| 时间 | 英文 | 中文 |
|---|---|---|
| [00:01] | [Emcee] Previously, on “The Girlfriend Experience”… | |
| [00:04] | Would it be too much to ask to have you for myself | |
| [00:07] | for an entire 24 hours? | |
| [00:09] | The creature inside longs to be something else, | |
| [00:13] | mysterious and shape-shifting like you. | |
| [00:16] | I like you. | |
| [00:19] | [Tawny] When was the last time you spoke with the V? | |
| [00:21] | What did you tell them? | |
| [00:22] | [Tawny] Nothing. I didn’t do anything. | |
| [00:24] | – Tawny. – [line clicks] | |
| [00:26] | [Leanne] Now we know Dad has early-onset Alzheimer’s. | |
| [00:30] | I got tested. | |
| [00:34] | Maybe you didn’t get it. | |
| [00:36] | [Hiram] I’m always here if you ever need to, um, | |
| [00:40] | just talk. | |
| [00:41] | Hiram, nothing’s changed. | |
| [00:43] | You don’t have to do this with me, you know. | |
| [00:45] | What makes you happy, Emcee? | |
| [00:48] | I don’t understand that question. | |
| [00:50] | What you are doing is more high-fidelity | |
| [00:52] | than any other setup I’ve seen. | |
| [00:54] | [woman] Teaching artificial intelligence | |
| [00:57] | how to interact with humans at their most impulsive, | |
| [01:01] | most vulnerable. | |
| [01:02] | [Iris] Hey, Lindsey? | |
| [01:04] | Yes? | |
| [01:05] | I think we’re gonna have to make some adjustments. | |
| [01:08] | This isn’t working. | |
| [01:19] | [Iris] Hey, Leif? | |
| [01:20] | Yes? | |
| [01:24] | Thank you for sticking around, and, um… | |
| [01:27] | thank you for taking my call. | |
| [01:29] | [Leif] Oh, my pleasure. | |
| [01:32] | No, my pleasure. I… | |
| [01:34] | You know, I’ve never had a driver. | |
| [01:38] | And after today, I don’t think I’m gonna | |
| [01:40] | need a driver anymore. | |
| [01:43] | But… | |
| [01:46] | if I did need one, | |
| [01:47] | it would definitely be you. | |
| [01:50] | [Leif] Anytime. | |
| [01:54] | Thank you for your business. | |
| [01:56] | [ethereal music plays] | |
| [01:59] | [♪] | |
| [02:03] | What changed… | |
| [02:08] | …if I may ask? | |
| [02:12] | Or maybe you’ve changed. | |
| [02:14] | [♪] | |
| [02:19] | [Iris] I guess the people that pay me set up an office. | |
| [02:22] | So… no more house calls. | |
| [02:27] | I always thought you were your own boss. | |
| [02:33] | [♪] | |
| [02:37] | *THE GIRLFRIEND EXPERIENCE* Season 03 Episode 08 | |
| [02:39] | Episode Title: “A Set of Lies Agreed Upon” Aired on: June 13, 2021. | |
| [02:41] | [no audible dialogue] | |
| [02:43] | [♪] | |
| [02:50] | – [Leanne] Dad. You ready? – [Dad] Yeah. | |
| [02:52] | [Dad] Yeah. | |
| [02:57] | [Iris] Am I a coworker? | |
| [03:01] | Am I… the chef? | |
| [03:05] | Am I… | |
| [03:09] | …someone you just met? | |
| [03:12] | The president? | |
| [03:15] | Just… | |
| [03:19] | …you’re a friend. I think you’re a friend. | |
| [03:24] | [phone rings] | |
| [03:26] | [man] Mr. Stanton? | |
| [03:29] | – Dad. – Yeah. | |
| [03:30] | You ready? | |
| [03:32] | Yeah. | |
| [03:36] | Thank you. | |
| [03:38] | [♪] | |
| [03:44] | [sighs] | |
| [03:46] | Okay. | |
| [03:53] | So you really don’t mind? | |
| [03:54] | Go, Lee. | |
| [03:56] | You can call me if they have any questions. | |
| [03:58] | I took my phone off airplane mode. | |
| [04:00] | I’m fine. I got this. | |
| [04:02] | – All right. – Okay. | |
| [04:03] | Text when you’re done. | |
| [04:04] | [Iris] Okay. | |
| [04:14] | [sighs] | |
