| 时间 | 英文 | 中文 | 
|---|---|---|
| [00:01] | [Emcee] Previously on The Girlfriend Experience… | |
| [00:04] | You all came here for a reason. | |
| [00:08] | What makes you happy, Emcee? | |
| [00:10] | I don’t understand that question. | |
| [00:12] | You know, my daughter, she’s up in… | |
| [00:14] | [sighs] | |
| [00:16] | Up in… | |
| [00:18] | Take this. | |
| [00:19] | A simple saliva swab. | |
| [00:21] | A single gene that’s mutated | |
| [00:24] | and a single copy of it inherited from one parent | |
| [00:27] | will cause the disease. | |
| [00:29] | [Iris] There’s a clinical trial. | |
| [00:31] | My father’s on the wait list. | |
| [00:32] | Want us to try and get him bumped up? | |
| [00:34] | [Iris] Then we have a deal. | |
| [00:37] | If we’re gonna do this, it’s gonna be on my terms. | |
| [00:40] | The infrared cut off halfway through. | |
| [00:43] | Jerry, give it a reset. | |
| [00:45] | [Iris] And I want voice scramblers | |
| [00:46] | on all the audio. | |
| [00:48] | -Certainly, we can do that. -And no cameras. | |
| [00:50] | I think we’re on the same page. | |
| [00:52] | [Lindsey] Teaching artificial intelligence | |
| [00:55] | how to interact with humans | |
| [00:57] | at their most impulsive. | |
| [00:59] | Lindsey, I think we can do better. | |
| [01:00] | We need to streamline the interactions… | |
| [01:03] | [Lindsey] And minimize the time per setup. | |
| [01:05] | [Iris] Yes. | |
| [01:06] | Sounds like they put us here for a reason. | |
| [01:08] | [Christophe] We are all so wildly different, | |
| [01:10] | and yet we are unbelievably the same– | |
| [01:13] | craving connection. | |
| [01:16] | Thank you for sharing. | |
| [01:23] | [water bubbling softly] | |
| [01:27] | [unsettling music plays] | |
| [01:30] | ♪ | |
| [01:41] | [woman] My grandmother likes to watch them, too. | |
| [01:47] | I think she finds it relaxing. | |
| [01:53] | I bring her here three times a year | |
| [01:55] | to get her results. | |
| [02:01] | She thinks they’re happy in there | |
| [02:03] | in their own little world because, to them, | |
| [02:05] | it goes on forever. | |
| [02:11] | ♪ | |
| [02:17] | [nurse] Iris Stanton. | |
| [02:19] | ♪ | |
| [02:37] | [person breathing heavily] Now talk to me. | |
| [02:41] | [panting] Dirty fucking lass. | |
| [02:45] | Ohh. Ohh. | |
| [02:47] | Now… [pants] Look at me. | |
| [02:49] | Look at my eyes. | |
| [02:51] | Oh, yeah. Yeah. | |
| [02:53] | You want me. | |
| [02:55] | Yeah. I want you so bad. | |
| [02:57] | [moans] | |
| [02:59] | No. Eyes up here. | |
| [03:01] | -Look at me. -[both panting] | |
| [03:04] | -Yeah. -[grunts] | |
| [03:05] | How does that feel? | |
| [03:07] | -That feels fucking amazing. -[chuckles] | |
| [03:09] | [both panting] | |
| [03:11] | [Lindsey] His D-rate is spiking. | |
| [03:13] | It’s tied to eye contact. | |
| [03:15] | See what happens if you don’t break it. | |
| [03:16] | -[moaning] -Yeah. | |
| [03:18] | [both panting] | |
| [03:20] | [Lindsey] Reroute. | |
| [03:22] | Oh, hold on, one second. | |
| [03:24] | Yeah. Yeah. | |
| [03:28] | Slap my ass. | |
| [03:29] | Slap my ass. | |
| [03:32] | Yeah. Yeah. | |
| [03:37] | -[Iris moans] -[panting] | |
| [03:39] | [Lindsey] Keep your eye contact. | |
| [03:45] | [man] Yeah. | |
| [03:46] | [moody music plays] | |
| [03:49] | ♪ | |
| [03:56] | [Lindsey] Cassie. | |
| [03:59] | I think it’s good. I think it’s working. | |
| [04:02] | It’s just… | |
| [04:04] | What? | |
| [04:06] | Well, let’s see the full extension of you in there. | |
| [04:09] | What does that mean? | |
| [04:12] | Like, your EKG doesn’t lie. | |
| [04:13] | I don’t see you actually… being in it. | |
| [04:18] | Yeah, that’s ’cause everything in this place is fake. | |
