| 时间 | 英文 | 中文 |
|---|---|---|
| [00:00] | Synced and corrected by Katniss Everdeen www.MY-SUBS.com | |
| [00:00] | WWW.MY-SUBS.COM | |
| [00:01] | Previously on K.C. Undercover… | |
| [00:02] | Maybe we should just get out of town. | |
| [00:04] | We still have to distribute the rest of those weapons | |
| [00:06] | or else The Mask… | |
| [00:07] | …will freak out. | |
| [00:08] | Mask? Who’s The Mask? | |
| [00:10] | First thing tomorrow morning, we are taking the Bishops down. | |
| [00:13] | Okay, but not Amy. | |
| [00:15] | At least let me get Amy out of the house | |
| [00:16] | before you bust Mitch and Danielle. | |
| [00:18] | Absolutely not. We can’t take any chance of tipping them off. | |
| [00:21] | – Hey. | – Hey. |
| [00:23] | Hi. We thought that we’d go on a little road trip to… | |
| [00:27] | New York City! | |
| [00:29] | I just have to grab my purse. | |
| [00:32] | Let’s go, ladies. | |
| [00:40] | Look, Marisa, I know, | |
| [00:41] | when it comes to fashion, my opinion is… | |
| [00:43] | Garbage? | |
| [00:47] | Not the word I was going to use, but it works. | |
| [00:50] | Um, but I was just gonna say that, | |
| [00:53] | even I can tell that outfit is amazing. | |
| [00:55] | Thank you. With any luck, my interviewer at F.I.T. | |
| [00:57] | will take one look at this dress, | |
| [00:59] | cancel the interview portion, | |
| [01:00] | and walk me right into my dorm room. | |
| [01:03] | Well, that’s not great because you’re kind of our ride home. | |
| [01:06] | Hey, thanks again for asking me | |
| [01:09] | to come to New York with you guys. | |
| [01:10] | Oh, yeah, of course. | |
| [01:11] | It’s great practice for Marisa because, | |
| [01:13] | when she is a big-time fashion designer, | |
| [01:15] | she’s got to get used to having an entourage. | |
| [01:17] | Wow, look at me, I have an entourage. | |
| [01:24] | Hey, Mom. | |
| [01:25] | K.C., where the heck are you? | |
| [01:26] | Johnson’s ordered us to take down the Bishops | |
| [01:28] | and we don’t know where Amy is. | |
| [01:29] | And, for that matter, we don’t know where you are. | |
| [01:31] | Oh, that’s so sweet. | |
| [01:33] | She said good luck on your interview, Marisa. | |
| [01:34] | Oh, thanks, Mrs. C. | |
| [01:36] | She says thank you. | |
| [01:38] | Amy is with you, isn’t she? | |
| [01:40] | Um, yeah, yeah, we should be home tonight | |
| [01:43] | around 8:00 o’clock. Hopefully there’s no traffic. | |
| [01:45] | Give me that. You’re too soft on her. You gotta get tough. | |
| [01:48] | K.C. Cooper, you get your butt back here with Amy | |
| [01:51] | right now before I strangle you. | |
| [01:53] | Aw, can’t wait to give you a big hug too, Dad. | |
| [01:58] | Honey, please come home. | |
| [02:01] | I just made a huge mistake in front of your mom. | |
| [02:04] | Please hurry. I’ll give you a hundred dollars. | |
| [02:08] | Okay, well, I’ll see you guys tonight. | |
| [02:11] | Yeah, we’re good now. | |
| [02:15] | What was that all about? | |
| [02:16] | Nothing. | |
| [02:18] | Helicopter parents. What can you do? | |
| [02:20] | Cut the cord, people. | |
| [03:09] | I keep it undercover. | |
| [03:11] | I keep it undercover. | |
| [03:16] | There’s no easy way to say this, | |
| [03:18] | so we’re gonna cut right to the chase. | |
| [03:20] | If you sign up with Cooper and Cooper Accounting, | |
| [03:22] | we’ll throw in a free calendar. | |
| [03:23] | Oh! | |
| [03:25] | That’s right, it’s free. | |
| [03:27] | Oh, that’s extremely tempting, | |
| [03:28] | but we already have an accountant. | |
| [03:30] | Not to mention the fact that we have a calendar on our phone. | |
| [03:33] | But not a calendar with pictures of our family. | |
| [03:36] | Huh? | |
| [03:37] | May is Judy month. | |
| [03:40] | Wow, that is really giving us a lot to think about. | |
