| 时间 | 英文 | 中文 |
|---|---|---|
| [00:00] | Synced and corrected by Katniss Everdeen. www.MY-SUBS.com | |
| [00:01] | – Previously… – Where are you going? | |
| [00:03] | Just to see my boyfriend Brady. | |
| [00:05] | Did you just say your boyfriend Brady? | |
| [00:07] | She can’t know that you’re a spy and I’m your handler. | |
| [00:10] | We think that KC might be giving intel to the Other Side. | |
| [00:14] | Your mission is to get her to talk. | |
| [00:16] | So, tell me more about this mission. | |
| [00:18] | Marisa’s on board. | |
| [00:20] | She doesn’t suspect a thing. | |
| [00:25] | Hey, Marisa, I need your help picking out a dress for the homecoming dance. | |
| [00:29] | Ernie, help. Enemy agents have turned KC into an actual girl. | |
| [00:34] | Does the new one not hog the bathroom all morning? | |
| [00:37] | Because if so, I’m on board. | |
| [00:40] | You’re the one who told me this is our year of lasts, | |
| [00:43] | so I figured I’d go to the homecoming dance. | |
| [00:46] | Unless you don’t want me to. | |
| [00:47] | No, no, no, it’s amazing. | |
| [00:49] | The five of us will have a great time. | |
| [00:51] | Wait a minute, the five of us? | |
| [00:52] | Marisa, we’ve been through this. | |
| [00:54] | You can only bring one date. | |
| [00:57] | No, the five of us. Me and Brady. | |
| [01:00] | Me and Monique, and you and, well, you. | |
| [01:06] | Ha ha! | |
| [01:07] | For your information, I do have someone to go with. | |
| [01:11] | KC, it’s okay. You don’t have to pretend. | |
| [01:13] | A lot of people go to the dance alone. | |
| [01:16] | I wouldn’t do it, but a lot of people do. | |
| [01:19] | No, seriously. | |
| [01:21] | Like, I’ve been talking to this really cool guy. | |
| [01:23] | Yeah? Does this mystery boy have a name? | |
| [01:26] | Of course, okay? Everybody has a name. | |
| [01:28] | His name is, um, Trey. | |
| [01:34] | – Trey? – Yeah. – Trey what? | |
| [01:36] | Trey… | |
| [01:39] | Appleton. | |
| [01:42] | His name’s Trey Appleton? | |
| [01:44] | Junior. | |
| [01:46] | Trey Appleton Junior. | |
| [01:47] | But I call him Trey-J. | |
| [01:49] | We got little nicknames for each other and stuff. | |
| [01:52] | What does he call you? | |
| [01:53] | KC. | |
| [01:58] | It’s kinda new, so we’re still working on it. | |
| [02:01] | I cannot wait to meet this Trey Appleton Junior. | |
| [02:06] | Yeah. | |
| [02:08] | Neither can I. | |
| [02:56] | I keep it undercover. | |
| [02:58] | I keep it undercover. | |
| [03:03] | The Other Side is in total disarray since… | |
| [03:07] | My family took down Zane? | |
| [03:09] | Yes, but the remaining agents are negotiating to buy the plans | |
| [03:13] | for a treacherous new weapon with the secret code name, Storm Maker. | |
| [03:17] | If that’s some type of weather controller, | |
| [03:19] | they might need a new secret code name. | |
| [03:22] | Yes, you’re right again. | |
| [03:26] | It’s satellite based, and can cause catastrophic man-made weather disasters. | |
| [03:31] | So basically, you need me to retrieve it | |
| [03:32] | before the Other Side gets their hands on it. | |
| [03:34] | Okay, so if you’re so good at guessing everything | |
| [03:37] | before I say it, what am I gonna say next? | |
| [03:39] | – Get out. – Get out! | |
| [03:43] | I’ll take that as a yes. | |
| [03:55] | Hey, how you doing? | |
| [03:57] | KC, what are you doing here? | |
| [04:00] | Just thought I’d stop by and check out the cool gadgets you’re working on. | |
