| 时间 | 英文 | 中文 |
|---|---|---|
| [00:08] | Hey! | |
| [00:09] | Hey, Victor. What are you doing? | |
| [00:12] | What’s it look like I’m doing? I’m showering. | |
| [00:14] | Yes, I can see that. | |
| [00:16] | But I really don’t think you should be taking advantage | |
| [00:18] | of Calvin’s property like this. | |
| [00:19] | It’s… it’s not right. | |
| [00:21] | Well, I’m on Calvin’s property, | |
| [00:22] | but I’m using your water. | |
| [00:24] | Does that make you feel any better? | |
| [00:25] | No, it does not make me feel any better. | |
| [00:28] | Victor. | |
| [00:29] | I know you’re not taking a shower in my yard. | |
| [00:31] | He sure is, but you know what, | |
| [00:33] | if it makes you feel any better, he’s using my water. | |
| [00:36] | It would make me feel better if he was wearing pants. | |
| [00:42] | Let me get my paper, man. | |
| [00:44] | Oh, hey, hey, man. That’s my towel. | |
| [00:45] | And that’s my loofah, but you can keep that. | |
| [00:49] | ♪ Welcome to the block, welcome to the neighborhood ♪ | |
| [00:51] | ♪ Welcome to the hood. | |
| [00:56] | Oh, what?Yeah, and then he had the nerve | |
| [00:58] | to ask me for a towel. | |
| [01:02] | Man, ever since Crackhead Victor lost his house, | |
| [01:05] | he has taken his antics to a whole new level. | |
| [01:07] | Yeah. | |
| [01:08] | Yeah, if only there was a… | |
| [01:09] | a strong Black man who could talk to him. | |
| [01:12] | You know, someone in the neighborhood | |
| [01:13] | who everyone looks up to, | |
| [01:15] | and who just loves getting in other people’s business. | |
| [01:17] | [Malcolm clears throat] | |
| [01:20] | Nope, nope, not gonna happen. | |
| [01:23] | Every time I try to help him, I always get burned. | |
| [01:26] | Last time, | |
| [01:27] | he stole the seats out my truck. | |
| [01:29] | Had to drive to work in a lawn chair. | |
| [01:31] | Come on, Dave. We out of here. | |
| [01:34] | [murmuring] | |
| [01:36] | [entry bells jingle] | |
| [01:39] | Hey, guys. | |
| [01:41] | ALL: Hey, Keisha! | |
| [01:44] | Hey, Uncle Que. | |
| [01:46] | Yo, I heard Keisha just broke up with Big Time Slim. | |
| [01:49] | Okay, I have always had a crush on her. | |
| [01:52] | And now that we’re a little bit older, | |
| [01:53] | it’s finally time for me to shoot my shot. | |
| [01:54] | [laughing] | |
| [01:59] | Listen, save your marshmallow bullets, Cupid. | |
| [02:01] | TREY: Right.You’re not exactly Keisha’s type, bro. | |
| [02:04] | Yeah, man, she likes rappers. You know, thugs. | |
| [02:06] | Dudes with tattoos and swag. | |
| [02:09] | You know, basically everything opposite of you. | |
| [02:11] | Yeah. | |
| [02:12] | Trust me, I’ll get my chance. | |
| [02:14] | And when I do, I’ll be ready. | |
| [02:16] | [chuckles]: Okay. | |
| [02:17] | Bye, Uncle Que. | |
| [02:22] | Thanks, Marty. | |
| [02:23] | [giggling] | |
| [02:25] | [clears throat] Top of the morning to ya! | |
| [02:27] | Oh. | |
| [02:33] | [laughter] | |
| [02:39] | Well, this has gone too far. | |
| [02:42] | So, Gemma, what’s got your husband’s tight khakis | |
| [02:44] | in a bunch? | |
| [02:46] | We just found Victor napping in our car. | |
| [02:49] | What? | |
| [02:50] | Yeah, he says the pine smell helps | |
| [02:51] | with his allergies. | |
| [02:54] | Aw… Calvin, honey. | |
| [02:56] | I think it’s time for you to talk to Victor again. | |
| [02:58] | No, babe. | |
| [02:59] | I’ve been down that road with him too many times. | |
| [03:02] | It’s a dead end. | |
| [03:03] | Calvin, you watched Victor grow up. | |
| [03:06] | He was like a nephew to you. | |
| [03:08] | Wow, I didn’t know you and Victor were that close. | |
| [03:10] | Oh, are you kidding me? | |
