| 时间 | 英文 | 中文 |
|---|---|---|
| [00:01] | [Emcee] Previously, on “The Girlfriend Experience”… | |
| [00:04] | You know, my daughter, she’s up in… | |
| [00:07] | [uneasy music plays] | |
| [00:08] | up in… | |
| [00:10] | [Leanne] Now we know. | |
| [00:10] | Dad has early onset Alzheimer’s. | |
| [00:14] | Give me one reason why we should get on that wait list. | |
| [00:16] | What’s it worth, | |
| [00:17] | to potentially give a loved one more time? | |
| [00:21] | I thought it was one thing: protect and serve. | |
| [00:23] | Got seduced by the window dressing. | |
| [00:25] | [♪] | |
| [00:26] | I know who you are now. | |
| [00:28] | [Georges] Would it be too much to ask | |
| [00:29] | to have you for myself for an entire 24 hours? | |
| [00:32] | [♪] | |
| [00:33] | I’m gonna take you somewhere special. | |
| [00:36] | [Christophe] Somehow, decoding their wants | |
| [00:40] | comes easy to you. | |
| [00:42] | [heavy breathing] | |
| [00:43] | [Tawny] You’re not recording them, are you? | |
| [00:44] | Tawny, I’m trying to be smart. | |
| [00:46] | When was the last time you spoke with the V? | |
| [00:48] | [♪] | |
| [00:49] | [Tawny] Nothing. I didn’t do anything. | |
| [00:51] | – Tawny. – [line clicks] | |
| [00:53] | Client privacy is to be protected at all times. | |
| [00:56] | The V doesn’t fuck around. | |
| [00:59] | You’re fired. | |
| [01:00] | [♪] | |
| [01:05] | [tense music plays] | |
| [01:08] | [♪] | |
| [01:40] | [intense music plays] | |
| [01:42] | [♪] | |
| [02:25] | [indistinct conversation] | |
| [02:28] | [♪] | |
| [02:33] | [driver] Yes, sir. | |
| [02:50] | [birds chirping] | |
| [02:56] | [Iris] I don’t know if you know, | |
| [02:57] | but I was dropped by the V, | |
| [03:00] | and I don’t know what they said to you, | |
| [03:03] | if anything. | |
| [03:05] | [Iris sighs] | |
| [03:06] | It was unexpected. | |
| [03:08] | So if you have any questions… | |
| [03:10] | [♪] | |
| [03:12] | [Georges] They told me. | |
| [03:13] | [♪] | |
| [03:18] | [both panting lightly] | |
| [03:21] | Change is always good. | |
| [03:29] | [Iris] I left my information with your driver. | |
| [03:32] | I wanted you to have it. | |
| [03:34] | [tense music plays] | |
| [03:36] | [♪] | |
| [03:38] | [Georges] Thanks for letting me know. | |
| [03:40] | [♪] | |
| [03:41] | [Iris] Yeah. Of course. | |
| [03:44] | [birds chirping] | |
| [03:46] | [♪] | |
| [03:54] | – Take care. – Okay. | |
| [03:56] | [♪] | |
| [04:20] | [Georges] You know what this is? | |
| [04:23] | A cocoon. | |
| [04:24] | [Georges] Protecting its precious cargo. | |
| [04:26] | Mysterious and shape-shifting like you. | |
| [04:29] | [Iris sighs] | |
| [04:30] | – Like me? – Yes. | |
| [04:32] | The creature inside longs to be something else. | |
| [04:37] | More. | |
| [04:41] | That sounds like you. | |
| [04:43] | Uh, ditching civilization for 24 hours, | |
| [04:46] | coming to the middle of nowhere with a girl you barely know | |
| [04:48] | while people are trying to contact you | |
| [04:50] | about unmanned systems. | |
| [04:52] | Did you know that my people | |
| [04:53] | want to put relay stations on your soil? | |
| [04:55] | You should probably be handling that. | |
| [04:57] | [uneasy music plays] | |
| [04:59] | [♪] | |
| [05:15] | [Georges sighs] | |
| [05:17] | [lock beeping] | |
| [05:20] | [♪] | |
| [05:35] | So this is it. | |
| [05:38] | [Georges breathing heavily] | |
| [05:42] | Make yourself at home. | |
| [05:46] | Thank you. | |