| [03:45] | So why don’t you let us talk it over and we’ll, uh… | |
| [03:48] | Who is it? | |
| [03:49] | Hey, it’s Ernie Cooper. | |
| [03:51] | Are my parents here? | |
| [03:53] | It’s an emergency. | |
| [03:54] | Ernie, what’s wrong? | |
| [03:57] | Sorry to bother you, Mr. Bishop. | |
| [03:59] | My phone is busted. | |
| [04:00] | Hands in the air. | |
| [04:04] | And now you’re busted, too. | |
| [04:18] | I like that song. | |
| [04:19] | You don’t know the lyrics, don’t sing along. | |
| [04:22] | Says the girl who thinks | |
| [04:24] | it’s “The dawning of the Age of Asparagus”. | |
| [04:30] | Oh, wait, look at, there’s a Penguin Burger | |
| [04:31] | at the next exit. | |
| [04:32] | Oh, I’m not really hungry. | |
| [04:34] | Yeah, I don’t think I’ll ever be hungry enough | |
| [04:36] | to eat a burger made out of something | |
| [04:37] | with cute little flippers. | |
| [04:39] | It’s just called Penguin Burger. | |
| [04:42] | When I was a kid, every summer my family | |
| [04:44] | would spend a week at the Jersey Shore | |
| [04:45] | and it was my favorite place to eat | |
| [04:46] | Okay, Marisa, we gotta get to your interview | |
| [04:47] | at F.I.T., okay? | |
| [04:49] | We don’t really have time to take a detour | |
| [04:50] | to have a burger that may or may not be | |
| [04:52] | made out of an adorable sea fowl. | |
| [04:55] | K.C., we have plenty of time. | |
| [04:57] | I don’t have to be five hours early to my interview. | |
| [05:01] | Bishops are in custody. | |
| [05:03] | Safe to break the news to Amy. | |
| [05:06] | On the other hand, it might be a nice place | |
| [05:09] | for us to just chill, relax, and then have a little chat. | |
| [05:12] | Oh, yay, we’re going to Penguin Burger! | |
| [05:15] | Oh, we almost missed the exit. | |
| [05:21] | Okay, let’s hope she does better at the Fashion Institute | |
| [05:23] | than she did at Driver’s Ed. | |
| [05:35] | For the last time, we don’t know anything about weapons. | |
| [05:39] | Oh, really? | |
| [05:40] | Then how do you explain this? | |
| [05:53] | Boom! Gotcha now! | |
| [05:55] | – What? – We didn’t even know that room existed. | |
| [05:58] | If we did, we would have turned that into a home office. | |
| [06:01] | That is some very valuable square footage. | |
| [06:04] | You two are gonna find my foot square on your butts | |
| [06:07] | if you don’t start giving us some answers. | |
| [06:09] | Where you keeping the distribution list, | |
| [06:10] | and who is The Mask? | |
| [06:12] | This is the last time I’m going to ask you. | |
| [06:13] | Oh, thank goodness, because I’m running out of ways | |
| [06:16] | to tell you I don’t know what the heck you’re talking about. | |
| [06:18] | We know who you are, and we know what you’re doing. | |
| [06:19] | We bugged you buggin’ us buggin’ you! | |
| [06:23] | Spill the beans, Bishop. | |
| [06:24] | – Spill the be… – Okay, okay. | |
| [06:26] | – Do I have to… – Honey, honey, honey. | |
| [06:29] | Relax. Relax. | |
| [06:30] | These are reasonable people, | |
| [06:31] | so we can talk to them reasonably. | |
| [06:34] | Tell us what we need to know, Danielle, | |
| [06:36] | or things are gonna get ugly in here, | |
| [06:38] | starting with a capital you. | |
| [06:40] | Okay, hey, hey, hey. | |
| [06:42] | Enough bad cop, worse cop. | |
| [06:45] | Tell us everything, or your daughter Amy | |
| [06:47] | is gonna pay the ultimate price. | |
| [06:48] | – Agent Johnson… – That’s right. | |
| [06:49] | We have Amy, and we’re not afraid to use her. | |
| [06:52] | – Uh, Agent Johnson? – Yeah. | |
| [06:53] | A word, please. | |
| [06:58] | We don’t have Amy. | |
| [06:59] | What? | |
| [07:00] | K.C. is protecting her. | |
| [07:01] | She-she took her to New York City | |
| [07:03] | Well, that’s gonna take the sting out of my threat. | |