| [04:04] | Wow! | |
| [04:06] | I didn’t think you knew who I was. | |
| [04:08] | Don’t be silly… | |
| [04:12] | Howard. | |
| [04:14] | Okay, so check this out. | |
| [04:16] | Looks like a normal set of keys, right? | |
| [04:18] | But push this button, boom, instant grappling hook. | |
| [04:21] | Oh, very cool. Hey, can I check it out? | |
| [04:28] | My bad, Karl. | |
| [04:34] | You would actually make a great field agent. | |
| [04:36] | All you need is a little training from someone who’s done it before. | |
| [04:40] | Hey, look at that, I’ve done it before. | |
| [04:42] | So what do you say I give you some pointers, | |
| [04:44] | maybe Saturday night at 6:00, bring a corsage. | |
| [04:46] | That would be great. Why a corsage? | |
| [04:49] | Who’s training who here, Howard? | |
| [04:52] | Or should I say Trey Appleton Junior? | |
| [05:01] | Hey. | |
| [05:03] | How was school today? Learn anything new? | |
| [05:05] | Yeah, the human elbow only bends so far. | |
| [05:09] | Which reminds me. | |
| [05:11] | I need to write an apology note to Diane, | |
| [05:13] | and you need to sign this teacher’s slip. | |
| [05:14] | What’s this? | |
| [05:16] | Oh, the school’s having a stupid father-daughter dance. | |
| [05:19] | Why didn’t you tell me? | |
| [05:20] | Because it’s a stupid father-daughter dance. | |
| [05:23] | But it’ll be fun. | |
| [05:25] | Then you go. I’m out. | |
| [05:27] | No, no, no, no, no, no. | |
| [05:29] | You’re in. We’re doing this together. | |
| [05:31] | Why are you making such a big deal about this? | |
| [05:34] | All right, look, here’s the thing. | |
| [05:36] | I never got to do any of these dances with KC. | |
| [05:39] | I was always too busy with work. | |
| [05:41] | Now I get a second chance with my youngest daughter. | |
| [05:43] | Really? Does Agent Kira know about her? | |
| [05:50] | All right, so we gotta leave for the dance | |
| [05:52] | around 7:00, so Trey should probably… | |
| [05:54] | What? | |
| [05:56] | Oh, nothing. You were saying. | |
| [05:57] | Okay, is it just my imagination, or every time I say Trey, | |
| [06:01] | do you do this little dismissive “Hmm” sound? | |
| [06:03] | – Who? – Trey. | |
| [06:06] | See, you just did it. | |
| [06:08] | Again. | |
| [06:10] | I think you think he doesn’t exist. | |
| [06:12] | Oh, no, that’s just the sound I make | |
| [06:14] | when I’m really excited to meet Trey Appleton Junior, | |
| [06:16] | a real person who definitely exists, and you didn’t just make him up | |
| [06:19] | because you don’t have a date to the dance. | |
| [06:22] | Believe what you want, but me and Trey are definitely gonna be there. | |
| [06:28] | Oh, great. Agent Johnson just moved my mission to Saturday night. | |
| [06:32] | Wow. A last-minute mission. Very creative. | |
| [06:36] | I thought you were gonna go with one of the classics, | |
| [06:39] | like the flu or my dog ate my Trey. | |
| [06:44] | For the last time, Trey is real. | |
| [06:46] | I’m just gonna do the mission a little early, | |
| [06:48] | and we’ll meet you at the dance afterwards. | |
| [06:50] | You will see how cute and nice and funny he is | |
| [06:52] | when he calls me by my nickname. | |
| [06:54] | – Which was? – KC. | |
| [06:56] | Okay? We’re still working on it. | |
| [07:02] | Hey. | |
| [07:05] | Guess who’s gonna be the best-dressed at the father-daughter dance? | |
| [07:10] | Looks a little small, but you do you. | |
| [07:14] | Hey, you know this is for you, | |