| [03:11] | Calvin loved Victor so much, | |
| [03:13] | that when Victor wanted to become a barber, | |
| [03:15] | Calvin let him practice on his hair. | |
| [03:17] | And it was that love that saved his behind | |
| [03:19] | when he pressed and curled my hair like Al Sharpton. | |
| [03:25] | Wait, so you guys knew Victor before he started using? | |
| [03:27] | Yeah. | |
| [03:29] | He got hooked after he was deployed to Afghanistan. | |
| [03:32] | Oh, what a shame. | |
| [03:34] | He risked his life for our country, | |
| [03:35] | and then he ended up on the streets. | |
| [03:37] | You know, the VA has a rehab program to help veterans. | |
| [03:40] | I could probably get him some help. | |
| [03:41] | Yeah, you know what, look, I can handle Victor. | |
| [03:43] | Calvin, you’ve done enough. | |
| [03:45] | I once helped my college roommate kick NoDoz. | |
| [03:52] | Calvin, please go save my man. | |
| [03:56] | Okay, Dave. | |
| [03:57] | Now listen, in order to help Victor, | |
| [04:00] | first we got to catch him.Mm-hmm. | |
| [04:01] | And when he’s using, he gets super skittish | |
| [04:03] | when he feels threatened, so… | |
| [04:05] | we got to treat him like a wild bear in a mosh pit. | |
| [04:09] | Calvin, I got this. | |
| [04:10] | People don’t call me Speedy Johnson for nothing. | |
| [04:13] | Nobody calls you Speedy Johnson. | |
| [04:15] | Everybody calls me Speedy Johnson. Oh, my… | |
| [04:20] | Okay, here comes Victor. | |
| [04:22] | Remember what I said. Don’t move. | |
| [04:24] | Hey, Victor. | |
| [04:25] | Uh… | |
| [04:26] | can I talk to you for a second? | |
| [04:31] | Go! Go, go, Speedy! | |
| [04:39] | Victor, get back here! | |
| [04:46] | No, Victor, no. | |
| [04:48] | Victor! | |
| [05:02] | Yeah, I wouldn’t do that if I were you. | |
| [05:03] | I got him. | |
| [05:07] | [Dave groans] | |
| [05:12] | Nice haircut, man.Thanks. | |
| [05:21] | What just happened? | |
| [05:22] | Crack, Dave. Crack happened. | |
| [05:25] | All right,come on. | |
| [05:27] | Mmm, you know what this cupcake needs? | |
| [05:29] | A paying customer? | |
| [05:33] | Sorry. | |
| [05:34] | I’m just always hungry all the time. | |
| [05:36] | I’m eating for two. | |
| [05:38] | Yeah, well, right now you’re eating for free. | |
| [05:43] | Oh, I’m so happy you’re both here. | |
| [05:45] | I’m looking for some fashion advice | |
| [05:46] | from some cool, hip women. | |
| [05:48] | Oh, thank you, baby.OH, that’s so sweet. | |
| [05:49] | Yeah, but since I couldn’t find any, | |
| [05:51] | I thought I’d come to you two. | |
| [05:53] | Talk fast, boy. | |
| [05:54] | Okay, okay. Uh… | |
| [05:56] | It’s time for me to go in a new direction, | |
| [05:59] | clothes-wise. | |
| [06:00] | I love any kind of makeover. | |
| [06:02] | Makeup, clothes, bathrooms. | |
| [06:04] | I live for a reveal. | |
| [06:05] | Okay, well, | |
| [06:07] | are you up-to-date on the latest street fashion? | |
| [06:09] | I’m gonna have to do some light Instagram stalking, | |
| [06:12] | but I am sure I can figure it out.Okay. | |
| [06:15] | Well, since I’ve got these cupcake orders to fill, | |
| [06:17] | I’m gonna leave my baby in your hands. | |
| [06:18] | [gasps] | |
| [06:19] | Oh, hell nah! | |
| [06:26] | First, you eat up all my cupcakes, | |
| [06:28] | and then you turn my son into one of the Migos. | |
| [06:33] | BOTH: Nailed it! | |
| [06:34] | [chuckles] | |
| [06:36] | [whooping] | |
| [06:38] | [laughs] | |
| [06:40] | Gemma got your boy nice. No cap, Tina. | |
| [06:45] | You call me Tina again, I’m-a cap that ass. | |
| [06:48] | I’m sorry, Mama.Yeah. | |
| [06:51] | Since we can’t outrun him, we got to outthink him. | |