| [07:08] | Ernie, track down K.C. and Amy, get ’em back here. | |
| [07:11] | Don’t worry, sir. | |
| [07:12] | You can count on me. | |
| [07:13] | I know I can because you are not going alone. | |
| [07:15] | Who am I going with? | |
| [07:20] | I’m surprised that your car smells this nice. | |
| [07:23] | I thought it would stink like… | |
| [07:24] | …like farts ’cause I’m a butt. | |
| [07:28] | Yeah, yeah. | |
| [07:28] | What is your problem? | |
| [07:30] | Besides the fact that your insults are totally unoriginal. | |
| [07:33] | You’re my problem. | |
| [07:34] | You messed with my family, | |
| [07:36] | you messed with my friend Marisa, | |
| [07:37] | and I know you’re just waiting to do it again. | |
| [07:40] | You can’t be trusted. | |
| [07:41] | Look, I know you don’t like me, | |
| [07:43] | but I’m with the organization now, | |
| [07:44] | and Agent Johnson assigned me as your partner, | |
| [07:46] | so do you think we can at least try to get along? | |
| [07:48] | Fine, but the less we talk, the better. | |
| [07:55] | I am so sick of this song. | |
| [07:58] | Finally something we can agree on. | |
| [08:01] | I think everyone can agree that you’re an untrustworthy creep. | |
| [08:04] | Well, maybe if you stop acting like a child, | |
| [08:07] | you’d see that I know what I’m doing | |
| [08:08] | and that I can help you. | |
| [08:12] | Uh, why are you taking the Jersey Shore exit? | |
| [08:14] | We’re supposed to be headed to New York. | |
| [08:16] | Don’t you know anything? | |
| [08:17] | Yeah, I know that I put a tracker on Marisa’s car | |
| [08:20] | and they’re headed towards the Jersey Shore. | |
| [08:22] | Well, that was really smart, | |
| [08:25] | but I’m saying it in a hateful tone because I hate you. | |
| [08:30] | Whatever. | |
| [08:53] | Wow, everything looks the exact same way it did | |
| [08:56] | when I was a little girl. | |
| [09:02] | It’s Irving the Penguin. | |
| [09:04] | Um, excuse me, is it still Harold that plays Irving? | |
| [09:07] | Don’t worry, I know he’s not a real penguin, | |
| [09:09] | so I won’t cry if he takes his head off | |
| [09:11] | like I did when I was seven. | |
| [09:13] | And eight. | |
| [09:15] | And 14. | |
| [09:18] | I can’t believe what I’m hearing. | |
| [09:20] | I know it’s a lot, but it’s all true. | |
| [09:21] | How could my parents be spies and I have no idea? | |
| [09:24] | I know what you’re feeling, okay? | |
| [09:25] | I didn’t find out that my parents were spies | |
| [09:27] | for a long time either but, of course, | |
| [09:30] | my parents are kind of, like, the protecting the world | |
| [09:32] | kind of spies, and your parents are, like, more exploiting | |
| [09:35] | the world for evil and profit kinda spies, | |
| [09:38] | but that’s not making you feel any better. | |
| [09:41] | Wait, wait, no, no, no. | |
| [09:42] | What-what if my parents go to prison, | |
| [09:44] | what would happen to me then? I-I… | |
| [09:45] | Okay, relax. Okay? | |
| [09:47] | I know you’re not involved and I’m gonna protect you. | |
| [09:50] | I’m gonna talk to my parents about letting you stay with us. | |
| [09:53] | You’d do that? | |
| [09:54] | Yeah. | |
| [09:56] | You really are a friend. | |
| [09:58] | Come here. | |
| [10:03] | Hey. | |
| [10:06] | What’s wrong? | |
| [10:09] | Is it the hat? | |
| [10:10] | I feel like I missed something. | |
| [10:18] | Either you start talking | |
| [10:20] | or we’re going to eliminate your daughter. | |
| [10:22] | Be my guest. | |
| [10:25] | Excuse me? | |
| [10:27] | I’m talking about threatening your little girl, | |
| [10:28] | and you’re okay with that? | |
| [10:30] | You two are really ruthless. | |
| [10:31] | No, you don’t get it. | |
| [10:33] | – Amy isn’t our… – Danielle. Quiet. | |
