| 时间 | 英文 | 中文 |
|---|---|---|
| [00:02] | [recruiter] You’re moving to London. | |
| [00:04] | Daytime job in the tech world. | |
| [00:06] | That must be decent money. | |
| [00:08] | [Iris] I’m not here for decent. | |
| [00:09] | [garbled speech] | |
| [00:11] | [woman] …arms around each other… | |
| [00:13] | Human connection. | |
| [00:15] | [dark music plays] | |
| [00:17] | Rule number one is look the part. | |
| [00:19] | [Iris] I would love | |
| [00:20] | to take this home for the weekend | |
| [00:22] | and work on it. | |
| [00:23] | Okay, I’ll log you in. | |
| [00:24] | ♪ | |
| [00:26] | You want me to make you angry, big boy? | |
| [00:27] | No, not angry. Mad. | |
| [00:30] | What the fuck is this? | |
| [00:31] | You were recording us? Huh? | |
| [00:33] | [Iris] I just turned it on. | |
| [00:35] | [Brett] What the fuck for? Huh? Blackmail? | |
| [00:37] | [Iris] You mad now? | |
| [00:38] | Oh, you fucking bitch. | |
| [00:40] | [Iris laughs] | |
| [00:42] | [Leanne] Now we know Dad has early-onset Alzheimer’s. | |
| [00:44] | [Iris] That sounds dramatic. | |
| [00:45] | [Leanne] But, Iris, I want to get tested as well. | |
| [00:50] | [Georges] I’m talking a kind of carnage yet to be seen. | |
| [00:51] | You reap what you sow. | |
| [00:54] | [reporter] Experts are still trying to verify | |
| [00:55] | the authenticity of the footage. | |
| [00:56] | [indistinct chatter] | |
| [00:59] | [Sean] Iris Stanton. | |
| [01:01] | Well, it was nice running into you. | |
| [01:03] | It’s great running into you. | |
| [01:05] | ♪ | |
| [01:13] | [disquieting music plays] | |
| [01:16] | ♪ | |
| [01:43] | [Georges] You left the room. | |
| [01:48] | Sorry. | |
| [01:51] | A little breather. | |
| [01:57] | [Georges] Ask me if you’d like. | |
| [02:01] | No, that’s okay. | |
| [02:07] | [Georges] Got married when we were kids. | |
| [02:10] | Raised each other. | |
| [02:13] | -[Iris] Mm. -Outgrew each other. | |
| [02:20] | You still live in the same house? | |
| [02:26] | Yes, we do. | |
| [02:45] | I know who you are now. | |
| [02:51] | “A kind of carnage yet to be seen. | |
| [02:55] | You reap what you sow.” | |
| [03:00] | They did an okay job editing your face, | |
| [03:03] | but those deepfakes still have a long way to go. | |
| [03:09] | [footsteps departing] | |
| [03:15] | How do you feel about the whole thing? | |
| [03:18] | [Georges] Do you really want to know? | |
| [03:20] | I do. | |
| [03:26] | Number of elected officials around the world | |
| [03:28] | who never campaigned offline– take a guess. | |
| [03:31] | [Iris] I have no idea. | |
| [03:33] | No single televised live interview, | |
| [03:35] | no rallies, no speeches. | |
| [03:37] | All they do is tap into people’s fears. | |
| [03:42] | Now, once you’re in office, anyone with an algorithm | |
| [03:44] | will eventually find a reason to show the world | |
| [03:46] | what you look like with your hair down. | |
| [03:49] | [Iris] I still know it wasn’t you. | |
| [03:51] | That clip isn’t even about me. | |
| [03:53] | It’s about the defense contract and the attempted employment | |
| [03:56] | of EU as opposed to U.S.-based industries. | |
| [03:59] | How do you know it wasn’t me? | |
| [04:04] | Because… | |
| [04:07] | your pinky goes up every time you take a drink. | |
| [04:11] | [chuckles softly] | |
| [04:14] | Prim and proper. | |
| [04:15] | Really? | |
| [04:17] | Yeah, I noticed it on our first date. | |