| [05:48] | [soft music plays] | |
| [05:51] | [♪] | |
| [06:03] | [Rupert] Cassie, Georgina, | |
| [06:08] | I’m so glad you called. | |
| [06:10] | [♪] | |
| [06:13] | Rupie… show us. | |
| [06:18] | [♪] | |
| [06:21] | Let’s see what’s in the box. | |
| [06:23] | [Rupert] Ladies, are you ready? | |
| [06:26] | [♪] | |
| [06:27] | Let me guess. | |
| [06:29] | Something to make things better? | |
| [06:30] | [Rupert clicks tongue] | |
| [06:31] | Anonymity and augmentation. | |
| [06:34] | [case beeps, clicks] | |
| [06:35] | [♪] | |
| [06:49] | [disquieting music plays] | |
| [06:52] | [♪] | |
| [06:55] | [rhythmic panting] | |
| [06:59] | Welcome, players. | |
| [07:01] | [♪] | |
| [07:14] | [man] Before you enter, | |
| [07:16] | we need your release of liability. | |
| [07:18] | [♪] | |
| [07:22] | Any devices provided are in beta testing. | |
| [07:25] | [♪] | |
| [07:32] | Anonymized data will be collected | |
| [07:34] | for the purposes of refining user experiences. | |
| [07:37] | [machine clicks] | |
| [07:38] | [machine beeps] | |
| [07:41] | [machine whirs, clicks] | |
| [07:43] | [machine whirring] | |
| [07:45] | [♪] | |
| [08:01] | And what do they measure? | |
| [08:03] | Um, they give you a percentage | |
| [08:06] | how great the sex would be or something. | |
| [08:09] | I think it’s a pheromone thing. | |
| [08:11] | So pheromones and saliva to predict attraction? | |
| [08:15] | I guess so. | |
| [08:17] | [♪] | |
| [08:22] | [rhythmic panting] | |
| [09:10] | [Georges inhales deeply] | |
| [09:13] | [sighs] | |
| [09:39] | [Iris] Can I ask you a personal question? | |
| [09:43] | Go on. | |
| [09:45] | How do you deal with all of the misinformation | |
| [09:48] | that’s out there about you? | |
| [09:51] | I divest. | |
| [09:54] | [Iris] So how do you keep seeing the truth? | |
| [09:56] | What truth? | |
| [10:01] | Where do you see yourself in five years? | |
| [10:06] | I don’t know; somewhere like this would be nice. | |
| [10:09] | [Georges] Off-grid? | |
| [10:10] | Yeah. | |
| [10:14] | A little house. | |
| [10:15] | Lots of land. | |
| [10:17] | A record player, maybe. | |
| [10:19] | Kids? | |
| [10:22] | [Iris] Yeah… | |
| [10:25] | though adoption seems more noble. | |
| [10:30] | [Georges] Love? | |
| [10:32] | Yeah. | |
| [10:34] | [thunder rumbles] | |
| [10:38] | I like you. All of you. | |
| [10:42] | [soft music plays] | |
| [10:45] | [♪] | |
| [10:53] | [surreal music plays] | |
| [10:55] | [♪] | |
| [11:05] | [rhythmic panting] | |
| [11:08] | [♪] | |
| [12:02] | [soft moaning] | |
| [12:05] | [♪] | |
| [12:28] | [soft moaning] | |
| [12:31] | [♪] | |
| [12:47] | [moaning] | |
| [12:50] | [♪] | |
| [13:13] | [moaning] | |
| [13:16] | [♪] | |
| [13:35] | [light tense music plays] | |
| [13:38] | [♪] | |
| [14:29] | [♪] | |
| [15:03] | [birds chirping] | |
| [15:15] | Vanessa virginiensis in the making, | |
| [15:17] | commonly known as “painted lady,” | |
| [15:20] | before she disappears inside her cocoon. | |
| [15:29] | What happens to the caterpillar? | |
| [15:31] | [Georges] That’s a good question. | |
| [15:33] | The caterpillar’s tissues break down into proteins | |
| [15:36] | then reassemble. | |
| [15:38] | As they found out, some of the caterpillar’s memory | |
| [15:41] | survives across life stages, across time. | |
| [15:45] | The butterfly will recognize certain smells, for instance, | |
| [15:48] | that meant something to the caterpillar. | |