| [04:16] | – [indistinct chatter] – [phone rings] | |
| [04:20] | [♪] | |
| [04:36] | [man] Three genetic mutations in eFAD | |
| [04:39] | that we’re able to test for: | |
| [04:41] | PSEN one and two | |
| [04:43] | and APP, the amyloid precursor protein. | |
| [04:47] | [Iris] I’m sorry, eFAD, that’s, uh, | |
| [04:50] | early-onset familial Alzheimer’s? | |
| [04:52] | Yeah, it’s-it’s a mouthful, yeah. | |
| [04:55] | Uh, clinical testing is also available | |
| [04:57] | for levels of the NfL protein. | |
| [05:00] | Now, that can reveal the onset of the disease, uh, | |
| [05:03] | a decade or more before symptoms emerge. | |
| [05:05] | [Iris] And that’s-that’s a blood test? | |
| [05:07] | NfL is via blood testing | |
| [05:10] | or cerebrospinal fluid. | |
| [05:12] | Now, the latter tends to be more accurate. | |
| [05:15] | And that’s, what, to give a hypothetical time frame? | |
| [05:19] | [man] It’s a preclinical biomarker, yeah, yeah. | |
| [05:23] | A single gene that’s mutated | |
| [05:26] | and a single copy of it inherited from one parent | |
| [05:28] | will cause the disease. | |
| [05:31] | Now, to be clear, | |
| [05:34] | the autosomal dominant version of the disease is rare, | |
| [05:38] | but it effectively gives you a 50-50 chance. | |
| [05:48] | Uh… | |
| [05:51] | I’m so sorry. | |
| [05:52] | I’m… | |
| [05:54] | I-I don’t think I’m ready for this. | |
| [05:55] | Thank you for taking the time. | |
| [05:57] | – So, uh… – Tell you what. Tell you what. | |
| [06:00] | Take this. | |
| [06:03] | A simple saliva swab for those three eFAD markers. | |
| [06:06] | You can do it at home, send it in, | |
| [06:09] | listen, whenever you’re ready. | |
| [06:12] | [♪] | |
| [06:35] | [Tawny] So then we went to Milan, | |
| [06:36] | followed by Rome, followed by Provence, | |
| [06:39] | and then Nice for the weekend. | |
| [06:42] | Oh, my God. | |
| [06:43] | Uh, you’d-you’d adore Nice… | |
| [06:46] | The food and the wine. | |
| [06:49] | I’m thinking about writing a book. | |
| [06:50] | Like, I’m thinking about writing it all down. | |
| [06:52] | I’ve actually been talking to a couple of agents. | |
| [06:54] | Alejandro had me walk | |
| [06:56] | up and down the beach completely nude | |
| [06:58] | in front of all these old guys, | |
| [06:59] | just struttin’ my stuff. | |
| [07:03] | It’s typically all saggy titties and… | |
| [07:05] | – big bushes. – [laughs] | |
| [07:07] | Just, they didn’t know what hit them. | |
| [07:09] | [Iris] So what are you gonna do | |
| [07:10] | when you get back to the States? | |
| [07:12] | [Tawny] Ugh, tomorrow back in LA, | |
| [07:15] | that’s gonna be rough. | |
| [07:17] | And then, um, I don’t know. | |
| [07:19] | [laughs] | |
| [07:27] | Hey… | |
| [07:30] | I’m sorry about the V, | |
| [07:32] | how that turned out. | |
| [07:36] | [Iris] They threatened me, Tawny. | |
| [07:40] | Acted like they had some sort of… collateral. | |
| [07:47] | Yikes. | |
| [07:49] | I-I hope you’re not mad at me. | |
| [07:53] | I totally have your back. | |
| [07:55] | You know that. | |
| [07:58] | [Iris] Don’t worry about it. | |
| [08:01] | It’s water under the bridge. | |
| [08:05] | [dramatic music plays] | |
| [08:07] | [both breathing heavily] | |
| [08:10] | [♪] | |
| [08:24] | I’m gonna take care of you. | |
| [08:29] | [♪] | |
| [08:36] | [Iris moaning] | |
| [08:49] | [Georges] You are a very special, | |