| [07:16] | and you’re gonna wear it, and we’re gonna enjoy | |
| [07:18] | quality father-daughter time together, or do I need to send you up to your box | |
| [07:21] | until you adjust your attitude? | |
| [07:23] | Fine. I’ll wear it. | |
| [07:25] | So, when you wanna start rehearsing? | |
| [07:28] | Rehearsing for what? | |
| [07:29] | Oh, didn’t I tell you there’s a big dance competition? | |
| [07:32] | Dance competition? | |
| [07:34] | Oh, yeah. All the girls put on | |
| [07:35] | a highly choreographed, show-stopping dance routine with their dads. | |
| [07:39] | Of course, the girls are just kids, | |
| [07:41] | so it’s all riding on how good the dad is. | |
| [07:45] | They never had a competition before. | |
| [07:47] | How would you know? | |
| [07:49] | You were always too busy to go with KC. | |
| [07:57] | Come on, Ernie. This song is hot. | |
| [08:04] | I’m so excited that you asked me to this dance, Ernie. | |
| [08:06] | You may find this surprising, but nobody ever asks me to dance, | |
| [08:10] | and I could dance all night. | |
| [08:12] | But then you’d get dehydrated. | |
| [08:15] | In fact, I better go get you some punch. | |
| [08:22] | Did you find out KC’s mission yet? | |
| [08:24] | Not yet, but when she gets here, | |
| [08:26] | I will pump her for information and make sure she’s following | |
| [08:28] | – the Organization’s orders. – Good work, Agent Marisa. | |
| [08:32] | I guess to keep our cover, we should probably dance a little bit, huh? | |
| [08:35] | Yeah. | |
| [08:38] | Um, you know what? | |
| [08:40] | Maybe we should wait until Monique is done dancing. | |
| [08:47] | I cannot believe how intense that mission was. | |
| [08:50] | Hey, you know those guys who fell off the roof? | |
| [08:53] | They’re gonna be okay, right? | |
| [08:55] | Sure, why not? | |
| [08:58] | Okay, all we have to do is put these plans we retrieved | |
| [09:01] | into my locker, then we can go dance. | |
| [09:02] | Okay, I know I’m new at this, but you did say that whoever had those plans | |
| [09:07] | could kind of destroy the entire world. | |
| [09:10] | So would a school locker be the safest place to put them? | |
| [09:13] | Howard, who’s the field agent here, me or you? | |
| [09:16] | Of course you are, but… | |
| [09:17] | Bup-bup-bup-bup-bup. | |
| [09:20] | I’m just gonna put them in my locker. | |
| [09:22] | No one will know they’re there. | |
| [09:24] | Then we’ll retrieve ’em after the dance. | |
| [09:33] | All right, the spy school is back in session. | |
| [09:35] | The most important thing when going undercover is to have a good backstory. | |
| [09:40] | Oh, here’s one I just came up with off the top of my head. | |
| [09:42] | Why don’t we pretend to be a couple? | |
| [09:46] | That will be fun, right? | |
| [09:48] | Oh, by the way, your name is Trey Appleton Junior. | |
| [09:54] | Hey. | |
| [09:56] | Wow, you look amazing. | |
| [09:57] | Um, I want you to meet… | |
| [09:59] | Trey Appleton Junior. You must be Marisa. | |
| [10:01] | I have heard all about you. | |
| [10:03] | All she ever talks about is Marisa. | |
| [10:04] | Marisa this, Marisa that, Marisa, Marisa, Marisa. | |
| [10:06] | I swear, sometimes I’m like, hello, what about me? | |
| [10:09] | What about Trey Appleton Junior? | |
| [10:11] | Stop talking about Marisa. | |
| [10:14] | Okay, Trey, how about you go get us some punch, all right? | |
| [10:18] | KC loves her punch. | |
| [10:20] | Funny story. | |
| [10:22] | The two of us were at my Aunt Beebee’s third wedding and… | |