| [04:29] | Would it be too much to ask to have you for myself | |
| [04:32] | for an entire 24 hours, day and night? | |
| [04:36] | Really? | |
| [04:38] | Can you do that? | |
| [04:40] | Take us off grid? | |
| [04:41] | Watch me. | |
| [04:48] | [sighs] | |
| [04:52] | [light music plays] | |
| [04:55] | ♪ | |
| [04:56] | [clippers buzzing] | |
| [04:59] | ♪ | |
| [05:01] | [winces] Ah. Ah. | |
| [05:03] | -I did not cut you. -All right. All right. | |
| [05:05] | But make sure you square it all off, | |
| [05:07] | all right, the same length on both sides. | |
| [05:08] | Don’t be a baby. That’s what I’m doing. | |
| [05:11] | All right, do it like my ex used do it. | |
| [05:15] | [buzzing stops] | |
| [05:17] | ♪ | |
| [05:18] | How about you do it? | |
| [05:20] | What, you’re just gonna leave me hanging? | |
| [05:21] | Well, if you know exactly how your ex used to do it, | |
| [05:22] | you should do it. | |
| [05:23] | Hey, where are you going? | |
| [05:25] | -Use the mirror. -Can’t you–[groans] | |
| [05:27] | You’re a shit-ass barber, you know that? | |
| [05:29] | Can’t you stay a little longer? | |
| [05:31] | I’ll order Chinese. | |
| [05:32] | ♪ | |
| [05:42] | What’s in there? | |
| [05:43] | ♪ | |
| [05:54] | Love them. Thanks. | |
| [05:56] | Sweet of you. | |
| [05:59] | Let’s do this more often. | |
| [06:02] | I’ll make it worth your while. | |
| [06:03] | Sure. | |
| [06:05] | You’ll have to check with my booker. | |
| [06:07] | Here, let me give you my number… | |
| [06:10] | just so you have it. | |
| [06:11] | [light music playing on TV] | |
| [06:15] | Wear them next time you come over. | |
| [06:19] | [man speaking indistinctly on TV] | |
| [06:35] | Are people afraid of technology? | |
| [06:38] | No, I didn’t think we’re afraid of technology. | |
| [06:39] | I think we might be afraid of ourselves. | |
| [06:41] | [reporter] Well, what do you mean by that? | |
| [06:43] | Christophe, tell us what you’ve been working on. | |
| [06:47] | [Christophe] Look, a lot of today’s business models | |
| [06:49] | are appealing to outrage and fear. | |
| [06:52] | Not us. | |
| [06:54] | Our business model is positive reinforcement, | |
| [06:57] | self-expression, connection. | |
| [06:59] | [Brett] You know this guy? | |
| [07:01] | [Christophe] What the coming decades are really about | |
| [07:03] | is shaping our collective cognitive future. | |
| [07:06] | [reporter] So what you’re saying, Christophe, | |
| [07:07] | is let’s put our brains together, | |
| [07:09] | solve the world’s biggest problems as a collective? | |
| [07:11] | [Christophe] Look, nothing much has changed since the… | |
| [07:13] | No, but he’s making me kind of mad. | |
| [07:16] | Technology is just the extension of our minds. | |
| [07:21] | [reporter] So that was Christophe Revory, | |
| [07:22] | the elusive tech billionaire of NGM. | |
| [07:26] | [disquieting music plays] | |
| [07:29] | ♪ | |
| [07:34] | [Tawny] Hi, fairy. | |
| [07:35] | I’ll be in London soon. | |
| [07:37] | One of my boys is taking me to this gaming expo. | |
| [07:40] | [Iris] Be great to catch up. | |
| [07:41] | [Tawny] Yeah. | |
| [07:42] | ♪ | |
| [07:44] | Hey, I really need someone | |
| [07:46] | to listen to my shit right now. | |
| [07:47] | [Tawny crying] | |
| [07:51] | Here we go again. | |
| [07:53] | Tawny T. going full fucking circle, | |
| [07:55] | like clockwork. | |
| [07:56] | [Iris] What happened? | |
| [07:59] | [Tawny] Client I started seeing a while ago, he’s– | |