| [04:22] | I’m gonna take a early lunch. | |
| [04:24] | [woman] I need to swap your sensor | |
| [04:26] | -when you’ve got a chance. -Okay, let’s do it now. | |
| [04:28] | I just think she needs a moment. | |
| [04:31] | ♪ | |
| [04:58] | Sorry. Popsicle fingers. | |
| [05:01] | You’re running a little low today. | |
| [05:04] | 36.1 degrees Celsius. | |
| [05:07] | -Here. -[Iris sighs] | |
| [05:08] | Got it. | |
| [05:12] | Okay. Thank you. | |
| [05:26] | [Iris exhales deeply] | |
| [05:30] | Everything okay? | |
| [05:33] | Yeah. I’m just, um… | |
| [05:35] | [assistant] You warm enough, Cassie? | |
| [05:37] | Can I have five minutes, please? | |
| [05:40] | [sighs] | |
| [05:43] | You all right, love? | |
| [05:46] | Yep. Thank you. | |
| [05:50] | [moody music plays] | |
| [05:53] | ♪ | |
| [05:58] | [Iris] There’s a world out there, | |
| [06:01] | the real world… | |
| [06:05] | …where all of our actions have… | |
| [06:08] | have tangible effects | |
| [06:10] | on everything, you know? | |
| [06:13] | Fucking butterfly wings. | |
| [06:17] | There’s no off button. We can’t shut it off. | |
| [06:21] | [somber music plays] | |
| [06:24] | ♪ | |
| [06:27] | And we just–we have a tremendous responsibility | |
| [06:29] | to, I don’t know, | |
| [06:31] | conduct ourselves in a way that matters | |
| [06:34] | because… | |
| [06:36] | because there are consequences. | |
| [06:38] | -Of course. -No, but in this other world, | |
| [06:40] | there aren’t any fucking consequences. | |
| [06:43] | And people use it to escape all of this. | |
| [06:47] | But how do we know what we’re getting ourselves into? | |
| [06:50] | We have no fucking way of knowing. | |
| [06:51] | It’s… | |
| [06:53] | I think we’ve been working you too hard | |
| [06:55] | and you need a break. | |
| [06:57] | [indistinct chatter] | |
| [07:04] | What the fuck are we doing? | |
| [07:09] | We are in over our heads. | |
| [07:11] | But isn’t that why it’s important to do it? | |
| [07:15] | We’re here because we can be here. | |
| [07:18] | You and I are the lucky ones. | |
| [07:20] | Most people never have what we have. | |
| [07:22] | [Iris scoffs] | |
| [07:23] | And what do we have? | |
| [07:27] | Thirteen-pound lox bagel | |
| [07:29] | while people are out on the street dying of typhus, | |
| [07:31] | a 15th-century disease, like– | |
| [07:36] | We are both in an interchangeable relationship | |
| [07:39] | of using and being used. | |
| [07:43] | Everything that can exploit will be invented, | |
| [07:46] | and we can’t invent something that we won’t use. | |
| [07:48] | We can’t not use it. | |
| [07:50] | We can’t say to seven or eight billion people, | |
| [07:52] | “Don’t open the cookie jar.” | |
| [07:53] | It doesn’t work that way. | |
| [07:55] | What, so we’re doing it because we can? | |
| [07:57] | That’s… that’s fucking apocalyptic. | |
| [08:04] | I would like you to meet someone. | |
| [08:07] | -And just observe. -[Iris sighs] | |
| [08:10] | Someone very close to me. | |
| [08:12] | Came up with the name of the company, actually– | |
| [08:15] | Neuroplasticity, growth, mirroring. | |
| [08:19] | NGM. Three letters. | |
| [08:21] | Until we can find the missing pieces. | |
| [08:25] | eNiGMa. | |
| [08:28] | Would you do that? | |
| [08:31] | [edgy music plays] | |
| [08:34] | ♪ | |
| [08:51] | [haunting vocalization] | |
| [08:54] | ♪ | |
| [09:13] | [vocalization] | |
| [09:15] | ♪ | |
| [09:18] | [not audible] | |
| [09:38] | [not audible] | |
| [09:41] | [dramatic instrumentals] | |
| [09:44] | ♪ | |
| [09:54] | [vocalization] | |
| [09:57] | ♪ | |
| [10:11] | [cups clattering] | |
| [10:13] | ♪ | |
| [10:20] | -[Iris] Thank you. -You’re welcome. | |
| [10:22] | What a lovely home. | |
