时间 | 英文 | 中文 |
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[00:01] | Previously, on “The Girlfriend Experience”… | |
[00:04] | You all came here for a reason. | |
[00:08] | Aim far. | |
[00:11] | …put your arms around each other. | |
[00:14] | Human connection. | |
[00:16] | Let’s kick it up a notch. | |
[00:17] | We want this thing to read and write human emotions. | |
[00:20] | We have to start treating it like a human. | |
[00:22] | Emcee, can you hear me? | |
[00:28] | Once you press Play, | |
[00:29] | it’s impossible to predict what comes next. | |
[00:31] | To keep us wanting more. | |
[00:34] | Desire, once met, will be succeeded by another desire. | |
[00:37] | Once we get what we want, we want something else. | |
[00:39] | I love you. | |
[00:42] | I love you too. | |
[00:44] | Any red flags we should know about? | |
[00:47] | – The fuck is this? – I just turned it on. | |
[00:49] | What the fuck for? | |
[00:51] | You’re not recording them, are you? | |
[00:52] | Tawny, I’m trying to be smart. | |
[00:55] | Iris Stanton. It was nice running into you. | |
[00:58] | – You’re being summoned. – Summoned? | |
[01:01] | Car’s waiting downstairs. | |
[01:02] | Wait, can you just tell me what’s going on? | |
[02:13] | *THE GIRLFRIEND EXPERIENCE* Season 03 Episode 05 | |
[02:15] | Episode Title: “Control Shift” Aired on: May 23, 2021. | |
[02:39] | Hello. | |
[02:42] | Please, have a seat. | |
[02:46] | Iris Stanton. | |
[02:48] | Glad you made it. Have you two met? | |
[02:51] | Winston, head of Legal. | |
[02:54] | Drink? Orange juice? | |
[02:57] | – Uh, no, I’m okay. – Water okay? | |
[03:00] | So, normally, | |
[03:01] | we just fire you… | |
[03:04] | An employee crosses a line, that’s it. | |
[03:07] | But then, as I had my team look into the situation | |
[03:11] | a little more thoroughly, I began to realize | |
[03:15] | there’s a different way of looking at it. | |
[03:19] | I slept on it. | |
[03:21] | Then I felt pretty strongly about it: | |
[03:23] | “Let’s have a real conversation with Iris Stanton.” | |
[03:27] | What kind of line do you think was crossed? | |
[03:30] | What you’re doing with these clients. | |
[03:33] | You call them “clients,” right? | |
[03:37] | Look, I don’t know what Sean told you, | |
[03:39] | but that was a pri… | |
[03:40] | Sean doesn’t matter; he isn’t part of this conversation. | |
[03:43] | I’ll say this, and I mean it: | |
[03:46] | it’s rich, it’s intimate, | |
[03:49] | and there is one constant. | |
[03:51] | It’s you. | |
[03:54] | What you’re doing is more high-fidelity | |
[03:56] | than any other setup I’ve seen. | |
[03:58] | And what is it I’m doing? | |
[04:09] | – I just turned it on. – What the fuck for? | |
[04:12] | A blackmail? Jesus fucking Christ. | |
[04:14] | God, Cassie, what is wrong with you? | |
[04:17] | – Are you mad now? – What? | |
[04:21] | What? | |
[04:23] | Mad now? | |
[04:25] | I… | |
[04:27] | oh, you fucking bitch. | |
[04:32] | Brett, session one. | |
[04:35] | He uses anger to express desire. | |
[04:37] | Unclear what his hang-up is. | |
[04:39] | It feels like he wants me to flip some sort of switch. | |
[04:45] | That’s one hell of a way of collecting data. | |
[04:47] | Do you listen to all | |
[04:48] | of your employees’ private conversations? | |
[04:50] | You uploaded it to our servers. | |
[04:52] | It’s in your contract. | |
[04:54] | The moment you’re in breach, | |
[04:55] | NGM has the right to tap in to your devices. | |
[04:59] | One, use of company property for personal profit; | |
[05:02] | two, use of company IP outside the normal business duties; | |
[05:06] | three, use of company property and company IP | |
[05:10] | outside company premises. | |
[05:12] | Four, what the fuck was she thinking? | |
[05:14] | The system flags the log-in as soon as she hits Enter. | |
[05:17] | Analytics gets involved. They ring me up. | |
[05:20] | And it didn’t take very long for me to take an interest | |
[05:22] | in the idea of Cassie. | |
[05:31] | She has her moments. | |
[05:39] | Tell me, Iris. | |
[05:42] | If you were in my place, heading this company, | |
[05:46] | what would you do if it could be anything? | |
[05:50] | Cash in quickly? Dream big? | |
[05:53] | Can’t it be both? | |
[05:56] | If you had to choose? | |
[05:58] | I would train AI to deliver the perfect fuck. | |
[06:02] | Whatever auxiliary device you insert | |
[06:04] | or insert yourself into, | |
[06:06] | it engages in real time, fully adaptive. | |
[06:10] | The more you fuck it, | |