| [06:54] | All right? Give me your sunglasses, | |
| [06:56] | your phone and your wallet. | |
| [06:58] | [quietly]: Okay, come on. | |
| [07:10] | All right. | |
| [07:12] | There. | |
| [07:13] | The crackhead trap is set. | |
| [07:16] | Okay, here he comes, here he comes. | |
| [07:18] | Hide, hide. | |
| [07:33] | Gotcha. | |
| [07:35] | All right, let me out of here, man. | |
| [07:37] | All right, look, Victor, | |
| [07:38] | all we want to do is talk, man. | |
| [07:41] | Okay, come on, Victor. | |
| [07:42] | I can always get another lamp. | |
| [07:47] | No, no, no! No! | |
| [07:49] | Not my Ed Sheeran autographed ukulele. | |
| [07:52] | Victor, listen to me, man. | |
| [07:53] | You better get off that table. | |
| [07:54] | You can’t tell me what to do! | |
| [07:55] | I’m a grown man! | |
| [07:56] | What’s going on? | |
| [07:58] | Why is Victor on my table? | |
| [08:00] | Boy, if you don’t get down… | |
| [08:03] | I’m gonna give you everything your butt signed up for. | |
| [08:06] | Yes, ma’am. | |
| [08:09] | I’m talking about everything your butt signed up for. | |
| [08:18] | Man, when are they gonna get here? | |
| [08:20] | I’m ready to get this intervention on. | |
| [08:22] | Trey, why are you so excited about Victor’s intervention? | |
| [08:25] | Because for the first time, I’m on the other side, player. | |
| [08:27] | [chuckling]: Oh, yerp. | |
| [08:29] | What up, yo? | |
| [08:31] | Hey, hey, hey, hey. Sorry, man. | |
| [08:33] | The barbershop is closed. | |
| [08:34] | Malcolm, it’s me, Marty. | |
| [08:37] | I know it’s you, Marty. | |
| [08:39] | I’m pretending I don’t know you. | |
| [08:41] | Man, go home and change! | |
| [08:42] | Hey, hey, hey, hey. Don’t hate, man. | |
| [08:44] | I have the look of the Migos with the attitude of Ice Cube. | |
| [08:48] | You look like a wide receiver on draft day. | |
| [08:52] | What is this all about, Marty? | |
| [08:53] | Hey, man, just… | |
| [08:56] | [chuckles] Never mind. | |
| [08:59] | Marty? | |
| [09:01] | [scoffs] Is that you? | |
| [09:03] | Yeah, fo sho, baby. | |
| [09:05] | [chuckles] Fo sho. | |
| [09:06] | But the streets call me Big Mar. | |
| [09:08] | [chuckles] | |
| [09:10] | This is a way different look | |
| [09:12] | than what you were sporting earlier. | |
| [09:14] | Uh, yeah, that-that’s because | |
| [09:16] | you caught me in my court outfit. | |
| [09:17] | You see… | |
| [09:19] | [Jamaican accent]: a bad man got caught | |
| [09:20] | for doing bad men things. | |
| [09:22] | [laughing] | |
| [09:23] | It’s like watching Al Roker try to Crip Walk. | |
| [09:27] | Yeah, you need to get with a real G like me, | |
| [09:28] | because I move in silence. | |
| [09:30] | Like the “G” in “lasagna.” | |
| [09:33] | So, can a bad man walk a girl home? | |
| [09:37] | [chuckles]: Fo sho. | |
| [09:40] | Like the song says, “Today was a good day.” | |
| [09:43] | ♪ | |
| [09:47] | Where is it? | |
| [09:49] | Well, Victor, I lied to you. | |
| [09:51] | There is no cotton candy. | |
| [09:53] | I knew it. | |
| [09:54] | Okay, come on, man. | |
| [09:56] | Look, I had to get you to your intervention somehow. | |
| [09:58] | Victor, we know what you’ve been through. | |
| [10:01] | This is a chance for you to tell all of us how you feel. | |
| [10:06] | You don’t care how I feel. | |
| [10:08] | When y’all look at me, all you see is Crackhead Victor. | |
| [10:11] | You know what, that’s it, guys. | |
| [10:13] | First, we got to stop calling him Crackhead Victor. | |
| [10:16] | All right? Addiction is an illness. | |
| [10:18] | It’s not who he is. | |
| [10:21] | Look, Vic. | |
| [10:23] | I know you feel like no one understands you. | |