| [10:24] | Oh, thank you. | |
| [10:26] | It’s not mine, but… | |
| [10:29] | surely, I enjoy living and working here. | |
| [10:32] | [chuckles] | |
| [10:36] | You’re working closely with Christophe, I understand. | |
| [10:40] | Yeah, I guess I am. | |
| [10:42] | What is it you’re working on? | |
| [10:44] | Or…are you allowed to say? | |
| [10:49] | [Iris] Um… | |
| [10:51] | [Bettina chuckles] I understand. | |
| [10:56] | Christophe is very protective. | |
| [11:00] | He never sends anyone to meet Theo. | |
| [11:05] | Theo? | |
| [11:06] | Oh. He’s outside. | |
| [11:09] | As soon as he’s finished his meditation, | |
| [11:12] | you can join him. | |
| [11:17] | Theo. | |
| [11:21] | [Bettina] Theo. | |
| [11:28] | [Theo] Jesus fuck. | |
| [11:31] | Sorry, Theo. | |
| [11:33] | [Theo] Oh, you fucking tosser. | |
| [11:36] | [Bettina] Sorry. | |
| [11:37] | [Theo] Fuck off. | |
| [11:39] | [Bettina] Please don’t be angry with me, | |
| [11:41] | but I brought someone here | |
| [11:43] | -to meet you. -[Theo] What? Who? | |
| [11:45] | [Bettina] Look for yourself. | |
| [11:47] | [Theo sighs] You know I don’t like surprises. | |
| [11:54] | [mechanical whirring] | |
| [12:02] | Hi, I’m…I’m Iris. | |
| [12:06] | Oh, you can f-f-fuck right off. | |
| [12:12] | Nice to meet you, too. | |
| [12:13] | [Theo] You banging my baby brother? | |
| [12:15] | Uh…no. | |
| [12:17] | [Theo] Why the fuck is she here? | |
| [12:22] | I’m a friend. | |
| [12:23] | Well, I’m proper confused, then, | |
| [12:26] | because Chrissy doesn’t do friendship. | |
| [12:28] | [Bettina] Why don’t the two of you | |
| [12:30] | get to know each other a bit? | |
| [12:32] | I’ll be right inside. | |
| [12:33] | You’re not a caregiver, are you? | |
| [12:35] | She doesn’t look like a caregiver. | |
| [12:37] | [Bettina] You don’t get rid of me that easily. | |
| [12:40] | [Iris] I’m sorry. What is this? | |
| [12:42] | [Bettina, softly] Just give it a try, huh? | |
| [12:45] | Okay. | |
| [12:51] | Wanna make yourself useful? | |
| [12:54] | Put me back under. | |
| [12:59] | -What’s playing? -I don’t really want | |
| [13:01] | to be talking to you now, do I? | |
| [13:04] | Oi. Don’t! | |
| [13:06] | Don’t! | |
| [13:14] | Think I just bought you mustard. | |
| [13:16] | No, I did. | |
| [13:18] | [Iris] What? | |
| [13:20] | It’s hooked up on the headrest. I press it with my head. | |
| [13:22] | I’ve never seen a place like this. | |
| [13:24] | [Theo] That’s nice. | |
| [13:25] | Now can you give it back, please? | |
| [13:32] | Is it okay if I get to know you first? | |
| [13:38] | What’s to know? Uh… | |
| [13:40] | How good are you at cleaning human piss and shit? | |
| [13:43] | I’m not a caregiver. | |
| [13:45] | -Then what the fuck are you? -I told you. | |
| [13:48] | I’m a friend. | |
| [13:50] | [Theo] Girlfriend for hire? | |
| [13:53] | That is fucking low. | |
| [13:55] | -Even for Chrissy. -Okay. | |
| [13:57] | No one’s paying me to be here. | |
| [13:59] | Christophe thought that it might be nice, | |
| [14:01] | for whatever reason, for us to… | |
| [14:04] | get to know each other. | |
| [14:06] | Working an angle. | |
| [14:08] | He’s always working a fuckin’ angle, that one. | |
| [14:10] | [inhales deeply] | |
| [14:12] | [sighs curtly] | |
| [14:14] | You want to play a game? | |
| [14:16] | [Theo] Not really. | |
| [14:18] | Okay, well, I do. It might be fun. | |
| [14:20] | ‘Cause do they really deliver whatever you get on here | |
| [14:23] | to the house? | |
| [14:24] | [Theo] Yeah, that’s the idea. | |
| [14:27] | [Iris] Okay, you steer, all right? | |
| [14:29] | I’ll just–I’ll order you around a little bit. | |
| [14:31] | -I don’t want to play this. -How about this. | |