| [10:36] | – But Mitch, maybe it’s time… – I said quiet. | |
| [10:38] | Please, I think that we need to tell them. | |
| [10:40] | No, I’m afraid whatever they’re gonna do to us | |
| [10:43] | is nothing compared to what The Mask will do. | |
| [10:45] | Okay, you two aren’t making any sense. | |
| [10:48] | Look, we’re gonna go to prison anyway, | |
| [10:49] | maybe they can protect us. | |
| [10:51] | From who? | |
| [10:52] | From Amy! | |
| [10:57] | Okay, I get that teenagers can be a little obnoxious sometimes, | |
| [11:01] | but are you really afraid of your own daughter? | |
| [11:04] | Amy’s not our daughter. | |
| [11:05] | She’s a monster. | |
| [11:09] | We work for her. | |
| [11:11] | Amy is The Mask. | |
| [11:14] | Are you two so pathetic that you would sell out | |
| [11:16] | your own daughter to save yourself? | |
| [11:18] | She’s not our daughter. | |
| [11:20] | She’s 26 years old. | |
| [11:22] | She has been in charge of this cell | |
| [11:23] | since the beginning. | |
| [11:25] | All right, you know what, I’ve heard enough of this. | |
| [11:27] | I haven’t. | |
| [11:28] | I think they might be telling the truth. | |
| [11:31] | Keep talking, you two. | |
| [11:36] | I’m so sorry, Amy, honestly. | |
| [11:38] | I had no idea. | |
| [11:40] | And if it’s any consolation, I actually recently | |
| [11:42] | just found out that my mother… | |
| [11:46] | secretly dyes her hair. | |
| [11:49] | Yes, Marisa, because that is the same thing | |
| [11:51] | that Amy is going through right now. | |
| [11:54] | Look, everything’s gonna be fine. | |
| [11:56] | I’m gonna call my parents and we… | |
| [11:58] | Wait a minute, where’s my phone? | |
| [12:00] | I don’t know. When was the last time you had it? | |
| [12:01] | When Ernie texted me. | |
| [12:02] | Then it must still be in the car. | |
| [12:04] | Marisa, can you help me and check in the parking lot | |
| [12:06] | and I’ll check the car? We’ll be right back, Amy. | |
| [12:20] | Bishops are in custody. | |
| [12:21] | Safe to break the news to Amy. | |
| [12:24] | Careful, Amy is Mask. Take her down. | |
| [12:28] | Yeah, that’s not gonna happen. | |
| [12:53] | You know why I don’t trust you, Brady? | |
| [12:57] | Because I can tell if someone is good or bad | |
| [12:59] | just by looking at him. | |
| [13:02] | I’ve got a sixth sense for that sort of stuff. | |
| [13:05] | Take my sister, for instance. | |
| [13:06] | Good person. | |
| [13:08] | Right now, she’s gently breaking the news to Amy | |
| [13:11] | about her parents. You know why? | |
| [13:13] | Because Amy is a good person. | |
| [13:16] | I knew the minute I met her. | |
| [13:21] | Uh-huh. | Uh-huh. |
| [13:23] | Got it. | |
| [13:26] | Who was that? | |
| [13:27] | That was my mom. | |
| [13:28] | Apparently Amy’s The Mask, | |
| [13:30] | she’s totally evil, and we’ve got to take her down. | |
| [13:38] | Cannot find my phone anywhere. | |
| [13:40] | It’s like it disappeared. What am I gonna do? | |
| [13:43] | Well, at least you didn’t find out | |
| [13:44] | your parents are laser weapon dealing spies, | |
| [13:46] | so, any time you want to trade places with me, | |
| [13:48] | just let me know. | |
| [13:50] | Well, it looks like you’re feeling a little better. | |
| [13:53] | I’m still really upset, but what choice do I have | |
| [13:56] | but to just move on with my life? | |
| [13:57] | That’s a really good attitude Amy, | |
| [13:59] | but, not that I’m surprised. | |
| [14:02] | Penguin Burger could turn any frown upside down. | |
| [14:07] | Well, at least I have you guys. | |
| [14:10] | Here’s to true friends. | |
| [14:11] | To true friends. | |
| [14:21] | She’s The Mask! | |
| [14:22] | What are you talking about? | |
| [14:23] | Oh, no, my outfit is ruined! | |
| [15:36] | Oh, great. | |
| [15:38] | So, now, not only did Amy get away, | |