| [10:25] | That’s exactly how I felt when I came home from Iraq. | |
| [10:28] | Hold up, you’re a veteran, too? | |
| [10:31] | Yeah. | |
| [10:32] | So I know firsthand how hard it can be | |
| [10:34] | to adjust to civilian life. | |
| [10:36] | Look, PTSD, it affects all of us differently, | |
| [10:38] | but you got to know, you’re not alone. | |
| [10:41] | Nobody asked anyone to worry about me. | |
| [10:43] | Yet here we all are. | |
| [10:48] | Dave, tell him the plan. | |
| [10:49] | All right, well, look, it wasn’t easy. | |
| [10:51] | I made a ton of calls, and all the rehab beds | |
| [10:54] | were taken in the neighboring VA hospitals. | |
| [10:56] | But I was able to find you a bed | |
| [10:59] | an hour away in Loma Linda, | |
| [11:02] | if… if you’re ready. | |
| [11:06] | Look, man, we’ve all been working really hard | |
| [11:08] | to get you back to the old Victor. | |
| [11:12] | Newsflash, Calvin. | |
| [11:14] | The old Victor’s gone. | |
| [11:17] | I left him back in Afghanistan. | |
| [11:19] | I came back to nothing but pain. | |
| [11:22] | My parents died. | |
| [11:23] | I lost my friends. | |
| [11:26] | I lost myself. | |
| [11:29] | The only thing that can help me with that pain: | |
| [11:31] | drugs. | |
| [11:34] | Hey, Victor, look, all my pops is trying to say… | |
| [11:37] | I know what he’s trying to say. | |
| [11:39] | But I ain’t trying to hear it right now. | |
| [11:41] | Victor, I swear, if you walk out that door, | |
| [11:43] | I’m done with you. | |
| [11:48] | Victor. | |
| [11:50] | Come on. | |
| [11:59] | [gunfire on TV] | |
| [12:03] | Ooh… | |
| [12:05] | That movie went hard, right? | |
| [12:07] | [chuckles forcefully] Yeah. Yeah. | |
| [12:09] | You know, I give it two guns up. | |
| [12:11] | Pow, pow. [laughs] | |
| [12:15] | You know, when we were younger, | |
| [12:17] | I always thought you were cute. | |
| [12:19] | Just a little too nice and soft, if you know what I mean. | |
| [12:22] | Oh, yeah. I hear you. I hear you. | |
| [12:24] | But, you know, maybe sometimes being nice and soft | |
| [12:28] | isn’t so bad. | |
| [12:30] | Maybe. | |
| [12:31] | But I like roughnecks like you. | |
| [12:33] | [chuckles]: Oh… Yeah, yeah. | |
| [12:35] | [giggling]: That tickles. | |
| [12:39] | Tell me, Big Mar. | |
| [12:41] | What’s the baddest thing you’ve ever done? | |
| [12:44] | Oh, uh… | |
| [12:46] | [chuckles, scoffs] | |
| [12:48] | Hmm… | |
| [12:50] | I mean… | |
| [12:52] | One time, | |
| [12:54] | I took spare change and threw it in a sacred well. | |
| [12:58] | Oh. “Spare Change” is a rapper’s name, right? | |
| [13:01] | Yes. Yeah, yeah. | |
| [13:03] | Uh, yeah, yeah, let me straighten it out for you, baby. | |
| [13:05] | Okay. So, Lil Spare Change was a wannabe rapper. | |
| [13:07] | I took him and DJ Dollar Bill and threw them in that well. | |
| [13:11] | [chuckles] You feel me? | |
| [13:13] | I feel you, Big Mar. Ooh. | |
| [13:16] | I feel you. | |
| [13:18] | [chuckles] | |
| [13:20] | Errbody do, baby. | |
| [13:21] | [chuckles] | |
| [13:22] | Errbody. | |
| [13:27] | Hey, hey, what you ladies up to? | |
| [13:29] | Oh, just looking through old photos of the neighborhood. | |
| [13:33] | You know, people, places, Victor. | |
| [13:36] | Oh, no. | |
| [13:38] | Look, I’ve done everything I can. | |
| [13:40] | Even Dave tried. You-you were there. | |
| [13:42] | He almost lost his baby guitar. | |
| [13:45] | I hear what you’re saying, but, aw… | |
| [13:48] | look at this old picture of Victor and Calvin. | |
| [13:51] | Aw, Victor looks so good there. [laughs] | |
| [13:54] | Ah. Aw. | |
| [13:56] | You remember that day? | |
| [13:57] | [scoffs] | |
| [13:58] | Yeah. Of course. | |