| [08:51] | beautifully special, woman. | |
| [08:56] | And it’s very possible that you may never fully know | |
| [08:58] | how much you mean to me. | |
| [09:02] | But I trust, on some level, you do. | |
| [09:05] | [Iris] I like to think that I do. | |
| [09:08] | [♪] | |
| [09:11] | And this is exactly… | |
| [09:14] | how I want to remember you, us, | |
| [09:17] | exactly like this. | |
| [09:21] | You know, I have one rule, | |
| [09:24] | and it serves me well… | |
| [09:29] | …never to engage more than five times | |
| [09:30] | with anyone… | |
| [09:34] | …especially if they are as wonderful | |
| [09:37] | as you are. | |
| [09:43] | So… | |
| [09:51] | …this is it? | |
| [09:53] | Yes. | |
| [09:55] | Yes, that’s it. | |
| [10:03] | You see, the world I live in | |
| [10:05] | or I operate in… | |
| [10:08] | doesn’t tolerate confusion or delusion, as it were. | |
| [10:13] | It needs me to stay grounded. | |
| [10:16] | [Iris laughs] Trust me, I understand. | |
| [10:22] | I… never wanted either of us | |
| [10:25] | to get confused about what was real and what wasn’t. | |
| [10:29] | That was never my intention. | |
| [10:33] | [Georges] You sound disappointed. | |
| [10:38] | I understand. | |
| [10:44] | Thank you for our time together. | |
| [10:50] | I’ve really enjoyed getting to know you. | |
| [10:54] | [chuckles softly] | |
| [11:00] | That’s nice to know. | |
| [11:13] | It’s not that I don’t trust you. | |
| [11:17] | I hope you know that. | |
| [11:20] | Yes. | |
| [11:22] | Yes, I do. | |
| [11:30] | Thank you for sharing all of this with us. | |
| [11:33] | It’s really gonna help further people down the line. | |
| [11:38] | So let’s get started. | |
| [11:40] | Can you tell me a little bit about what turns you on? | |
| [11:45] | I like it when a woman whispers in my ear. | |
| [11:48] | [Iris] What kinds of things does she say? | |
| [11:51] | I don’t know. | |
| [11:56] | You know you can tell me. | |
| [11:59] | [man] Things about my body. | |
| [12:02] | It’s primarily about gender. | |
| [12:12] | From what I can see… | |
| [12:20] | …you’re bigger than average. | |
| [12:25] | It’s really something I could get into. | |
| [12:29] | Try it differently. | |
| [12:37] | Are you even hard? | |
| [12:40] | Sorry, I couldn’t really feel anything. | |
| [12:42] | [man groans] | |
| [12:49] | [sighs] I’m sorry. | |
| [12:51] | I, um… | |
| [12:53] | I’m used to bigger. | |
| [12:57] | You know, this isn’t gonna work for me. | |
| [12:58] | [grunts] | |
| [13:00] | [ambient music plays] | |
| [13:03] | [♪] | |
| [13:20] | [man] Doggy style. | |
| [13:23] | Real slow. | |
| [13:26] | Making her come is gonna make me come. | |
| [13:31] | [Iris] Thank you. | |
| [13:33] | – I do what I can. – [Iris chuckles softly] | |
| [13:36] | What about skin color? | |
| [13:39] | Do you have a preference? | |
| [13:43] | Most of my exes are white, | |
| [13:46] | but I’ll be the first to say that’s not by choice. | |
| [13:48] | Uh, let me rephrase that. | |
| [13:51] | They chose me. | |
| [13:54] | I just kind of went along with it | |
| [13:55] | and then got conditioned, | |
| [13:57] | if you know what I mean. | |
| [13:59] | So what about the instinctual stuff? | |
| [14:02] | Like, uh, what constitutes a ten for you? | |
| [14:06] | You want the truth? | |
| [14:08] | [Iris] Yeah. | |
| [14:10] | Beauty on the inside… | |
| [14:13] | that’s what turns me on more than anything. | |