| [15:40] | but she didn’t charge my phone. Yeah. | |
| [15:42] | I’m at 3%. | |
| [15:44] | I hate The Mask. | |
| [15:51] | Great, Amy got away. | |
| [15:53] | What do we do now? | |
| [15:54] | Uh, I’ll tell you what I’m not gonna do, | |
| [15:56] | get into F.I.T. “Oh, hi, nice to meet you.” | |
| [15:58] | “Oh, I’m so sorry, we’ve already filled our quota | |
| [16:00] | for students that look like a fast-food dumpster!” | |
| [16:04] | Marisa, I think we’ve got bigger problems than your outfit. | |
| [16:07] | Okay, we do, but she doesn’t. | |
| [16:10] | We’re talking about her future here. | |
| [16:12] | Look, Marisa, you have worked really hard for a long time. | |
| [16:17] | Um, well, not that long | |
| [16:19] | and not that hard, so, um… | |
| [16:21] | you have worked pretty hard recently. | |
| [16:27] | And the point is is, you deserve to get into F.I.T., | |
| [16:30] | and I’m not gonna let this mission get in the way of that. | |
| [16:32] | Okay, maybe we should just… | |
| [16:35] | Okay, so, here’s the plan, | |
| [16:37] | Ernie, you get Marisa to New York, | |
| [16:38] | K.C. and I will take down Amy. | |
| [16:40] | Since when do you call the shots? | |
| [16:41] | I should go with K.C. | |
| [16:42] | Sorry, but agent Johnson assigned me to take down Amy, | |
| [16:44] | and that’s what I’m gonna do. | |
| [16:46] | Besides, I have more combat experience. | |
| [16:48] | Yeah, the most recent being catching a beat down | |
| [16:50] | in a three-on-one fight. | |
| [16:51] | You were there too, man. | |
| [16:54] | Look, you may be a better fighter, | |
| [16:56] | but K.C. and I work better as a team. | |
| [16:58] | He’s right. I really hate to say this, but he’s right. | |
| [17:02] | I don’t know. | |
| [17:04] | If you want me to start trusting you, | |
| [17:05] | you need to start trusting me. | |
| [17:12] | Okay, don’t worry, I think we’re gonna get you there just in time. | |
| [17:14] | Why bother? I’m a mess. | |
| [17:16] | They’re gonna laugh me out of the room. | |
| [17:18] | No, they’re not. | |
| [17:20] | Look, it’s-it’s all about how you carry yourself. | |
| [17:23] | You know, it’s about confidence. | |
| [17:24] | Oh, I’m confident. | |
| [17:26] | I’m confident I look like a freak. | |
| [17:28] | Okay, look, Marisa, I’ve been a spy for years, | |
| [17:31] | and if you walk into a room | |
| [17:33] | like you belong there, then people are actually gonna think | |
| [17:35] | that you belong there. | |
| [17:37] | Once, I snuck into a sold-out performance of Hamilton. | |
| [17:41] | Sure, I had to sit on an old lady’s lap the whole time, | |
| [17:44] | but, uh, you know what, she didn’t complain. | |
| [17:46] | You know why? | |
| [17:47] | Because you acted like you belonged? | |
| [17:49] | That, and she had fallen asleep | |
| [17:52] | right after yelling at the stage, | |
| [17:53] | “That’s not historically accurate!” | |
| [17:58] | Come on, Marisa. | |
| [18:00] | You can do this. | |
| [18:04] | You know what? | |
| [18:06] | Yes, I can. | |
| [18:08] | In the words of Irving the Penguin, | |
| [18:12] | “Let’s waddle!” | |
| [18:16] | Uh, don’t wear the hat in the interview. | |
| [18:18] | Right. | |
| [18:23] | I cannot believe what an idiot I’ve been. | |
| [18:25] | “It’s fine, Amy. I trust you. | |
| [18:27] | “Why don’t you move in with us | |
| [18:29] | and-and maybe you can eliminate me in the middle of the night?” | |
| [18:34] | Don’t beat yourself up. | |
| [18:35] | Look, I knew there was something off about her from day one, | |
| [18:38] | but, I have a sixth sense for these sort of things. | |
| [18:42] | Are we even sure she headed to the beach? | |
| [18:44] | Well, she ditched the car in the parking lot, | |
| [18:45] | so she’s got to be around here somewhere. | |
