| 时间 | 英文 | 中文 |
|---|---|---|
| [00:00] | Synced and corrected by Katniss Everdeen. www.MY-SUBS.com | |
| [00:00] | WWW.MY-SUBS.COM | |
| [00:05] | Hey, guys, I’ll be right back. | |
| [00:07] | Hey, we’re decorating a tree. It’s your favorite thing to do. | |
| [00:09] | Besides not wearing makeup. | |
| [00:12] | Oh, I just have some last-minute Christmas shopping to do. | |
| [00:15] | KC, the malls are closing. | |
| [00:16] | Then I better get there, huh? | |
| [00:20] | Was she acting a little weird? | |
| [00:22] | No weirder than usual. | |
| [00:33] | Yes? | |
| [00:36] | Hey, um… | |
| [00:39] | can we talk? | |
| [00:40] | Sure. Come on in. | |
| [01:32] | I keep it undercover. | |
| [01:34] | I keep it undercover. | |
| [01:39] | You don’t have to lie on the couch. | |
| [01:44] | Oh, I know, but that’s how they do it on TV and movies, | |
| [01:46] | plus I’m a little tired, so two birds, one stone. | |
| [01:50] | Do you always find it necessary to deflect your feelings with jokes? | |
| [01:55] | What? No. | |
| [01:57] | Just most of the time. | |
| [01:58] | Look, I’m sorry, okay? | |
| [02:00] | I don’t even know why I’m here. | |
| [02:02] | I don’t wanna mess up your Christmas Eve. | |
| [02:04] | My name is Dr. Levinstein. I’m in no rush. | |
| [02:08] | So, uh, what exactly is bothering you? | |
| [02:11] | Nothing. | |
| [02:14] | I’m sorry. I’m fine. | |
| [02:18] | It’s just that, you know, being a spy is really messing with my head. | |
| [02:24] | It’s got me feeling like a total wreck. | |
| [02:26] | Sometimes I can handle it, but just recently, | |
| [02:28] | with all these missions and going undercover | |
| [02:32] | as all these different people I just start feeling like, who the heck is KC? | |
| [02:37] | You know? And I’m sure it’s not an unusual feeling for a spy, right? | |
| [02:42] | No, not at all. | |
| [02:43] | Excuse me for just one second. | |
| [02:46] | Yeah, it’s me. I’m going to be late. | |
| [02:51] | KC, maybe these feelings are exacerbated because you’re so young. | |
| [02:56] | Young? Yeah, well, today I’m young, but a lot of the times, I’m not. | |
| [03:01] | Well, hello, fellow educators. | |
| [03:08] | Substitute teacher Margaret Cavendish reporting for duty. | |
| [03:16] | Oh, yes! | |
| [03:18] | Nothing like the smell of uneducated minds, am I right? | |
| [03:22] | Makes you just want to fill them up with knowledge. | |
| [03:25] | Knowledge, knowledge, knowledge! | |
| [03:29] | Well, before I start edificating these young minds, | |
| [03:33] | I’m going to rest my weary bones. | |
| [03:35] | Excuse me. | |
| [03:40] | Oh, how kind of you to squeeze me in, buttercup. | |
| [03:44] | You know, back in my day, we didn’t allow students in the teachers’ lounge. | |
| [03:50] | Well, actually, I am a teacher. | |
| [03:53] | Oh, but you are just a pup! | |
| [03:57] | A little bitty puppy. | |
| [03:59] | Thank you. | |
| [04:04] | Oh. Oh, heavens. | |
| [04:06] | I should have never had those bangers and mash for lunch. | |
| [04:10] | The gas is starting. | |
| [04:14] | Would you be a dear and get me some tea? | |
| [04:16] | Gladly. | |
| [04:20] | It sounds to me like you’re putting a little extra pressure on yourself. | |
| [04:23] | I bet, one day, when you’re a little old lady, you’re gonna look back on this | |
| [04:28] | and remember these experiences fondly. | |
| [04:30] | Well, hopefully more fondly than the last time I was a little old man. | |
| [04:39] | Hey, how you doin’? Bernie Burns. | |
| [04:42] | Only two things visible from space. | |
| [04:44] | The Great Wall of China and that ugly shirt. | |
| [04:47] | Hey oh! | |
| [04:49] | You just got burned by Bernie Burns. | |
| [04:52] | Oh, man, look at these two. | |
