my life, truth be told. | |
| [10:14] | I never remember feeling so… | |
| [10:18] | Excited, proud. | |
| [10:21] | The pupil has labeled it as, wait for it… | |
| [10:27] | Deep. | |
| [10:30] | Invigorated. | |
| [10:32] | One must be gentle with the pupil, all right? | |
| [10:35] | Actually, there’s a wistfulness in her voice. | |
| [10:39] | Not in what she’s saying, but how she’s saying it. | |
| [10:41] | Sadness for a time that was. | |
| [10:44] | Intonation, pauses between words, | |
| [10:47] | anything that implies intent. | |
| [10:50] | We’ll get there. | |
| [10:51] | We’ll just break it down into different layers. | |
| [10:54] | Let’s kick it up a notch. | |
| [10:56] | We need to stop calling it the pupil. | |
| [10:59] | We want this thing to read and write human emotions. | |
| [11:02] | We have to start treating it like a human. | |
| [11:06] | Hiris? Iram? | |
| [11:11] | How about Cassandra? | |
| [11:14] | Sounds Greek. Possibly tragic, too. | |
| [11:19] | The prophet that lied? | |
| [11:21] | Or at least everybody thought she did? | |
| [11:23] | How about Model C? Emcee? | |
| [11:27] | Emcee. That works for me. | |
| [11:28] | Done. | |
| [11:31] | Uh, now what was it? The wistfulness? | |
| [11:33] | Yeah, towards the end there. | |
| [11:37] | We all leapt and yelled and cheered, | |
| [11:40] | arms around each other. | |
| [11:41] | There. | |
| [11:43] | Cheered, arms around each other. | |
| [11:47] | Human connection. | |
| [11:49] | Doesn’t get more wistful than that. | |
| [12:04] | Still trying to verify… | |
| [12:10] | Verhoeven, who is a citizen of Germany, | |
| [12:12] | became head of the intergovernmental agency | |
| [12:14] | less than a year ago. | |
| [12:16] | Over 70 million refugees worldwide. | |
| [12:18] | Another dog-whistler going down? | |
| [12:21] | It’s a fake. | |
| [12:22] | Yeah? How do you know? | |
| [12:24] | Just a hunch. | |
| [12:26] | Hunch. | |
| [12:28] | I’m talking a kind of carnage yet to be seen. | |
| [12:31] | You reap what you sow. | |
| [12:42] | Hey, Lief? | |
| [12:45] | Do you think I could pass | |
| [12:47] | for a posh girl? | |
| [12:49] | You know, like if I say “kittens” or “water.” | |
| [12:54] | Water. | |
| [12:57] | Quite marvelous. | |
| [13:00] | Less emphasis on the I might help. | |
| [13:05] | As in PRIV-uh-see. | |
| [13:10] | – PRIV-uh-see? – Mm. | |
| [13:12] | – Or and-VER-tis-ment. – Ahd-VER-tis-ment. | |
| [13:33] | PRIV-uh-see, and-VER-tis-ment. | |
| [13:38] | Nobody thought she could pull it off. | |
| [13:41] | There we all stood waiting, | |
| [13:44] | Freezing our bloody knickers off, | |
| [13:46] | eyes on the sea, when lo and behold… | |
| [13:50] | Tone is right. | |
| [13:53] | There’s still no sense of circumstance or environment. | |
| [13:58] | When the woman in the original recording | |
| [14:00] | said the word, “freezing,” | |
| [14:01] | you could tell that she’d been there, the history of it. | |
| [14:04] | This just sounds like she’s repeating a line back to us. | |
| [14:07] | No offense, Emcee. | |
| [14:09] | You just called it a voice assistant. | |
| [14:11] | How dare you. | |
| [14:14] | Well, we could try bigger inputs. | |
| [14:16] | You know, audiobooks, podcasts. Whatever, really. | |
| [14:21] | What about the archival audio that came in? | |
| [14:24] | I bet old radio plays | |