| [15:51] | Some memories survive even biological meltdown. | |
| [16:00] | Um, DNA turning to soup, | |
| [16:04] | that’s what’s happening with my father, his brain. | |
| [16:09] | Alzheimer’s? | |
| [16:13] | Yeah. | |
| [16:14] | The early-onset kind. | |
| [16:16] | It’s vicious… | |
| [16:18] | and hereditary. | |
| [16:25] | Are you scared? | |
| [16:32] | Yeah. | |
| [16:35] | [Georges] Tomorrow is not real yet. | |
| [16:39] | The only chance we have is this right here. | |
| [16:44] | [Iris] I know. | |
| [16:49] | [Iris sighs] | |
| [16:52] | How does the caterpillar decide which memories will transfer? | |
| [16:56] | Maybe it doesn’t. | |
| [16:58] | Maybe it’s just following instructions for survival, | |
| [17:01] | or maybe the little worm chooses | |
| [17:06] | what’s worth remembering and what isn’t. | |
| [17:11] | That’s a whole lot of choosing for a tiny worm. | |
| [17:15] | [disquieting music plays] | |
| [17:18] | [♪] | |
| [17:31] | [soft moaning] | |
| [17:34] | [♪] | |
| [18:34] | Hi. | |
| [18:36] | Hi. | |
| [18:37] | [surreal music plays] | |
| [18:40] | Blue? | |
| [18:42] | What? | |
| [18:44] | Is that your real eye color? | |
| [18:46] | [♪] | |
| [18:47] | Is that your real arm? | |
| [18:50] | I don’t know. | |
| [18:51] | What can you see? | |
| [18:53] | [♪] | |
| [19:01] | [shimmering music plays] | |
| [19:04] | [♪] | |
| [19:12] | [soft music plays] | |
| [19:15] | [♪] | |
| [19:19] | [pulsating beat plays] | |
| [19:22] | [♪] | |
| [19:30] | [singer] [♪] Dropping in with the rhythm [♪] | |
| [19:33] | [♪] | |
| [19:35] | ♪ I’m a wrench in the system ♪ | |
| [19:39] | [♪] | |
| [19:41] | ♪ You don’t tell me how to sing ♪ | |
| [19:44] | [♪] | |
| [19:46] | ♪ I am a new machine ♪ | |
| [19:50] | ♪ Leave it all on the table ♪ | |
| [19:55] | ♪ Give me more than I can handle ♪ | |
| [19:58] | [♪] | |
| [20:01] | ♪ Give me more than you think ♪ | |
| [20:05] | ♪ I am awakened dream ♪ | |
| [20:09] | ♪ Dropping in with the rhythm ♪ | |
| [20:14] | ♪ I’m the brains of the system ♪ | |
| [20:17] | [♪] | |
| [20:21] | ♪ Yeah, I’m the man on the scene ♪ | |
| [20:25] | ♪ I am a new machine ♪ | |
| [20:28] | [♪] | |
| [20:30] | ♪ I am a new machine ♪ | |
| [20:34] | [♪] | |
| [20:40] | ♪ Go on and hit him with the haymaker, lover ♪ | |
| [20:45] | ♪ It’s the big show, honey ♪ | |
| [20:47] | [♪] | |
| [20:50] | ♪ Make them believe it from the cheap seats, baby ♪ | |
| [20:54] | ♪ Put your mouth where your money ♪ | |
| [20:57] | [♪] | |
| [21:00] | ♪ Go on and hit them with the haymaker, lover ♪ | |
| [21:04] | ♪ It’s the big show, honey ♪ | |
| [21:07] | [♪] | |
| [21:10] | ♪ Make them believe it from the cheap seats, baby ♪ | |
| [21:14] | ♪ Put your mouth where your money ♪ | |
| [21:17] | [surreal music plays] | |
| [21:20] | [♪] | |
| [21:49] | [door clicks] | |
| [21:53] | [sighs] | |
| [22:07] | [soft music plays] | |
| [22:10] | ♪ | |
| [22:29] | [footsteps] | |
| [22:32] | [indistinct chatter] | |
| [22:34] | [elevator bell dings] | |
| [22:35] | [♪] | |
| [22:46] | [sighs] | |
| [22:47] | ♪ | |
| [22:53] | – [Iris] Hi. – [sighs] | |
| [22:56] | [Leanne] Hi. | |
| [22:58] | Hi. | |
| [23:02] | Um… | |
| [23:04] | You know why the former French colonies | |
| [23:06] | have right-handed traffic? | |
| [23:07] | ‘Cause Napoleon was left-handed. | |
| [23:12] | Hi, Dad. | |
| [23:15] | – Can I? – [Dad] Hello. Hi, Dad. | |
| [23:18] | [somber music plays] | |
| [23:21] | [♪] | |
| [23:26] | [surreal music plays] | |
| [23:29] | [♪] |