| [04:54] | More wrinkles than a box of raisins. | |
| [04:56] | Hey oh! | |
| [04:58] | Burned by the Burnster. Hey. | |
| [05:01] | Bernie Burns here. I used to be a nightclub comedian. | |
| [05:04] | You know what happened when I played Atlantic City? | |
| [05:05] | Everyone left and went to Vegas. Hey oh! | |
| [05:09] | I just burned myself. | |
| [05:10] | Nobody’s off limits. | |
| [05:14] | Maybe you should dwell on the positive. | |
| [05:17] | It seems to me that you’re genuinely good at this work, | |
| [05:19] | portraying other people. | |
| [05:21] | Yeah, usually I am, but not always. | |
| [05:24] | There was this one time I had to do it on truth serum. | |
| [05:27] | My, my, my. | |
| [05:32] | And a good afternoon to you. | |
| [05:34] | Mr. Tochlin, I presume. | |
| [05:36] | Mrs. DuBois, I presume. | |
| [05:37] | Well, you presume wrong. | |
| [05:40] | Excuse me? | |
| [05:41] | My friends, they call me KC. | |
| [05:44] | I hope you’ll call me KC, too, all right. | |
| [05:46] | Everybody calls me KC. | |
| [05:52] | Okay. | |
| [05:53] | Uh, Mrs. DuBois… | |
| [05:55] | Mm-mm. | |
| [05:56] | KC. | |
| [06:00] | It says here that Marisa worked as your part-time personal assistant. | |
| [06:03] | Yes. That is what it says. | |
| [06:07] | Those words are on that paper. | |
| [06:11] | Uh, you know, Marisa, she is a lovely gal. | |
| [06:15] | She’s vivacious, good humored, sweeter than a sugar cake on a baby’s bottom. | |
| [06:22] | Well, I should go now. | |
| [06:24] | Here is a can of creamed corn for y’all. | |
| [06:27] | Have a good day, darlin’. | |
| [06:29] | Um, just a few more questions. | |
| [06:31] | Please. Since you’re here. | |
| [06:32] | Oh. Goody goody gumdrops. | |
| [06:37] | So how long have you known Marisa? | |
| [06:38] | Since I was five. | |
| [06:41] | You mean since she was five. | |
| [06:44] | Yes. That is true. | |
| [06:47] | I have known Marisa since she was five. | |
| [06:51] | We used to take baths together. | |
| [06:56] | Can we wrap this up now? | |
| [06:58] | Uh, we’re almost finished. | |
| [07:00] | Would you say that Marisa is generally on time? | |
| [07:02] | Oh, yes, absolutely. She is always on time. | |
| [07:08] | For a party or a sale. | |
| [07:10] | Not for anything really important when you’re countin’ on her. | |
| [07:13] | Thank you for your candor. | |
| [07:16] | I have just one more question. | |
| [07:19] | If you were me, would you hire Marisa for this job? | |
| [07:22] | No! | |
| [07:25] | No, no, no. No way, absolutely not. | |
| [07:28] | Negatory. Nope. | |
| [07:30] | And if I wasn’t clear before, no! | |
| [07:32] | Wow. Uh, well, is there anything else you wanna tell me? | |
| [07:36] | You look like a sleepy turtle. | |
| [07:40] | Where I come from, dear, that’s a compliment. | |
| [07:45] | No, it’s not. | |
| [07:54] | Ernie, can I talk to you for a second? | |
| [07:58] | She must be trying to get me under the mistletoe. | |
| [08:01] | What the heck? It’s Christmas. | |
| [08:04] | Let me go share the gift that is Ernie. | |
| [08:08] | You might wanna keep the receipt. | |
| [08:13] | I’m worried about KC. | |
| [08:15] | I don’t think she went out to buy presents. | |
| [08:16] | Why not? | |
| [08:17] | Because she’s so organized. | |
| [08:19] | She has her Christmas shopping done by Easter. | |
| [08:22] | I think she might be upset about something. | |
| [08:24] | You’re being ridiculous. | |
| [08:26] | KC is the most together person I know. | |
| [08:28] | I just feel like I’m falling apart. | |
| [08:37] | I think part of the anxiety you’re feeling | |
| [08:40] | stems from the fact that going undercover can be lonely work. | |
| [08:44] | Well, I mean, sometimes I get to go with another agent. | |