| [10:23] | oh, KC, you tell it so much better. | |
| [10:26] | Well, we went to the wedding, he said yes, she said yes, | |
| [10:30] | we had a little punch, and that’s about it. | |
| [10:32] | I better tell it. | |
| [10:34] | As smart as this one is, she doesn’t have much of a sense of humor. | |
| [10:37] | I know. Have you ever heard her try to tell a joke? | |
| [10:40] | The worst! | |
| [10:42] | Okay, why don’t you go get us some punch, Trey? | |
| [10:48] | So what do you think? | |
| [10:49] | I think that he is adorable. | |
| [10:51] | I’m so sorry I doubted you. | |
| [10:53] | Well, apology accepted. | |
| [10:56] | So what was the deal with that whole last-minute urgent mission? | |
| [11:00] | I just had to go retrieve some plans | |
| [11:02] | for this dangerous weather machine thing, | |
| [11:04] | but I just stashed ’em in my locker. | |
| [11:05] | One glass of punch for Marisa, and one glass of punch for KC. | |
| [11:11] | Or as I like to call her… | |
| [11:13] | KC. | |
| [11:15] | Yeah, we’re still working on it. | |
| [11:25] | Okay, I talked to the deejay, and we’re dancing first. | |
| [11:28] | Why do we have to go first/ | |
| [11:30] | So we can set the bar high. | |
| [11:32] | It’s called intimidating the enemy. | |
| [11:35] | What enemy? | |
| [11:37] | That ten-year-old over there picking her nose? | |
| [11:39] | Come on, we’re here to enjoy ourselves. | |
| [11:42] | Oh, don’t worry. It’s about to get real fun. | |
| [11:47] | All right, ladies and gentlemen, | |
| [11:49] | Judy and her dad Craig are about to do a special dance for you, | |
| [11:51] | so put your hands together, give ’em a round of applause, please. | |
| [11:55] | You ready? | |
| [11:57] | Ready? I was born ready, child. | |
| [11:59] | Let’s get this. | |
| [13:01] | Ladies and gentlemen, give it up for Craig, | |
| [13:04] | and his unusually strong daughter Judy. | |
| [13:13] | You, uh, really know how to make up a story there, Howard. | |
| [13:16] | I take free improv classes. | |
| [13:18] | Well, you get what you pay for. | |
| [13:22] | Anyway, KC had to steal the plans for some weather thingy. | |
| [13:26] | You mean the plans for the Storm Maker? | |
| [13:29] | I guess, yeah. Now she’s hiding them in her locker. | |
| [13:32] | Really? | |
| [13:34] | Her locker. | |
| [13:36] | Sounds like she’s following the Organization’s orders. | |
| [13:38] | We don’t have to worry about her for the rest of the night. | |
| [13:40] | Awesome. So we can just dance and have fun? | |
| [13:42] | Absolutely. | |
| [13:44] | Look, I have to say, I know we’re just pretending | |
| [13:47] | to be boyfriend and girlfriend, | |
| [13:48] | but I’m having a lot of fun hanging out with you. | |
| [13:50] | Same here. | |
| [13:56] | KC, what are you doing? | |
| [13:57] | What does it look like I’m doing? | |
| [13:59] | I’m dancing with my man, Trey. | |
| [14:01] | Interesting, because Trey looks a lot like Howard, | |
| [14:04] | the junior gadget guy from the Organization. | |
| [14:07] | Guess I just have one of those faces. | |
| [14:11] | Kidding. It is me. | |
| [14:16] | There you are, Ernie. You ready to slay on this dance floor? | |
| [14:19] | I think you’ve slayed enough people on that floor. | |
| [14:22] | I mean, uh… | |
| [14:24] | I hurt my ankle. | |
| [14:26] | Oh, poor thing. Don’t worry. | |
| [14:28] | You can just stand there, and I’ll dance around you. | |
| [14:30] | Hooray. | |
| [14:46] | The Storm Maker plans. | |