| [14:25] | would have a ton of emotional valence. | |
| [14:28] | Yeah, true. Why not? | |
| [14:31] | And while we’re at it, | |
| [14:32] | I think that we need to diversify our inputs. | |
| [14:36] | We have a lot of Brits. | |
| [14:38] | I think we need to change it up a little bit. | |
| [14:41] | It’s a lot of Brits? | |
| [14:44] | Look, playscript for a really good simulation | |
| [14:47] | needs to be adaptive. | |
| [14:51] | So what’s it gonna be? | |
| [14:53] | Uh, night shift | |
| [14:55] | or proper, sit-down dinner? | |
| [15:01] | I actually, um, can’t work late tonight. | |
| [15:06] | But I would love to take this home for the weekend | |
| [15:08] | and work on it, | |
| [15:10] | so if you could shoot me the login to the current version. | |
| [15:13] | I’m pretty sure it won’t be accessible | |
| [15:14] | outside of data center. | |
| [15:16] | What’d you need? | |
| [15:18] | Uh, the emotion processing module. | |
| [15:23] | Okay, I’ll log you in. | |
| [15:25] | Just between colleagues, though. | |
| [15:27] | Don’t quote me on it. | |
| [15:28] | I would never. | |
| [15:31] | Paul? | |
| [15:38] | This isn’t working for me. | |
| [15:40] | Get up. | |
| [15:45] | Well, can I use my hands? Please? | |
| [15:47] | No. | |
| [15:49] | But I thought this is how you wanted it. | |
| [15:51] | Circles around your clit, then sucking it. | |
| [15:55] | What did I miss? Show me. | |
| [15:59] | I wanna make you squirt. | |
| [16:00] | Get up. | |
| [16:02] | But you liked it the last time. | |
| [16:04] | Well, maybe this is what I wanted last time. | |
| [16:08] | And this time, I want something different. | |
| [16:11] | What do you want? | |
| [16:17] | Go wash your mouth. | |
| [16:20] | Now? | |
| [16:22] | Let me smell your breath. Come here. | |
| [16:27] | Disgusting. Go to the bathroom. | |
| [16:31] | Okay. | |
| [16:35] | No one’s ever gonna want to be your girlfriend. | |
| [16:53] | So they did find a mutation | |
| [16:55] | in the APP, um, the amyloid precursor protein. | |
| [17:01] | Did you hear me? | |
| [17:03] | Yeah, I heard you, I just… | |
| [17:04] | I don’t even know what that means. | |
| [17:07] | It means no more fishing in the dark. | |
| [17:10] | Now we know Dad has early-onset Alzheimer’s. | |
| [17:13] | Wait. Just because somebody has a genetic marker | |
| [17:16] | doesn’t mean their symptoms are definitively linked. | |
| [17:19] | But Iris… | |
| [17:22] | I want to get tested as well. | |
| [17:29] | Why would you do that? | |
| [17:31] | I mean, isn’t that the responsible thing to do? | |
| [17:35] | If I have it, I’m never having kids. | |
| [17:37] | That sounds dramatic. | |
| [17:38] | And… | |
| [17:44] | I just don’t see how knowing would make anything better. | |
| [17:48] | Well, they already took my blood. | |
| [17:52] | The buck’s gotta stop somewhere. | |
| [19:38] | What the fuck is this, huh? | |
| [19:41] | You were… You were recording us, huh? | |
| [19:44] | That’s illegal. | |
| [19:47] | I just turned it on. | |
| [19:48] | What the fuck for, huh? | |
| [19:50] | Blackmail? Jesus fucking Christ. | |
| [19:52] | God, Cassie, what is wrong with you? | |
| [19:56] | What? | |
| [20:04] | What the fuck for, huh? Blackmail? | |
| [20:07] | Jesus fucking… | |
| [20:15] | You were recording this, huh? That’s illegal. | |
| [20:19] | I just turned it on. | |