| [14:01] | This was Victor’s senior prom. | |
| [14:02] | He didn’t have money for a limo, | |
| [14:04] | so I rented a tux and chauffeured him and his date. | |
| [14:08] | That’s so sweet of you. | |
| [14:10] | Yeah. After that, Victor signed up for the Army. | |
| [14:13] | You were so proud of him. | |
| [14:15] | Yeah. | |
| [14:17] | I was. | |
| [14:18] | [car alarm blaring] | |
| [14:20] | Ooh, let me get my bat. | |
| [14:21] | Oh, it’s just Victor. | |
| [14:23] | Oh, well, shouldn’t you turn your alarm off? | |
| [14:26] | No, he’s got the code. | |
| [14:27] | He’ll leave once his sinuses clear up. | |
| [14:30] | [car alarm stops] | |
| [14:32] | Okay, I, um… | |
| [14:33] | I need you to do me a favor, baby. | |
| [14:35] | I need you to take these to Victor. | |
| [14:36] | Oh, no. Come on, Tina. | |
| [14:38] | No, no. | |
| [14:40] | I’ve done all I could do for this guy. | |
| [14:41] | I’m not going back out there. Forget about it. | |
| [14:43] | Come on, baby. If you do it, | |
| [14:45] | I’ll act like it’s your birthday tonight. | |
| [14:52] | O-Okay. | |
| [14:54] | But I still get my real birthday, too, right? | |
| [14:57] | Oh, most definitely. | |
| [15:02] | Victor. | |
| [15:04] | Come on, man. Open up. | |
| [15:06] | [sniffs] Mmm. | |
| [15:08] | Pine. That does smell nice. | |
| [15:11] | Look, Tina wanted me to give you this. | |
| [15:14] | I’m out. | |
| [15:16] | Hey, hey, wait, wait, wait. | |
| [15:18] | What’s-what’s this? | |
| [15:20] | I don’t know. Tina must’ve put it in your bag. | |
| [15:22] | Yeah, I remember this. | |
| [15:24] | My dad’s lawn mower had broken down, | |
| [15:26] | and instead of taking it to the repair shop, | |
| [15:27] | you taught me how to fix it. | |
| [15:29] | Oh, yeah. Yeah. | |
| [15:32] | And you used that lawn mower to start cutting grass | |
| [15:34] | in the neighborhood and make yourself some money. | |
| [15:36] | Bought your first pair of Jordans. | |
| [15:38] | Sure did. | |
| [15:40] | Only for them to be stolen by a crackhead. | |
| [15:42] | The irony. Hmm. | |
| [15:45] | Yeah. | |
| [15:49] | I didn’t ask to be this way, Calvin. | |
| [15:52] | Not everyone wins at life. | |
| [15:55] | Look, Victor. | |
| [15:57] | Everybody has a story to tell, man. | |
| [16:00] | And luckily for me, I’ve been a part of yours. | |
| [16:03] | I remember when you were that scrawny little kid | |
| [16:05] | who just moved into this neighborhood. | |
| [16:08] | I remember taking you to get ice cream | |
| [16:10] | when you got straight A’s in middle school. | |
| [16:13] | Or hiding you from your mama when you threw that boomerang | |
| [16:15] | through her picture window.[laughs] | |
| [16:17] | Tore my butt up twice when she found me, too. | |
| [16:20] | [both chuckle] | |
| [16:24] | I miss you, Mama. | |
| [16:29] | Look, man. | |
| [16:31] | I don’t care about all the stuff you’ve done. | |
| [16:34] | All right, I know you. | |
| [16:36] | The real you. | |
| [16:38] | And, uh… | |
| [16:42] | Well, I love you too much | |
| [16:43] | for this to be how your story ends. | |
| [16:46] | But… | |
| [16:47] | that’s not up to me. | |
| [16:50] | It’s your story. | |
| [16:57] | Tonight was on point,Big Mar. | |
| [16:59] | Oh, yeah, you know, | |
| [17:01] | the best part of the night for me was… | |
| [17:04] | That part. | |
| [17:07] | Mmm, cherry. [chuckles] | |
| [17:09] | Good night, Big Mar. | |
| [17:11] | Uh, yeah, good, uh, good night, Kiki. | |
| [17:16] | [exhales sharply] | |
| [17:18] | [whooping] | |
| [17:23] | [chuckling] | |
| [17:26] | So, how was your date, Nice Cube? | |
| [17:30] | Man, it was exhausting. | |
| [17:32] | I had no idea it was so hard being so hard. | |