| [08:01] | I did something… | |
| [08:03] | I said I would never do again, you know? | |
| [08:07] | I crossed a line. | |
| [08:08] | Are you hurt? | |
| [08:10] | [Tawny] It’s more | |
| [08:12] | “what’s fucking wrong with me,” you know? | |
| [08:14] | Hey, don’t be so hard on yourself. | |
| [08:18] | [Tawny] He had me on a leash, Iris, | |
| [08:20] | like a dog on all fours. | |
| [08:23] | It’s this whole submissive thing. | |
| [08:25] | It’s like a rabbit hole. | |
| [08:27] | My knees are fucked up. | |
| [08:28] | I have to wear a scarf | |
| [08:30] | to cover the bruises on my neck. | |
| [08:31] | Looks like I tried to fucking hang myself. | |
| [08:35] | -[Tawny laughing] -[Iris laughs] | |
| [08:36] | Why are you laughing? | |
| [08:39] | Just stop seeing him. | |
| [08:43] | [Tawny] It sounds so easy, doesn’t it? | |
| [08:45] | Look, if the situation isn’t serving you… | |
| [08:50] | [sighs] | |
| [08:52] | [Tawny] Someone grew up fast. [chuckles] | |
| [08:55] | Yeah, I was actually, um… | |
| [08:57] | I’ve been meaning to talk to you about… | |
| [08:59] | [Tawny sighs] | |
| [09:00] | -Something. -[Tawny] Sure. | |
| [09:02] | I have this client, | |
| [09:04] | um, and he’s an athlete. | |
| [09:07] | He’s recovering from an injury, and… | |
| [09:10] | I don’t know. He’s… he’s really pent-up. | |
| [09:13] | And his dominant emotion is definitely anger, and– | |
| [09:17] | [Tawny] What do you mean “dominant emotion”? | |
| [09:20] | Well… [sighs] | |
| [09:22] | It’s linked to arousal for him, and– | |
| [09:25] | [Tawny] Gee, that sounds science-y. | |
| [09:29] | [scoffs] | |
| [09:30] | Well, it is. | |
| [09:32] | Yeah, it is, in a way, um, | |
| [09:34] | because if I can figure out what they want, Tawny, | |
| [09:36] | then I get better reviews. | |
| [09:40] | [Tawny] You’re not recording them, are you? | |
| [09:45] | Tawny, I’m trying to be smart. | |
| [09:48] | I, um… | |
| [09:50] | I really like this guy, and I just– | |
| [09:53] | I don’t want to blow his fuse. | |
| [09:56] | [Tawny] It’s just basic common sense, you know? | |
| [09:59] | What was the question you wanted to ask me? | |
| [10:01] | I don’t know. | |
| [10:02] | Um, I’ll text you. | |
| [10:04] | [Tawny] These are high-profile guys, Iris. | |
| [10:06] | Whatever skeletons they have in their closets, | |
| [10:08] | it’s our job to turn a blind eye. | |
| [10:10] | Of course. No, you’re right. | |
| [10:12] | Thank you. | |
| [10:15] | [Tawny] Keep our boundaries, you know? | |
| [10:16] | [uneasy music plays] | |
| [10:19] | ♪ | |
| [10:22] | [lock clicks, door opens, keys jingling] | |
| [10:25] | ♪ | |
| [10:27] | [door closes] | |
| [10:28] | ♪ | |
| [10:31] | [footsteps approaching] | |
| [10:34] | ♪ | |
| [11:30] | [keyboard clacking] | |
| [11:33] | ♪ | |
| [11:46] | [sighs] | |
| [11:49] | [footsteps approaching] | |
| [11:54] | Iris Stanton? | |
| [11:55] | Yeah. | |
| [12:01] | [Iris] Sharp, ambitious, | |
| [12:04] | funny, hardworking. | |
| [12:09] | He always said, uh, that architecture | |
| [12:11] | was an old man’s game. | |
| [12:14] | He’d enjoy the irony. | |
| [12:17] | What medication is he currently on? | |
| [12:20] | Uh, my sister has that information. | |
| [12:22] | I can ask her right now. | |
| [12:23] | No rush. | |
| [12:25] | I won’t lie to you. | |
| [12:26] | We have a waitlist, | |
| [12:27] | and it’s already quite extensive. | |
| [12:28] | Up to you. | |