| [20:21] | Jesus fucking Christ. | |
| [20:23] | God, Cassie, what is wrong with you? | |
| [20:27] | You mad now? | |
| [20:51] | How do you do? | |
| [20:53] | Cassie, I presume? | |
| [20:56] | Rupert? | |
| [20:59] | Very pleased to meet you. | |
| [21:01] | And I really must say, well, this is quite the surprise. | |
| [21:06] | Insisting on picking you up, I hope, | |
| [21:08] | didn’t raise any eyebrows? | |
| [21:10] | As gallantry shouldn’t. | |
| [21:16] | It indicates that you are a proper gentleman. | |
| [21:20] | That’s very kind of you to say so. | |
| [21:23] | Believe or not, | |
| [21:24] | I like to know who I’m getting into cars with. | |
| [21:29] | Use it wisely. | |
| [22:39] | How many variables are you looking at, ballpark? | |
| [22:42] | The spectrum of human emotions, | |
| [22:44] | from basic to blended, to combinant, | |
| [22:49] | around 34,000. | |
| [22:58] | So we have an image processing pipeline, | |
| [23:01] | the emotional classifier, the NLP classifier, | |
| [23:04] | all working on a shared database | |
| [23:06] | replicated across several data centers. | |
| [23:10] | We’ve broken down the NLP into sizeable chunks. | |
| [23:13] | Yes, the system’s pretty good at producing raw speech, | |
| [23:15] | but it just doesn’t carry that emotional cadence. | |
| [23:18] | So how do we turn unstructured sets | |
| [23:20] | into something that’s scalable | |
| [23:22] | and how do we actually, you know, scale it? | |
| [23:24] | Why don’t we start using adversarial training | |
| [23:27] | to create image-based sets? | |
| [23:30] | Sorry, um, what is adversarial training? | |
| [23:33] | Generative adversarial networks, GANs. | |
| [23:36] | Large batches of data, synthesized and re-rendered | |
| [23:39] | until they’re indistinguishable from the real thing. | |
| [24:17] | So it’s kind of like a deepfake? | |
| [24:21] | Same principle. | |
| [24:23] | It’s like pitting one AI against a copy of itself. | |
| [24:25] | One of them generates the data | |
| [24:27] | and the other points at where it’s glitchy. | |
| [24:29] | One side says, “Hey, look at this.” | |
| [24:32] | And the other side says, “Not good enough, try harder.” | |
| [24:35] | Then it keeps going round and round | |
| [24:37] | until original and sim are indistinguishable. | |
| [24:46] | You enjoying this? | |
| [24:49] | They’re beautiful. | |
| [24:51] | Mm. | |
| [24:53] | Like dancers. | |
| [24:56] | Indeed. | |
| [25:00] | Would you excuse me for one moment? | |
| [25:02] | What would you like? More of the same? | |
| [25:05] | Oh, you know me too well. | |
| [25:09] | I love you. | |
| [25:19] | I love you, too. | |
| [25:31] | Let her play with herself. See what happens. | |
| [25:34] | Oh, it’s a she, you think? | |
| [25:37] | We’ll let her decide, | |
| [25:38] | you know, when she’s old enough. | |
| [25:45] | Iris? | |
| [25:47] | Iris? | |
| [25:55] | Hello. | |
| [25:57] | Iris Stanton, getting a refill. | |
| [26:00] | You know, I thought it was you. | |
| [26:01] | Well, that makes two of us. | |
| [26:06] | Work or play? | |
| [26:08] | An old friend invited me, and I just couldn’t say no. | |
| [26:14] | Wheels are always spinning, aren’t they? | |
| [26:17] | So true. | |
| [26:20] | Well, it was nice running into you. | |
| [26:22] | It’s great running into you. | |
| [26:45] | Sync corrections by srjanapala |