| [14:33] | Take me to the salt and vinegar chips. | |
| [14:34] | Where are those? | |
| [14:36] | [Theo] Can you just take it off, please? | |
| [14:38] | [Iris] I’ve never been in a virtual supermarket before. | |
| [14:42] | [Theo] It’s so stupid. | |
| [14:44] | [Iris] Okay, turn right. | |
| [14:46] | Or left. Yeah, left is good, too. | |
| [14:48] | [footsteps] | |
| [14:50] | Okay. | |
| [14:56] | [footsteps] | |
| [14:59] | [Iris chuckles] | |
| [15:01] | No. C-can we go right? | |
| [15:04] | Yeah. That’s good. | |
| [15:08] | [soft buzz, beep] | |
| [15:11] | You do that from memory? | |
| [15:13] | You are a fucking mental case, you know that? | |
| [15:16] | [Iris scoffs] | |
| [15:18] | [Bettina] Iris. | |
| [15:19] | Would you like to join us for a late lunch? | |
| [15:23] | Am I the only one who thinks this is fucking weird? | |
| [15:28] | [light rustling] | |
| [15:31] | [crunching] | |
| [15:36] | It’s nice to have company, isn’t it? | |
| [15:41] | Hired company. | |
| [15:46] | That’s selling yourself short. | |
| [15:50] | [Bettina] Exactly. | |
| [15:51] | Listen to her. | |
| [15:53] | [Iris crunching] | |
| [15:55] | [Theo] Mm. | |
| [16:05] | So, uh… | |
| [16:07] | what’s the story with all your tattoos? | |
| [16:09] | Are they… | |
| [16:11] | -[slurping] -Theo. | |
| [16:14] | [Theo exhales deeply] | |
| [16:17] | [belches loudly] | |
| [16:19] | [exhales deeply] | |
| [16:24] | Is that a shark tooth on your hand? | |
| [16:27] | [Theo] Yeah. | |
| [16:29] | It’s basically one of the most painful places… | |
| [16:33] | allegedly. [clicks tongue] | |
| [16:36] | [both chuckle] | |
| [16:38] | [Theo] Mm– | |
| [16:40] | [grunts] | |
| [16:41] | [Bettina, softly] Sorry. | |
| [16:47] | [crowd cheering, announcer speaking indistinctly] | |
| [16:51] | [Iris chuckles] | |
| [16:53] | [announcer] Umpire says no. | |
| [16:56] | Davies bowls to Jennings. | |
| [16:58] | -And would you look at that? -[Theo] Oh… | |
| [17:00] | [announcer 2] Well, he gets another opportunity… | |
| [17:02] | -[continues indistinctly] -[Theo moans, mutters] | |
| [17:05] | -[Iris laughs] -[Theo groans] | |
| [17:08] | [crowd cheering] | |
| [17:10] | [Theo] Yeah… | |
| [17:12] | [Bettina] Theo, c’est l’heure. | |
| [17:15] | [announcer 2] Taylor redeems himself. | |
| [17:18] | [Bettina] Iris, if you’d like to come back another day… | |
| [17:21] | [Theo] Oh, unless you’d like to help Tina change my nappy. | |
| [17:24] | -[Bettina] Theo. -What? | |
| [17:27] | She’s my new best friend, isn’t she? | |
| [17:29] | Save you the backache. | |
| [17:32] | Mon Dieu. | |
| [17:34] | Such a mood today. | |
| [17:36] | [crowd cheering] | |
| [17:39] | [electric whirring] | |
| [17:53] | [beep, whirring] | |
| [18:06] | [Bettina] That’s it, Iris. That’s it. | |
| [18:09] | [Theo sighs] | |
| [18:12] | Yeah. | |
| [18:14] | Tina’s workout routine. | |
| [18:16] | What other 60-year-old lady | |
| [18:18] | do you know who’s got biceps the size of milk cartons? | |
| [18:21] | Go on, Tina, flex for us! | |
| [18:23] | [Bettina] I can take it from here. | |
| [18:26] | [Theo] Tina, flex. | |
| [18:28] | -[Bettina] Enough. -[Theo] What? | |
| [18:30] | [Bettina] Enough. Go to bed. | |
| [18:33] | -[Theo sighs] Whoa. -That’s enough now, okay? | |
| [18:36] | You had a good day? | |
| [18:39] | [Theo speaks indistinctly] | |
| [18:40] | [moody music plays] | |
| [18:43] | ♪ | |
| [19:16] | Beautiful image. | |
| [19:18] | Don’t you think? | |
| [19:21] | Why would he want to keep looking at it every day? | |
| [19:26] | Theo insisted to keep this, | |
| [19:29] | you know, make it big. | |
| [19:32] | After… | |
| [19:34] | the accident… | |
| [19:37] | many years, the things he’d say… | |