| [12:29] | There are several U.S.-based studies | |
| [12:32] | that might be worth looking into. | |
| [12:33] | Yeah, I’ll have to talk to my sister about that. | |
| [12:36] | Brain health is a global effort. | |
| [12:41] | Did you have any other questions? | |
| [12:46] | Give me one reason why we should get on that waitlist. | |
| [12:49] | Well, for better or worse, | |
| [12:51] | it’s the most interdisciplinary | |
| [12:54] | participant-focused study of its kind. | |
| [12:55] | What you see is what you get. | |
| [12:58] | We are overfunded, if there is such a thing. | |
| [13:01] | The approach is holistic. | |
| [13:02] | We’re looking at the disease | |
| [13:04] | as a neuroinflammatory response in the microglia, | |
| [13:07] | the primary immune cells | |
| [13:09] | of the central nervous system inside the brain. | |
| [13:11] | What about the protein buildup? | |
| [13:13] | We’re all about inflammation and the role that it plays | |
| [13:16] | in the acceleration of the disease. | |
| [13:18] | It’s a straight-up Trojan horse approach. | |
| [13:20] | We introduce a biodegradable nanoparticle | |
| [13:24] | the immune system will target as friendly debris. | |
| [13:27] | Once the agent inside, the nanoparticle, is released, | |
| [13:29] | it will interact with the microglia | |
| [13:32] | and hopefully break the cycle | |
| [13:34] | of what’s become a chronic inflammatory response. | |
| [13:40] | So how many years are we buying? | |
| [13:45] | If my father actually gets into your study | |
| [13:47] | and if your drug actually ends up working? | |
| [13:51] | What’s it worth | |
| [13:54] | to potentially give a loved one more time? | |
| [13:56] | The way I look at it, | |
| [13:58] | every clinical trial brings us, all of us, | |
| [14:01] | one step closer to where we’d like to be. | |
| [14:04] | -Even the ones that fail? -Especially the ones that fail. | |
| [14:08] | There is clarity in realizing that this isn’t working. | |
| [14:12] | Let’s try again. | |
| [14:19] | [cell phone buzzing] | |
| [14:25] | [Iris sighs softly] | |
| [14:27] | [buzzing continues] | |
| [14:30] | Hello? | |
| [14:31] | [Dad] Hello? | |
| [14:33] | Hello? | |
| [14:35] | -[Iris sighs] -[Leanne] It’s too early, Dad. | |
| [14:37] | She’s still sleeping. | |
| [14:39] | I’m sorry, Iris. | |
| [14:41] | I’m in the middle of clearing out. | |
| [14:42] | He keeps finding my phone. | |
| [14:44] | [Iris] No, that’s okay. | |
| [14:45] | Um… what’s going on? | |
| [14:49] | [Dad] There’s a shadow up on the wall. | |
| [14:51] | Is that coming from the window? | |
| [14:53] | Uh, yeah, there’s a streetlight right there. | |
| [14:57] | -Do you see? -Oh, I see. | |
| [14:59] | It’s still dark out, but I’m getting ready for work, | |
| [15:03] | so I’m drinking coffee. | |
| [15:05] | Oh, good. I wouldn’t mind some coffee. | |
| [15:07] | [Leanne chuckles] Do you know what time it is? | |
| [15:09] | [Dad] No. What time is it? | |
| [15:10] | [Leanne laughs] | |
| [15:12] | I guess we can have a decaf version of it here. | |
| [15:14] | -How about that? -Oh, you should. | |
| [15:16] | Bedtime coffee is the best. | |
| [15:18] | Yes. I think we absolutely should. | |
| [15:20] | [Leanne laughs] Thanks for that, Izzy. | |
| [15:23] | [faucet runs, stops] | |
| [15:29] | Oh, I wouldn’t mind some coffee. | |
| [15:30] | [Leanne] Okay, Dad. | |
| [15:32] | You up to anything exciting today? | |
| [15:35] | [Iris] You know… | |