| [14:48] | Oh, thank you, Organization. | |
| [14:50] | This is going to put the Alternate on the map. | |
| [15:05] | I feel like my hair went flat; can I borrow your comb? | |
| [15:07] | Oh, yeah. | |
| [15:14] | Oh, no. | |
| [15:15] | No, no, no, no! | |
| [15:17] | KC, relax. If you don’t have a comb, I can make a brush work. | |
| [15:21] | The plans that were in my locker, they’re gone. | |
| [15:29] | Plans for a top secret, world-changing weapon, | |
| [15:32] | and you put them in your locker? | |
| [15:34] | One word out of you, I’m gonna put you in my locker. | |
| [15:36] | Maybe we should go check the security footage | |
| [15:39] | – in the principal’s office. – Yeah, that’s a good idea. | |
| [15:43] | Hey, where are you guys going? | |
| [15:45] | Gonna check the security footage, see who broke in my locker. | |
| [15:47] | Good luck. | |
| [15:53] | New development in Operation KC had that thing in her locker and now it’s gone. | |
| [15:57] | Just tell me what you found out. | |
| [15:59] | KC had that thing in her locker, and now it’s gone. | |
| [16:03] | Good work. | |
| [16:09] | Okay, I’m in. | |
| [16:10] | KC, I just need the approximate time | |
| [16:13] | of when you stupidly put the plans in your locker. | |
| [16:15] | About 8:30, okay, and one more word out of you, I swear, you are this close | |
| [16:20] | to spending the rest of the night in my locker. | |
| [16:22] | Well, there’s room for me now that the plans aren’t in there. | |
| [16:32] | Right there. | |
| [16:40] | Ernie, what’s going on? | |
| [16:41] | I don’t know. It’s as if someone’s | |
| [16:43] | deleting the footage before we can get to it. | |
| [16:45] | That makes no sense; nobody even knows we’re looking at it. | |
| [17:01] | So when are the rest of the dads gonna dance with their daughters? | |
| [17:04] | Ha! | |
| [17:05] | What’s so funny? | |
| [17:07] | Nobody else is dancing. | |
| [17:10] | What are you talking about? | |
| [17:13] | There is no competition. I made the whole thing up. | |
| [17:16] | So you did this just to get back at me for making you come to the dance? | |
| [17:20] | Yeah, but to be completely honest, I also did it to amuse myself. | |
| [17:28] | Well, you know what? | |
| [17:29] | The joke’s on you, because I actually had a great time tonight. | |
| [17:33] | – You did? – Yeah. | |
| [17:35] | And I had fun practicing. | |
| [17:37] | In fact, I enjoyed all the time we spent together. | |
| [17:39] | – Really? – Yes, really. | |
| [17:41] | I mean, KC’s always been my little girl, but she’s practically all grown up. | |
| [17:46] | But you… | |
| [17:48] | you’re still a little girl, | |
| [17:50] | even though you got the mouth of an angry longshoreman. | |
| [17:54] | Daddy, you say the sweetest things sometimes. | |
| [17:58] | Did you just call me Daddy? | |
| [17:59] | Don’t ruin it. | |
| [18:02] | And now, for our final dance… | |
| [18:06] | Ahh! Yes. | |
| [18:12] | May I have this dance? | |
| [18:29] | Who would know that the plans were in my locker in the first place? | |
| [18:31] | Who knew we were checking the security footage? | |
| [18:35] | Nobody. Just us. | |
| [18:37] | Well, and Marisa. | |
| [18:39] | You told Marisa? | |
| [18:41] | Are there any rules you actually do follow? | |
| [18:44] | Let me think, okay? | |
| [18:46] | It can’t possibly be Marisa. Could it? | |
| [18:49] | No, what am I saying? Of course, she would never… | |
| [18:51] | I don’t know, okay. I need to go talk to her. | |
| [18:57] | Hey, Brady, do you mind if I borrow Marisa a second? | |