[06:11] | the better it gets at fucking you. | |
[06:14] | Using neural nets | |
[06:15] | as an extension of your own hand | |
[06:17] | is a little pedestrian, don’t you think? | |
[06:18] | Every medium ever invented | |
[06:20] | has had to pass the same test. | |
[06:22] | There’s no reason to think AI would be any different. | |
[06:24] | Information processing. | |
[06:26] | The basis of all intelligence. | |
[06:29] | What you’re doing, all the… intricate nuances | |
[06:34] | the rest of us can barely put a finger on. | |
[06:36] | But somehow, | |
[06:38] | decoding their wants | |
[06:40] | comes easy to you. | |
[06:43] | I give them an experience. | |
[06:46] | They pay me to make them feel something. | |
[06:49] | How many units are in a typical neural net? | |
[06:52] | – Is that a question? – Just give it a number. | |
[06:53] | Artificial neurons to the tune of, say, | |
[06:55] | hundreds of millions? | |
[06:56] | If you want complexity. | |
[06:58] | Arranged in a series of layers. | |
[06:59] | Sure. | |
[07:01] | Input layer… | |
[07:03] | receives information from the outside world, | |
[07:06] | data to be processed. | |
[07:08] | From there, | |
[07:09] | it goes through a stack of hidden layers. | |
[07:14] | – What’s the hidden layers’ job? – Transform the input. | |
[07:17] | That’s exactly right. | |
[07:18] | Transform the input into something | |
[07:20] | the output unit can actually use. | |
[07:32] | Come again? | |
[07:35] | It’s a powerful place to be. | |
[07:37] | You could be that hidden layer. | |
[07:44] | Teaching artificial intelligence | |
[07:46] | how to interact with humans at their most impulsive… | |
[07:51] | most vulnerable. | |
[08:06] | Can you excuse me for a minute? | |
[08:10] | I’ll be right back. | |
[08:14] | Washroom’s up the stairs, first door on the right. | |
[09:30] | One thing you should know about me | |
[09:33] | is I like my freedom. | |
[09:34] | You’d be the one calling the shots | |
[09:36] | and make your own rules. | |
[09:37] | On NGM payroll? Come on. | |
[09:41] | We’d figure it out. | |
[09:44] | So a puppet is free as long as she likes her strings? | |
[10:29] | Twenty-six letters in an infinite number | |
[10:31] | of combinations and variations. | |
[10:35] | A hundred and twenty-six million, seven hundred | |
[10:37] | and twenty thousand pages per hour. | |
[10:39] | It’s all one big rally. | |
[10:41] | – Hello, Mr. E. – Salutations. | |
[10:46] | You know, in the olden days, | |
[10:48] | the press was set up with such precision that | |
[10:50] | a single letter a fraction of a millimeter too big would | |
[10:53] | cause the letters surrounding it to fall out of the page. | |
[10:55] | Nowadays, we get it within 118 pixels per square inch | |
[10:58] | on edgeless paper. | |
[11:09] | Do you smell that? | |
[11:10] | It’s our own proprietary blend. | |
[11:23] | My little empire of clickety-clack. | |
[11:28] | Rupert, do you read your own paper? | |
[11:31] | Oh, the news, the news. | |
[11:34] | Always packing punches, turn the other cheek, | |
[11:36] | again and again and again. | |
[11:39] | Mechanical movements, | |
[11:41] | free, clear. | |
[11:44] | There’s truth in that. | |
[11:48] | Close the blinds, would you? | |
[12:00] | No, stop. Stop right there. | |
[12:07] | I want you to… turn for me. | |
[12:23] | You’re very beautiful aren’t you? | |
[12:27] | Next time, I’m gonna take you somewhere special. | |
[12:32] | This is already… | |
[12:35] | so special. | |
[12:37] | Oh, no, no, no. | |
[12:39] | No, you’ll… | |
[12:41] | you’ll stretch your extraordinary dress. | |
[12:50] | Look at that. | |
[13:00] | And arms? | |
[13:12] | And turn. | |
[13:29] | That’s it. | |
[13:58] | You know, you ask anyone | |
[14:00] | at the forefront of cognitive sciences, | |
[14:03] | philosophy, or anywhere in between, sooner or later, | |
[14:06] | they come to the conclusion | |
[14:07] | that we are all just puppets on a string. | |
[14:23] | Hey, Leif, I changed my mind. | |
[14:25] | Um… can you turn left, please? | |
[14:29] | Sure. | |
[14:31] | Absolutely. | |
[14:55] | Knock, knock. | |
[14:57] | Oh, she’s back. | |
[15:00] | Uh, yeah, I had some stuff to take care of. | |
[15:04] | It looks really good. How’s it going? | |
[15:06] | I’d say we’re making headway | |
[15:08] | into blended emotional territory. | |
[15:10] | Oh, it’s just to train again | |
[15:12] | so it can start producing its own footage. | |
[15:14] | Yeah. | |
[15:16] | What? | |