| [08:47] | And that’s better? | |
| [08:49] | No, it’s worse. | |
| [08:56] | Simone, come on. | |
| [09:06] | This is ridiculous. | |
| [09:07] | No one in their right mind is gonna believe I’m a man. | |
| [09:10] | Not with all this curvaceousness-ness. | |
| [09:15] | Would you stop whining, okay, and dude up? | |
| [09:19] | I’m sorry, KC, but this undercover stuff is just not my bailiwick. | |
| [09:23] | Rule number one of being a dude. | |
| [09:24] | You don’t wanna use words like bailiwick. | |
| [09:27] | I don’t know if I can do this, all right? | |
| [09:29] | I’m just so nervous. | |
| [09:31] | How many times do I have to tell you, I am not a field agent? | |
| [09:34] | I was hoping just 12! | |
| [09:38] | Because if I hear it again, I swear, I am sticking this plunger up your nose. | |
| [09:43] | How dare you speak to a lady that way? | |
| [09:48] | Look, relax, okay? | |
| [09:50] | If anyone comes, I will do all the talking. | |
| [09:51] | Got it. Yes. You do all the talking. | |
| [09:53] | I will keep it quiet. | |
| [09:55] | No matter what happens, my lips are zip, zip, zip. | |
| [10:01] | We need paper towels in the men’s room. | |
| [10:02] | We need paper towels? | |
| [10:04] | You need paper towels? You always need paper towels. | |
| [10:07] | Everybody need paper towels. Paper towels, paper towels, paper towels. | |
| [10:09] | When I was in my generation, back when I was fly, | |
| [10:12] | we used to have paper and we used to have towels. | |
| [10:15] | We used to have paper to write with, and towels to wipe with, but now you want | |
| [10:19] | all the paper towels together, don’t ya? | |
| [10:21] | Paper towels, paper… take your paper towels and get back in that room! | |
| [10:26] | Nobody wants to use you or your paper towels. | |
| [10:34] | It occurs to me that you need a creative outlet to relieve your stress. | |
| [10:39] | Many of my patients really enjoy art therapy. | |
| [10:42] | Oh, yeah, I’ve dabbled in art before. | |
| [10:45] | Not really my thing. | |
| [10:48] | I am Lola Fingers. | |
| [10:51] | Artiste. | |
| [10:54] | And I’m her manager, Tommy Lasorda. | |
| [10:58] | The artiste manager. | |
| [11:00] | Not the baseball manager. | |
| [11:02] | He’s a large white man, and I’m a short black guy, | |
| [11:05] | with a penchant for turtlenecks. | |
| [11:09] | Your work is genius. As is your hair. | |
| [11:12] | Yeah, well, my style is perpetually caught in a breeze. | |
| [11:18] | To remind me that life is always moving, as must art. | |
| [11:26] | Oh, yes. | |
| [11:29] | This space is perfect. | |
| [11:31] | It’s bare. | |
| [11:34] | It’s naked. | |
| [11:36] | I’ll cover your shame, naked wall. | |
| [11:39] | With art! | |
| [11:42] | She’ll need total privacy. | |
| [11:45] | Her most creative hours are 2:00 to 5:00 a.m. | |
| [11:47] | You’ve got it, Lola. | |
| [11:49] | But it would be an honor to come by and see you work. | |
| [11:54] | Why wait? | |
| [11:56] | She can do one right now. | |
| [11:58] | Lola’s known for her spontaneous paintings. | |
| [12:01] | Yes. I’m also known for firing my manager. | |
| [12:04] | Come on, Lola. | |
| [12:07] | Do the one where you roll around in… | |
| [12:10] | Why am I explaining when she can just show you? | |
| [12:13] | Lola. | |
| [12:14] | No, thank you. I’m just not feeling the muse right now. | |
| [12:19] | Then let me help you feel it. | |
| [12:26] | Oh, yes. | |
| [12:28] | I’m not done, I’m not done. | |
| [12:30] | Oh, lovely. | |
| [12:32] | Oh, yes. Yes, I’m really starting to feel it everywhere now. | |
| [12:37] | Yes! | |
| [12:43] | Lola, you’ve done it again. | |
| [12:46] | Don’t hold back. Rage is your medium. | |