| [17:38] | All right, check this, little bro. | |
| [17:40] | I know that Keisha has been | |
| [17:42] | your most wanted since we were kids…Yeah. | |
| [17:45] | But, Marty, you don’t want a woman | |
| [17:46] | who doesn’t dig you for you. | |
| [17:48] | [groans] You’re right. | |
| [17:50] | And-and I-I plan on coming clean to Keisha, | |
| [17:53] | once we’re married and have our twins, Luke and Leia. | |
| [17:56] | Look, man, you are my little brother, | |
| [17:59] | and I don’t just love you, I like you. | |
| [18:01] | And I would hope that any woman you end up with | |
| [18:04] | would love you and like you, too. | |
| [18:07] | [sighs] All right, man. | |
| [18:09] | [grunts] | |
| [18:11] | God, | |
| [18:12] | if Keisha is for me, give me a sign. | |
| [18:15] | [knocking] | |
| [18:19] | [chuckles] | |
| [18:21] | The Lord has spoken. | |
| [18:24] | Hey, I just got invited to a release party, | |
| [18:26] | and there’s only one bad boy I want by my side. | |
| [18:29] | Oh, hell yeah, girl, I love album release parties. | |
| [18:31] | [chuckles] You’re so funny. | |
| [18:33] | It’s not an album release party. | |
| [18:35] | This is a prison release party. | |
| [18:36] | What? | |
| [18:38] | Lil Murder Junior just got out. | |
| [18:39] | But his name is Lil Murder Junior! | |
| [18:41] | Technicality. | |
| [18:44] | It’s okay if I go freshen up? | |
| [18:47] | What? | |
| [18:48] | [singsongy]: Technicality. | |
| [18:55] | Morning, Calvin. | |
| [18:58] | You want some help getting him off your porch? | |
| [19:00] | Nah. Just let him sleep it off. | |
| [19:05] | Okay, I’m ready. | |
| [19:07] | Ready for what? | |
| [19:09] | I’m ready to get help. | |
| [19:11] | Uh… | |
| [19:13] | Did I hear what I thought I just heard? | |
| [19:15] | Yeah, Dave. | |
| [19:16] | My man Victor here said he’s ready to get help. | |
| [19:19] | Our man is ready to get help. | |
| [19:22] | BOTH: Our man is ready to get help!Guys! | |
| [19:24] | This ain’t helping. | |
| [19:27] | Hold on. Let me grab my keys. | |
| [19:29] | Be right back.All right, well, come on. Hurry up. | |
| [19:33] | Hey, hey, hey. Ain’t you gonna get dressed first? | |
| [19:34] | You can’t waste time when a man is ready. | |
| [19:36] | Victor, you are in good hands with me and Calvin. | |
| [19:39] | We got you. | |
| [19:42] | [engine starts] | |
| [19:44] | Hey, hey, hey, hey. | |
| [19:46] | Yeah, all right. Well, back it up. | |
| [19:53] | Okay, now we got you. | |
| [19:57] | It’s true. And then, | |
| [19:58] | at the party, guns start going off, | |
| [20:00] | so I hit the ground, and Keisha says, | |
| [20:02] | “Real men don’t duck.” | |
| [20:03] | [laughter] | |
| [20:06] | Well, sounds like it’s bye-bye, thug life, | |
| [20:08] | and hello, Star Trekmarathon. | |
| [20:10] | [chuckles]: Man, hey, that’s right, baby. | |
| [20:12] | The geek is back.[chuckling] | |
| [20:15] | Well, we knew that when you walked in in that sweater. | |
| [20:17] | [laughter] | |
| [20:22] | Hon, you don’t have to jump a car. | |
| [20:24] | No man living off of crack and Now and Laters | |
| [20:25] | is gonna outdo me. | |
| [20:27] | You know what, she’s right, man. Yeah. | |
| [20:29] | Don’t do it.Eh? | |
| [20:30] | Until I get my camera ready. | |
| [20:31] | Baby!Calvin! | |
| [20:32] | No, this is gonna be good. | |
| [20:34] | Oh, my gosh.[groans] All right. | |
| [20:35] | Okay.Go! Yeah. Yeah. Oh, baby. | |
| [20:37] | Yeah. WorldStar! | |
| [20:39] | [groans] | |
| [20:44] | Aw, man. | |
| [20:47] | I didn’t press record. | |
| [20:49] | You gonna have to do it again. | |
| [21:00] | Captioned by Media Access Group at WGBH access.wgbh.org |