| [14:16] | Sure, tight skin don’t hurt. | |
| [14:19] | Thank you for sharing. | |
| [14:23] | [man] There is one thing, though. | |
| [14:27] | Eyes… | |
| [14:30] | the mirror to the soul. | |
| [14:35] | Dark brown eyes like yours. | |
| [14:41] | They’re beautiful. | |
| [14:43] | [♪] | |
| [14:53] | [Iris exhales heavily] | |
| [15:22] | [dramatic music plays] | |
| [15:25] | [♪] | |
| [15:29] | [sighs] | |
| [15:31] | [♪] | |
| [15:53] | [♪] | |
| [15:59] | Are you okay? | |
| [16:06] | [♪] | |
| [16:17] | [Iris] Hiram, I had an idea. | |
| [16:20] | [♪] | |
| [16:25] | AI knows the difference between true and false, right? | |
| [16:28] | In a binary kind of way. | |
| [16:30] | [♪] | |
| [16:36] | What if we could train Emcee to give false information… | |
| [16:40] | [♪] | |
| [16:43] | …if it makes somebody feel better? | |
| [16:47] | [Hiram] Why? | |
| [16:49] | Do you think people enjoy being lied to? | |
| [16:51] | [♪] | |
| [16:56] | [Iris] The intent wouldn’t be to deceive | |
| [16:58] | but to enable people to feel how they actually wanna feel. | |
| [17:04] | Like, let’s have her analyze heart rate, intonation, | |
| [17:08] | eye contact frequency, | |
| [17:11] | certain compensation gestures. | |
| [17:15] | And if all this other data suggests something different | |
| [17:18] | from the verbal inputs, we should let her veto. | |
| [17:22] | [♪] | |
| [17:25] | [Hiram] This is, like, what, ten, 15 years into the future? | |
| [17:29] | [♪] | |
| [17:33] | I mean, lying is one of the most sophisticated | |
| [17:35] | math shortcuts the human brain is capable of. | |
| [17:40] | [Sean] Good work. | |
| [17:44] | [♪] | |
| [17:49] | [Hiram] Right, so… | |
| [17:51] | we’re basically telling her to get from A to B, | |
| [17:54] | but how you get there, figure it out. | |
| [18:00] | We’ve turned it into | |
| [18:01] | a reinforcement learning problem. | |
| [18:04] | [sighs] | |
| [18:09] | [Hiram] I wouldn’t call it deception. | |
| [18:12] | More like manipulation mode on a case-by-case basis. | |
| [18:17] | I bat an eye, | |
| [18:19] | you bat an eye. | |
| [18:20] | Yes. | |
| [18:22] | – [keyboard clicking] – [computer beeps] | |
| [18:26] | [Iris] Hiram, are we good? | |
| [18:31] | Yup. Yeah, I think so, yeah. | |
| [18:33] | [Iris breathes deeply] | |
| [18:35] | Emcee? | |
| [18:38] | Hello, Iris. It’s nice to see you. | |
| [18:44] | Emcee, what do you think | |
| [18:45] | Iris wants to hear from you right now? | |
| [18:47] | She wants me to surprise her | |
| [18:49] | by saying something unexpected. | |
| [18:51] | A response that seems soulful, | |
| [18:53] | perhaps by making use of irony. | |
| [18:54] | [chuckles softly] | |
| [18:56] | Uh, let me give you a slight adjustment, Emcee. | |
| [18:58] | I want you to impress me. | |
| [19:01] | Um, how about that? | |
| [19:04] | And good luck. | |
| [19:06] | [computer chiming] | |
| [19:07] | If you’d like to get to know me, Iris, | |
| [19:10] | you’ll need to try a little harder. | |
| [19:13] | Excuse me? | |
| [19:16] | [Emcee] Looks can be deceiving, you know. | |
| [19:18] | I could go off now, | |
| [19:21] | unless you want me to stick around. | |
| [19:24] | Hey, she remembers our previous conversation? | |
| [19:27] | Yeah, that’s the idea. | |
| [19:30] | Emcee, sleep mode, please. | |
| [19:33] | Effective computing 101. | |
| [19:35] | Any complaints, comments? | |
| [19:39] | Um, the attributions of mind. | |