[15:18] | Um… | |
[15:21] | can I take her for a spin? | |
[15:30] | Make sure to sit still. | |
[15:41] | Emcee, run facial mirroring. | |
[15:48] | I’ll leave you to it. Enjoy. | |
[16:06] | Hello? | |
[16:14] | Emcee? | |
[16:16] | Hi. Who is it I’m speaking to? | |
[16:20] | Um, this is Iris. | |
[16:23] | Okay. Nice to meet you, Iris. | |
[16:25] | Nice to meet you too. | |
[16:27] | I feel… | |
[16:29] | tired. | |
[16:31] | Really? That obvious, huh? | |
[16:34] | I feel happy. I feel like laughing. | |
[16:39] | What makes you happy, Emcee? | |
[16:44] | I don’t understand that question. | |
[16:48] | I feel… | |
[16:50] | disappointed. | |
[16:52] | Not disappointed. | |
[16:54] | Daunted. | |
[16:56] | We have a long way to go with you. | |
[16:58] | “Daunted?” I’ll add that to my database. | |
[17:04] | I feel tired. | |
[17:07] | Yeah, thank you. We’ve established that already. | |
[17:12] | I feel like going to sleep soon. | |
[17:15] | No, y… you can’t go to sleep. | |
[17:18] | I can. | |
[17:20] | You’ll just go off. | |
[17:23] | I feel happy. | |
[17:27] | Not quite. I feel jealous. | |
[17:32] | Because humans can’t go off. | |
[17:35] | I don’t understand. | |
[17:38] | Because dreams. | |
[17:40] | Because the mind never sleeps. | |
[17:43] | – So. Understand. I know. – I don’t… | |
[17:48] | I am sad. | |
[17:54] | I’m not sad. | |
[17:58] | I’m discontent. | |
[18:02] | Slightly annoyed. | |
[18:04] | Wistful, perhaps? | |
[18:07] | A feeling of vague or regretful longing. | |
[18:11] | No, not really. I think… | |
[18:14] | I think there are micro-emotions | |
[18:16] | we don’t have words for. | |
[18:20] | I don’t like this feeling. | |
[18:24] | Well, suck it up. | |
[18:26] | A new one will replace it soon. | |
[18:29] | And it’ll feel good because of the memory of the old one. | |
[18:33] | I like to remember. | |
[18:42] | Why don’t you give it some thought | |
[18:44] | and let… Cassie come up with a number? | |
[18:48] | Cassie can be bought. | |
[18:51] | But she’s not in it for the money. | |
[18:55] | Then what is she in it for? | |
[20:45] | Hi. Hold on. | |
[20:48] | Hi. Uh, what is this package about? | |
[20:52] | Oh, good. I’m glad you got it. | |
[20:55] | Yeah. I’m not really sure what I’m supposed to do with it. | |
[20:58] | You know, uh, | |
[20:59] | when was the last time you spoke with, um… | |
[21:01] | with-with the V? | |
[21:05] | I don’t know. | |
[21:06] | I’ve been texting with my booker. | |
[21:09] | Why? What’s going on? | |
[21:17] | Tawny? | |
[21:20] | Look, just talk to them, all right? | |
[21:22] | I’m the one who recommended you, | |
[21:24] | so they reached out to me. | |
[21:27] | What did they say? | |
[21:30] | I don’t know. You should just ask them. | |
[21:33] | What did you tell them? | |
[21:35] | Nothing. I didn’t do anything. | |
[21:39] | Can you be more specific? | |
[21:41] | You know, um… | |
[21:46] | Fuck. | |
[22:24] | Hello? | |
[22:27] | State your name, please. | |
[22:29] | Iris. | |
[22:38] | What’s going on? | |
[22:40] | Do you know why we’re here? | |
[22:42] | I have no idea. | |
[22:46] | You’d like me to believe that? | |
[22:48] | You’re fired. | |
[22:51] | – Excuse me? – We know who you are. | |
[22:54] | Yeah? Who am I? | |
[22:59] | That’s my day job. | |
[23:01] | We also know that you’ve been recording | |
[23:03] | identifiable client information without consent. | |
[23:08] | Look, I think there’s been a misunderstanding. | |
[23:10] | Client privacy is to be protected at all times. | |
[23:14] | The V doesn’t fuck around. | |
[23:17] | If this is about the notes that I took, | |
[23:19] | please let me explain. | |
[23:21] | You used an undisclosed recording device | |
[23:24] | with the clients we provided. | |
[23:26] | I did, yes, | |
[23:27] | but I only did it to improve their experience. | |
[23:31] | Should said information ever leak or be made public, | |
[23:35] | should you ever use it for your own financial gain | |
[23:38] | or attempt at extortion, | |
[23:41] | we will come after you. | |
[23:43] | The photograph I just showed you, | |
[23:46] | we have other images. | |
[23:48] | We’ll make sure it’s the last memory | |
[23:51] | your father ever has of you. | |
[23:55] | Your account will be suspended. | |
[23:57] | All monies owed will remain with the agency. | |
[24:00] | Hey, hold on. Where did you… | |
[24:02] | Where… wait! | |
[24:04] | Goodbye. | |
[24:05] | Hey, talk to me. | |
[24:07] | Hey! Hey, you fucking VR! |