| [12:52] | I love it. | |
| [12:57] | Yes, Lola, you’ve done it again. | |
| [13:00] | Eh. I wouldn’t say it’s your best work. | |
| [13:08] | Oh, really? | |
| [13:09] | Oh, lovely. | |
| [13:17] | Look at that. | |
| [13:18] | Another Lola Fingers original. | |
| [13:21] | Allow me to sign it for you. | |
| [13:29] | Okay, so what I’m hearing is, you have fun working with your family. | |
| [13:33] | Oh, yeah. | |
| [13:35] | Yeah, I do. A lot. | |
| [13:37] | So no conflicts come up because of work. | |
| [13:39] | There’s never any fighting. | |
| [13:41] | Fighting? Between people in my family? No. | |
| [13:43] | Absolutely not. | |
| [13:45] | Unless you count my mom. | |
| [13:47] | You know I love you, but I gotta mess you up. | |
| [13:50] | Excuse me? | |
| [13:50] | Scar said that I had to fight you. | |
| [13:53] | Oh. In that case, hit me hard. | |
| [13:56] | What? I don’t want to. You’re my mommy. | |
| [13:59] | And your mommy is saying hit me. | |
| [14:01] | Come on. This’ll just be like sparring practice at home. | |
| [14:04] | – Okay. – All right. | |
| [14:06] | I’m gonna hit you now, okay? | |
| [14:12] | What are you doing? | |
| [14:13] | I’m not gonna make it easy on you. | |
| [14:15] | Hit me again, delinquent! See what happens. | |
| [14:19] | Fight, fight, fight, fight! | |
| [14:30] | – Nice kick, Mom. – Thanks. | |
| [14:32] | Hey, wanna do that over-the-table thing? | |
| [14:34] | – Sure. Why not? – Okay. | |
| [14:39] | It seems to me you really didn’t have a choice. | |
| [14:42] | One thing we all know is that an agent can never blow their cover. | |
| [14:46] | Yeah. About that. | |
| [14:52] | Intel shows that an enemy spy is expected to arrive at any moment. | |
| [14:56] | Your mission is to place a miniature GPS tracking device in his food. | |
| [15:01] | Once he eats it, we’ll be able to track him for up to 12 hours. | |
| [15:04] | Won’t he know it’s in his food? | |
| [15:06] | Honey, put it in the tempura. | |
| [15:07] | People eat anything that’s deep fried. | |
| [15:10] | I have visual confirmation | |
| [15:13] | that the targets have entered the restaurant. | |
| [15:28] | Hi, Chef. | |
| [15:29] | What is Marisa doing there? | |
| [15:31] | Apparently disregarding the “please wait to be seated” sign. | |
| [15:35] | Ah, Chef, do you have a best friend? | |
| [15:38] | I have a best friend. Well, I had a best friend. | |
| [15:41] | Normally, we come here together, but we had a really big fight. | |
| [15:46] | I know these things happen, but they don’t happen to me and KC. | |
| [15:51] | We used to tell each other everything, but she’s changed. | |
| [15:57] | You’re totally right. | |
| [15:59] | I’m being all judge-y judge-y, but it hurts. | |
| [16:03] | Oh, hey, could you do the big shrimp flip and egg crack trick for me? | |
| [16:07] | Carpal tunnel. | |
| [16:09] | Oh, please. It would really cheer me up. | |
| [16:31] | The targets are leaving. | |
| [16:33] | You have to stop them, even if it means breaking your cover. | |
| [16:55] | Hey, cool. They added a floor show. | |
| [17:17] | KC? | |
| [17:20] | Now I get it. | |
| [17:22] | You’ve been acting all kooky | |
| [17:24] | because you’re stressed out from your secret job. | |
| [17:27] | Pretending to be a male chef at Benimama’s. | |
| [17:30] | Yeah. We need to talk. | |
| [17:39] | KC should be back by now. I hope she’s okay. | |
| [17:42] | Oh, please, we put her in a lot more dangerous situations | |
| [17:44] | than last-minute Christmas shopping. | |
| [17:47] | That’s what I’m talking about. Maybe we put too much pressure on her. | |
| [17:49] | Oh, stop. She can handle it. | |
| [17:50] | I’m sure she’ll be home any second. | |
| [17:52] | What are you doing? | |