| [18:50] | Hey, Mom. | |
| [18:52] | K.C., do you have Amy? Are you on your way back? | |
| [18:55] | Look, we don’t technically have Amy, | |
| [18:57] | but we are working on it. | |
| [18:58] | It’s getting dark. We’re never gonna find her. | |
| [19:03] | Like I said, we’re working on it. | |
| [19:05] | Well, get on it faster. | |
| [19:07] | Amy’s dangerous and we don’t have the arms distribution list, | |
| [19:10] | which means she must have it on her. | |
| [19:11] | Get her and get that list. | |
| [19:14] | Let’s go. | |
| [19:21] | We’re almost out of daylight. | |
| [19:22] | This is hopeless. | |
| [19:23] | Okay, relax. Do not give up, okay? | |
| [19:25] | There’s gotta be some type of sign of where she went. | |
| [19:31] | It wasn’t a sign, but it was definitely a signal. | |
| [19:38] | Huh. | |
| [19:40] | I think I’m beginning to see the light. | |
| [19:46] | Well, Marisa, I was impressed with your design submissions, | |
| [19:50] | and loved your essay. | |
| [19:52] | Thank you so much. | |
| [19:54] | But, and this is a very big but… | |
| [20:00] | I’m talking, humongous, elephant sized but… | |
| [20:07] | How could you show up wearing | |
| [20:09] | that sorry excuse for an outfit? | |
| [20:14] | Because… this sorry excuse for an outfit | |
| [20:20] | is what fashion is all about. | |
| [20:21] | It’s called taking risks, and you may not like | |
| [20:24] | my version of Boho chic with a seagull sauce twist… | |
| [20:31] | but, the point is, at least I had the guts | |
| [20:33] | to take a chance, and even if you hate it… | |
| [20:34] | I do. | |
| [20:36] | …at least you’re gonna remember what I wore. | |
| [20:39] | Marisa Miller doesn’t fade into the woodwork | |
| [20:41] | when she could stand out. | |
| [20:42] | Why take a dip when you can make a splash? | |
| [20:45] | That is the philosophy I will bring with me to F.I.T. | |
| [20:49] | And why, one day, everyone will want to wear | |
| [20:52] | a Marisa Miller original. | |
| [21:03] | I’m glad I packed these experimental grappling belts. | |
| [21:05] | They’re working great. | |
| [21:06] | These are experimental? | |
| [21:08] | Have they even been tested? | |
| [21:09] | Of course. Being tested right now. | |
| [21:14] | If we fall from up here, we could die! | |
| [21:16] | Oh, relax, we’re not gonna die from a fall. | |
| [21:21] | You’re right, we could die from laser fire! | |
| [21:39] | So? | |
| [21:42] | She said I had excellent qualifications. | |
| [21:44] | Great. | |
| [21:45] | But then she made fun of my outfit. | |
| [21:47] | Not so great. | |
| [21:49] | But then I acted like I belonged at F.I.T. | |
| [21:52] | And? | |
| [21:54] | And, starting this Fall, | |
| [21:57] | I’m gonna be sitting on that old lady’s lap. | |
| [21:59] | – You’re in? – I’m in! | |
| [22:01] | Oh! | |
| [22:09] | Is it my imagination or are we still hugging? | |
| [22:13] | Looks that way. | |
| [22:16] | Do you want me to stop? | |
| [22:18] | Not particularly. | |
| [22:22] | Wait, are you hugging me because you’re on a mission | |
| [22:26] | and your assignment is to hug people? | |
| [22:32] | No, uh, this is a standard, off-duty, | |
| [22:38] | I think I really like you hug. | |
| [22:40] | Really? | |
| [22:43] | I think I really like you, too. | |
| [22:47] | But, uh, before we get any more involved, | |
| [22:50] | I hope you’re okay with long-distance relationships | |
| [22:52] | because, coming this Fall, I’m going to F.I.T.! | |
| [23:11] | Hey, hey, hey! | |
| [23:16] | What are you doing? | |
| [23:18] | Ernie, we are sitting ducks here. | |
| [23:20] | We need to get up there. | |
| [23:21] | Um, I’m kind of stuck to you. | |
| [23:23] | You’re gonna have to carry me. | |
| [23:25] | Don’t worry about it. I’m used to it. | |
| [23:26] | I’ve been carrying you for three years. |