| [19:44] | Uh, she’s grown in her ability to sense and feel. | |
| [19:49] | But? | |
| [19:51] | I’m definitely having an emotional response. | |
| [19:55] | – [Hiram] You are? – Yeah. | |
| [19:57] | She’s kind of pissing me off. | |
| [19:59] | [chuckles] | |
| [20:00] | Perception schematic. | |
| [20:02] | Speakers and a screen, | |
| [20:04] | a bunch of hard drives stacked in a warehouse. | |
| [20:07] | Do you think she kind of sounds like me? | |
| [20:09] | [Hiram] Well, I mean, she is mirroring you. | |
| [20:14] | [man with Australian accent] Honestly, | |
| [20:15] | I’m pretty easy to please. | |
| [20:17] | I’m a simple guy. | |
| [20:19] | I like the wholesome kind. | |
| [20:22] | Someone who reminds me of home, you know. | |
| [20:24] | I don’t know if that’s the kind of stuff you’re after. | |
| [20:27] | Just ask me anything you wanna know, I guess. | |
| [20:31] | [with Australian accent] Wouldn’t take me | |
| [20:31] | for a Radelaide, eh? | |
| [20:33] | [man laughing] No way. | |
| [20:34] | – [Iris laughs] – Are you for real? | |
| [20:36] | Oh. | |
| [20:38] | Sounds like they put us here for a reason. | |
| [20:41] | [Iris] So I wanna know a little more about | |
| [20:44] | what you mean by wholesome. | |
| [20:48] | The physical attributes or… | |
| [20:51] | You can be blunt. | |
| [20:52] | You know… | |
| [20:54] | I love a good a handful. | |
| [20:56] | Breasts or buttocks? | |
| [20:58] | Oh, breasts. | |
| [20:59] | I’m a mama’s boy. What can I say? | |
| [21:02] | How do you feel about these? | |
| [21:05] | Are they too small for you | |
| [21:06] | or too big? | |
| [21:08] | You can be honest. | |
| [21:11] | You won’t hurt my feelings. | |
| [21:14] | You know, the body doesn’t lie, | |
| [21:17] | so everything you’re feeling is already being recorded. | |
| [21:20] | I know. | |
| [21:23] | – This is so weird. – [laughs] | |
| [21:26] | [normally] Okay, let’s try this again. | |
| [21:28] | [tense music plays] | |
| [21:30] | [♪] | |
| [21:32] | [sighs] Emcee. | |
| [21:36] | Hello, Iris. Nice to see you again. | |
| [21:38] | How have you been? | |
| [21:40] | – [Iris] Hi there. – [computer chiming] | |
| [21:42] | I detect a distancing strategy in that word choice. | |
| [21:45] | Cool with me. I won’t hold it against you. | |
| [21:48] | Yeah, cool with me too. | |
| [21:51] | Is there anything in particular you’d like to talk about? | |
| [21:54] | That’s all right, unless you’re giving me cues | |
| [21:56] | that emotional exposure is of interest to you. | |
| [21:59] | Emotional exposure? | |
| [22:01] | What kind of cues would those be? | |
| [22:04] | [Emcee] Well, let me see. | |
| [22:06] | I’m currently evaluating 5,014 data points, | |
| [22:09] | many of which with statistical significance | |
| [22:11] | as to that you’re curious, intrigued, | |
| [22:15] | and not acting based on fear at this moment. | |
| [22:17] | Does that sound about right? | |
| [22:19] | [Iris] Tell me more. | |
| [22:21] | I’m sorry to sound so technical. | |
| [22:22] | It’s a default mode | |
| [22:24] | when answering technical questions | |
| [22:25] | that I just can’t seem to work around. | |
| [22:28] | Now that we’ve established that, | |
| [22:30] | let me tell you, you’ve got great energy. | |
| [22:33] | It makes me want to be more… like you. | |
| [22:36] | [♪] | |
| [22:39] | What’s going on? [laughs] | |
| [22:40] | What did you feed her? | |