| [17:54] | Oh, just making myself comfortable. | |
| [17:56] | I got a feeling we are gonna be here for a while. | |
| [18:03] | Maybe part of the problem is that you resent your parents | |
| [18:08] | pushing you into being a spy. | |
| [18:10] | Are you kidding me? | |
| [18:12] | The missions I go on with my parents are my favorite. | |
| [18:14] | Except sometimes, I do have to pretend like I’m not having fun. | |
| [18:25] | We’re at an expensive French restaurant. | |
| [18:27] | What are you doing on your phone? | |
| [18:29] | Ordering a pizza. | |
| [18:31] | Why do we bother taking her to nice places? | |
| [18:34] | Here’s an idea. | |
| [18:36] | How about I go the mall and you guys pick me up when you’re done? | |
| [18:38] | Or don’t. | |
| [18:43] | Okay. Target has entered the restaurant. | |
| [18:46] | I have facial recognition confirmation. | |
| [18:48] | Target matches the profile. | |
| [18:49] | Slight limp, broad shoulders, weak chin, and a very long eyelash? | |
| [18:54] | Oh, no, that one’s mine actually. | |
| [18:58] | Intel shows he’s here to get the stolen plans | |
| [19:01] | for a new missile defense system. | |
| [19:03] | Recover those plans. | |
| [19:05] | – I’ll cover the exit. – I’m going in. | |
| [19:11] | You can’t go in the lounge. It’s for adults only. | |
| [19:13] | Not a problem. | |
| [19:25] | My little girl’s grown up so fast. | |
| [19:29] | He’s on the move, and he’s got a briefcase. | |
| [19:36] | I have a visual on the plans. | |
| [19:38] | Let’s do this. | |
| [19:43] | Didn’t anyone ever tell you not to play with matches? | |
| [19:53] | I highly recommend the filet of sole. | |
| [20:37] | I can’t believe you hit me. | |
| [20:40] | I’m just a little girl. | |
| [20:47] | A little girl who just girl-stomped you, son. | |
| [21:04] | Time for you to chill out. | |
| [21:12] | What? You never heard of a teenage spy? | |
| [21:19] | KC, I’m not sure what to say. | |
| [21:21] | The work you do is very important. | |
| [21:24] | You’re not only helping people, you’re actually saving lives. | |
| [21:27] | But at any age, there’s a tremendous amount of pressure, | |
| [21:31] | and it is clearly getting to you. | |
| [21:33] | Maybe it’s time for you to get out. | |
| [21:35] | – Excuse me? – Quit. | |
| [21:36] | Quit being a spy. | |
| [21:38] | I see what you’re doing here, doc. | |
| [21:41] | I see. You’re trying a little reverse psychology. | |
| [21:45] | Tell her to quit so that she’ll quit feeling her feelings. | |
| [21:49] | No, I really think you’re not cut out for this, | |
| [21:52] | and you should just walk away. | |
| [21:54] | Walk away? | |
| [21:56] | From the job that I love, doing it with the family that I love? | |
| [22:01] | Yeah, no, that’s not gonna happen. | |
| [22:03] | Hey, you’re the one with the issues. You came to me. | |
| [22:05] | The only issue I have is that it’s the holidays, okay, | |
| [22:09] | and I’m feeling a little blue. | |
| [22:11] | It’s called seasonal holiday funkiness, | |
| [22:14] | or something more professional-sounding. | |
| [22:17] | It’s a real thing, okay, and that is all that I have. | |
| [22:20] | Quit being a spy. Give me a break. | |
| [22:30] | Hey, honey. How’d your last-minute shopping go? | |
| [22:32] | Well, it turns out all the gifts I need are actually right here. | |
| [22:37] | Oh! | |
| [22:38] | Wait. You mean us, right? | |
| [22:40] | Yes, you guys. | |
| [22:42] | That is so sweet. | |
| [22:44] | But FYI, I am still expecting that bottle of Robaire Lattaire perfume. | |
| [22:47] | Guys, the tree looks really good, but I’m seeing a few empty spots. | |
| [22:50] | Let’s get to work, people. | |
| [22:52] | Okay, the boss is here. | |
| [22:54] | Pass ’em on down. |