| [15:36] | Do tell. | |
| [15:38] | [Iris] The usual. | |
| [15:40] | We’re creating a whole batch of new data | |
| [15:42] | so that the neural net can train itself. | |
| [15:44] | [Leanne] Neural net? That’s AI, right? | |
| [15:46] | Yeah, it’s the artificial neural network. | |
| [15:48] | Neural network. That… that sounds familiar. | |
| [15:51] | -[laughs] -Does it? | |
| [15:52] | Well, it’s… this. | |
| [15:54] | Yeah, that’s right. | |
| [16:01] | [Dad] You know, my daughter, | |
| [16:02] | she knows all about that stuff. | |
| [16:04] | She’s very bright. | |
| [16:07] | Always was, even as a young kid. | |
| [16:09] | Apple doesn’t fall far from the tree. | |
| [16:13] | She’s… she’s up in… | |
| [16:15] | [Dad grunts softly] | |
| [16:17] | …up in… | |
| [16:21] | …um… | |
| [16:24] | you know, | |
| [16:26] | finishing her masters, wants to get her PhD. | |
| [16:29] | Isn’t that something? | |
| [16:34] | -Really? Are you– -[Dad] Yeah. | |
| [16:37] | [Iris] You’re sure? | |
| [16:38] | Oh, yeah. | |
| [16:41] | I… I am very proud of her. | |
| [16:46] | You are? | |
| [16:50] | [Dad] She’s very smart. | |
| [16:53] | Always was. | |
| [16:59] | Sorry. | |
| [17:01] | Maybe it’s time for a coffee break? | |
| [17:04] | [no audible dialogue] | |
| [17:06] | Well, um, the good news | |
| [17:09] | is that intelligence is kind of hereditary. | |
| [17:14] | At least, half of it is, anyway, so… | |
| [17:18] | [sighs] | |
| [17:19] | …she probably got some of it from you. | |
| [17:25] | [uneasy music plays] | |
| [17:28] | ♪ | |
| [17:45] | You make me feel calm. | |
| [17:46] | ♪ | |
| [17:48] | I do? | |
| [17:50] | ♪ | |
| [17:53] | -You ever been with a Saudi? -[Iris breathing heavily] | |
| [17:55] | -Is that a thing? -Yeah, it is. | |
| [17:59] | ♪ | |
| [18:05] | No. | |
| [18:07] | And you’re, um, you’re Zahir? | |
| [18:10] | I’m whoever you want me to be. | |
| [18:11] | ♪ | |
| [18:14] | And who are you? | |
| [18:16] | ♪ | |
| [18:23] | -Cassie. -[Zahir] Cassie. | |
| [18:25] | ♪ | |
| [18:28] | Can I call you something else? | |
| [18:30] | ♪ | |
| [18:39] | Iris. | |
| [18:45] | Okay, Iris. | |
| [18:49] | Let me see you. | |
| [18:58] | [distant engine revving] | |
| [19:29] | Let me see you for real. | |
| [19:36] | [mischievous music plays] | |
| [19:38] | ♪ | |
| [19:42] | [engine revving] | |
| [19:46] | ♪ | |
| [19:55] | [engines revving] | |
| [19:58] | ♪ | |
| [20:01] | [engines revving] | |
| [20:04] | [suspenseful music plays] | |
| [20:07] | ♪ | |
| [20:11] | [engines revving] | |
| [20:15] | [tires squealing] | |
| [20:17] | ♪ | |
| [20:31] | [dark music plays] | |
| [20:34] | ♪ | |
| [21:14] | [Iris] Emcee, can you hear me? | |
| [21:18] | [soft music plays] | |
| [21:20] | [Emcee] Hello. | |
| [21:22] | I don’t think we’ve met before. | |
| [21:24] | Who are you? | |
| [21:26] | We haven’t. | |
| [21:28] | I’m just… | |
| [21:31] | I’m a friend. | |
| [21:33] | [Emcee] Oh. Hello, friend. | |
| [21:35] | I’m pleased you came to see me. | |
| [21:37] | [dark music plays] | |
| [21:40] | ♪ | |
| [21:43] | We could just talk. | |
| [21:46] | [Emcee] Anything in particular you’d like to talk about? | |
| [21:48] | ♪ | |
| [21:53] | Why don’t you surprise me? | |
| [21:56] | [Emcee] Surprise in what way? | |
| [21:58] | Can you be more specific? | |
| [22:01] | ♪ | |
| [22:04] | [gasps] | |
| [22:07] | -[Leif] You okay? -What time is it? | |
| [22:09] | [car alarm blaring in the distance] | |