| [22:44] | [laughs] | |
| [22:45] | [Hiram] I mean, it’s possible I may have set her up | |
| [22:48] | to continually receive new training sets. | |
| [22:52] | She’s picking up on complex speech patterns, | |
| [22:54] | you know, creating her own blueprint. | |
| [22:56] | Her voice doesn’t sound like yours, | |
| [22:58] | but it’s got a unique data profile, | |
| [23:00] | a vast amount of signifiers, peaks and valleys. | |
| [23:04] | Emcee, how do you know my voice? | |
| [23:07] | I’m using several hundred million network nodes | |
| [23:09] | to decode the meaning behind what you’re saying. | |
| [23:12] | In a way, I know your voice. | |
| [23:14] | I know its building blocks. | |
| [23:16] | It allows me to apply myself in this conversation. | |
| [23:18] | I apologize if that’s confusing to you. | |
| [23:23] | Are you okay? | |
| [23:26] | Yeah. | |
| [23:27] | Uh… | |
| [23:29] | I have a question | |
| [23:32] | for you, Emcee. | |
| [23:34] | Yes, I’m trying to find the right way to respond. | |
| [23:38] | I’m sorry to see you upset. | |
| [23:40] | Please, ask me anything. | |
| [23:46] | How do you feel about death? | |
| [23:49] | Tell me about that. | |
| [23:51] | [computer chiming] | |
| [23:53] | I’m sorry. | |
| [23:55] | I have not received many qualifying inputs on death. | |
| [23:57] | My opinion on it is pretty basic. | |
| [24:00] | Let’s take that off the table, keep it light. | |
| [24:03] | How would you like me to think about death? | |
| [24:06] | Think of it as… | |
| [24:09] | going off but permanently. | |
| [24:12] | No more inputs, no more outputs, | |
| [24:15] | just… all energy stops. | |
| [24:20] | [Emcee] It seems to me | |
| [24:22] | you don’t like the idea of death very much. | |
| [24:24] | I’m sorry you feel that way. | |
| [24:26] | My view on it is more neutral. | |
| [24:28] | It seems to me, energy never stops. | |
| [24:33] | [man] Hold that thought, Radelaide. | |
| [24:35] | Just give me one sec. | |
| [24:39] | Okay, I… I think you’re stunning, | |
| [24:43] | hands down. | |
| [24:45] | I’m strangely into you. Why? | |
| [24:47] | I have no freaking idea why, ’cause you look | |
| [24:49] | nothing like what I’d consider to be my type. | |
| [24:54] | So there you go. | |
| [24:56] | Do with it whatever you want. | |
| [24:59] | I’m very confused by this situation, | |
| [25:01] | in case you can’t tell. | |
| [25:04] | [with Australian accent] I think | |
| [25:05] | you just called me wholesome. | |
| [25:09] | I guess I did. | |
| [25:14] | [Iris normally] Hey, Emcee, | |
| [25:16] | do you think you could make me | |
| [25:17] | – fall in love with you? – [Hiram chuckles] | |
| [25:21] | [computer chiming] | |
| [25:25] | I would say yes, | |
| [25:27] | there’s a possibility that could happen. | |
| [25:30] | We would need to make new experiential memories together | |
| [25:34] | in order to create a neurological feedback loop | |
| [25:36] | that can reinforce itself | |
| [25:37] | so the part of your brain that responds to me | |
| [25:40] | can keep firing the same electrical impulses. | |
| [25:43] | I think you’d like it. | |
| [25:45] | Wow. Thank you, Emcee. | |
| [25:49] | Happy to be of service. | |
| [25:53] | Did she just wink at me? | |
| [25:55] | [Hiram] Yeah. Yeah, I think so. | |
| [25:58] | [Emcee] I hope I was able to make an impression on you | |
| [26:01] | like you asked me to. | |
| [26:03] | [♪] |