| [18:59] | – Actually, we’re… – Thank you. Bye. | |
| [19:01] | I guess not. | |
| [19:06] | Marisa, I’m about to ask you something, | |
| [19:09] | and I need you to be 100% completely honest with me, okay? | |
| [19:12] | I’m always honest with you. | |
| [19:14] | Did you tell anybody what was in my locker? | |
| [19:17] | – Of course not. – Did you tell anybody | |
| [19:18] | that I was going to check the security footage? | |
| [19:20] | Why would I tell anyone, and who would I tell? | |
| [19:23] | I don’t know. Maybe your boyfriend Brady. | |
| [19:25] | Something seems off about that guy. | |
| [19:27] | Like what? Like the fact that he trusts me, | |
| [19:30] | which is actually more than I can say about you right now. | |
| [19:32] | Honestly, if anyone is suspicious, | |
| [19:34] | it’s your “didn’t know he existed until two seconds ago” boyfriend. | |
| [19:37] | Maybe he’s the one you can’t trust. | |
| [19:38] | You don’t have to worry about him. | |
| [19:40] | Howard’s a well-respected agent in the Organization. | |
| [19:42] | Howard? | |
| [19:43] | Howard?! | |
| [19:45] | Oh, wow! Okay, I was right. | |
| [19:48] | You made him up. | |
| [19:50] | Admit it. Admit it! | |
| [19:52] | Okay, fine, I made him up. | |
| [19:54] | But that’s not the point, okay. | |
| [19:57] | The point is that he couldn’t have done it, | |
| [19:58] | so the only person who could’ve done it is you. | |
| [20:01] | Open your locker. | |
| [20:03] | No. | |
| [20:05] | – Marisa, open your locker. – No. | |
| [20:07] | Marisa, I’m not asking, I’m telling. | |
| [20:08] | Open the locker. | |
| [20:09] | Okay, fine, whatever. | |
| [20:11] | I will open my locker. | |
| [20:12] | I have absolutely nothing to hide. | |
| [20:20] | Now what do you have to say? | |
| [20:23] | The only thing I can say is that I’m really sorry, Marisa. | |
| [20:28] | KC, I know you’re really stressed out about all this, but honestly, | |
| [20:32] | you need to chill out. | |
| [20:34] | Why would you think I would ever… | |
| [20:36] | I don’t know, okay. I’m really, really sorry. | |
| [20:39] | I just, I need to get to the Organization, and tell ’em what’s going on. | |
| [20:46] | Hey. How did that go? | |
| [20:49] | Nothing I couldn’t handle. | |
| [20:51] | Look, I honestly can’t believe that she messed up again. | |
| [20:54] | I mean, I hate to say this, | |
| [20:56] | but I don’t think she should be in the Organization anymore. | |
| [20:59] | Well, that’s not our call. | |
| [21:01] | We just observe and report. | |
| [21:03] | Who do you think took the plans from KC’s locker? | |
| [21:06] | I have no idea. | |
| [21:10] | I should probably check in with the Organization, but, uh, meet you outside? | |
| [21:19] | Hey, have you seen KC? | |
| [21:20] | I’m pretty sure she already left. | |
| [21:22] | Without me? | |
| [21:24] | Oh, man, she is always doing this. | |
| [21:26] | It’s one of our biggest issues. | |
| [21:28] | Well, that and the fact that she is constantly eating off my plate. | |
| [21:31] | I mean, hello, you ordered your own meal. | |
| [21:33] | Try eating it. | |
| [21:36] | She’s just lucky I love her. | |
| [21:50] | Yeah, it’s done. | |
| [21:52] | Marisa’s still clueless. | |
| [21:55] | Operation Storm Maker can proceed. | |
| [21:58] | This is gonna be a game changer. | |
| [22:00] | Forget about the Organization, and the Other Side. | |
| [22:04] | It’s all about the Alternate now. | |
| [22:12] | Rob, your name’s on TV. |