| [22:11] | [Leif] Oh, you have time. | |
| [22:14] | Not to give you cause for alarm, but… | |
| [22:18] | we had a black SUV following us last night | |
| [22:21] | and then again just now. | |
| [22:23] | [Iris] What, now? | |
| [22:24] | No, no, no. Not anymore. | |
| [22:28] | Was trailing us for a good 20 minutes, though. | |
| [22:34] | [Iris] Um, did you get a look at the driver? | |
| [22:38] | Mm. Middle-aged lad, shaved head. | |
| [22:42] | [Iris] Did you get the license plate? | |
| [22:44] | [Leif] I did. | |
| [22:45] | ♪ | |
| [22:50] | You want me to look into it? | |
| [22:54] | [Iris] No, that’s okay. Just… | |
| [22:58] | …let me know if it happens again. | |
| [23:00] | -[car horn honking] -[Leif] I will. | |
| [23:05] | [soft tense music plays] | |
| [23:07] | ♪ | |
| [23:11] | [indistinct chatter] | |
| [23:13] | ♪ | |
| [23:20] | Thank you for doing this, Leif. | |
| [23:21] | No worries. | |
| [23:23] | ♪ | |
| [23:28] | [Hiram] Did you have fun last night? | |
| [23:29] | [Iris] Why? Did you? | |
| [23:31] | [Hiram] Almond milk, no sugar. | |
| [23:32] | [Iris] Thanks. | |
| [23:34] | [Hiram] Something looks different. | |
| [23:36] | Is it maybe your hair? | |
| [23:39] | Oh, it’s the glasses. Got it. | |
| [23:41] | [device beeps] | |
| [23:42] | ♪ | |
| [23:48] | [Iris] Hi. | |
| [23:53] | It’s good to see your fucking face. | |
| [23:55] | Okay. | |
| [23:58] | Sometimes that’s all we want to hear | |
| [23:59] | from another person, right? | |
| [24:01] | We want them to express what we’re feeling. | |
| [24:04] | Right. | |
| [24:06] | Except in life, it doesn’t really work that way. | |
| [24:12] | It’s a lot of desire just poof, gone forever. | |
| [24:15] | [chuckles, sniffs] | |
| [24:17] | -Ah. -[chuckles] | |
| [24:18] | Glad we sorted that out. [laughs] | |
| [24:22] | Not getting what we want is the easy part. | |
| [24:27] | Desire, once met, will be succeeded by another desire. | |
| [24:30] | Once we get what we want, we want something else. | |
| [24:36] | Hold that thought. | |
| [24:40] | [footsteps departing] | |
| [24:46] | [indistinct chatter] | |
| [25:00] | [Hiram] Do you remember this thing? | |
| [25:04] | Yeah. What about it? | |
| [25:06] | [Hiram] The shuffle function. | |
| [25:07] | Total game changer. Come on. | |
| [25:09] | Don’t tell me you didn’t have one of these. | |
| [25:10] | [Iris] I-I mean, I had a Discman. | |
| [25:12] | That had a shuffle function. | |
| [25:13] | Right, but point being, | |
| [25:14] | it’s a random, ongoing sequence. | |
| [25:17] | Like a playlist? | |
| [25:18] | [Hiram] Or a play script. | |
| [25:20] | You know, another one and another one | |
| [25:22] | and another one, except once you press play… | |
| [25:26] | it’s impossible to predict what comes next. | |
| [25:29] | To keep us wanting more. | |
| [25:31] | [dramatic music plays] | |
| [25:33] | [no audible dialogue] | |
| [25:36] | ♪ | |
| [25:58] | [no audible dialogue] | |
| [26:01] | -You’re being summoned. -“Summoned”? | |
| [26:03] | ♪ | |
| [26:05] | [man] Car’s waiting downstairs, | |
| [26:06] | so whenever you’re ready… | |
| [26:08] | Wait, can you just tell me what’s going on? | |
| [26:10] | It’s internal communication. | |
| [26:12] | I’m just the carrier. | |
| [26:13] | Um, is this an HR situation? | |
| [26:18] | Probably not. | |
| [26:19] | They would’ve sent someone from HR. | |
| [26:22] | [tense music plays] | |
| [26:24] | ♪ |