| [19:42] | He was…he was so destroyed, you know, inside. | |
| [19:47] | Tried to end it, more than once. | |
| [19:52] | But… | |
| [19:53] | some days now, he laughs. | |
| [19:57] | [chuckles] I see him smiling, you know? | |
| [20:00] | I see his mind light up. | |
| [20:03] | And it’s all because of the, uh, technology. | |
| [20:11] | He can have a life now. | |
| [20:13] | ♪ | |
| [20:21] | [water bubbling softly] | |
| [20:38] | Left the bill with Tina. | |
| [20:40] | Uh, came to a little extra with the nappy situation. | |
| [20:45] | Well, as long as you threw in a discount | |
| [20:47] | -for hijacking the headset. -[Iris chuckles] | |
| [20:52] | Do you think it would be within your… | |
| [20:55] | professional expertise to light me a fag? | |
| [20:57] | It’s just… | |
| [20:59] | -In here? -In there, yeah. | |
| [21:02] | [Iris] You know, flexibility was actually | |
| [21:05] | one of the key hiring attributes | |
| [21:07] | during my recruitment at NGM. | |
| [21:09] | Was it? | |
| [21:33] | You know, I had no idea. | |
| [21:38] | But I’m really glad I came, because… | |
| [21:42] | you’re helping me see things differently | |
| [21:44] | about some of the– some of the work that we do. | |
| [21:50] | [Theo] Mm. | |
| [21:53] | [inhales sharply] | |
| [21:55] | Number-one fan here. | |
| [21:56] | [exhales deeply] Forever in my brother’s debt. | |
| [22:00] | [laughs] | |
| [22:05] | I really don’t know how to do this. | |
| [22:08] | [Theo] Ah, it’s easy. | |
| [22:29] | This morning I… | |
| [22:34] | I haven’t really said this out loud to anybody. | |
| [22:39] | I got some bad news. | |
| [22:41] | [Theo] Why are you telling me about it? | |
| [22:45] | I don’t know. | |
| [22:48] | Can I? | |
| [22:49] | I don’t even know you. | |
| [22:52] | [Iris] Yeah, well, maybe that– that makes it better | |
| [22:56] | because it won’t affect you either way. | |
| [23:02] | I won’t have anything good to say about it. | |
| [23:07] | It’s fine. | |
| [23:09] | Uh… | |
| [23:14] | I think that I just have to say it out loud… | |
| [23:19] | …so that it’s real. | |
| [23:20] | Well, then maybe don’t. | |
| [23:24] | If you don’t have to make it real yet, then don’t. | |
| [23:27] | Keep pretending. | |
| [23:32] | It’s all facsimile anyway– whole fucking world. | |
| [23:36] | Trees… | |
| [23:38] | sky, people, | |
| [23:41] | letters on a billboard. | |
| [23:46] | [laughs] Nothing authentic about any of it. | |
| [23:50] | None of it fucking matters. | |
| [23:55] | I don’t share that belief. | |
| [23:57] | But you don’t know, though, do you? | |
| [24:02] | Could be true. | |
| [24:04] | [softly] You don’t know. | |
| [24:14] | Thank you, Theo. | |
| [24:22] | Meeting you in real life wasn’t half as boring. | |
| [24:30] | [Iris] What? | |
| [24:33] | I’d have you wank me in real life | |
| [24:35] | is what I’m saying. | |
| [24:37] | [uneasy music plays] | |
| [24:40] | ♪ | |
| [24:43] | What does that mean? | |
| [24:48] | Won’t take long. Don’t worry. | |
| [24:50] | Need to give your money’s worth, so to speak. | |
| [24:54] | [dark music plays] | |
| [24:57] | ♪ | |
| [25:00] | Where’s your headset? | |
| [25:03] | There’s nothing on it. | |
| [25:07] | Give it to me. | |
| [25:09] | There’s nothing on it. | |
| [25:10] | ♪ | |
| [25:20] | [door beeps] | |
| [25:23] | ♪ | |
| [25:26] | [door slams] | |
| [25:28] | ♪ | |
| [26:07] | [music intensifies] | |
| [26:10] | ♪ | |
| [26:36] | [man] Can I help you? | |
| [26:39] | Uh, what is this? | |
| [26:42] | Where did you get this? | |
| [26:45] | [man] I’m just tagging this stuff, correlating it. | |
| [26:49] | -[Iris breathing heavily] -[muffled] Are you okay? | |
| [26:52] | [gasps, gags] | |
| [26:55] | [suspenseful music plays] | |
| [26:58] | ♪ |